Songs like I'd Like to Trim a Tree With You by The McGuire Sisters
Based on a tempo of (+/- 10%) and a similar genre
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Lawrence Welk
Don't Sweetheart Me
164 bpm • G Maj • 02:43 • -12.63db
10% Popularity • 73% Danceability • 26% Energy • 5% Liveness
7% Instrumentalness • 80% Positiveness
10% Popularity • 73% Danceability • 26% Energy • 5% Liveness
7% Instrumentalness • 80% Positiveness
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Guy Lombardo
Get out Those Old Records
164 bpm • F Maj • 02:19 • -11.89db
22% Popularity • 74% Danceability • 21% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
22% Popularity • 74% Danceability • 21% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
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Dion & The Belmonts
When The Red, Red Robin Comes Bob, Bob, ...
164 bpm • G Maj • 02:01 • -4.25db
27% Popularity • 34% Danceability • 72% Energy • 72% Liveness
0% Instrumentalness • 93% Positiveness
27% Popularity • 34% Danceability • 72% Energy • 72% Liveness
0% Instrumentalness • 93% Positiveness
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Joni James
Why Don't You Believe Me
163 bpm • D# Maj • 02:56 • -7.22db
16% Popularity • 17% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
16% Popularity • 17% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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The Crew Cuts
Gum Drop
162 bpm • C# Maj • 02:38 • -6.41db
3% Popularity • 58% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
3% Popularity • 58% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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The McGuire Sisters
Tenderly
166 bpm • A# Maj • 02:50 • -12.68db
2% Popularity • 20% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
2% Popularity • 20% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
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The Crew Cuts
Honey Hair, Sugar Lips, Eyes Of Blue
162 bpm • G Maj • 02:06 • -8.69db
3% Popularity • 52% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 89% Positiveness
3% Popularity • 52% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 89% Positiveness
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Jeanne Black
He'll Have To Stay
166 bpm • A# Maj • 02:44 • -9db
33% Popularity • 35% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
33% Popularity • 35% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Harry Babbitt
On A Slow Boat To China
168 bpm • G Maj • 03:17 • -9.45db
28% Popularity • 48% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
28% Popularity • 48% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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The Dinning Sisters
Fun and Fancy Free
160 bpm • A min • 02:40 • -14.6db
12% Popularity • 78% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
12% Popularity • 78% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
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Jane Morgan
Fascination
169 bpm • F Maj • 02:24 • -16.62db
28% Popularity • 12% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
28% Popularity • 12% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Guy Lombardo
The Band Played On
168 bpm • G# Maj • 02:31 • -11.99db
32% Popularity • 59% Danceability • 15% Energy • 17% Liveness
1% Instrumentalness • 74% Positiveness
32% Popularity • 59% Danceability • 15% Energy • 17% Liveness
1% Instrumentalness • 74% Positiveness
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Betty Hutton
Stuff Like That There
159 bpm • A# Maj • 02:59 • -9.74db
17% Popularity • 59% Danceability • 27% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
17% Popularity • 59% Danceability • 27% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
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Connie Stevens
Hey, Good Lookin'
159 bpm • C Maj • 01:57 • -10.44db
10% Popularity • 52% Danceability • 38% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
10% Popularity • 52% Danceability • 38% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
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Sarah Vaughan
Passing Strangers
170 bpm • C# Maj • 02:41 • -11.94db
37% Popularity • 21% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
37% Popularity • 21% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
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The McGuire Sisters
Bye Bye Blackbird
170 bpm • D# Maj • 02:10 • -9.3db
10% Popularity • 40% Danceability • 50% Energy • 41% Liveness
0% Instrumentalness • 93% Positiveness
10% Popularity • 40% Danceability • 50% Energy • 41% Liveness
0% Instrumentalness • 93% Positiveness
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Georgia Gibbs
Tweedle Dee
170 bpm • C Maj • 02:34 • -3.73db
10% Popularity • 66% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
10% Popularity • 66% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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Billy Eckstine
I Apologize
170 bpm • C# Maj • 02:51 • -10.07db
27% Popularity • 18% Danceability • 37% Energy • 6% Liveness
5% Instrumentalness • 20% Positiveness
27% Popularity • 18% Danceability • 37% Energy • 6% Liveness
5% Instrumentalness • 20% Positiveness
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The Five Keys
Let There Be You
170 bpm • F Maj • 02:31 • -10.8db
17% Popularity • 27% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
17% Popularity • 27% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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The Fontane Sisters
Seventeen
171 bpm • F# Maj • 02:04 • -8.49db
9% Popularity • 55% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
9% Popularity • 55% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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The Clovers
Love Love Love
171 bpm • F# Maj • 02:05 • -14.94db
20% Popularity • 59% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
20% Popularity • 59% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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Malcolm Vaughan
Ev'ry Day of My Life
172 bpm • F Maj • 02:33 • -10.02db
19% Popularity • 21% Danceability • 20% Energy • 19% Liveness
0% Instrumentalness • 31% Positiveness
19% Popularity • 21% Danceability • 20% Energy • 19% Liveness
0% Instrumentalness • 31% Positiveness
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Dodie Stevens
Pink Shoe Laces
171 bpm • F min • 02:25 • -10db
30% Popularity • 66% Danceability • 61% Energy • 29% Liveness
0% Instrumentalness • 90% Positiveness
30% Popularity • 66% Danceability • 61% Energy • 29% Liveness
0% Instrumentalness • 90% Positiveness
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David Whitfield
My September Love
172 bpm • F min • 02:46 • -10.19db
21% Popularity • 18% Danceability • 35% Energy • 30% Liveness
0% Instrumentalness • 12% Positiveness
21% Popularity • 18% Danceability • 35% Energy • 30% Liveness
0% Instrumentalness • 12% Positiveness
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Alma Cogan
Dreamboat
172 bpm • F Maj • 01:47 • -12db
39% Popularity • 65% Danceability • 30% Energy • 34% Liveness
0% Instrumentalness • 86% Positiveness
39% Popularity • 65% Danceability • 30% Energy • 34% Liveness
0% Instrumentalness • 86% Positiveness
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The Fontane Sisters
Hearts of Stone
172 bpm • F Maj • 02:07 • -8.74db
22% Popularity • 66% Danceability • 56% Energy • 39% Liveness
0% Instrumentalness • 97% Positiveness
22% Popularity • 66% Danceability • 56% Energy • 39% Liveness
0% Instrumentalness • 97% Positiveness
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The Four Lads
Fly Me To The Moon (In Other Words)
172 bpm • G Maj • 02:56 • -11.64db
16% Popularity • 16% Danceability • 32% Energy • 37% Liveness
0% Instrumentalness • 31% Positiveness
16% Popularity • 16% Danceability • 32% Energy • 37% Liveness
0% Instrumentalness • 31% Positiveness
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Guy Lombardo
It's Love-Love-Love
173 bpm • A# Maj • 02:28 • -11.96db
25% Popularity • 72% Danceability • 43% Energy • 10% Liveness
64% Instrumentalness • 97% Positiveness
25% Popularity • 72% Danceability • 43% Energy • 10% Liveness
64% Instrumentalness • 97% Positiveness
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Jack Jones
Fly Me To The Moon (In Other Words)
174 bpm • C Maj • 02:57 • -13.22db
30% Popularity • 14% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
30% Popularity • 14% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Sammy Kaye
Daddy
154 bpm • A# Maj • 02:55 • -11.89db
25% Popularity • 68% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
25% Popularity • 68% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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The McGuire Sisters
Somebody Loves Me
154 bpm • C# Maj • 02:00 • -11.07db
5% Popularity • 43% Danceability • 20% Energy • 34% Liveness
0% Instrumentalness • 43% Positiveness
5% Popularity • 43% Danceability • 20% Energy • 34% Liveness
0% Instrumentalness • 43% Positiveness
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Peggy Lee With The Benny Goodman Orchestra
The Freedom Train
154 bpm • C# Maj • 03:12 • -11.13db
13% Popularity • 56% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
13% Popularity • 56% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Buddy Greco
I'm in Love
175 bpm • C Maj • 01:31 • -11.49db
34% Popularity • 30% Danceability • 54% Energy • 81% Liveness
0% Instrumentalness • 80% Positiveness
34% Popularity • 30% Danceability • 54% Energy • 81% Liveness
0% Instrumentalness • 80% Positiveness
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Bob Crosby
Bye Bye Baby
175 bpm • G# Maj • 01:46 • -10db
35% Popularity • 52% Danceability • 31% Energy • 30% Liveness
4% Instrumentalness • 79% Positiveness
35% Popularity • 52% Danceability • 31% Energy • 30% Liveness
4% Instrumentalness • 79% Positiveness
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Johnnie Ray
Please, Mr. Sun
176 bpm • E min • 02:57 • -16.1db
27% Popularity • 34% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
27% Popularity • 34% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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The Ames Brothers
The Man with the Banjo
153 bpm • A# Maj • 02:53 • -12.16db
22% Popularity • 33% Danceability • 32% Energy • 26% Liveness
28% Instrumentalness • 62% Positiveness
22% Popularity • 33% Danceability • 32% Energy • 26% Liveness
28% Instrumentalness • 62% Positiveness
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Betty Hutton
Doctor, Lawyer, Indian Chief
176 bpm • G# Maj • 03:06 • -10db
36% Popularity • 70% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
36% Popularity • 70% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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The Diamonds
Little Darlin'
153 bpm • F# Maj • 02:09 • -10.1db
47% Popularity • 63% Danceability • 61% Energy • 19% Liveness
20% Instrumentalness • 64% Positiveness
47% Popularity • 63% Danceability • 61% Energy • 19% Liveness
20% Instrumentalness • 64% Positiveness
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Georgia Gibbs
Kiss Me Another
177 bpm • G min • 02:16 • -9.71db
13% Popularity • 51% Danceability • 51% Energy • 73% Liveness
0% Instrumentalness • 86% Positiveness
13% Popularity • 51% Danceability • 51% Energy • 73% Liveness
0% Instrumentalness • 86% Positiveness
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The McGuire Sisters
No More
177 bpm • G# Maj • 02:12 • -8.5db
14% Popularity • 53% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
14% Popularity • 53% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
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Guy Lombardo
Five Foot Two Eyes of Blue
178 bpm • D min • 02:39 • -10.11db
15% Popularity • 56% Danceability • 25% Energy • 36% Liveness
1% Instrumentalness • 81% Positiveness
15% Popularity • 56% Danceability • 25% Energy • 36% Liveness
1% Instrumentalness • 81% Positiveness
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Jimmie Rodgers
Bimbombey
178 bpm • B Maj • 02:17 • -10.71db
24% Popularity • 54% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
24% Popularity • 54% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Dodie Stevens
To Know Him Is to Love Him
178 bpm • C Maj • 02:25 • -13db
28% Popularity • 48% Danceability • 20% Energy • 9% Liveness
4% Instrumentalness • 54% Positiveness
28% Popularity • 48% Danceability • 20% Energy • 9% Liveness
4% Instrumentalness • 54% Positiveness
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The Merry Macs
Praise the Lord and Pass the Ammunition
150 bpm • D Maj • 02:33 • -11.73db
30% Popularity • 67% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 84% Positiveness
30% Popularity • 67% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 84% Positiveness
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Betty Hutton
I Wake Up In The Morning Feeling Fine
149 bpm • C# Maj • 02:46 • -8.48db
14% Popularity • 64% Danceability • 22% Energy • 74% Liveness
0% Instrumentalness • 69% Positiveness
14% Popularity • 64% Danceability • 22% Energy • 74% Liveness
0% Instrumentalness • 69% Positiveness
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The McGuire Sisters
Blue Skies
178 bpm • G# Maj • 01:51 • -10.03db
9% Popularity • 53% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
9% Popularity • 53% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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Guy Lombardo
Boo Hoo
180 bpm • C Maj • 02:37 • -12.15db
20% Popularity • 59% Danceability • 20% Energy • 12% Liveness
1% Instrumentalness • 70% Positiveness
20% Popularity • 59% Danceability • 20% Energy • 12% Liveness
1% Instrumentalness • 70% Positiveness
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Joni James
You Belong to Me
148 bpm • C Maj • 02:58 • -15.36db
18% Popularity • 34% Danceability • 9% Energy • 40% Liveness
0% Instrumentalness • 34% Positiveness
18% Popularity • 34% Danceability • 9% Energy • 40% Liveness
0% Instrumentalness • 34% Positiveness
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Buddy Greco
Roses Of Picardy
183 bpm • G min • 02:25 • -11.27db
19% Popularity • 41% Danceability • 43% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
19% Popularity • 41% Danceability • 43% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
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The Merry Macs
Jingle Jangle Jingle (Alternate Take)
183 bpm • C# Maj • 02:53 • -14db
22% Popularity • 76% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
22% Popularity • 76% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Jack Jones
The Race Is On
183 bpm • F# Maj • 01:46 • -9.86db
29% Popularity • 42% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
29% Popularity • 42% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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The McGuire Sisters
It May Sound Silly
178 bpm • D# Maj • 02:50 • -10.18db
7% Popularity • 39% Danceability • 19% Energy • 31% Liveness
0% Instrumentalness • 39% Positiveness
7% Popularity • 39% Danceability • 19% Energy • 31% Liveness
0% Instrumentalness • 39% Positiveness
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Guy Lombardo
Enjoy Yourself (It's Later Than You Thin...
146 bpm • A# Maj • 03:20 • -11.09db
35% Popularity • 78% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
35% Popularity • 78% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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The Elegants
Little Star
145 bpm • A Maj • 02:42 • -9.56db
36% Popularity • 40% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
36% Popularity • 40% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Buddy Greco
Around the World
184 bpm • C Maj • 02:25 • -11db
34% Popularity • 42% Danceability • 59% Energy • 35% Liveness
0% Instrumentalness • 92% Positiveness
34% Popularity • 42% Danceability • 59% Energy • 35% Liveness
0% Instrumentalness • 92% Positiveness
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The Mystics
Hushabye
145 bpm • F Maj • 02:31 • -13.04db
29% Popularity • 44% Danceability • 34% Energy • 46% Liveness
0% Instrumentalness • 80% Positiveness
29% Popularity • 44% Danceability • 34% Energy • 46% Liveness
0% Instrumentalness • 80% Positiveness
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The Merry Macs
Jingle, Jangle, Jingle
183 bpm • C# Maj • 02:53 • -12db
26% Popularity • 75% Danceability • 30% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
26% Popularity • 75% Danceability • 30% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
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The McGuire Sisters
Sweet Song Of India
146 bpm • C Maj • 03:02 • -9.3db
5% Popularity • 50% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
5% Popularity • 50% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Brian Hyland
Let Me Belong To You
145 bpm • A# Maj • 03:06 • -13.05db
32% Popularity • 38% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
32% Popularity • 38% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Bob Hope
Buttons and Bows
144 bpm • C min • 03:00 • -12db
23% Popularity • 63% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
23% Popularity • 63% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Johnnie Ray
(Here Am I) Broken Hearted
186 bpm • A# Maj • 02:47 • -17.63db
16% Popularity • 34% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
16% Popularity • 34% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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The Mystics
Hushabye
145 bpm • F Maj • 02:33 • -7db
39% Popularity • 46% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
39% Popularity • 46% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
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Norman Wisdom
Don't Laugh at Me ('Cause I'm a Fool)
143 bpm • A# Maj • 03:36 • -13.06db
37% Popularity • 30% Danceability • 18% Energy • 33% Liveness
0% Instrumentalness • 16% Positiveness
37% Popularity • 30% Danceability • 18% Energy • 33% Liveness
0% Instrumentalness • 16% Positiveness
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The McGuire Sisters
All I Do Is Dream Of You
148 bpm • G# Maj • 02:09 • -9.25db
22% Popularity • 68% Danceability • 25% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
22% Popularity • 68% Danceability • 25% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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Betty Hutton
It's a Man
144 bpm • D Maj • 02:29 • -9.77db
24% Popularity • 64% Danceability • 30% Energy • 50% Liveness
0% Instrumentalness • 93% Positiveness
24% Popularity • 64% Danceability • 30% Energy • 50% Liveness
0% Instrumentalness • 93% Positiveness
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The Four Lads
Together Wherever We Go
143 bpm • G Maj • 02:43 • -12.66db
16% Popularity • 63% Danceability • 34% Energy • 42% Liveness
0% Instrumentalness • 71% Positiveness
16% Popularity • 63% Danceability • 34% Energy • 42% Liveness
0% Instrumentalness • 71% Positiveness
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Petula Clark
Baby Lover
143 bpm • F Maj • 02:26 • -10.7db
21% Popularity • 59% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
21% Popularity • 59% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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Johnny Tillotson
(Wait Til You See) My Gidget
142 bpm • A min • 01:59 • -7.64db
29% Popularity • 60% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
29% Popularity • 60% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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The Shirelles
I Met Him on a Sunday - Remastered
142 bpm • G Maj • 02:13 • -10.98db
23% Popularity • 55% Danceability • 51% Energy • 32% Liveness
0% Instrumentalness • 95% Positiveness
23% Popularity • 55% Danceability • 51% Energy • 32% Liveness
0% Instrumentalness • 95% Positiveness
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The McGuire Sisters
June Night
148 bpm • A# min • 02:11 • -9.6db
6% Popularity • 49% Danceability • 28% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
6% Popularity • 49% Danceability • 28% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
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Jimmie Rodgers
TLC Tender Love and Care
142 bpm • G# min • 02:18 • -12.67db
22% Popularity • 46% Danceability • 35% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
22% Popularity • 46% Danceability • 35% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
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Joni James
You're My Everything
190 bpm • G Maj • 02:28 • -15.65db
16% Popularity • 29% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
16% Popularity • 29% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
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The Del-Vikings
Come Along With Me
141 bpm • G Maj • 01:59 • -9.94db
22% Popularity • 57% Danceability • 39% Energy • 24% Liveness
0% Instrumentalness • 86% Positiveness
22% Popularity • 57% Danceability • 39% Energy • 24% Liveness
0% Instrumentalness • 86% Positiveness
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The Merry Macs
Mairzy Doats
141 bpm • C# Maj • 02:44 • -11.69db
34% Popularity • 79% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
34% Popularity • 79% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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The Crew Cuts
Oop-Shoop
140 bpm • G Maj • 02:25 • -8.66db
12% Popularity • 52% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
12% Popularity • 52% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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The McGuire Sisters
Muskrat Ramble
185 bpm • G Maj • 02:15 • -6.17db
14% Popularity • 52% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
14% Popularity • 52% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Betty Hutton
Hit The Road To Dreamland - 1995 Remaste...
140 bpm • C Maj • 01:59 • -12.52db
33% Popularity • 69% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
33% Popularity • 69% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Tommy Edwards
Isle Of Capri
139 bpm • D# Maj • 02:18 • -13.43db
36% Popularity • 59% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
36% Popularity • 59% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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The Five Satins
To the Aisle
196 bpm • F Maj • 02:44 • -10.02db
25% Popularity • 32% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
25% Popularity • 32% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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The Clovers
Blue Velvet
197 bpm • A# min • 02:37 • -20.4db
26% Popularity • 34% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
26% Popularity • 34% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Jane Morgan
Romantica
197 bpm • F Maj • 03:01 • -14.55db
11% Popularity • 19% Danceability • 26% Energy • 39% Liveness
0% Instrumentalness • 43% Positiveness
11% Popularity • 19% Danceability • 26% Energy • 39% Liveness
0% Instrumentalness • 43% Positiveness
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The McGuire Sisters
Sugartime
193 bpm • C Maj • 02:33 • -8db
36% Popularity • 41% Danceability • 58% Energy • 27% Liveness
0% Instrumentalness • 86% Positiveness
36% Popularity • 41% Danceability • 58% Energy • 27% Liveness
0% Instrumentalness • 86% Positiveness
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Jimmie Rodgers
Honeycomb
198 bpm • D Maj • 02:17 • -11.57db
41% Popularity • 55% Danceability • 46% Energy • 32% Liveness
0% Instrumentalness • 91% Positiveness
41% Popularity • 55% Danceability • 46% Energy • 32% Liveness
0% Instrumentalness • 91% Positiveness
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The Crests
Step By Step
200 bpm • C Maj • 02:31 • -12db
30% Popularity • 42% Danceability • 51% Energy • 24% Liveness
0% Instrumentalness • 93% Positiveness
30% Popularity • 42% Danceability • 51% Energy • 24% Liveness
0% Instrumentalness • 93% Positiveness
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The Five Satins
To the Aisle
197 bpm • F Maj • 02:45 • -12db
40% Popularity • 32% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
40% Popularity • 32% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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The Ames Brothers
Rag Mop
201 bpm • G Maj • 02:40 • -9.69db
15% Popularity • 59% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 98% Positiveness
15% Popularity • 59% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 98% Positiveness
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Georgia Gibbs
I Want You to Be My Baby
202 bpm • C min • 02:28 • -1.02db
4% Popularity • 49% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
4% Popularity • 49% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
