Songs like I'd Rather Go Blind by Etta James
Based on a tempo of (+/- 10%) and a similar genre
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Bill Withers
Can We Pretend
82 bpm • A Maj • 03:49 • -13.49db
53% Popularity • 60% Danceability • 31% Energy • 6% Liveness
20% Instrumentalness • 49% Positiveness
53% Popularity • 60% Danceability • 31% Energy • 6% Liveness
20% Instrumentalness • 49% Positiveness
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Johnny Mathis
Misty
82 bpm • G# Maj • 03:36 • -13.56db
55% Popularity • 22% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
55% Popularity • 22% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Chet Baker
It's Always You - Vocal Version
82 bpm • G# Maj • 03:35 • -22.31db
60% Popularity • 50% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
60% Popularity • 50% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Etta James
It Hurts Me So Much
82 bpm • G# min • 02:37 • -6.87db
41% Popularity • 62% Danceability • 49% Energy • 60% Liveness
0% Instrumentalness • 43% Positiveness
41% Popularity • 62% Danceability • 49% Energy • 60% Liveness
0% Instrumentalness • 43% Positiveness
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Nat King Cole
Smile - Remastered 1992
82 bpm • G# Maj • 02:59 • -19.18db
63% Popularity • 21% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
63% Popularity • 21% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Tommy James & The Shondells
Crimson and Clover (Single Version)
82 bpm • B Maj • 03:28 • -12.28db
62% Popularity • 40% Danceability • 59% Energy • 18% Liveness
3% Instrumentalness • 65% Positiveness
62% Popularity • 40% Danceability • 59% Energy • 18% Liveness
3% Instrumentalness • 65% Positiveness
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Bill Withers
Grandma's Hands
82 bpm • E min • 02:01 • -14.94db
69% Popularity • 73% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
69% Popularity • 73% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Édith Piaf
La vie en rose
83 bpm • G# Maj • 03:06 • -9db
62% Popularity • 39% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
62% Popularity • 39% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Bobby Darin
Mack the Knife
83 bpm • D# min • 03:04 • -12.29db
61% Popularity • 55% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
61% Popularity • 55% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
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Etta James
I'd Rather Go Blind
83 bpm • B min • 02:36 • -6.47db
79% Popularity • 48% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
79% Popularity • 48% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
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Perry Como
Papa Loves Mambo
81 bpm • C Maj • 02:42 • -10.07db
60% Popularity • 67% Danceability • 50% Energy • 40% Liveness
0% Instrumentalness • 75% Positiveness
60% Popularity • 67% Danceability • 50% Energy • 40% Liveness
0% Instrumentalness • 75% Positiveness
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The Isley Brothers
Footsteps in the Dark, Pts. 1 & 2
81 bpm • B min • 05:06 • -10.57db
63% Popularity • 68% Danceability • 37% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
63% Popularity • 68% Danceability • 37% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
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James Brown & The Famous Flames
It's A Man's, Man's, Man's World
81 bpm • D# min • 02:47 • -16.63db
66% Popularity • 54% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
66% Popularity • 54% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Buddy Holly
True Love Ways
83 bpm • A# Maj • 02:48 • -18.74db
57% Popularity • 28% Danceability • 14% Energy • 21% Liveness
6% Instrumentalness • 31% Positiveness
57% Popularity • 28% Danceability • 14% Energy • 21% Liveness
6% Instrumentalness • 31% Positiveness
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Bobby Vinton
Blue Velvet
81 bpm • A# Maj • 02:48 • -14.48db
53% Popularity • 42% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
53% Popularity • 42% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Etta James
One For My Baby (And One More For The Ro...
83 bpm • G Maj • 03:27 • -12.98db
34% Popularity • 41% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
34% Popularity • 41% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
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Norah Jones
The Nearness Of You
81 bpm • C Maj • 03:07 • -14.72db
61% Popularity • 38% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
61% Popularity • 38% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Janis Joplin
Cry Baby
83 bpm • C Maj • 03:58 • -9.65db
62% Popularity • 47% Danceability • 42% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
62% Popularity • 47% Danceability • 42% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
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Joe Cocker
You Are So Beautiful
83 bpm • C# Maj • 02:39 • -10.94db
70% Popularity • 30% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
70% Popularity • 30% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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Arthur Conley
Sweet Soul Music
80 bpm • F Maj • 02:21 • -9.67db
62% Popularity • 59% Danceability • 66% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
62% Popularity • 59% Danceability • 66% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
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Johnny Mathis
It's Not for Me to Say
81 bpm • G# Maj • 03:03 • -12.84db
45% Popularity • 33% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
45% Popularity • 33% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Etta James
Don't Lose Your Good Thing
81 bpm • A# Maj • 02:28 • -5.89db
35% Popularity • 46% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
35% Popularity • 46% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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The Platters
Only You (And You Alone)
84 bpm • D# Maj • 02:46 • -10.81db
63% Popularity • 39% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
63% Popularity • 39% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Janis Joplin
Maybe
83 bpm • G# Maj • 03:39 • -11.4db
61% Popularity • 40% Danceability • 35% Energy • 10% Liveness
4% Instrumentalness • 33% Positiveness
61% Popularity • 40% Danceability • 35% Energy • 10% Liveness
4% Instrumentalness • 33% Positiveness
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Dion
Runaround Sue
80 bpm • D Maj • 02:51 • -9.79db
71% Popularity • 36% Danceability • 61% Energy • 25% Liveness
0% Instrumentalness • 60% Positiveness
71% Popularity • 36% Danceability • 61% Energy • 25% Liveness
0% Instrumentalness • 60% Positiveness
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Herb Alpert
This Guy's in Love with You
84 bpm • C# Maj • 03:57 • -15db
53% Popularity • 64% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 22% Positiveness
53% Popularity • 64% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 22% Positiveness
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Norah Jones
Carry On
80 bpm • A# Maj • 02:48 • -14.91db
68% Popularity • 55% Danceability • 22% Energy • 11% Liveness
21% Instrumentalness • 36% Positiveness
68% Popularity • 55% Danceability • 22% Energy • 11% Liveness
21% Instrumentalness • 36% Positiveness
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Jackie Wilson
Reet Petite
84 bpm • F Maj • 02:49 • -7db
57% Popularity • 66% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 87% Positiveness
57% Popularity • 66% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 87% Positiveness
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B.B. King
Chains And Things
80 bpm • E min • 04:53 • -15.39db
56% Popularity • 56% Danceability • 24% Energy • 12% Liveness
20% Instrumentalness • 34% Positiveness
56% Popularity • 56% Danceability • 24% Energy • 12% Liveness
20% Instrumentalness • 34% Positiveness
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Etta James
Only Time Will Tell
85 bpm • A# Maj • 03:21 • -7db
37% Popularity • 54% Danceability • 59% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
37% Popularity • 54% Danceability • 59% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
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Nina Simone
Feeling Good
79 bpm • G min • 02:54 • -9.24db
76% Popularity • 40% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 55% Positiveness
76% Popularity • 40% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 55% Positiveness
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The Penguins
Earth Angel
79 bpm • G# Maj • 02:51 • -11.12db
60% Popularity • 49% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
60% Popularity • 49% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
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Barry White
Never, Never Gonna Give Ya Up
85 bpm • D min • 04:50 • -11.04db
62% Popularity • 62% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
62% Popularity • 62% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Carole King
(You Make Me Feel Like) A Natural Woman
85 bpm • A Maj • 03:49 • -13db
57% Popularity • 62% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
57% Popularity • 62% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Natalie Cole
Unforgettable
86 bpm • F Maj • 03:30 • -13.37db
63% Popularity • 29% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
63% Popularity • 29% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Etta James
At Last
85 bpm • F Maj • 03:02 • -12.69db
35% Popularity • 20% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 11% Positiveness
35% Popularity • 20% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 11% Positiveness
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Bobby "Blue" Bland
Ain't No Sunshine When She's Gone
78 bpm • G min • 03:55 • -16.32db
40% Popularity • 65% Danceability • 25% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
40% Popularity • 65% Danceability • 25% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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Michael Kiwanuka
Home Again
86 bpm • A min • 03:29 • -11.47db
69% Popularity • 56% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
69% Popularity • 56% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Nat King Cole
L-O-V-E
78 bpm • E Maj • 02:35 • -7.54db
76% Popularity • 42% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
76% Popularity • 42% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Bill Withers
Ain't No Sunshine
78 bpm • E min • 02:05 • -11.45db
88% Popularity • 53% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
88% Popularity • 53% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Chet Baker
Let's Get Lost
78 bpm • C Maj • 03:43 • -9db
52% Popularity • 52% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
52% Popularity • 52% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Etta James
A Sunday Kind Of Love
86 bpm • D min • 03:16 • -9.43db
73% Popularity • 42% Danceability • 28% Energy • 23% Liveness
0% Instrumentalness • 40% Positiveness
73% Popularity • 42% Danceability • 28% Energy • 23% Liveness
0% Instrumentalness • 40% Positiveness
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Allen Toussaint
Wheel Of Fire - Remastered
86 bpm • A# min • 03:33 • -8db
21% Popularity • 63% Danceability • 51% Energy • 20% Liveness
22% Instrumentalness • 70% Positiveness
21% Popularity • 63% Danceability • 51% Energy • 20% Liveness
22% Instrumentalness • 70% Positiveness
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Julie London
Fly Me To The Moon (In Other Words)
86 bpm • F Maj • 02:39 • -11.76db
51% Popularity • 34% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
51% Popularity • 34% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Johnny Mathis
Chances Are - Single Version
78 bpm • A# Maj • 03:01 • -12db
49% Popularity • 31% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
49% Popularity • 31% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Nat King Cole
Autumn Leaves - Remastered 1987
87 bpm • D min • 02:40 • -10.12db
59% Popularity • 21% Danceability • 35% Energy • 38% Liveness
0% Instrumentalness • 10% Positiveness
59% Popularity • 21% Danceability • 35% Energy • 38% Liveness
0% Instrumentalness • 10% Positiveness
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B.B. King
The Thrill Is Gone
87 bpm • A min • 05:01 • -9.66db
62% Popularity • 69% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
62% Popularity • 69% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Charles Bradley
The World (Is Going Up in Flames)
87 bpm • F min • 03:22 • -8db
61% Popularity • 72% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
61% Popularity • 72% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Gregory Porter
Hey Laura
77 bpm • D Maj • 03:19 • -11.32db
60% Popularity • 69% Danceability • 26% Energy • 25% Liveness
0% Instrumentalness • 42% Positiveness
60% Popularity • 69% Danceability • 26% Energy • 25% Liveness
0% Instrumentalness • 42% Positiveness
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Tony Bennett
Fly Me To The Moon
87 bpm • G# Maj • 04:09 • -15.46db
50% Popularity • 31% Danceability • 13% Energy • 18% Liveness
1% Instrumentalness • 10% Positiveness
50% Popularity • 31% Danceability • 13% Energy • 18% Liveness
1% Instrumentalness • 10% Positiveness
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Édith Piaf
Non, je ne regrette rien
87 bpm • G Maj • 02:22 • -6.6db
69% Popularity • 38% Danceability • 35% Energy • 17% Liveness
0% Instrumentalness • 44% Positiveness
69% Popularity • 38% Danceability • 35% Energy • 17% Liveness
0% Instrumentalness • 44% Positiveness
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Henry Mancini
Moon River
87 bpm • A# Maj • 02:05 • -19.77db
55% Popularity • 32% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
55% Popularity • 32% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Louis Armstrong
What A Wonderful World
77 bpm • F Maj • 02:19 • -20.65db
79% Popularity • 27% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
79% Popularity • 27% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Ricky Nelson
Lonesome Town
77 bpm • B Maj • 02:14 • -12.5db
63% Popularity • 40% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
63% Popularity • 40% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Etta James
At Last
87 bpm • F Maj • 02:59 • -8.63db
78% Popularity • 27% Danceability • 35% Energy • 33% Liveness
1% Instrumentalness • 33% Positiveness
78% Popularity • 27% Danceability • 35% Energy • 33% Liveness
1% Instrumentalness • 33% Positiveness
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Barry White
I'm Gonna Love You Just A Little More Ba...
88 bpm • G min • 07:11 • -13.55db
57% Popularity • 61% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
57% Popularity • 61% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Connie Francis
Who's Sorry Now
87 bpm • D# Maj • 02:19 • -10.09db
24% Popularity • 53% Danceability • 25% Energy • 33% Liveness
0% Instrumentalness • 49% Positiveness
24% Popularity • 53% Danceability • 25% Energy • 33% Liveness
0% Instrumentalness • 49% Positiveness
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Norah Jones
Come Away With Me
77 bpm • C Maj • 03:18 • -13.27db
75% Popularity • 44% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
75% Popularity • 44% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Macy Gray
I Try
76 bpm • D Maj • 03:59 • -7.28db
74% Popularity • 59% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
74% Popularity • 59% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Melody Gardot
Your Heart Is As Black As Night
77 bpm • C min • 02:42 • -10.49db
53% Popularity • 37% Danceability • 33% Energy • 12% Liveness
1% Instrumentalness • 12% Positiveness
53% Popularity • 37% Danceability • 33% Energy • 12% Liveness
1% Instrumentalness • 12% Positiveness
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Ray Charles
Georgia on My Mind
88 bpm • G Maj • 03:33 • -11.33db
57% Popularity • 29% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
57% Popularity • 29% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
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Etta James
Prisoner Of Love
88 bpm • G# Maj • 02:13 • -9.72db
41% Popularity • 33% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
41% Popularity • 33% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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Leon Bridges
Beyond
76 bpm • F# Maj • 04:00 • -5.4db
73% Popularity • 58% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
73% Popularity • 58% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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The Staple Singers
The Weight
76 bpm • A# Maj • 04:35 • -13.67db
49% Popularity • 63% Danceability • 39% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
49% Popularity • 63% Danceability • 39% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
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The Flamingos
I Only Have Eyes for You
89 bpm • F Maj • 03:22 • -12.41db
67% Popularity • 55% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
67% Popularity • 55% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Norah Jones
What Am I To You?
76 bpm • C Maj • 03:30 • -9.18db
65% Popularity • 65% Danceability • 35% Energy • 11% Liveness
2% Instrumentalness • 53% Positiveness
65% Popularity • 65% Danceability • 35% Energy • 11% Liveness
2% Instrumentalness • 53% Positiveness
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Eartha Kitt
C'est Si Bon
76 bpm • F min • 02:59 • -15.77db
47% Popularity • 54% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
47% Popularity • 54% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Nina Simone
I Put A Spell On You
89 bpm • F# min • 02:35 • -9.13db
72% Popularity • 42% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
72% Popularity • 42% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
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James Carr
The Dark End of the Street
76 bpm • G Maj • 02:33 • -8db
50% Popularity • 52% Danceability • 40% Energy • 11% Liveness
4% Instrumentalness • 36% Positiveness
50% Popularity • 52% Danceability • 40% Energy • 11% Liveness
4% Instrumentalness • 36% Positiveness
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The Supremes
My World Is Empty Without You
89 bpm • F# min • 02:34 • -9.38db
50% Popularity • 47% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
50% Popularity • 47% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Bill Withers
Lean on Me
75 bpm • C Maj • 04:18 • -13.84db
72% Popularity • 62% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
72% Popularity • 62% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Norah Jones
Don't Know Why
89 bpm • F Maj • 03:06 • -11.22db
77% Popularity • 74% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
77% Popularity • 74% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Young-Holt Unlimited
Soulful Strut
90 bpm • A# Maj • 03:01 • -9.2db
59% Popularity • 67% Danceability • 66% Energy • 6% Liveness
23% Instrumentalness • 96% Positiveness
59% Popularity • 67% Danceability • 66% Energy • 6% Liveness
23% Instrumentalness • 96% Positiveness
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Brook Benton
Rainy Night in Georgia
75 bpm • E min • 03:53 • -19db
50% Popularity • 30% Danceability • 31% Energy • 13% Liveness
8% Instrumentalness • 38% Positiveness
50% Popularity • 30% Danceability • 31% Energy • 13% Liveness
8% Instrumentalness • 38% Positiveness
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Barry White
Just The Way You Are
75 bpm • A Maj • 04:49 • -14.63db
63% Popularity • 56% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
63% Popularity • 56% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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Melody Gardot
Worrisome Heart
75 bpm • D min • 04:21 • -14db
56% Popularity • 37% Danceability • 28% Energy • 18% Liveness
15% Instrumentalness • 21% Positiveness
56% Popularity • 37% Danceability • 28% Energy • 18% Liveness
15% Instrumentalness • 21% Positiveness
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Black Pumas
Colors
90 bpm • E Maj • 04:06 • -6.54db
73% Popularity • 55% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
73% Popularity • 55% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
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Joe Cocker
Feelin' Alright
90 bpm • F Maj • 04:10 • -10.14db
62% Popularity • 54% Danceability • 82% Energy • 30% Liveness
4% Instrumentalness • 90% Positiveness
62% Popularity • 54% Danceability • 82% Energy • 30% Liveness
4% Instrumentalness • 90% Positiveness
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Darondo
Didn't I
75 bpm • F Maj • 03:29 • -11.68db
66% Popularity • 46% Danceability • 38% Energy • 11% Liveness
26% Instrumentalness • 64% Positiveness
66% Popularity • 46% Danceability • 38% Energy • 11% Liveness
26% Instrumentalness • 64% Positiveness
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Bee Gees
To Love Somebody
90 bpm • A Maj • 03:02 • -12.5db
70% Popularity • 42% Danceability • 38% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
70% Popularity • 42% Danceability • 38% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
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Billie Holiday
I'll Be Seeing You
90 bpm • C# Maj • 03:31 • -20.48db
69% Popularity • 36% Danceability • 3% Energy • 12% Liveness
6% Instrumentalness • 19% Positiveness
69% Popularity • 36% Danceability • 3% Energy • 12% Liveness
6% Instrumentalness • 19% Positiveness
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B.B. King
The Thrill Is Gone
91 bpm • B min • 05:24 • -8.76db
65% Popularity • 55% Danceability • 46% Energy • 10% Liveness
44% Instrumentalness • 54% Positiveness
65% Popularity • 55% Danceability • 46% Energy • 10% Liveness
44% Instrumentalness • 54% Positiveness
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Charles Bradley
Heart of Gold
91 bpm • E min • 03:03 • -7.62db
63% Popularity • 75% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
63% Popularity • 75% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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Julie London
Blue Moon
91 bpm • B min • 02:33 • -19db
50% Popularity • 55% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
50% Popularity • 55% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Albert King
Born Under A Bad Sign - Mono Mix
92 bpm • B Maj • 02:49 • -11.21db
59% Popularity • 71% Danceability • 48% Energy • 3% Liveness
1% Instrumentalness • 88% Positiveness
59% Popularity • 71% Danceability • 48% Energy • 3% Liveness
1% Instrumentalness • 88% Positiveness
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Ray Charles
Hallelujah, I Love Her So
73 bpm • F min • 02:35 • -5.95db
65% Popularity • 70% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
65% Popularity • 70% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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Rufus & Chaka Khan
Tell Me Something Good
73 bpm • C# Maj • 04:37 • -9.74db
54% Popularity • 66% Danceability • 55% Energy • 23% Liveness
0% Instrumentalness • 76% Positiveness
54% Popularity • 66% Danceability • 55% Energy • 23% Liveness
0% Instrumentalness • 76% Positiveness
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Gladys Knight & The Pips
Midnight Train to Georgia
92 bpm • A# min • 04:39 • -12.06db
70% Popularity • 60% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
70% Popularity • 60% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Brenda Lee
Break It To Me Gently
92 bpm • C min • 02:44 • -10db
56% Popularity • 54% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
56% Popularity • 54% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Simon & Garfunkel
Mrs. Robinson
92 bpm • F# min • 04:04 • -14.04db
79% Popularity • 61% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
79% Popularity • 61% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Charles Wright & The Watts 103rd Street Rhythm Band
Express Yourself
92 bpm • G# Maj • 03:53 • -8.84db
60% Popularity • 79% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 88% Positiveness
60% Popularity • 79% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 88% Positiveness
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The Temptations
Just My Imagination (Running Away With M...
92 bpm • C Maj • 03:48 • -15.42db
64% Popularity • 42% Danceability • 24% Energy • 20% Liveness
1% Instrumentalness • 48% Positiveness
64% Popularity • 42% Danceability • 24% Energy • 20% Liveness
1% Instrumentalness • 48% Positiveness
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Tom Jones
It's Not Unusual
93 bpm • C Maj • 01:59 • -10.02db
78% Popularity • 48% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 91% Positiveness
78% Popularity • 48% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 91% Positiveness
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The Mamas & The Papas
Dream A Little Dream Of Me
93 bpm • G Maj • 03:14 • -13.14db
76% Popularity • 41% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
76% Popularity • 41% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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Bobby "Blue" Bland
I'll Take Care Of You
93 bpm • F min • 02:16 • -16db
48% Popularity • 55% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
48% Popularity • 55% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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The Jackson 5
I'll Be There
93 bpm • F Maj • 03:57 • -7.25db
65% Popularity • 51% Danceability • 52% Energy • 65% Liveness
0% Instrumentalness • 33% Positiveness
65% Popularity • 51% Danceability • 52% Energy • 65% Liveness
0% Instrumentalness • 33% Positiveness
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Diana Krall
The Look Of Love
93 bpm • A# Maj • 04:42 • -13.03db
62% Popularity • 58% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
62% Popularity • 58% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Jean Knight
Mr. Big Stuff
93 bpm • G# Maj • 02:44 • -12.59db
67% Popularity • 89% Danceability • 49% Energy • 23% Liveness
0% Instrumentalness • 97% Positiveness
67% Popularity • 89% Danceability • 49% Energy • 23% Liveness
0% Instrumentalness • 97% Positiveness
