Songs like Iesu, Panis Vitae - Institution Of The Holy Eucharist: For The 2015 Apostolic Visit Of Pope Francis To The Philippines by Bukas Palad Music Ministry
Based on a tempo of (+/- 10%) and a similar genre
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Papal Concluding Mass Choir
Alleluia
128 bpm • G Maj • 01:10 • -5.41db
17% Popularity • 19% Danceability • 50% Energy • 28% Liveness
44% Instrumentalness • 62% Positiveness
17% Popularity • 19% Danceability • 50% Energy • 28% Liveness
44% Instrumentalness • 62% Positiveness
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Victory Band
Gipangga Mo Ako
128 bpm • G Maj • 04:38 • -7db
38% Popularity • 52% Danceability • 50% Energy • 39% Liveness
0% Instrumentalness • 40% Positiveness
38% Popularity • 52% Danceability • 50% Energy • 39% Liveness
0% Instrumentalness • 40% Positiveness
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Himig Heswita
Mula Sa'Yo
127 bpm • D Maj • 02:33 • -10.42db
31% Popularity • 40% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
31% Popularity • 40% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Asop
Kung Pag-Ibig Mo'y Ulan
128 bpm • E min • 04:24 • -6.67db
25% Popularity • 44% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
25% Popularity • 44% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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Shalom Singers
Pagbabahagi
129 bpm • A Maj • 05:16 • -15.13db
21% Popularity • 57% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
21% Popularity • 57% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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Jamie Rivera
Only Selfless Love
129 bpm • E Maj • 04:26 • -5.14db
47% Popularity • 48% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
47% Popularity • 48% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Ateneo de Naga University Choir
Aba, Ginoong Maria
130 bpm • E Maj • 03:08 • -9.61db
28% Popularity • 26% Danceability • 31% Energy • 10% Liveness
1% Instrumentalness • 29% Positiveness
28% Popularity • 26% Danceability • 31% Energy • 10% Liveness
1% Instrumentalness • 29% Positiveness
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Kenneth Arnibal
His Name Is Jesus
130 bpm • E Maj • 05:18 • -8db
22% Popularity • 59% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
22% Popularity • 59% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Edith M. San Pedro
Kami'y Katagpuin
130 bpm • A min • 06:48 • -8.65db
41% Popularity • 59% Danceability • 45% Energy • 27% Liveness
0% Instrumentalness • 36% Positiveness
41% Popularity • 59% Danceability • 45% Energy • 27% Liveness
0% Instrumentalness • 36% Positiveness
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Jeramie Sanico Heitmann
Di Ka Nagkulang
126 bpm • B Maj • 04:33 • -15.58db
37% Popularity • 53% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
37% Popularity • 53% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Rhema
Dalangpanan
130 bpm • E Maj • 07:16 • -10.72db
39% Popularity • 51% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
39% Popularity • 51% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Charis Chorale
Pag-Ibig Mo
130 bpm • G# Maj • 04:49 • -7db
25% Popularity • 21% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
25% Popularity • 21% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Robert David
Ang Diyos Ay Mabuti
130 bpm • C Maj • 11:00 • -5db
23% Popularity • 35% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
23% Popularity • 35% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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The Philippine Madrigal Singers
Paraiso Ka Ng Diyos, Birheng Maria
126 bpm • G min • 03:32 • -9.65db
22% Popularity • 29% Danceability • 31% Energy • 4% Liveness
0% Instrumentalness • 14% Positiveness
22% Popularity • 29% Danceability • 31% Energy • 4% Liveness
0% Instrumentalness • 14% Positiveness
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Neema Quartet
Kalakip
126 bpm • G Maj • 04:58 • -8.29db
30% Popularity • 66% Danceability • 49% Energy • 29% Liveness
0% Instrumentalness • 44% Positiveness
30% Popularity • 66% Danceability • 49% Energy • 29% Liveness
0% Instrumentalness • 44% Positiveness
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Musikatha Kids
Dakila Ka
130 bpm • C Maj • 03:12 • -9.17db
32% Popularity • 66% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
32% Popularity • 66% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
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Manny Lapingcao
Hari Sa Tanan
130 bpm • G Maj • 02:49 • -10.87db
22% Popularity • 60% Danceability • 60% Energy • 23% Liveness
0% Instrumentalness • 83% Positiveness
22% Popularity • 60% Danceability • 60% Energy • 23% Liveness
0% Instrumentalness • 83% Positiveness
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Musikatha
Labaw sa Tanang Butang
130 bpm • G Maj • 06:17 • -14db
20% Popularity • 51% Danceability • 27% Energy • 11% Liveness
5% Instrumentalness • 9% Positiveness
20% Popularity • 51% Danceability • 27% Energy • 11% Liveness
5% Instrumentalness • 9% Positiveness
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Rhema
Kasaligan (Kanunayng Anaa)
130 bpm • C Maj • 05:50 • -10.53db
22% Popularity • 57% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 37% Positiveness
22% Popularity • 57% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 37% Positiveness
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Carlo Magno
In the Fullness of Time
130 bpm • C# Maj • 04:23 • -13.16db
18% Popularity • 48% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
18% Popularity • 48% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Jay Gomez
Awit Ng Paghahangad - Instrumental
131 bpm • D Maj • 04:48 • -15.41db
21% Popularity • 32% Danceability • 17% Energy • 20% Liveness
3% Instrumentalness • 19% Positiveness
21% Popularity • 32% Danceability • 17% Energy • 20% Liveness
3% Instrumentalness • 19% Positiveness
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Tricia Amper
Buhay Ko'Y Ikaw Lamang
131 bpm • G Maj • 03:09 • -14.64db
35% Popularity • 33% Danceability • 25% Energy • 20% Liveness
0% Instrumentalness • 15% Positiveness
35% Popularity • 33% Danceability • 25% Energy • 20% Liveness
0% Instrumentalness • 15% Positiveness
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Victory Band
Walay Rason
125 bpm • G Maj • 04:37 • -6.97db
39% Popularity • 31% Danceability • 46% Energy • 33% Liveness
0% Instrumentalness • 21% Positiveness
39% Popularity • 31% Danceability • 46% Energy • 33% Liveness
0% Instrumentalness • 21% Positiveness
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Msgr. Rudy Villanueva
Amahan Namo
131 bpm • G Maj • 02:47 • -10.66db
22% Popularity • 22% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
22% Popularity • 22% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Canto Cinco
Santo (Misa Antipona)
132 bpm • D Maj • 01:10 • -10.04db
22% Popularity • 29% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
22% Popularity • 29% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
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Sherlyn de Guzman
Papuri Sa Diyos
125 bpm • C Maj • 04:22 • -13.17db
41% Popularity • 40% Danceability • 15% Energy • 21% Liveness
0% Instrumentalness • 38% Positiveness
41% Popularity • 40% Danceability • 15% Energy • 21% Liveness
0% Instrumentalness • 38% Positiveness
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John Michael Talbot
We Remember
132 bpm • F Maj • 03:41 • -10.38db
30% Popularity • 40% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 25% Positiveness
30% Popularity • 40% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 25% Positiveness
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Tricia Amper
Panalangin ko
131 bpm • F Maj • 03:42 • -14.02db
38% Popularity • 58% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
38% Popularity • 58% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Tony Rodeo
Alay ko Ay Pagpupuri
132 bpm • E Maj • 03:36 • -10.73db
27% Popularity • 56% Danceability • 44% Energy • 20% Liveness
40% Instrumentalness • 72% Positiveness
27% Popularity • 56% Danceability • 44% Energy • 20% Liveness
40% Instrumentalness • 72% Positiveness
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Jay Gomez
Humayo't Ihayag - Instrumental
132 bpm • A# Maj • 03:35 • -15.92db
22% Popularity • 47% Danceability • 38% Energy • 30% Liveness
1% Instrumentalness • 39% Positiveness
22% Popularity • 47% Danceability • 38% Energy • 30% Liveness
1% Instrumentalness • 39% Positiveness
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Jett Pangan
You
132 bpm • C Maj • 05:42 • -9.68db
12% Popularity • 51% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
12% Popularity • 51% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Bukas Palad Music Ministry
Ama Namin / Sapagkat Sa'Yo Ang Kaharian
132 bpm • D Maj • 02:15 • -14.24db
35% Popularity • 35% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
35% Popularity • 35% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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David Haas
Who Calls You by Name
132 bpm • G Maj • 02:27 • -8db
34% Popularity • 51% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
34% Popularity • 51% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
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Cecillian Choir
Sumasamba, Sumasamo
132 bpm • F Maj • 03:23 • -16.72db
16% Popularity • 21% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
16% Popularity • 21% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Tricia Amper
Close to You
132 bpm • A min • 02:52 • -15db
39% Popularity • 58% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
39% Popularity • 58% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Beverly Caimen
May Awa Ang Diyos
133 bpm • F Maj • 04:12 • -6.02db
36% Popularity • 26% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
36% Popularity • 26% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Tres Hermanas
Magnificat All That I Am
133 bpm • G Maj • 01:21 • -12db
42% Popularity • 32% Danceability • 25% Energy • 13% Liveness
27% Instrumentalness • 31% Positiveness
42% Popularity • 32% Danceability • 25% Energy • 13% Liveness
27% Instrumentalness • 31% Positiveness
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Bukas Palad Music Ministry
Gloria: Papuri Sa Diyos
124 bpm • C Maj • 04:23 • -12.91db
30% Popularity • 34% Danceability • 18% Energy • 10% Liveness
20% Instrumentalness • 25% Positiveness
30% Popularity • 34% Danceability • 18% Energy • 10% Liveness
20% Instrumentalness • 25% Positiveness
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Musikatha Kids
Isang Pag-Ibig
133 bpm • G Maj • 04:04 • -7.34db
27% Popularity • 57% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
27% Popularity • 57% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Alex San Pedro
Ika'y Karapat-Dapat
123 bpm • G Maj • 04:50 • -7.3db
20% Popularity • 45% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
20% Popularity • 45% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Mario Lajarca Jr.
Dakilang Katapatan
133 bpm • D# Maj • 03:54 • -7.32db
39% Popularity • 47% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
39% Popularity • 47% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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GIA Singers
Let There Be Peace on Earth
123 bpm • C Maj • 02:03 • -15.74db
37% Popularity • 25% Danceability • 16% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
37% Popularity • 25% Danceability • 16% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
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Heavenly Voices
Lord I Offer My Life to You
133 bpm • F Maj • 05:30 • -12.07db
54% Popularity • 41% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
54% Popularity • 41% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Asop
Dakila Ka Ama
134 bpm • C Maj • 04:13 • -5.82db
25% Popularity • 39% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 25% Positiveness
25% Popularity • 39% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 25% Positiveness
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Musikatha Kids
Sa Aking Paglaki
133 bpm • C Maj • 02:59 • -6.41db
23% Popularity • 65% Danceability • 77% Energy • 3% Liveness
0% Instrumentalness • 39% Positiveness
23% Popularity • 65% Danceability • 77% Energy • 3% Liveness
0% Instrumentalness • 39% Positiveness
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The Philippine Madrigal Singers
Let Nothing Disturb You
123 bpm • F Maj • 03:31 • -13db
29% Popularity • 26% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
29% Popularity • 26% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Philippine Madrigal Singers
Anima Christi
134 bpm • D Maj • 03:23 • -24.92db
34% Popularity • 21% Danceability • 7% Energy • 8% Liveness
5% Instrumentalness • 6% Positiveness
34% Popularity • 21% Danceability • 7% Energy • 8% Liveness
5% Instrumentalness • 6% Positiveness
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Bisayan Christian Artist
Bahandi
122 bpm • E Maj • 02:52 • -7db
32% Popularity • 81% Danceability • 77% Energy • 11% Liveness
2% Instrumentalness • 77% Positiveness
32% Popularity • 81% Danceability • 77% Energy • 11% Liveness
2% Instrumentalness • 77% Positiveness
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Fatima Soriano
Carry No Burden
134 bpm • A# Maj • 03:57 • -9.84db
17% Popularity • 28% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
17% Popularity • 28% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Hope Filipino Worship
Diyos Ka Sa Amin
134 bpm • A Maj • 05:25 • -5.55db
51% Popularity • 48% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
51% Popularity • 48% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Tony Rodeo
Lumapit Ka Jesus
134 bpm • A Maj • 04:07 • -12db
26% Popularity • 49% Danceability • 37% Energy • 21% Liveness
9% Instrumentalness • 34% Positiveness
26% Popularity • 49% Danceability • 37% Energy • 21% Liveness
9% Instrumentalness • 34% Positiveness
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Victory Band
Tinubdan sa Tanan
134 bpm • C Maj • 05:58 • -5db
30% Popularity • 42% Danceability • 62% Energy • 34% Liveness
0% Instrumentalness • 29% Positiveness
30% Popularity • 42% Danceability • 62% Energy • 34% Liveness
0% Instrumentalness • 29% Positiveness
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Oras ng pagsamba
Awit ng Paglilingkod
134 bpm • A Maj • 04:43 • -8db
33% Popularity • 52% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
33% Popularity • 52% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
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Ernald Andal SJ
Prayer of Rupert Mayer
135 bpm • F Maj • 03:36 • -13.37db
14% Popularity • 41% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
14% Popularity • 41% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Fatima Soriano
Kung Pwede Lang
134 bpm • C Maj • 02:41 • -12.01db
22% Popularity • 48% Danceability • 17% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
22% Popularity • 48% Danceability • 17% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Maranatha! Praise Band
Seek Ye First
122 bpm • D Maj • 03:06 • -10.21db
46% Popularity • 33% Danceability • 36% Energy • 10% Liveness
45% Instrumentalness • 16% Positiveness
46% Popularity • 33% Danceability • 36% Energy • 10% Liveness
45% Instrumentalness • 16% Positiveness
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Hangad
Prayer for Generosity ()Based on the Pra...
135 bpm • A Maj • 02:31 • -15.63db
26% Popularity • 28% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
26% Popularity • 28% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
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Victory Band
Daygon Ko Ikaw
134 bpm • D Maj • 03:55 • -5.95db
34% Popularity • 44% Danceability • 74% Energy • 35% Liveness
0% Instrumentalness • 59% Positiveness
34% Popularity • 44% Danceability • 74% Energy • 35% Liveness
0% Instrumentalness • 59% Positiveness
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Shalom Singers
Himig Panglangit
122 bpm • G Maj • 03:01 • -18db
25% Popularity • 72% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
25% Popularity • 72% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Rhema
Kupti Ako
135 bpm • F# min • 04:56 • -13.05db
37% Popularity • 40% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
37% Popularity • 40% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Aiza Seguerra
Lead Me Lord
135 bpm • D Maj • 04:33 • -6.52db
48% Popularity • 40% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
48% Popularity • 40% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Edgar Joseph Miranda
Sa 'Yong Piling
122 bpm • G Maj • 04:55 • -11.66db
15% Popularity • 50% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
15% Popularity • 50% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Manny Lapingcao
Sto. Niño Gugma Ko
135 bpm • C Maj • 03:15 • -11.03db
39% Popularity • 37% Danceability • 46% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
39% Popularity • 37% Danceability • 46% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
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Hannah Abogado
Wala Kang Katulad
121 bpm • C Maj • 03:38 • -16db
45% Popularity • 55% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
45% Popularity • 55% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Shalom Singers
Muling Isinilang
121 bpm • C# Maj • 03:21 • -17db
27% Popularity • 61% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
27% Popularity • 61% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Bukas Palad Music Ministry
Papuri sa Diyos
135 bpm • G Maj • 05:08 • -10.52db
34% Popularity • 37% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 27% Positiveness
34% Popularity • 37% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 27% Positiveness
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David Haas
Come and Journey with Me
121 bpm • G Maj • 03:00 • -11.7db
35% Popularity • 29% Danceability • 30% Energy • 12% Liveness
2% Instrumentalness • 21% Positiveness
35% Popularity • 29% Danceability • 30% Energy • 12% Liveness
2% Instrumentalness • 21% Positiveness
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The Philippine Madrigal Singers
Maria
136 bpm • G Maj • 03:34 • -11db
24% Popularity • 28% Danceability • 33% Energy • 32% Liveness
0% Instrumentalness • 13% Positiveness
24% Popularity • 28% Danceability • 33% Energy • 32% Liveness
0% Instrumentalness • 13% Positiveness
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Rey Malipot
Halina, Lumapit Sa Akin
136 bpm • A Maj • 04:55 • -17.27db
26% Popularity • 29% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
26% Popularity • 29% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Choir Ng Bayan
Hesus
136 bpm • G Maj • 03:26 • -8db
34% Popularity • 49% Danceability • 39% Energy • 25% Liveness
0% Instrumentalness • 29% Positiveness
34% Popularity • 49% Danceability • 39% Energy • 25% Liveness
0% Instrumentalness • 29% Positiveness
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Shalom Singers
Amang Mapagpala
121 bpm • F# min • 03:05 • -17db
22% Popularity • 79% Danceability • 38% Energy • 44% Liveness
0% Instrumentalness • 74% Positiveness
22% Popularity • 79% Danceability • 38% Energy • 44% Liveness
0% Instrumentalness • 74% Positiveness
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Bukas Palad Music Ministry
We Await Your Spirit
136 bpm • D Maj • 04:06 • -16.25db
14% Popularity • 32% Danceability • 17% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
14% Popularity • 32% Danceability • 17% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
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Heritage Singers
Come Holy Spirit
136 bpm • C Maj • 04:10 • -13.6db
42% Popularity • 34% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
42% Popularity • 34% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Tony Rodeo
Huwag Kang Mangamba
136 bpm • D Maj • 04:18 • -13.34db
33% Popularity • 65% Danceability • 41% Energy • 12% Liveness
3% Instrumentalness • 42% Positiveness
33% Popularity • 65% Danceability • 41% Energy • 12% Liveness
3% Instrumentalness • 42% Positiveness
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Musikatha Kids
Magkaibigang Tunay
121 bpm • F# Maj • 03:21 • -7db
27% Popularity • 65% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
27% Popularity • 65% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Rhema
Milagroso
136 bpm • D Maj • 06:17 • -6.33db
33% Popularity • 58% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
33% Popularity • 58% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
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Choir Ng Bayan
Paghahandog Ng Sarili
136 bpm • G Maj • 02:57 • -11db
24% Popularity • 53% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
24% Popularity • 53% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Lj Herrera
Keep the Faith
136 bpm • A# Maj • 04:15 • -11.32db
24% Popularity • 17% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
24% Popularity • 17% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Papal Concluding Mass Choir
Iesu, Panis Vitae
120 bpm • D Maj • 08:20 • -9.85db
22% Popularity • 20% Danceability • 38% Energy • 18% Liveness
24% Instrumentalness • 19% Positiveness
22% Popularity • 20% Danceability • 38% Energy • 18% Liveness
24% Instrumentalness • 19% Positiveness
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Tony Rodeo
Siya'y Hari
136 bpm • E min • 03:27 • -8.07db
24% Popularity • 63% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 98% Positiveness
24% Popularity • 63% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 98% Positiveness
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92AD
Panalangin Sa Pagiging Bukas Palad
120 bpm • F Maj • 02:32 • -19.13db
23% Popularity • 28% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
23% Popularity • 28% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Oras ng pagsamba
Sa Dakong Banal
136 bpm • E Maj • 04:50 • -7.88db
32% Popularity • 48% Danceability • 47% Energy • 21% Liveness
0% Instrumentalness • 22% Positiveness
32% Popularity • 48% Danceability • 47% Energy • 21% Liveness
0% Instrumentalness • 22% Positiveness
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Rev. Fr. Joselito Jopson
Aleluyang Pampaskuwa
136 bpm • D Maj • 03:51 • -17.2db
25% Popularity • 40% Danceability • 14% Energy • 24% Liveness
0% Instrumentalness • 43% Positiveness
25% Popularity • 40% Danceability • 14% Energy • 24% Liveness
0% Instrumentalness • 43% Positiveness
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Biyaya at Papuri
Luwalhati
120 bpm • A Maj • 05:08 • -12db
12% Popularity • 57% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
12% Popularity • 57% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Papal Concluding Mass Choir
Kordero Ng Diyos
136 bpm • D Maj • 03:01 • -10.23db
20% Popularity • 15% Danceability • 34% Energy • 19% Liveness
89% Instrumentalness • 8% Positiveness
20% Popularity • 15% Danceability • 34% Energy • 19% Liveness
89% Instrumentalness • 8% Positiveness
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Jay Gomez
Paghahandog Ng Sarili / Take And Receive...
136 bpm • E min • 03:57 • -20.56db
15% Popularity • 44% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 22% Positiveness
15% Popularity • 44% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 22% Positiveness
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Augmented 7th
Walay Sama
120 bpm • A Maj • 05:05 • -12db
23% Popularity • 67% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
23% Popularity • 67% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Musikatha Kids
Kalakip Ng Awitin
120 bpm • C Maj • 05:12 • -9db
30% Popularity • 84% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
30% Popularity • 84% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Fatima Soriano
The More You Worry
120 bpm • D Maj • 02:43 • -14.04db
23% Popularity • 73% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
23% Popularity • 73% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Manny Lapingcao
Lord We Thank You
120 bpm • D Maj • 03:56 • -14db
28% Popularity • 49% Danceability • 37% Energy • 20% Liveness
10% Instrumentalness • 24% Positiveness
28% Popularity • 49% Danceability • 37% Energy • 20% Liveness
10% Instrumentalness • 24% Positiveness
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The Eleventh Hour
Tanging Sa'yo
120 bpm • G Maj • 05:30 • -8db
10% Popularity • 53% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
10% Popularity • 53% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
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John Michael Talbot
On Eagles Wings
137 bpm • D Maj • 03:36 • -13db
41% Popularity • 24% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
41% Popularity • 24% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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RB Hizon SJ
Kordero Ng Diyos
120 bpm • E Maj • 02:08 • -12.58db
43% Popularity • 38% Danceability • 22% Energy • 12% Liveness
1% Instrumentalness • 21% Positiveness
43% Popularity • 38% Danceability • 22% Energy • 12% Liveness
1% Instrumentalness • 21% Positiveness
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Musikatha Kids
Banal Mong Tahanan - Instrumental
120 bpm • A min • 04:30 • -15.38db
20% Popularity • 60% Danceability • 34% Energy • 20% Liveness
97% Instrumentalness • 7% Positiveness
20% Popularity • 60% Danceability • 34% Energy • 20% Liveness
97% Instrumentalness • 7% Positiveness
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Aiza Seguerra
Ikaw Na Ang Bahala - Panalangin
137 bpm • C# Maj • 05:04 • -11.55db
41% Popularity • 55% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
41% Popularity • 55% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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DYCI Music Ministry
Forever I Will Sing in Praise
120 bpm • E Maj • 04:34 • -10db
15% Popularity • 41% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
15% Popularity • 41% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Victory Band
Awit sa Gugma
137 bpm • G Maj • 05:37 • -7.38db
38% Popularity • 29% Danceability • 60% Energy • 44% Liveness
0% Instrumentalness • 32% Positiveness
38% Popularity • 29% Danceability • 60% Energy • 44% Liveness
0% Instrumentalness • 32% Positiveness
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Shalom Singers
Isang Dakot Ng Kanyang Himala
137 bpm • D Maj • 04:35 • -16.69db
26% Popularity • 66% Danceability • 36% Energy • 28% Liveness
0% Instrumentalness • 37% Positiveness
26% Popularity • 66% Danceability • 36% Energy • 28% Liveness
0% Instrumentalness • 37% Positiveness
