Songs like If I Die Before You Wake by Jimmy Weber
Based on a tempo of (+/- 10%) and a similar genre
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Jimmy Weber
If I Die Before You Wake
130 bpm • D# Maj • 03:38 • -8db
23% Popularity • 66% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
23% Popularity • 66% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Jeff Bates
The Love Song
130 bpm • G# Maj • 04:05 • -6db
27% Popularity • 52% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
27% Popularity • 52% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Daryle Singletary
Say Hello to Heaven
130 bpm • C Maj • 03:31 • -7.6db
4% Popularity • 57% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
4% Popularity • 57% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Bucky Covington
I Want My Life Back
130 bpm • C Maj • 03:58 • -4db
20% Popularity • 57% Danceability • 72% Energy • 31% Liveness
0% Instrumentalness • 27% Positiveness
20% Popularity • 57% Danceability • 72% Energy • 31% Liveness
0% Instrumentalness • 27% Positiveness
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Blake Shelton
All Over Me
130 bpm • A Maj • 03:15 • -8.13db
27% Popularity • 51% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
27% Popularity • 51% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Jake Owen
Anything For You
130 bpm • A min • 03:52 • -8.7db
18% Popularity • 63% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
18% Popularity • 63% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Chris Janson
Bein' a Dad
130 bpm • A# Maj • 03:45 • -9db
25% Popularity • 68% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
25% Popularity • 68% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Radney Foster and The Confessions
Angel Flight
129 bpm • E Maj • 03:54 • -10db
36% Popularity • 63% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
36% Popularity • 63% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Darryl Worley
Shiloh
130 bpm • C Maj • 04:24 • -8.76db
14% Popularity • 50% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
14% Popularity • 50% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Jimmy Weber
Quit Pickin' On Me
129 bpm • F Maj • 03:14 • -4.82db
0% Popularity • 65% Danceability • 90% Energy • 31% Liveness
0% Instrumentalness • 94% Positiveness
0% Popularity • 65% Danceability • 90% Energy • 31% Liveness
0% Instrumentalness • 94% Positiveness
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Blake Shelton
Problems at Home
131 bpm • F Maj • 04:00 • -7.44db
21% Popularity • 51% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
21% Popularity • 51% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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Rodney Atkins
Wasted Whiskey
129 bpm • G Maj • 03:42 • -3.06db
27% Popularity • 62% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
27% Popularity • 62% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Clay Walker
Workin' Man
131 bpm • F Maj • 03:55 • -6.88db
21% Popularity • 70% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
21% Popularity • 70% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
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Andy Griggs
K9 Brother
129 bpm • G Maj • 04:37 • -5.58db
14% Popularity • 58% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
14% Popularity • 58% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Billy Currington
Walk A Little Straighter
132 bpm • G# Maj • 03:43 • -8.45db
39% Popularity • 56% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
39% Popularity • 56% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Steve Azar
Waitin' On Joe
132 bpm • B Maj • 04:18 • -6db
22% Popularity • 61% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
22% Popularity • 61% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Chris Young
Flowers
132 bpm • D Maj • 03:00 • -5.64db
31% Popularity • 60% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
31% Popularity • 60% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Rodney Atkins
A Man On A Tractor
128 bpm • F Maj • 04:08 • -3.81db
29% Popularity • 58% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
29% Popularity • 58% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
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Ty Herndon
A Man Holdin' On (To a Woman Lettin' Go)
128 bpm • A Maj • 03:37 • -8db
31% Popularity • 61% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
31% Popularity • 61% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Jimmy Weber
Dead Man's Prayer
128 bpm • D Maj • 04:23 • -8.56db
0% Popularity • 58% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
0% Popularity • 58% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Blaine Larsen
I'm In Love With A Married Woman
132 bpm • F Maj • 03:23 • -5db
16% Popularity • 59% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
16% Popularity • 59% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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STEELE
The Lineman
132 bpm • A# Maj • 04:56 • -6db
23% Popularity • 52% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
23% Popularity • 52% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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US Air Force Band Of The Rockies
Should Have Been a Cowboy
132 bpm • G Maj • 03:25 • -7.94db
27% Popularity • 63% Danceability • 74% Energy • 39% Liveness
0% Instrumentalness • 66% Positiveness
27% Popularity • 63% Danceability • 74% Energy • 39% Liveness
0% Instrumentalness • 66% Positiveness
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Rodney Atkins
The Man I Am Today
132 bpm • D Maj • 03:42 • -6.15db
22% Popularity • 60% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
22% Popularity • 60% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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George Strait
The Breath You Take
132 bpm • B min • 03:35 • -8db
34% Popularity • 49% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
34% Popularity • 49% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Jimmy Weber
The Lord's Got My Soul
132 bpm • G Maj • 03:08 • -6.04db
1% Popularity • 70% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
1% Popularity • 70% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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John Michael Montgomery
Cool
128 bpm • D Maj • 03:38 • -7.71db
19% Popularity • 55% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 21% Positiveness
19% Popularity • 55% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 21% Positiveness
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Randy Houser
Power of a Song
128 bpm • B Maj • 03:42 • -6.51db
20% Popularity • 59% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
20% Popularity • 59% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Dylan Miller
Good Ride Cowboy
132 bpm • A Maj • 03:24 • -2.21db
21% Popularity • 55% Danceability • 85% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
21% Popularity • 55% Danceability • 85% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
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Darryl Worley
I Love Her, She Hates Me
133 bpm • D Maj • 03:33 • -6db
10% Popularity • 49% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
10% Popularity • 49% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Tim McGraw
Wouldn't Want It Any Other Way
133 bpm • G Maj • 03:51 • -12.95db
28% Popularity • 60% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
28% Popularity • 60% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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Jimmy Weber
You
132 bpm • G Maj • 04:18 • -7.45db
0% Popularity • 59% Danceability • 51% Energy • 11% Liveness
1% Instrumentalness • 36% Positiveness
0% Popularity • 59% Danceability • 51% Energy • 11% Liveness
1% Instrumentalness • 36% Positiveness
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Craig Morgan
Tough
133 bpm • G# Maj • 03:15 • -8.01db
33% Popularity • 60% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
33% Popularity • 60% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Chris Young
Love Don't Let Me Down
127 bpm • C Maj • 02:57 • -4.45db
34% Popularity • 58% Danceability • 85% Energy • 35% Liveness
0% Instrumentalness • 55% Positiveness
34% Popularity • 58% Danceability • 85% Energy • 35% Liveness
0% Instrumentalness • 55% Positiveness
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Clay Walker
Live Until I Die - 2014 Version
133 bpm • D# Maj • 02:49 • -5.51db
19% Popularity • 62% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
19% Popularity • 62% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Diamond Rio
That's Just That
127 bpm • A Maj • 02:31 • -6.45db
17% Popularity • 72% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
17% Popularity • 72% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Randy Travis
Dig Two Graves
134 bpm • C Maj • 03:16 • -9.45db
16% Popularity • 53% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
16% Popularity • 53% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
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Jimmy Weber
Nowhere Town
132 bpm • A# Maj • 03:56 • -10db
0% Popularity • 61% Danceability • 35% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
0% Popularity • 61% Danceability • 35% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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Paul Brandt
My Heart Has A History
127 bpm • E Maj • 03:22 • -10db
37% Popularity • 71% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
37% Popularity • 71% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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The Road Hammers
Call It a Day
134 bpm • C# Maj • 04:03 • -8.71db
19% Popularity • 61% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 25% Positiveness
19% Popularity • 61% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 25% Positiveness
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Clay Walker
Like We Never Said Goodbye
134 bpm • A Maj • 03:01 • -9.18db
33% Popularity • 70% Danceability • 44% Energy • 28% Liveness
0% Instrumentalness • 42% Positiveness
33% Popularity • 70% Danceability • 44% Energy • 28% Liveness
0% Instrumentalness • 42% Positiveness
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Craig Morgan
Tough
134 bpm • G# Maj • 03:13 • -5.18db
16% Popularity • 57% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
16% Popularity • 57% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Granger Smith
I'm Wearing Black
134 bpm • C Maj • 03:31 • -5.43db
31% Popularity • 55% Danceability • 94% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
31% Popularity • 55% Danceability • 94% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
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Chris Cagle
Thank God She Left The Whiskey
134 bpm • C# Maj • 03:36 • -6db
32% Popularity • 61% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
32% Popularity • 61% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Jason Michael Carroll
Hurry Home
134 bpm • D Maj • 04:02 • -7.96db
30% Popularity • 62% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
30% Popularity • 62% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Joe Diffie
If I Could Only Bring You Back
134 bpm • D Maj • 03:54 • -6.96db
10% Popularity • 60% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 32% Positiveness
10% Popularity • 60% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 32% Positiveness
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James Otto
The Ball
126 bpm • F# Maj • 03:57 • -8.55db
10% Popularity • 52% Danceability • 31% Energy • 33% Liveness
1% Instrumentalness • 12% Positiveness
10% Popularity • 52% Danceability • 31% Energy • 33% Liveness
1% Instrumentalness • 12% Positiveness
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Dustin Craig
Her Heart Is a Rodeo
134 bpm • D Maj • 04:03 • -4.53db
12% Popularity • 43% Danceability • 59% Energy • 27% Liveness
0% Instrumentalness • 34% Positiveness
12% Popularity • 43% Danceability • 59% Energy • 27% Liveness
0% Instrumentalness • 34% Positiveness
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Blaine Larsen
In My High School
134 bpm • B Maj • 03:53 • -8db
12% Popularity • 64% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
12% Popularity • 64% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Chris Cagle
My Life's Been A Country Song
134 bpm • F# Maj • 03:17 • -5.75db
32% Popularity • 60% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
32% Popularity • 60% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Billy Ray Cyrus
Some Gave All
126 bpm • G Maj • 04:10 • -5.91db
29% Popularity • 49% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
29% Popularity • 49% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
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John Michael Montgomery
If You've Got Love
126 bpm • G Maj • 03:55 • -9db
31% Popularity • 67% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 64% Positiveness
31% Popularity • 67% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 64% Positiveness
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BlackHawk
Hook, Line and Sinker
126 bpm • A# Maj • 03:32 • -7.91db
20% Popularity • 71% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
20% Popularity • 71% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Trent Tomlinson
That's How It Still Oughta Be
125 bpm • D# Maj • 03:26 • -7.29db
11% Popularity • 55% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
11% Popularity • 55% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
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Tim McGraw
How Forever Feels
125 bpm • A Maj • 03:16 • -6.46db
18% Popularity • 59% Danceability • 89% Energy • 33% Liveness
0% Instrumentalness • 70% Positiveness
18% Popularity • 59% Danceability • 89% Energy • 33% Liveness
0% Instrumentalness • 70% Positiveness
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Jeremy McComb
This Town Needs a Bar
125 bpm • G Maj • 04:12 • -6.2db
10% Popularity • 57% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
10% Popularity • 57% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Jake Owen
Ghosts
135 bpm • E Maj • 03:51 • -6.9db
22% Popularity • 52% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
22% Popularity • 52% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Rodney Atkins
When It's My Time
125 bpm • F Maj • 03:36 • -2.14db
21% Popularity • 60% Danceability • 91% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
21% Popularity • 60% Danceability • 91% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
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Matt Kennon
The Man I Used To be
125 bpm • F Maj • 03:49 • -4.9db
8% Popularity • 58% Danceability • 90% Energy • 48% Liveness
0% Instrumentalness • 58% Positiveness
8% Popularity • 58% Danceability • 90% Energy • 48% Liveness
0% Instrumentalness • 58% Positiveness
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Jake Mayer
The Rain's Falling Down Again
125 bpm • A Maj • 04:09 • -5.14db
0% Popularity • 51% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
0% Popularity • 51% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Jimmy Weber
Will You Share My Dreams
125 bpm • C Maj • 04:05 • -6.75db
0% Popularity • 61% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
0% Popularity • 61% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Gary Allan
Today
136 bpm • F Maj • 03:57 • -5.69db
34% Popularity • 40% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
34% Popularity • 40% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Jake Owen
The Journey Of Your Life
125 bpm • A# Maj • 03:48 • -7.82db
26% Popularity • 71% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
26% Popularity • 71% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Blake Shelton
When Somebody Knows You That Well
136 bpm • B Maj • 03:41 • -6.99db
16% Popularity • 45% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 23% Positiveness
16% Popularity • 45% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 23% Positiveness
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Blaine Larsen
How Do You Get That Lonely
136 bpm • F Maj • 04:08 • -5db
37% Popularity • 59% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 27% Positiveness
37% Popularity • 59% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 27% Positiveness
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Alan Jackson
Monday Morning Church
136 bpm • E Maj • 03:24 • -15.06db
30% Popularity • 55% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
30% Popularity • 55% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Jimmy Weber
Miles Of Emotion
125 bpm • D# Maj • 03:49 • -10.49db
0% Popularity • 68% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
0% Popularity • 68% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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Rushlow Harris
Bagpipes Cryin'
136 bpm • D Maj • 04:03 • -6.35db
12% Popularity • 48% Danceability • 67% Energy • 35% Liveness
0% Instrumentalness • 38% Positiveness
12% Popularity • 48% Danceability • 67% Energy • 35% Liveness
0% Instrumentalness • 38% Positiveness
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Rockie Lynne
Boy in a Uniform
136 bpm • F# Maj • 03:45 • -6.05db
21% Popularity • 48% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
21% Popularity • 48% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Matt Kennon
That's Love
136 bpm • G Maj • 03:42 • -6.95db
15% Popularity • 43% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
15% Popularity • 43% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Rascal Flatts
Old Flame
136 bpm • G Maj • 03:12 • -6.03db
14% Popularity • 57% Danceability • 58% Energy • 31% Liveness
0% Instrumentalness • 31% Positiveness
14% Popularity • 57% Danceability • 58% Energy • 31% Liveness
0% Instrumentalness • 31% Positiveness
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Alan Jackson
Walk On The Rocks
124 bpm • F Maj • 03:30 • -9.03db
27% Popularity • 50% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
27% Popularity • 50% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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James Otto
Where Angels Hang Around
124 bpm • F# Maj • 04:18 • -8.81db
14% Popularity • 65% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
14% Popularity • 65% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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High Valley
Combine
124 bpm • E Maj • 04:34 • -6.69db
26% Popularity • 62% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 44% Positiveness
26% Popularity • 62% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 44% Positiveness
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Rockie Lynne
Proud to Be a Soldier
124 bpm • G# Maj • 04:11 • -4.38db
22% Popularity • 68% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
22% Popularity • 68% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
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Joe Bachman
A Soldier's Memoir (P T S D Song)
124 bpm • C# Maj • 04:09 • -6.59db
31% Popularity • 57% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
31% Popularity • 57% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Josh Gracin
The Other Little Soldier
124 bpm • D# Maj • 03:53 • -8.2db
22% Popularity • 60% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
22% Popularity • 60% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Jake Owen
The Best I Can
124 bpm • A min • 03:45 • -7.9db
15% Popularity • 66% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
15% Popularity • 66% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Jimmy Rose
Questions Why
124 bpm • G# Maj • 04:11 • -6.91db
8% Popularity • 49% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
8% Popularity • 49% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Craig Morgan
Lotta Man (In That Little Boy)
123 bpm • D Maj • 03:26 • -6.91db
23% Popularity • 58% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
23% Popularity • 58% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Sammy Kershaw
Better Than I Used to Be
137 bpm • D# Maj • 03:20 • -8db
32% Popularity • 59% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
32% Popularity • 59% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Jeff Bates
Mama Was A Lot Like Jesus
137 bpm • D Maj • 03:30 • -7.58db
20% Popularity • 64% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
20% Popularity • 64% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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David Lee Murphy
The Road You Leave Behind
123 bpm • E Maj • 03:53 • -12db
31% Popularity • 78% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
31% Popularity • 78% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Jason Michael Carroll
Tears
137 bpm • A# Maj • 04:31 • -5.86db
23% Popularity • 48% Danceability • 59% Energy • 19% Liveness
0% Instrumentalness • 25% Positiveness
23% Popularity • 48% Danceability • 59% Energy • 19% Liveness
0% Instrumentalness • 25% Positiveness
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Clay Walker
Ordinary People
137 bpm • D Maj • 03:50 • -8.64db
19% Popularity • 41% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
19% Popularity • 41% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
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Mitch Rossell
A Soldier's Memoir
137 bpm • C Maj • 03:41 • -5.36db
33% Popularity • 46% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
33% Popularity • 46% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Dusty Drake
One Last Time
123 bpm • E Maj • 03:47 • -10.74db
16% Popularity • 45% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
16% Popularity • 45% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Chris Young
The Dashboard
138 bpm • D Maj • 03:31 • -6db
35% Popularity • 49% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
35% Popularity • 49% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Craig Campbell
My Little Cowboy
138 bpm • F# Maj • 04:01 • -6.69db
24% Popularity • 52% Danceability • 57% Energy • 21% Liveness
0% Instrumentalness • 23% Positiveness
24% Popularity • 52% Danceability • 57% Energy • 21% Liveness
0% Instrumentalness • 23% Positiveness
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Jeff Bates
Riverbank
138 bpm • D Maj • 03:43 • -11.21db
20% Popularity • 61% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
20% Popularity • 61% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Clay Walker
All American
123 bpm • C Maj • 04:28 • -6.18db
17% Popularity • 62% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
17% Popularity • 62% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Colby Yates
She Beats All I Ever Dreamed
138 bpm • G Maj • 03:37 • -7.71db
14% Popularity • 47% Danceability • 46% Energy • 12% Liveness
1% Instrumentalness • 8% Positiveness
14% Popularity • 47% Danceability • 46% Energy • 12% Liveness
1% Instrumentalness • 8% Positiveness
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Jimmy Weber
A Worse Time
138 bpm • A Maj • 03:33 • -4.91db
0% Popularity • 57% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
0% Popularity • 57% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Blake Shelton
You'll Always Be Beautiful
123 bpm • A Maj • 03:47 • -6.19db
20% Popularity • 61% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
20% Popularity • 61% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
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The Warren Brothers
Hey Mr. President
138 bpm • G# Maj • 04:17 • -7.54db
10% Popularity • 57% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
10% Popularity • 57% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Jeff Bates
Leave The Light On
138 bpm • F# Maj • 03:27 • -6db
15% Popularity • 58% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
15% Popularity • 58% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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Tracy Byrd
Before I Die
138 bpm • D Maj • 04:31 • -4.88db
20% Popularity • 53% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
20% Popularity • 53% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Alan Jackson
Every Now And Then
138 bpm • A Maj • 03:47 • -11.82db
31% Popularity • 72% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
31% Popularity • 72% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
