Songs like If I Had Known Then (What I Know Now) by Michael Friedman
Based on a tempo of (+/- 10%) and a similar genre
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Michael Friedman
If I Had Known Then (What I Know Now)
67 bpm • C Maj • 02:14 • -8.19db
3% Popularity • 31% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
3% Popularity • 31% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
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Lauren Molina
Like A Virgin
67 bpm • D Maj • 04:04 • -11.64db
0% Popularity • 60% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
0% Popularity • 60% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Von Freeman
I'll Never Be Free
68 bpm • A# Maj • 08:42 • -9.91db
0% Popularity • 41% Danceability • 35% Energy • 26% Liveness
1% Instrumentalness • 35% Positiveness
0% Popularity • 41% Danceability • 35% Energy • 26% Liveness
1% Instrumentalness • 35% Positiveness
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Nicholas Leung
If I Can Stop One Heart From Breaking (E...
68 bpm • B Maj • 03:33 • -12.18db
12% Popularity • 37% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
12% Popularity • 37% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Kathy & Stella Solve A Murder!
If I Didn't Have You (I Would Die)
67 bpm • G# Maj • 03:31 • -9.3db
15% Popularity • 49% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
15% Popularity • 49% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Will Van Dyke
Marie and Me
66 bpm • D Maj • 03:14 • -7db
13% Popularity • 60% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
13% Popularity • 60% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
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Rob Gardner
Two Debtors
66 bpm • B min • 02:22 • -15.91db
12% Popularity • 49% Danceability • 18% Energy • 42% Liveness
0% Instrumentalness • 44% Positiveness
12% Popularity • 49% Danceability • 18% Energy • 42% Liveness
0% Instrumentalness • 44% Positiveness
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Kerstin Anderson
Do You Wonder
69 bpm • B Maj • 05:30 • -9.1db
4% Popularity • 28% Danceability • 23% Energy • 6% Liveness
0% Instrumentalness • 14% Positiveness
4% Popularity • 28% Danceability • 23% Energy • 6% Liveness
0% Instrumentalness • 14% Positiveness
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Paul Shapera
Oki & Skyler 1
65 bpm • A# Maj • 01:22 • -19.05db
12% Popularity • 47% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
12% Popularity • 47% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Jackie Hoffman
Little Match Girl
69 bpm • A Maj • 03:32 • -11.55db
0% Popularity • 68% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
0% Popularity • 68% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Maya Sharpe
Say Goodbye (Act 2)
65 bpm • A min • 01:39 • -15.39db
10% Popularity • 54% Danceability • 12% Energy • 69% Liveness
0% Instrumentalness • 59% Positiveness
10% Popularity • 54% Danceability • 12% Energy • 69% Liveness
0% Instrumentalness • 59% Positiveness
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Quincy Tyler Bernstine
The Telephone Song
69 bpm • D# Maj • 04:11 • -10.82db
1% Popularity • 50% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
1% Popularity • 50% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Samantha Rose The Cottage Singer
Voila - English version
69 bpm • D min • 02:58 • -7.5db
16% Popularity • 27% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
16% Popularity • 27% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Margo Seibert
I Give Away Children
69 bpm • A# Maj • 04:42 • -7.06db
4% Popularity • 40% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
4% Popularity • 40% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Cast of Most Peculiar Dreams
Most Peculiar Dreams Intro
70 bpm • C Maj • 01:33 • -22.51db
13% Popularity • 54% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
13% Popularity • 54% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Andrew Kober
Lonely
64 bpm • G min • 02:19 • -10.19db
0% Popularity • 40% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
0% Popularity • 40% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Michael McCorry Rose
Lion Tamer (Reprise)
71 bpm • C# Maj • 01:07 • -13.74db
16% Popularity • 57% Danceability • 13% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
16% Popularity • 57% Danceability • 13% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
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Von Freeman
Violets For Your Furs
71 bpm • A# Maj • 07:27 • -14.27db
0% Popularity • 57% Danceability • 3% Energy • 9% Liveness
16% Instrumentalness • 66% Positiveness
0% Popularity • 57% Danceability • 3% Energy • 9% Liveness
16% Instrumentalness • 66% Positiveness
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Sutton Foster
Do the Right Thing, Greg
72 bpm • G Maj • 03:06 • -10.94db
19% Popularity • 45% Danceability • 25% Energy • 20% Liveness
0% Instrumentalness • 24% Positiveness
19% Popularity • 45% Danceability • 25% Energy • 20% Liveness
0% Instrumentalness • 24% Positiveness
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Selena Ingersoll
Don't Fret
63 bpm • F Maj • 03:59 • -9.9db
28% Popularity • 37% Danceability • 37% Energy • 36% Liveness
0% Instrumentalness • 43% Positiveness
28% Popularity • 37% Danceability • 37% Energy • 36% Liveness
0% Instrumentalness • 43% Positiveness
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Micah Sandt
White Cliffs of Dover (Reprise)
73 bpm • D# Maj • 02:33 • -19.14db
12% Popularity • 54% Danceability • 5% Energy • 33% Liveness
0% Instrumentalness • 31% Positiveness
12% Popularity • 54% Danceability • 5% Energy • 33% Liveness
0% Instrumentalness • 31% Positiveness
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Christian Borle
Peggy Hewitt & Mysty Del Giorno
72 bpm • E Maj • 02:50 • -13db
9% Popularity • 38% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
9% Popularity • 38% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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Robbie Rozelle
When Bert's Not Here
73 bpm • G Maj • 03:19 • -13.47db
14% Popularity • 53% Danceability • 15% Energy • 18% Liveness
0% Instrumentalness • 31% Positiveness
14% Popularity • 53% Danceability • 15% Energy • 18% Liveness
0% Instrumentalness • 31% Positiveness
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Von Freeman
Crazy She Calls Me
71 bpm • D# Maj • 08:29 • -17.99db
0% Popularity • 28% Danceability • 13% Energy • 61% Liveness
1% Instrumentalness • 10% Positiveness
0% Popularity • 28% Danceability • 13% Energy • 61% Liveness
1% Instrumentalness • 10% Positiveness
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JustmeandtheKeys
Okay, okay
74 bpm • E Maj • 04:43 • -12.09db
16% Popularity • 71% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
16% Popularity • 71% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Seahorse Trash
Too Close
74 bpm • A min • 03:19 • -19.98db
9% Popularity • 31% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
9% Popularity • 31% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Micah Sandt
Hello, Mr Gable (Reprise)
75 bpm • D Maj • 02:10 • -13.61db
11% Popularity • 51% Danceability • 14% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
11% Popularity • 51% Danceability • 14% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
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Michael Rupert
Mark's All-Male Thanksgiving
62 bpm • A# Maj • 03:52 • -13db
9% Popularity • 42% Danceability • 15% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
9% Popularity • 42% Danceability • 15% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Nick Blaemire
I Have Not Slept
74 bpm • C Maj • 03:19 • -13db
0% Popularity • 55% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
0% Popularity • 55% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
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Von Freeman
This Is Always
73 bpm • A# Maj • 09:24 • -13.29db
2% Popularity • 52% Danceability • 20% Energy • 10% Liveness
65% Instrumentalness • 21% Positiveness
2% Popularity • 52% Danceability • 20% Energy • 10% Liveness
65% Instrumentalness • 21% Positiveness
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Cast of Most Peculiar Dreams
Providence and Destiny
75 bpm • D# Maj • 04:47 • -17.68db
27% Popularity • 33% Danceability • 12% Energy • 15% Liveness
2% Instrumentalness • 10% Positiveness
27% Popularity • 33% Danceability • 12% Energy • 15% Liveness
2% Instrumentalness • 10% Positiveness
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Chace Curtis
Purple Pillow
75 bpm • D Maj • 02:56 • -23.31db
8% Popularity • 44% Danceability • 1% Energy • 30% Liveness
0% Instrumentalness • 35% Positiveness
8% Popularity • 44% Danceability • 1% Energy • 30% Liveness
0% Instrumentalness • 35% Positiveness
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Kate Buddeke
Le Temps des Cerises
75 bpm • A# Maj • 01:27 • -13.62db
0% Popularity • 45% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
0% Popularity • 45% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Kerstin Anderson
The First Time
75 bpm • A Maj • 08:03 • -8.53db
6% Popularity • 34% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
6% Popularity • 34% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Mo Willems
We Are in a Play
76 bpm • G# Maj • 04:47 • -7.04db
12% Popularity • 60% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
12% Popularity • 60% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Von Freeman
Smile
74 bpm • F Maj • 03:11 • -13.5db
0% Popularity • 52% Danceability • 18% Energy • 10% Liveness
27% Instrumentalness • 16% Positiveness
0% Popularity • 52% Danceability • 18% Energy • 10% Liveness
27% Instrumentalness • 16% Positiveness
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Jenna Lea Rosen
Fly Away
76 bpm • A# Maj • 03:26 • -11.79db
16% Popularity • 27% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
16% Popularity • 27% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Onyie Nwachukwu
Blog Song #1
76 bpm • A Maj • 01:25 • -8.1db
0% Popularity • 78% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
0% Popularity • 78% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Arwen Humphreys
I've Brought Flowers
76 bpm • C Maj • 00:42 • -6.42db
10% Popularity • 62% Danceability • 53% Energy • 23% Liveness
0% Instrumentalness • 84% Positiveness
10% Popularity • 62% Danceability • 53% Energy • 23% Liveness
0% Instrumentalness • 84% Positiveness
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Andy Mientus
Goes Away
76 bpm • D min • 03:23 • -9.59db
10% Popularity • 59% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
10% Popularity • 59% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
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Osh Ghanimah
Watch Out Ladies
76 bpm • A min • 01:52 • -10.33db
0% Popularity • 36% Danceability • 49% Energy • 50% Liveness
0% Instrumentalness • 50% Positiveness
0% Popularity • 36% Danceability • 49% Energy • 50% Liveness
0% Instrumentalness • 50% Positiveness
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Jonathan Raviv
Flying Down To
76 bpm • E min • 01:20 • -9.1db
1% Popularity • 41% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
1% Popularity • 41% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Patch the Pirate
Coffee, Coffee, Coffee
76 bpm • F Maj • 01:35 • -5.58db
10% Popularity • 78% Danceability • 81% Energy • 59% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 78% Danceability • 81% Energy • 59% Liveness
0% Instrumentalness • 96% Positiveness
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Zoe Glick
The Great War
59 bpm • A min • 04:18 • -9.68db
5% Popularity • 53% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
5% Popularity • 53% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Sashika Dias
Paradise
76 bpm • B min • 02:37 • -10.23db
10% Popularity • 36% Danceability • 63% Energy • 48% Liveness
0% Instrumentalness • 48% Positiveness
10% Popularity • 36% Danceability • 63% Energy • 48% Liveness
0% Instrumentalness • 48% Positiveness
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Mary Testa
Three Sisters
76 bpm • A Maj • 04:39 • -10.64db
0% Popularity • 46% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
0% Popularity • 46% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Mark Hadfield
Edgar Allen Poe
76 bpm • A# min • 02:49 • -11.32db
10% Popularity • 72% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
10% Popularity • 72% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Michael Deaner
The Fight
76 bpm • F min • 02:00 • -7.81db
21% Popularity • 56% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
21% Popularity • 56% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Andrew Kober
The French Goose Song
77 bpm • G min • 02:31 • -7.71db
0% Popularity • 56% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
0% Popularity • 56% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
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John Pierson
Letter Soup
77 bpm • G# Maj • 03:32 • -8.66db
22% Popularity • 41% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
22% Popularity • 41% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Adam Chanler-Berat
Supersecret Places
77 bpm • G Maj • 03:08 • -12.44db
1% Popularity • 53% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
1% Popularity • 53% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Gibson Frazier
Everything Will Be Alright
78 bpm • C Maj • 00:37 • -12.95db
6% Popularity • 59% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
6% Popularity • 59% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Dima Novik
I Love Him
78 bpm • C# min • 03:42 • -12.63db
20% Popularity • 30% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
20% Popularity • 30% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Agnieszka Kurowska
TWO CANDLES IN THE DARKNESS (REPRISE)
78 bpm • G min • 02:35 • -9.65db
8% Popularity • 44% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
8% Popularity • 44% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Mizz Fish
It Starts With Sorry
78 bpm • F Maj • 01:29 • -11.84db
9% Popularity • 50% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
9% Popularity • 50% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
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Gerard Canonico
I Used to Be Like You
78 bpm • G Maj • 01:58 • -13.05db
0% Popularity • 66% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
0% Popularity • 66% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Sam Primack
Weatherman
78 bpm • A Maj • 03:01 • -8.16db
11% Popularity • 71% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
11% Popularity • 71% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Akron Watson
The Neighborhood
78 bpm • F Maj • 02:14 • -9.64db
2% Popularity • 58% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
2% Popularity • 58% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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The Civilians
Gone Missing
78 bpm • F Maj • 01:49 • -9.13db
2% Popularity • 71% Danceability • 57% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
2% Popularity • 71% Danceability • 57% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
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Adam Chanler-Berat
Schrodinger’s Cat
78 bpm • F min • 04:13 • -12.3db
0% Popularity • 55% Danceability • 28% Energy • 32% Liveness
0% Instrumentalness • 36% Positiveness
0% Popularity • 55% Danceability • 28% Energy • 32% Liveness
0% Instrumentalness • 36% Positiveness
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Timothy Gulan
Emma
78 bpm • G# Maj • 03:32 • -14.09db
7% Popularity • 37% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
7% Popularity • 37% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Paul Williams
Romeo Midnight
78 bpm • C# Maj • 01:35 • -13.95db
14% Popularity • 36% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
14% Popularity • 36% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Angela Mocanu
No Sky
78 bpm • A# Maj • 02:41 • -10.56db
9% Popularity • 63% Danceability • 63% Energy • 39% Liveness
0% Instrumentalness • 89% Positiveness
9% Popularity • 63% Danceability • 63% Energy • 39% Liveness
0% Instrumentalness • 89% Positiveness
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Kate Buddeke
The Internationale
78 bpm • D# Maj • 01:48 • -9.34db
7% Popularity • 50% Danceability • 20% Energy • 5% Liveness
0% Instrumentalness • 42% Positiveness
7% Popularity • 50% Danceability • 20% Energy • 5% Liveness
0% Instrumentalness • 42% Positiveness
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Lindsay Ridgeway
Born To Entertain
78 bpm • G Maj • 01:57 • -12.75db
10% Popularity • 56% Danceability • 37% Energy • 25% Liveness
0% Instrumentalness • 74% Positiveness
10% Popularity • 56% Danceability • 37% Energy • 25% Liveness
0% Instrumentalness • 74% Positiveness
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Christian Borle
When The Earth Stopped Turning
79 bpm • E Maj • 04:00 • -15.92db
11% Popularity • 48% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
11% Popularity • 48% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Kim Huber
Little Women
79 bpm • E Maj • 04:35 • -12.88db
28% Popularity • 28% Danceability • 17% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
28% Popularity • 28% Danceability • 17% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
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Paul Williams
"Aaay"Mless
78 bpm • D min • 02:57 • -7.12db
9% Popularity • 66% Danceability • 56% Energy • 33% Liveness
0% Instrumentalness • 46% Positiveness
9% Popularity • 66% Danceability • 56% Energy • 33% Liveness
0% Instrumentalness • 46% Positiveness
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Angela Mocanu
My Shadow
79 bpm • C Maj • 02:02 • -13db
10% Popularity • 41% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
10% Popularity • 41% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
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Priscilla Lopez
The Story of That Man
79 bpm • D Maj • 06:00 • -10.72db
7% Popularity • 45% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
7% Popularity • 45% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Andrew Barth Feldman
Second Star
80 bpm • F Maj • 04:24 • -13.16db
8% Popularity • 26% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
8% Popularity • 26% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Adam Guettel
ACT I the Cave, the Call:, Pt. II: It Mo...
80 bpm • E Maj • 03:09 • -16.35db
7% Popularity • 34% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
7% Popularity • 34% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
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Jenn Colella
Hang On
80 bpm • A# Maj • 05:15 • -8.92db
7% Popularity • 55% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
7% Popularity • 55% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Kyle Mcarthur
The Man in 4-B
80 bpm • E Maj • 03:16 • -10.29db
8% Popularity • 40% Danceability • 34% Energy • 23% Liveness
0% Instrumentalness • 39% Positiveness
8% Popularity • 40% Danceability • 34% Energy • 23% Liveness
0% Instrumentalness • 39% Positiveness
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Angela Mocanu
One I Love
79 bpm • A# Maj • 02:36 • -10.75db
10% Popularity • 55% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
10% Popularity • 55% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Andrea Burns
Never a Goodbye/Finale
79 bpm • A# Maj • 06:44 • -11.88db
8% Popularity • 35% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 35% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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My Big Fat Blonde Musical Cast
My White Whale
80 bpm • C Maj • 01:52 • -12.53db
9% Popularity • 58% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
9% Popularity • 58% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Pippa Cleary
Pieces of My Heart
80 bpm • D# Maj • 02:49 • -14.59db
8% Popularity • 37% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
8% Popularity • 37% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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Tom Lehrer
I Hold Your Hand in Mine
80 bpm • F Maj • 02:27 • -10.98db
0% Popularity • 48% Danceability • 71% Energy • 70% Liveness
0% Instrumentalness • 71% Positiveness
0% Popularity • 48% Danceability • 71% Energy • 70% Liveness
0% Instrumentalness • 71% Positiveness
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Dan Domingues
We Are All Panamanian
80 bpm • F Maj • 02:25 • -10.4db
0% Popularity • 68% Danceability • 46% Energy • 27% Liveness
0% Instrumentalness • 78% Positiveness
0% Popularity • 68% Danceability • 46% Energy • 27% Liveness
0% Instrumentalness • 78% Positiveness
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Cast of Most Peculiar Dreams
Henri's Song - Remix
81 bpm • D Maj • 03:35 • -20.5db
8% Popularity • 38% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
8% Popularity • 38% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Charlotte Volet
I Won't Wait Tomorrow
81 bpm • B Maj • 03:00 • -7.04db
27% Popularity • 37% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
27% Popularity • 37% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
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Michael R. Jackson
The Killer Still Hasn't Come for Me/Whit...
80 bpm • C Maj • 01:49 • -7.69db
13% Popularity • 63% Danceability • 39% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
13% Popularity • 63% Danceability • 39% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
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Lynn Ahrens
Knoxville
81 bpm • C Maj • 04:51 • -11.15db
10% Popularity • 29% Danceability • 32% Energy • 35% Liveness
0% Instrumentalness • 22% Positiveness
10% Popularity • 29% Danceability • 32% Energy • 35% Liveness
0% Instrumentalness • 22% Positiveness
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Original Cast of Aristos: The Musical
O Icarus
81 bpm • A# min • 02:11 • -13.57db
9% Popularity • 44% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
9% Popularity • 44% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Thom Sesma
The Memory Song
81 bpm • G Maj • 02:41 • -11.46db
3% Popularity • 59% Danceability • 34% Energy • 4% Liveness
0% Instrumentalness • 64% Positiveness
3% Popularity • 59% Danceability • 34% Energy • 4% Liveness
0% Instrumentalness • 64% Positiveness
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Isabella Lundgren
It's Not Where You Start it's Where You ...
81 bpm • A# min • 03:55 • -9.2db
12% Popularity • 49% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
12% Popularity • 49% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
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Gaby Alter
Back of the Bus
81 bpm • A# Maj • 02:48 • -9.09db
13% Popularity • 51% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
13% Popularity • 51% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Jo Lampert
Consensus Is Hard
82 bpm • G# Maj • 02:31 • -10.86db
0% Popularity • 65% Danceability • 37% Energy • 25% Liveness
0% Instrumentalness • 59% Positiveness
0% Popularity • 65% Danceability • 37% Energy • 25% Liveness
0% Instrumentalness • 59% Positiveness
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Lynn Ahrens
The Ferryman
81 bpm • E min • 01:10 • -13.35db
10% Popularity • 41% Danceability • 31% Energy • 56% Liveness
0% Instrumentalness • 27% Positiveness
10% Popularity • 41% Danceability • 31% Energy • 56% Liveness
0% Instrumentalness • 27% Positiveness
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Maya Sharpe
Messing with the Simpsons
82 bpm • C Maj • 01:06 • -11db
7% Popularity • 77% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
7% Popularity • 77% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Eden Espinosa
Malagueña
82 bpm • E min • 04:10 • -9.26db
11% Popularity • 47% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
11% Popularity • 47% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
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Ellie Fishman
See You on the Other Side
82 bpm • C min • 04:18 • -8.8db
12% Popularity • 43% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
12% Popularity • 43% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Ryan Scott Oliver
Crazytown: Commentary
82 bpm • F# Maj • 08:41 • -17.25db
7% Popularity • 63% Danceability • 26% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
7% Popularity • 63% Danceability • 26% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
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Roger Rees
Art
82 bpm • D Maj • 05:11 • -12.07db
9% Popularity • 54% Danceability • 28% Energy • 45% Liveness
0% Instrumentalness • 55% Positiveness
9% Popularity • 54% Danceability • 28% Energy • 45% Liveness
0% Instrumentalness • 55% Positiveness
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Nicky Croydon
Poor Sweet Baby
83 bpm • F min • 03:19 • -20.51db
9% Popularity • 40% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 40% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Christina Sajous
Love and Hate/And Now the Sky
82 bpm • A Maj • 01:45 • -15db
7% Popularity • 45% Danceability • 4% Energy • 17% Liveness
0% Instrumentalness • 11% Positiveness
7% Popularity • 45% Danceability • 4% Energy • 17% Liveness
0% Instrumentalness • 11% Positiveness
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Rachael Duddy
Forgiveness
83 bpm • D Maj • 01:11 • -17.44db
10% Popularity • 44% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
10% Popularity • 44% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness