Songs like if this is the last time by LANY
Based on a tempo of (+/- 10%) and a similar genre
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Kygo
Lose Somebody
148 bpm • C# Maj • 03:19 • -6.88db
67% Popularity • 58% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
67% Popularity • 58% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Mokita
down
148 bpm • E Maj • 03:14 • -9.02db
52% Popularity • 52% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
52% Popularity • 52% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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LANY
Valentine's Day
148 bpm • G# Maj • 03:37 • -8.76db
55% Popularity • 55% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
55% Popularity • 55% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Finding Hope
Nightlight
148 bpm • F Maj • 02:55 • -17.13db
48% Popularity • 54% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
48% Popularity • 54% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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One Direction
They Don't Know About Us
148 bpm • C Maj • 03:20 • -6.13db
73% Popularity • 51% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
73% Popularity • 51% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Niall Horan
Black And White
148 bpm • D Maj • 03:13 • -6.02db
68% Popularity • 44% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
68% Popularity • 44% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Ruel
distance
149 bpm • D# min • 02:59 • -8.56db
53% Popularity • 56% Danceability • 33% Energy • 56% Liveness
0% Instrumentalness • 50% Positiveness
53% Popularity • 56% Danceability • 33% Energy • 56% Liveness
0% Instrumentalness • 50% Positiveness
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The Band CAMINO
Crying Over You
147 bpm • B Maj • 02:58 • -8.25db
52% Popularity • 46% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 16% Positiveness
52% Popularity • 46% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 16% Positiveness
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LANY
if this is the last time
148 bpm • B Maj • 03:23 • -7.73db
62% Popularity • 57% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
62% Popularity • 57% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
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JP Saxe
If the World Was Ending
147 bpm • C# Maj • 03:29 • -9.97db
73% Popularity • 43% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
73% Popularity • 43% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Clara Mae
Alright
147 bpm • F# Maj • 02:41 • -4.94db
43% Popularity • 54% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
43% Popularity • 54% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Matt Hansen
without you with me
147 bpm • D Maj • 02:54 • -5.95db
64% Popularity • 48% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
64% Popularity • 48% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Clinton Kane
remember the mornings
149 bpm • C Maj • 03:22 • -5.66db
46% Popularity • 59% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
46% Popularity • 59% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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5 Seconds of Summer
Ghost Of You
150 bpm • A# Maj • 03:17 • -4.82db
71% Popularity • 46% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
71% Popularity • 46% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
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LANY
anything 4 u
147 bpm • A# Maj • 03:14 • -7.99db
63% Popularity • 57% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
63% Popularity • 57% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Fly By Midnight
Tomorrow
150 bpm • D Maj • 03:05 • -6db
54% Popularity • 57% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
54% Popularity • 57% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Leah Nobel
Beginning Middle End - Always and Foreve...
150 bpm • D Maj • 03:16 • -8.01db
46% Popularity • 46% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
46% Popularity • 46% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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Luke Chiang
May I Ask
146 bpm • D Maj • 03:50 • -9.22db
64% Popularity • 72% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
64% Popularity • 72% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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elijah woods
24/7, 365
150 bpm • F# Maj • 02:47 • -7.28db
77% Popularity • 66% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
77% Popularity • 66% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Mokita
colorblind
146 bpm • G# Maj • 03:13 • -5.05db
61% Popularity • 66% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
61% Popularity • 66% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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LANY
sharing you
150 bpm • A Maj • 03:29 • -9db
45% Popularity • 54% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
45% Popularity • 54% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Harry Hudson
Yellow Lights
146 bpm • D# Maj • 02:51 • -10.81db
53% Popularity • 44% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
53% Popularity • 44% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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John K
6 months
146 bpm • D# Maj • 03:37 • -6db
52% Popularity • 66% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
52% Popularity • 66% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Conan Gray
Astronomy
145 bpm • E min • 04:03 • -8.57db
74% Popularity • 47% Danceability • 34% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
74% Popularity • 47% Danceability • 34% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
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FINNEAS
What They'll Say About Us
145 bpm • G min • 03:01 • -13.04db
59% Popularity • 54% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
59% Popularity • 54% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Maximillian
Beautiful Scars
145 bpm • E min • 03:14 • -8.67db
60% Popularity • 71% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
60% Popularity • 71% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Etham
Opposite Of Loving Me - Stripped
145 bpm • G min • 03:31 • -10.83db
44% Popularity • 62% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
44% Popularity • 62% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Keenan Te
Scars
145 bpm • G# Maj • 03:12 • -7.63db
66% Popularity • 57% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
66% Popularity • 57% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Natalie Taylor
Surrender
145 bpm • F min • 03:03 • -8.57db
70% Popularity • 39% Danceability • 45% Energy • 11% Liveness
18% Instrumentalness • 8% Positiveness
70% Popularity • 39% Danceability • 45% Energy • 11% Liveness
18% Instrumentalness • 8% Positiveness
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clide
broken parts
151 bpm • C Maj • 03:05 • -12.42db
48% Popularity • 48% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
48% Popularity • 48% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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LANY
nobody else
152 bpm • C Maj • 03:17 • -14.51db
60% Popularity • 57% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
60% Popularity • 57% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Clinton Kane
So I Don't Let Me Down
152 bpm • A Maj • 03:36 • -8.62db
42% Popularity • 65% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
42% Popularity • 65% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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FINNEAS
Break My Heart Again
144 bpm • E min • 03:57 • -14.23db
68% Popularity • 40% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
68% Popularity • 40% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Griff
Good Stuff
144 bpm • G Maj • 03:13 • -7.48db
59% Popularity • 64% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
59% Popularity • 64% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Ethan Dufault
Casualties
144 bpm • D# Maj • 03:42 • -10.39db
46% Popularity • 65% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
46% Popularity • 65% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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AJ Rafael
Waking up Sucks (Sometimes)
144 bpm • G Maj • 03:21 • -6.97db
33% Popularity • 62% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
33% Popularity • 62% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Olivia Rodrigo
drivers license
144 bpm • A# Maj • 04:02 • -8.81db
85% Popularity • 56% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
85% Popularity • 56% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Sam MacPherson
Last Minute
144 bpm • C# Maj • 02:13 • -9.24db
59% Popularity • 58% Danceability • 28% Energy • 51% Liveness
0% Instrumentalness • 48% Positiveness
59% Popularity • 58% Danceability • 28% Energy • 51% Liveness
0% Instrumentalness • 48% Positiveness
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Taylor Swift
You All Over Me (Taylor’s Version)
143 bpm • D Maj • 03:40 • -7.61db
63% Popularity • 60% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
63% Popularity • 60% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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elijah woods
everything everywhere always
144 bpm • F# Maj • 02:27 • -10.23db
67% Popularity • 40% Danceability • 38% Energy • 27% Liveness
0% Instrumentalness • 19% Positiveness
67% Popularity • 40% Danceability • 38% Energy • 27% Liveness
0% Instrumentalness • 19% Positiveness
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LANY
paper
154 bpm • G Maj • 04:04 • -9db
44% Popularity • 49% Danceability • 56% Energy • 28% Liveness
0% Instrumentalness • 45% Positiveness
44% Popularity • 49% Danceability • 56% Energy • 28% Liveness
0% Instrumentalness • 45% Positiveness
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Gentle Bones
Better With You
154 bpm • C Maj • 02:46 • -7.27db
51% Popularity • 65% Danceability • 46% Energy • 38% Liveness
0% Instrumentalness • 45% Positiveness
51% Popularity • 65% Danceability • 46% Energy • 38% Liveness
0% Instrumentalness • 45% Positiveness
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Clinton Kane
i don't want to watch the world end with...
154 bpm • D Maj • 03:04 • -9.34db
64% Popularity • 54% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
64% Popularity • 54% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Noah Cyrus
Young & Sad
142 bpm • G min • 03:10 • -8.5db
53% Popularity • 62% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
53% Popularity • 62% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
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shy martin
Slow
142 bpm • D Maj • 02:43 • -9.51db
55% Popularity • 64% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
55% Popularity • 64% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Bazzi
3:15
142 bpm • C# Maj • 02:47 • -5.48db
62% Popularity • 65% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
62% Popularity • 65% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
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Taylor Swift
Back To December
142 bpm • D Maj • 04:53 • -5.8db
65% Popularity • 52% Danceability • 61% Energy • 32% Liveness
0% Instrumentalness • 30% Positiveness
65% Popularity • 52% Danceability • 61% Energy • 32% Liveness
0% Instrumentalness • 30% Positiveness
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Mokita
With You
155 bpm • B Maj • 02:34 • -6db
61% Popularity • 65% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
61% Popularity • 65% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Valley
homebody
155 bpm • C# Maj • 03:11 • -7.24db
43% Popularity • 62% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
43% Popularity • 62% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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Etham
Purpose - Stripped
155 bpm • G# Maj • 03:16 • -9.7db
42% Popularity • 42% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
42% Popularity • 42% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Forest Blakk
If You Love Her - Meghan Trainor
156 bpm • C# Maj • 03:35 • -7.16db
58% Popularity • 34% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
58% Popularity • 34% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Francisco Martin
Swollen
141 bpm • A# Maj • 03:50 • -9.26db
36% Popularity • 45% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
36% Popularity • 45% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Arash Buana
if u could see me cryin' in my room
140 bpm • C# Maj • 04:16 • -11.4db
69% Popularity • 47% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
69% Popularity • 47% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Alec Benjamin
Oh My God
156 bpm • F min • 03:07 • -7.24db
55% Popularity • 70% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
55% Popularity • 70% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Keenan Te
Forever With You
140 bpm • B Maj • 03:24 • -8.59db
52% Popularity • 52% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
52% Popularity • 52% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Conor Matthews
How Many Times Can a Heart Break
140 bpm • C Maj • 03:05 • -7db
29% Popularity • 33% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
29% Popularity • 33% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Loote
85%
140 bpm • G Maj • 02:54 • -7.59db
53% Popularity • 57% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
53% Popularity • 57% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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Gentle Bones
I Wouldn't Know Any Better Than You
140 bpm • D Maj • 02:31 • -5.55db
50% Popularity • 71% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
50% Popularity • 71% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Cheat Codes
Hate You + Love You
140 bpm • F Maj • 03:21 • -4.67db
43% Popularity • 76% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
43% Popularity • 76% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Kina
Wish I Was Better
140 bpm • C min • 02:20 • -13.09db
57% Popularity • 73% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
57% Popularity • 73% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Tim Halperin
Always Be My Baby
140 bpm • E Maj • 03:01 • -10db
58% Popularity • 58% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
58% Popularity • 58% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Taylor Swift
the 1
140 bpm • C Maj • 03:30 • -6.94db
79% Popularity • 78% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
79% Popularity • 78% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Sam Fischer
This City - Acoustic
140 bpm • A# Maj • 03:26 • -10.58db
53% Popularity • 62% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
53% Popularity • 62% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Gentle Bones
Two Sides
140 bpm • G Maj • 03:46 • -11.12db
34% Popularity • 74% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
34% Popularity • 74% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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Maximillian
Crossroads
140 bpm • D Maj • 03:01 • -8.35db
28% Popularity • 62% Danceability • 42% Energy • 37% Liveness
0% Instrumentalness • 58% Positiveness
28% Popularity • 62% Danceability • 42% Energy • 37% Liveness
0% Instrumentalness • 58% Positiveness
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Bruno Major
Nothing
140 bpm • D Maj • 02:42 • -15.89db
74% Popularity • 56% Danceability • 27% Energy • 10% Liveness
54% Instrumentalness • 27% Positiveness
74% Popularity • 56% Danceability • 27% Energy • 10% Liveness
54% Instrumentalness • 27% Positiveness
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SLANDER
Love Is Gone - Acoustic
140 bpm • F# Maj • 02:56 • -10.65db
77% Popularity • 54% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
77% Popularity • 54% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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shy martin
Are you happy?
139 bpm • A min • 02:37 • -7.66db
57% Popularity • 63% Danceability • 58% Energy • 42% Liveness
0% Instrumentalness • 30% Positiveness
57% Popularity • 63% Danceability • 58% Energy • 42% Liveness
0% Instrumentalness • 30% Positiveness
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Blake Rose
Gone
139 bpm • B min • 03:25 • -6db
58% Popularity • 32% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
58% Popularity • 32% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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joan
brokenhearted - sunset
139 bpm • A# Maj • 04:21 • -10.01db
37% Popularity • 53% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
37% Popularity • 53% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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benny blanco
Unlearn
138 bpm • A# min • 02:34 • -12.27db
51% Popularity • 50% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
51% Popularity • 50% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Ali Gatie
lie to me
138 bpm • E min • 02:57 • -7.68db
57% Popularity • 64% Danceability • 40% Energy • 34% Liveness
0% Instrumentalness • 4% Positiveness
57% Popularity • 64% Danceability • 40% Energy • 34% Liveness
0% Instrumentalness • 4% Positiveness
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vaultboy
everything sucks
138 bpm • F# Maj • 01:55 • -8.96db
69% Popularity • 76% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
69% Popularity • 76% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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shy martin
Break With Me
138 bpm • F Maj • 02:35 • -10.31db
39% Popularity • 61% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
39% Popularity • 61% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Alessia Cara
I Choose
138 bpm • C Maj • 03:37 • -6.46db
58% Popularity • 66% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
58% Popularity • 66% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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The Script
Run Through Walls
159 bpm • D Maj • 03:26 • -3.64db
51% Popularity • 34% Danceability • 66% Energy • 74% Liveness
0% Instrumentalness • 49% Positiveness
51% Popularity • 34% Danceability • 66% Energy • 74% Liveness
0% Instrumentalness • 49% Positiveness
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GUNNAR
For Your Love
138 bpm • C Maj • 03:09 • -5db
37% Popularity • 62% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
37% Popularity • 62% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Rhys Lewis
No Right To Love You
159 bpm • C# Maj • 03:58 • -8.15db
45% Popularity • 59% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
45% Popularity • 59% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Abe Parker
Butterflies
160 bpm • D# Maj • 03:03 • -7.04db
56% Popularity • 48% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
56% Popularity • 48% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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shy martin
Nobody Likes Moving On
160 bpm • B Maj • 02:46 • -10.78db
43% Popularity • 64% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
43% Popularity • 64% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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LANY
somewhere
137 bpm • C# Maj • 03:36 • -8db
56% Popularity • 75% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
56% Popularity • 75% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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5 Seconds of Summer
Lie To Me
160 bpm • C Maj • 02:29 • -5.45db
61% Popularity • 61% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
61% Popularity • 61% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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keshi
blue
160 bpm • C# Maj • 02:58 • -8.69db
61% Popularity • 51% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
61% Popularity • 51% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Fly By Midnight
Lovely
160 bpm • C Maj • 02:56 • -6.8db
48% Popularity • 55% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
48% Popularity • 55% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
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Valley
hiccup
160 bpm • A Maj • 02:44 • -8.96db
50% Popularity • 42% Danceability • 58% Energy • 33% Liveness
0% Instrumentalness • 55% Positiveness
50% Popularity • 42% Danceability • 58% Energy • 33% Liveness
0% Instrumentalness • 55% Positiveness
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Ruel
Younger
136 bpm • B min • 03:42 • -7.71db
56% Popularity • 74% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
56% Popularity • 74% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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LANY
heart won't let me
136 bpm • C Maj • 03:19 • -8.06db
56% Popularity • 61% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
56% Popularity • 61% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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vaultboy
rocket science
136 bpm • A# Maj • 02:32 • -8.01db
66% Popularity • 74% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
66% Popularity • 74% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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keshi
beside you
136 bpm • C Maj • 02:46 • -6.34db
71% Popularity • 71% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
71% Popularity • 71% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Alex Sampson
Play Pretend
136 bpm • G Maj • 03:06 • -7db
52% Popularity • 59% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
52% Popularity • 59% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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James Bay
Peer Pressure
136 bpm • C# min • 02:56 • -6.08db
66% Popularity • 63% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
66% Popularity • 63% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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JP Saxe
The Few Things (With Charlotte Lawrence)
136 bpm • G Maj • 03:31 • -10.45db
59% Popularity • 54% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
59% Popularity • 54% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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LANY
'Cause You Have To
161 bpm • B Maj • 04:10 • -8.06db
70% Popularity • 46% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
70% Popularity • 46% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Calum Scott
Biblical
136 bpm • E Maj • 03:49 • -5db
57% Popularity • 56% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
57% Popularity • 56% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Alexander 23
The Hardest Part
162 bpm • G# Maj • 03:23 • -9db
46% Popularity • 50% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
46% Popularity • 50% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Boy In Space
7UP
135 bpm • C Maj • 03:23 • -7db
50% Popularity • 62% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
50% Popularity • 62% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Fly By Midnight
Automatic
135 bpm • G# Maj • 02:37 • -6.18db
58% Popularity • 60% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
58% Popularity • 60% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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JP Saxe
The Few Things
136 bpm • G Maj • 04:04 • -12.83db
45% Popularity • 54% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
45% Popularity • 54% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
