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If We Never Dance Again
Songs like
If We Never Dance Again
by
Pete Murray
Based on a tempo of (+/- 10%) and a similar genre
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End Of Fashion
Rough Diamonds
148 bpm • D Maj • 04:15 • -5.98db
19% Popularity • 46% Danceability • 61% Energy • 31% Liveness
0% Instrumentalness • 33% Positiveness
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The Whitlams
Royal In The Afternoon
148 bpm • A min • 02:58 • -4.54db
32% Popularity • 48% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Sarah Blasko
Don't U Eva
148 bpm • A# min • 04:19 • -5.62db
28% Popularity • 48% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Josh Pyke
Endless Summer - Acoustic
148 bpm • A Maj • 03:36 • -8.35db
32% Popularity • 50% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Kisschasy
Do-Do's And Whoa-Oh's
149 bpm • D Maj • 03:31 • -4.26db
40% Popularity • 37% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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The Temper Trap
Dancing in the Dark - triple j Like A Ve...
147 bpm • B Maj • 03:14 • -6db
40% Popularity • 56% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
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Taxiride
AFTERGLOW
149 bpm • G Maj • 04:07 • -6.3db
19% Popularity • 35% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
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Goanna
Solid Rock - Remastered Version
149 bpm • A min • 04:35 • -7.39db
58% Popularity • 55% Danceability • 74% Energy • 3% Liveness
0% Instrumentalness • 51% Positiveness
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Bernard Fanning
Wash Me Clean
147 bpm • F Maj • 02:36 • -11.13db
36% Popularity • 48% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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The Whitlams
Buy Now Pay Later (Charlie No.2)
147 bpm • A# min • 03:46 • -13.87db
35% Popularity • 41% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Josh Pyke
Middle Of The Hill
146 bpm • G Maj • 02:27 • -7.05db
43% Popularity • 77% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Pete Murray
You Pick Me Up
150 bpm • F min • 04:32 • -7.03db
22% Popularity • 56% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Jebediah
She's Like a Comet
145 bpm • F# min • 03:43 • -3.83db
39% Popularity • 46% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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Epicure
Life Sentence
145 bpm • A Maj • 04:49 • -9.01db
21% Popularity • 58% Danceability • 52% Energy • 23% Liveness
0% Instrumentalness • 43% Positiveness
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Chocolate Starfish
Mountain
151 bpm • G Maj • 04:57 • -6.36db
36% Popularity • 48% Danceability • 79% Energy • 61% Liveness
0% Instrumentalness • 73% Positiveness
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The Whitlams
No Aphrodisiac
150 bpm • D min • 04:19 • -8.27db
48% Popularity • 36% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
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Killing Heidi
Calm Down
144 bpm • D Maj • 03:42 • -2.13db
26% Popularity • 46% Danceability • 97% Energy • 29% Liveness
0% Instrumentalness • 42% Positiveness
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Pete Murray
Saving Grace
151 bpm • F# Maj • 02:57 • -9.22db
34% Popularity • 38% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Kisschasy
Opinions Won't Keep You Warm At Night
144 bpm • G min • 03:06 • -3.35db
45% Popularity • 43% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
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Vance Joy
Georgia (Live from Melbourne)
143 bpm • B Maj • 04:09 • -7.9db
20% Popularity • 38% Danceability • 60% Energy • 94% Liveness
0% Instrumentalness • 36% Positiveness
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Bluejuice
Broken Leg
143 bpm • D Maj • 03:12 • -3.9db
48% Popularity • 54% Danceability • 83% Energy • 38% Liveness
0% Instrumentalness • 61% Positiveness
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Midnight Oil
Power And The Passion - Remastered Versi...
153 bpm • E Maj • 05:39 • -6db
52% Popularity • 78% Danceability • 74% Energy • 24% Liveness
1% Instrumentalness • 87% Positiveness
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Lior
Sitting With a Stranger
154 bpm • C# Maj • 03:15 • -6.81db
21% Popularity • 53% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Pete Murray
Free
145 bpm • C Maj • 03:35 • -6db
44% Popularity • 52% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Grinspoon
Chemical Heart
154 bpm • C Maj • 04:39 • -7.41db
54% Popularity • 47% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Jonathan Routh
Piano in the Underground
154 bpm • F min • 01:19 • -11.38db
0% Popularity • 56% Danceability • 56% Energy • 33% Liveness
0% Instrumentalness • 66% Positiveness
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Josh Pyke
The Lighthouse Song
142 bpm • C Maj • 03:44 • -8.64db
37% Popularity • 58% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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The Beautiful Girls
I Thought About You
142 bpm • G Maj • 03:12 • -5.01db
30% Popularity • 68% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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The Whitlams
Fall for You
155 bpm • F min • 03:47 • -8.86db
32% Popularity • 56% Danceability • 65% Energy • 22% Liveness
0% Instrumentalness • 64% Positiveness
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Pete Murray
Sugar
144 bpm • A Maj • 04:30 • -9.4db
11% Popularity • 61% Danceability • 78% Energy • 15% Liveness
4% Instrumentalness • 46% Positiveness
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The Living End
White Noise
141 bpm • C Maj • 03:44 • -4.53db
52% Popularity • 26% Danceability • 96% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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Killing Heidi
Outside Of Me
141 bpm • D Maj • 04:05 • -5.53db
23% Popularity • 24% Danceability • 94% Energy • 50% Liveness
0% Instrumentalness • 18% Positiveness
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The Superjesus
Enough to Know
156 bpm • D# Maj • 03:13 • -6.41db
26% Popularity • 50% Danceability • 90% Energy • 34% Liveness
0% Instrumentalness • 78% Positiveness
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Australian Crawl
Hoochie Gucci Fiorucci Mama - Remastered
141 bpm • A min • 02:30 • -10.34db
44% Popularity • 53% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Dragon
Young Years
140 bpm • G Maj • 03:58 • -11.84db
47% Popularity • 52% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Pete Murray
Vacant
144 bpm • F# Maj • 03:42 • -5.58db
18% Popularity • 54% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Evermore
Running
140 bpm • F# Maj • 04:23 • -4.7db
49% Popularity • 41% Danceability • 77% Energy • 5% Liveness
3% Instrumentalness • 20% Positiveness
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Killing Heidi
Weir
156 bpm • D Maj • 04:04 • -6.62db
51% Popularity • 33% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 67% Positiveness
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Daryl Braithwaite
As The Days Go By
157 bpm • G Maj • 04:03 • -10.13db
46% Popularity • 56% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 38% Positiveness
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Kasey Chambers
Better Be Home Soon
157 bpm • D Maj • 03:19 • -10.7db
25% Popularity • 29% Danceability • 14% Energy • 26% Liveness
0% Instrumentalness • 18% Positiveness
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Dragon
Rain
157 bpm • E Maj • 03:38 • -12.6db
58% Popularity • 60% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Boy & Bear
Walk The Wire
139 bpm • F Maj • 02:59 • -5.02db
40% Popularity • 53% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Pete Murray
Don't Change
142 bpm • D Maj • 03:36 • -14.38db
31% Popularity • 31% Danceability • 24% Energy • 18% Liveness
4% Instrumentalness • 26% Positiveness
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Evermore
It’s Too Late
139 bpm • G# min • 03:55 • -4.91db
49% Popularity • 54% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Dave Dobbyn
Beside You
139 bpm • C# Maj • 03:42 • -6.96db
20% Popularity • 54% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Busby Marou
Best Part of Me
158 bpm • C Maj • 03:05 • -7.62db
36% Popularity • 60% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Jebediah
Control
158 bpm • G min • 03:27 • -3.27db
30% Popularity • 43% Danceability • 96% Energy • 8% Liveness
29% Instrumentalness • 62% Positiveness
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The Screaming Jets
October Grey
138 bpm • B Maj • 03:52 • -4.67db
36% Popularity • 60% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Pete Murray
Silver Cloud
142 bpm • B Maj • 04:00 • -10.47db
23% Popularity • 58% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Things Of Stone and Wood
Happy Birthday Helen
138 bpm • F Maj • 03:48 • -9db
39% Popularity • 45% Danceability • 68% Energy • 33% Liveness
0% Instrumentalness • 66% Positiveness
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Deborah Conway
Its Only the Beginning
138 bpm • E Maj • 04:41 • -10db
41% Popularity • 56% Danceability • 69% Energy • 28% Liveness
0% Instrumentalness • 65% Positiveness
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The Whitlams
I Will Not Go Quietly
137 bpm • C Maj • 03:53 • -5.54db
30% Popularity • 49% Danceability • 90% Energy • 24% Liveness
0% Instrumentalness • 49% Positiveness
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Midnight Youth
All on Our Own
137 bpm • F# Maj • 03:46 • -5.03db
30% Popularity • 52% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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The Mutton Birds
Dominion Road
137 bpm • B Maj • 03:55 • -10.5db
34% Popularity • 63% Danceability • 73% Energy • 39% Liveness
0% Instrumentalness • 88% Positiveness
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Pete Murray
H.O.L.L.A.N.D.
139 bpm • G Maj • 04:36 • -5.84db
13% Popularity • 50% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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End Of Fashion
O Yeah
160 bpm • E Maj • 02:59 • -5.33db
43% Popularity • 40% Danceability • 89% Energy • 37% Liveness
0% Instrumentalness • 53% Positiveness
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stellar*
Part of Me
160 bpm • E Maj • 04:00 • -7.72db
25% Popularity • 59% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
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Jonathan Routh
The Nightwatchman's Hut
136 bpm • G Maj • 03:38 • -8.83db
0% Popularity • 69% Danceability • 35% Energy • 33% Liveness
0% Instrumentalness • 51% Positiveness
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The Whitlams
I Make Hamburgers
136 bpm • C Maj • 03:34 • -6.39db
37% Popularity • 63% Danceability • 87% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
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Taxiride
Everywhere You Go
135 bpm • D Maj • 03:32 • -5.04db
38% Popularity • 54% Danceability • 95% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Pete Murray
Chance To Say Goodbye
160 bpm • B Maj • 04:58 • -6.85db
20% Popularity • 37% Danceability • 77% Energy • 31% Liveness
4% Instrumentalness • 23% Positiveness
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Sarah Blasko
Always Worth It
135 bpm • C# min • 03:47 • -5.98db
23% Popularity • 46% Danceability • 70% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
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Bob Evans
Pasha Bulker (Where Did I Go Wrong?)
135 bpm • B min • 03:15 • -6.37db
3% Popularity • 42% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Illy
It Can Wait
135 bpm • G# Maj • 03:37 • -3.53db
40% Popularity • 75% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Busby Marou
Biding My Time
135 bpm • E Maj • 04:03 • -6.59db
43% Popularity • 70% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Killing Heidi
Live Without It
135 bpm • G Maj • 03:11 • -5.67db
32% Popularity • 44% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
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Pete Murray
Lines
136 bpm • A Maj • 03:00 • -6.88db
35% Popularity • 50% Danceability • 81% Energy • 39% Liveness
0% Instrumentalness • 59% Positiveness
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Forrest Johnson
Then By Nightfall...
135 bpm • A min • 04:28 • -7.78db
0% Popularity • 41% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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Ben Lee
Gamble Everything for Love
163 bpm • A min • 03:21 • -9.75db
31% Popularity • 76% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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The Screaming Jets
Shivers
135 bpm • F# Maj • 04:26 • -11.96db
39% Popularity • 41% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 42% Positiveness
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Jonathan Routh
Psst!
134 bpm • E min • 04:05 • -10.5db
0% Popularity • 64% Danceability • 51% Energy • 22% Liveness
0% Instrumentalness • 64% Positiveness
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Evermore
Are You Satisfied???
134 bpm • C# Maj • 04:19 • -6.38db
15% Popularity • 55% Danceability • 61% Energy • 24% Liveness
0% Instrumentalness • 44% Positiveness
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Pete Murray
Never Let The End Begin
134 bpm • C min • 03:01 • -11.03db
14% Popularity • 64% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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The Whitlams
Thankyou (For Loving Me At My Worst)
134 bpm • F Maj • 04:12 • -5.65db
33% Popularity • 57% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Killing Heidi
Mascara
134 bpm • D Maj • 04:50 • -4.49db
44% Popularity • 41% Danceability • 90% Energy • 37% Liveness
0% Instrumentalness • 64% Positiveness
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Busby Marou
Konomie
164 bpm • E Maj • 02:43 • -8db
27% Popularity • 44% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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George
Breathe in Now
164 bpm • B min • 03:50 • -14.39db
31% Popularity • 41% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Evermore
Light Surrounding You
164 bpm • D# Maj • 03:50 • -7db
50% Popularity • 41% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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The Screaming Jets
Helping Hand
133 bpm • G# min • 04:50 • -10.46db
46% Popularity • 50% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 47% Positiveness
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Pete Murray
Tonic
134 bpm • B min • 03:00 • -9.48db
23% Popularity • 68% Danceability • 70% Energy • 10% Liveness
1% Instrumentalness • 77% Positiveness
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Ian Moss
Tucker's Daughter
133 bpm • A# min • 04:34 • -11.31db
53% Popularity • 64% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
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Machine Gun Fellatio
The Girl Of My Dreams Is Giving Me Night...
133 bpm • B Maj • 03:31 • -6.98db
37% Popularity • 67% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
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Paul Dempsey
Fast Friends
133 bpm • A Maj • 04:16 • -6.21db
25% Popularity • 55% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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Australian Crawl
Errol - Remastered
165 bpm • C Maj • 03:30 • -6.97db
54% Popularity • 61% Danceability • 77% Energy • 24% Liveness
0% Instrumentalness • 78% Positiveness
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Motor Ace
Keeping Secrets
166 bpm • D# Maj • 04:36 • -5db
24% Popularity • 41% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Pete Murray
Happy Ground
132 bpm • C Maj • 03:50 • -11.49db
29% Popularity • 60% Danceability • 41% Energy • 67% Liveness
0% Instrumentalness • 47% Positiveness
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You Am I
Damage
132 bpm • C min • 03:27 • -6.32db
25% Popularity • 50% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Forrest Johnson
Waiting for Autumn
132 bpm • D Maj • 04:03 • -7.81db
0% Popularity • 67% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 74% Positiveness
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Paul Dempsey
Ramona Was A Waitress
165 bpm • E Maj • 03:36 • -6.41db
38% Popularity • 55% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Busby Marou
Underlying Message
166 bpm • D Maj • 03:42 • -6.79db
15% Popularity • 54% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Zed
Renegade Fighter
166 bpm • E min • 03:21 • -2.32db
39% Popularity • 51% Danceability • 95% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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Pete Murray
H.O.L.L.A.N.D.
132 bpm • G Maj • 04:34 • -6.9db
19% Popularity • 57% Danceability • 69% Energy • 10% Liveness
29% Instrumentalness • 44% Positiveness
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Boy & Bear
Bridges
166 bpm • F# min • 04:05 • -5.32db
37% Popularity • 43% Danceability • 74% Energy • 10% Liveness
1% Instrumentalness • 65% Positiveness
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Choirboys
Run To Paradise
132 bpm • G# Maj • 04:50 • -8db
40% Popularity • 67% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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Jet
Seventeen
132 bpm • D Maj • 03:41 • -3.25db
38% Popularity • 53% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Hoodoo Gurus
Miss Freelove '69 - 2005 Remaster
131 bpm • A min • 04:12 • -3db
43% Popularity • 52% Danceability • 98% Energy • 14% Liveness
1% Instrumentalness • 67% Positiveness
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Dave Dobbyn
Welcome Home
167 bpm • G# Maj • 03:50 • -6.97db
44% Popularity • 29% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Pete Murray
Tattoo Stained
132 bpm • C min • 03:29 • -6.42db
10% Popularity • 58% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Powderfinger
Sunsets
167 bpm • D Maj • 03:49 • -3.59db
55% Popularity • 28% Danceability • 86% Energy • 9% Liveness
4% Instrumentalness • 70% Positiveness
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The Angels
Am I Ever Gonna See Your Face Again
167 bpm • E Maj • 03:22 • -3.17db
57% Popularity • 30% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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If We Never Dance Again