Songs like If You Could Read My Mind by Henry Jamison
Based on a tempo of (+/- 10%) and a similar genre
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Henry Jamison
If You Could Read My Mind
124 bpm • F# Maj • 03:17 • -9.64db
32% Popularity • 75% Danceability • 37% Energy • 19% Liveness
1% Instrumentalness • 38% Positiveness
32% Popularity • 75% Danceability • 37% Energy • 19% Liveness
1% Instrumentalness • 38% Positiveness
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Ciaran Lavery
To Chicago
124 bpm • F Maj • 03:32 • -10.84db
29% Popularity • 74% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
29% Popularity • 74% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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I'm With Her
Little Lies
124 bpm • G# Maj • 03:54 • -7.56db
26% Popularity • 41% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
26% Popularity • 41% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Keilan Creech
Honey Waits
124 bpm • B Maj • 03:32 • -11.69db
25% Popularity • 51% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
25% Popularity • 51% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Austin Basham
Foreign Town
124 bpm • C Maj • 03:23 • -9.74db
26% Popularity • 54% Danceability • 43% Energy • 36% Liveness
0% Instrumentalness • 40% Positiveness
26% Popularity • 54% Danceability • 43% Energy • 36% Liveness
0% Instrumentalness • 40% Positiveness
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Joy Williams
Front Porch
124 bpm • C# Maj • 03:51 • -10.02db
57% Popularity • 57% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
57% Popularity • 57% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Kirby Brown
Sweet Shame
124 bpm • G Maj • 03:02 • -10.82db
24% Popularity • 65% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
24% Popularity • 65% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Dusken Lights
Superman, Wondergirl
123 bpm • C# Maj • 03:09 • -11.13db
11% Popularity • 55% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
11% Popularity • 55% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Langhorne Slim
Life Is Confusing - Recorded at Sound St...
123 bpm • C# Maj • 02:56 • -12.81db
26% Popularity • 57% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
26% Popularity • 57% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Oliver Daldry
Catch The Wind
123 bpm • D# Maj • 03:23 • -8.27db
23% Popularity • 44% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
23% Popularity • 44% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Run River North
Mr. Brightside
123 bpm • D Maj • 04:32 • -12db
53% Popularity • 39% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
53% Popularity • 39% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Andrew Combs
Dirty Rain
125 bpm • G# Maj • 03:12 • -8.74db
33% Popularity • 45% Danceability • 26% Energy • 22% Liveness
0% Instrumentalness • 37% Positiveness
33% Popularity • 45% Danceability • 26% Energy • 22% Liveness
0% Instrumentalness • 37% Positiveness
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Old Sea Brigade
Seen a Ghost - Acoustic
123 bpm • G Maj • 03:31 • -12.97db
33% Popularity • 77% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
33% Popularity • 77% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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The Lumineers
Visions of China
125 bpm • E min • 03:21 • -10.53db
30% Popularity • 62% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
30% Popularity • 62% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Peter Bradley Adams
Feather in Her Crown
125 bpm • D min • 03:59 • -12.94db
19% Popularity • 64% Danceability • 39% Energy • 12% Liveness
75% Instrumentalness • 63% Positiveness
19% Popularity • 64% Danceability • 39% Energy • 12% Liveness
75% Instrumentalness • 63% Positiveness
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Iron & Wine
Time After Time
125 bpm • C# Maj • 02:50 • -13.3db
65% Popularity • 63% Danceability • 25% Energy • 11% Liveness
6% Instrumentalness • 64% Positiveness
65% Popularity • 63% Danceability • 25% Energy • 11% Liveness
6% Instrumentalness • 64% Positiveness
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The Staves
Jolene - Live
125 bpm • B Maj • 04:13 • -15.15db
42% Popularity • 47% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
42% Popularity • 47% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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John Paul White
The Once and Future Queen
122 bpm • G# min • 03:52 • -18.15db
17% Popularity • 56% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
17% Popularity • 56% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Henry Jamison
Reading Days
126 bpm • E Maj • 03:13 • -11.82db
11% Popularity • 58% Danceability • 35% Energy • 14% Liveness
7% Instrumentalness • 46% Positiveness
11% Popularity • 58% Danceability • 35% Energy • 14% Liveness
7% Instrumentalness • 46% Positiveness
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Austin Basham
Sounds Like Help
126 bpm • C Maj • 03:27 • -9db
36% Popularity • 62% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
36% Popularity • 62% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Old Sea Brigade
Laying Here
126 bpm • C# Maj • 03:38 • -12.42db
30% Popularity • 47% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
30% Popularity • 47% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Jenn Grant
In My Dreams
126 bpm • C Maj • 03:37 • -10.27db
8% Popularity • 66% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
8% Popularity • 66% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Robby Hecht
When I Found You
127 bpm • E Maj • 03:29 • -18.39db
29% Popularity • 62% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
29% Popularity • 62% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Rose Cousins
I Would Die 4 U
121 bpm • A min • 03:00 • -11.46db
52% Popularity • 59% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
52% Popularity • 59% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Molly Parden
Who Did You Leave for Me
127 bpm • C Maj • 03:02 • -11.3db
32% Popularity • 59% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
32% Popularity • 59% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Meadowlark
Postcards
127 bpm • B Maj • 03:09 • -14.02db
26% Popularity • 65% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
26% Popularity • 65% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Harrison Storm
Change It All
121 bpm • A# Maj • 04:07 • -13db
54% Popularity • 45% Danceability • 30% Energy • 12% Liveness
1% Instrumentalness • 24% Positiveness
54% Popularity • 45% Danceability • 30% Energy • 12% Liveness
1% Instrumentalness • 24% Positiveness
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Milo Greene
Afraid of Everything - Acoustic
128 bpm • C Maj • 03:02 • -15.73db
19% Popularity • 47% Danceability • 21% Energy • 39% Liveness
0% Instrumentalness • 22% Positiveness
19% Popularity • 47% Danceability • 21% Energy • 39% Liveness
0% Instrumentalness • 22% Positiveness
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Adam Torres
High Lonesome
120 bpm • B Maj • 04:02 • -9.49db
15% Popularity • 50% Danceability • 43% Energy • 11% Liveness
33% Instrumentalness • 6% Positiveness
15% Popularity • 50% Danceability • 43% Energy • 11% Liveness
33% Instrumentalness • 6% Positiveness
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Blanco White
Outsider
128 bpm • E Maj • 04:44 • -11.19db
42% Popularity • 50% Danceability • 41% Energy • 12% Liveness
4% Instrumentalness • 16% Positiveness
42% Popularity • 50% Danceability • 41% Energy • 12% Liveness
4% Instrumentalness • 16% Positiveness
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Molly Parden
Sail on the Water
127 bpm • D Maj • 04:21 • -9.05db
32% Popularity • 60% Danceability • 51% Energy • 18% Liveness
3% Instrumentalness • 31% Positiveness
32% Popularity • 60% Danceability • 51% Energy • 18% Liveness
3% Instrumentalness • 31% Positiveness
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Meadowlark
About You Now
127 bpm • E Maj • 03:47 • -9.26db
40% Popularity • 58% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
40% Popularity • 58% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Aoife O'Donovan
Red & White & Blue & Gold
128 bpm • B Maj • 03:20 • -10db
47% Popularity • 61% Danceability • 45% Energy • 12% Liveness
1% Instrumentalness • 40% Positiveness
47% Popularity • 61% Danceability • 45% Energy • 12% Liveness
1% Instrumentalness • 40% Positiveness
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Ken Yates
Roll Me on Home
128 bpm • D# Maj • 04:24 • -9.01db
28% Popularity • 72% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
28% Popularity • 72% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Old Sea Brigade
Feel You
128 bpm • D Maj • 03:54 • -14db
47% Popularity • 82% Danceability • 22% Energy • 10% Liveness
59% Instrumentalness • 36% Positiveness
47% Popularity • 82% Danceability • 22% Energy • 10% Liveness
59% Instrumentalness • 36% Positiveness
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S. Carey
Rose Petals
128 bpm • A# Maj • 03:33 • -12db
50% Popularity • 56% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
50% Popularity • 56% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Escondido
Try
128 bpm • C Maj • 03:37 • -10.71db
25% Popularity • 28% Danceability • 46% Energy • 11% Liveness
1% Instrumentalness • 17% Positiveness
25% Popularity • 28% Danceability • 46% Energy • 11% Liveness
1% Instrumentalness • 17% Positiveness
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Henry Jamison
The Wilds (Quartet Version)
128 bpm • D# Maj • 03:59 • -9.23db
20% Popularity • 50% Danceability • 30% Energy • 51% Liveness
0% Instrumentalness • 38% Positiveness
20% Popularity • 50% Danceability • 30% Energy • 51% Liveness
0% Instrumentalness • 38% Positiveness
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Darlingside
Good for You
120 bpm • A Maj • 03:42 • -10.82db
16% Popularity • 54% Danceability • 40% Energy • 18% Liveness
3% Instrumentalness • 33% Positiveness
16% Popularity • 54% Danceability • 40% Energy • 18% Liveness
3% Instrumentalness • 33% Positiveness
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The Barr Brothers
Defibrillation
120 bpm • A Maj • 05:33 • -12db
35% Popularity • 53% Danceability • 56% Energy • 11% Liveness
4% Instrumentalness • 40% Positiveness
35% Popularity • 53% Danceability • 56% Energy • 11% Liveness
4% Instrumentalness • 40% Positiveness
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Matt Hartke
Gold
128 bpm • A# Maj • 04:16 • -8.21db
49% Popularity • 64% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
49% Popularity • 64% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Iron & Wine
Miss Bottom of the Hill
120 bpm • D Maj • 06:50 • -11.68db
14% Popularity • 76% Danceability • 42% Energy • 23% Liveness
0% Instrumentalness • 85% Positiveness
14% Popularity • 76% Danceability • 42% Energy • 23% Liveness
0% Instrumentalness • 85% Positiveness
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Robby Hecht
I'll Keep You
128 bpm • A# Maj • 02:37 • -9.83db
37% Popularity • 51% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
37% Popularity • 51% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Henry Jamison
Dallas Love Field
120 bpm • C Maj • 03:54 • -8.91db
28% Popularity • 70% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
28% Popularity • 70% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Beta Radio
I Am Mine (Acoustic)
120 bpm • A# Maj • 03:57 • -12.37db
26% Popularity • 52% Danceability • 27% Energy • 14% Liveness
33% Instrumentalness • 16% Positiveness
26% Popularity • 52% Danceability • 27% Energy • 14% Liveness
33% Instrumentalness • 16% Positiveness
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Blanco White
Chalk
120 bpm • A min • 03:49 • -11.53db
47% Popularity • 64% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
47% Popularity • 64% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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Austin Basham
New House
120 bpm • E min • 03:33 • -6db
38% Popularity • 51% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
38% Popularity • 51% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Charlie Cunningham
I Can Be
128 bpm • D# Maj • 02:55 • -15.09db
29% Popularity • 63% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
29% Popularity • 63% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Quiet Arrows
Find a Way
120 bpm • G# Maj • 02:47 • -15.27db
38% Popularity • 70% Danceability • 10% Energy • 10% Liveness
2% Instrumentalness • 25% Positiveness
38% Popularity • 70% Danceability • 10% Energy • 10% Liveness
2% Instrumentalness • 25% Positiveness
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Henry Jamison
The Wilds
128 bpm • C min • 03:55 • -7db
21% Popularity • 71% Danceability • 58% Energy • 14% Liveness
1% Instrumentalness • 44% Positiveness
21% Popularity • 71% Danceability • 58% Energy • 14% Liveness
1% Instrumentalness • 44% Positiveness
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Isobel Anderson
Waiting for You
120 bpm • D Maj • 03:06 • -11db
34% Popularity • 34% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
34% Popularity • 34% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
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The Brother Brothers
Tugboats
120 bpm • D Maj • 03:47 • -6.84db
32% Popularity • 50% Danceability • 20% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
32% Popularity • 50% Danceability • 20% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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I'm With Her
See You Around
119 bpm • A# Maj • 03:48 • -16.78db
30% Popularity • 50% Danceability • 7% Energy • 17% Liveness
0% Instrumentalness • 18% Positiveness
30% Popularity • 50% Danceability • 7% Energy • 17% Liveness
0% Instrumentalness • 18% Positiveness
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Kate York
All My Worry
119 bpm • A Maj • 04:16 • -17.09db
18% Popularity • 54% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
18% Popularity • 54% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Little May
Boardwalks - Remastered 2015/ Bonus Trac...
129 bpm • F# Maj • 03:19 • -13db
52% Popularity • 66% Danceability • 38% Energy • 12% Liveness
6% Instrumentalness • 26% Positiveness
52% Popularity • 66% Danceability • 38% Energy • 12% Liveness
6% Instrumentalness • 26% Positiveness
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Chloe Foy
Asylum
129 bpm • G Maj • 03:51 • -9.77db
31% Popularity • 44% Danceability • 39% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
31% Popularity • 44% Danceability • 39% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
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Andrew Combs
Better Way
119 bpm • D# min • 04:15 • -8.28db
33% Popularity • 67% Danceability • 65% Energy • 12% Liveness
19% Instrumentalness • 84% Positiveness
33% Popularity • 67% Danceability • 65% Energy • 12% Liveness
19% Instrumentalness • 84% Positiveness
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Langhorne Slim
Life Is Confusing
129 bpm • C# Maj • 02:51 • -11.41db
40% Popularity • 37% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
40% Popularity • 37% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Beta Radio
I Am Mine
119 bpm • A# Maj • 04:04 • -11db
35% Popularity • 58% Danceability • 41% Energy • 12% Liveness
1% Instrumentalness • 16% Positiveness
35% Popularity • 58% Danceability • 41% Energy • 12% Liveness
1% Instrumentalness • 16% Positiveness
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Sam Pinkerton
I Will Never Fall in Love With You
119 bpm • G# Maj • 04:31 • -13.73db
18% Popularity • 51% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
18% Popularity • 51% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Jade Bird
What Am I Here For
129 bpm • G Maj • 04:43 • -13db
44% Popularity • 40% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
44% Popularity • 40% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Leif Vollebekk
All Night Sedans
119 bpm • F min • 03:08 • -16.7db
42% Popularity • 73% Danceability • 16% Energy • 16% Liveness
1% Instrumentalness • 28% Positiveness
42% Popularity • 73% Danceability • 16% Energy • 16% Liveness
1% Instrumentalness • 28% Positiveness
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Rosie Carney
K.
129 bpm • D# Maj • 04:29 • -10.92db
39% Popularity • 35% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
39% Popularity • 35% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Josh Ritter
Train Go By
129 bpm • F Maj • 04:26 • -11.45db
16% Popularity • 51% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
16% Popularity • 51% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Aisha Badru
Never Mind
129 bpm • B min • 02:02 • -17.5db
35% Popularity • 47% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
35% Popularity • 47% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Henry Jamison
Atlantis - Demo
130 bpm • C Maj • 04:30 • -11.92db
17% Popularity • 56% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
17% Popularity • 56% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Josienne Clarke and Ben Walker
Something Familiar
130 bpm • C Maj • 02:25 • -18.43db
30% Popularity • 50% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
30% Popularity • 50% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Charlie Cunningham
While You Are Young
130 bpm • C Maj • 02:41 • -11.22db
35% Popularity • 47% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
35% Popularity • 47% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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The Last Dinosaur
Me & Magdalena
130 bpm • E Maj • 03:20 • -13.04db
30% Popularity • 64% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
30% Popularity • 64% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Langhorne Slim
Sea Of Love
118 bpm • B Maj • 03:23 • -10.78db
50% Popularity • 54% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
50% Popularity • 54% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Adam Torres
I Came to Sing the Song
118 bpm • C Maj • 04:24 • -14.2db
12% Popularity • 57% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
12% Popularity • 57% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Fenne Lily
For a While
130 bpm • D Maj • 03:54 • -12db
39% Popularity • 49% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
39% Popularity • 49% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Darlingside
Singularity
130 bpm • D Maj • 03:42 • -10db
30% Popularity • 44% Danceability • 34% Energy • 29% Liveness
4% Instrumentalness • 18% Positiveness
30% Popularity • 44% Danceability • 34% Energy • 29% Liveness
4% Instrumentalness • 18% Positiveness
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S. Carey
Fool's Gold
130 bpm • A Maj • 04:14 • -13db
39% Popularity • 50% Danceability • 29% Energy • 13% Liveness
1% Instrumentalness • 19% Positiveness
39% Popularity • 50% Danceability • 29% Energy • 13% Liveness
1% Instrumentalness • 19% Positiveness
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Henry Jamison
Fanfare
130 bpm • F Maj • 04:03 • -10db
18% Popularity • 64% Danceability • 44% Energy • 12% Liveness
72% Instrumentalness • 23% Positiveness
18% Popularity • 64% Danceability • 44% Energy • 12% Liveness
72% Instrumentalness • 23% Positiveness
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VVE
Leave to Love You More
130 bpm • D# Maj • 03:22 • -10db
17% Popularity • 61% Danceability • 52% Energy • 9% Liveness
2% Instrumentalness • 34% Positiveness
17% Popularity • 61% Danceability • 52% Energy • 9% Liveness
2% Instrumentalness • 34% Positiveness
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Old Sea Brigade
Cover My Own - Acoustic
130 bpm • G Maj • 03:53 • -15.91db
35% Popularity • 76% Danceability • 14% Energy • 11% Liveness
9% Instrumentalness • 27% Positiveness
35% Popularity • 76% Danceability • 14% Energy • 11% Liveness
9% Instrumentalness • 27% Positiveness
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Dawes
Crack The Case
130 bpm • F Maj • 05:54 • -10db
40% Popularity • 54% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
40% Popularity • 54% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Darlingside
Knights Of Cydonia - Recorded at Spotify...
130 bpm • B min • 04:37 • -12.99db
28% Popularity • 21% Danceability • 35% Energy • 7% Liveness
21% Instrumentalness • 7% Positiveness
28% Popularity • 21% Danceability • 35% Energy • 7% Liveness
21% Instrumentalness • 7% Positiveness
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Rosie Carney
Thousand
118 bpm • C# Maj • 03:26 • -14db
53% Popularity • 68% Danceability • 20% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
53% Popularity • 68% Danceability • 20% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
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The Lumineers
Angela (Single Version)
130 bpm • E Maj • 02:58 • -7.99db
44% Popularity • 65% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
44% Popularity • 65% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
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Handsome Ghost
Harvest Moon
118 bpm • D Maj • 04:07 • -12.49db
32% Popularity • 56% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
32% Popularity • 56% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Mary Glenn
Ballroom
118 bpm • A# min • 04:06 • -23.03db
28% Popularity • 56% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
28% Popularity • 56% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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The Woodlands
Sudden Love - Acoustic
131 bpm • C Maj • 03:02 • -12.2db
40% Popularity • 72% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
40% Popularity • 72% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Fenne Lily
More Than You Know - Recorded at Metropo...
131 bpm • F# min • 03:40 • -16db
29% Popularity • 45% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
29% Popularity • 45% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Ray LaMontagne
Let's Make It Last
131 bpm • D# Maj • 04:27 • -16.18db
32% Popularity • 52% Danceability • 14% Energy • 10% Liveness
2% Instrumentalness • 14% Positiveness
32% Popularity • 52% Danceability • 14% Energy • 10% Liveness
2% Instrumentalness • 14% Positiveness
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Tuvaband
Unknown
131 bpm • F# Maj • 04:10 • -17db
39% Popularity • 42% Danceability • 10% Energy • 89% Liveness
0% Instrumentalness • 8% Positiveness
39% Popularity • 42% Danceability • 10% Energy • 89% Liveness
0% Instrumentalness • 8% Positiveness
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Caroline Spence
The Middle
131 bpm • F# Maj • 03:43 • -9.18db
41% Popularity • 65% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
41% Popularity • 65% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Rosie Carney
Awake Me
117 bpm • E Maj • 04:17 • -12db
38% Popularity • 52% Danceability • 15% Energy • 8% Liveness
3% Instrumentalness • 4% Positiveness
38% Popularity • 52% Danceability • 15% Energy • 8% Liveness
3% Instrumentalness • 4% Positiveness
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Joy Williams
Don't Let Me Down
131 bpm • B Maj • 03:00 • -14.9db
48% Popularity • 71% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
48% Popularity • 71% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Siv Jakobsen
Blanket
131 bpm • G Maj • 03:05 • -15.49db
13% Popularity • 32% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
13% Popularity • 32% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
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Henry Jamison
The Rains
117 bpm • F# Maj • 03:31 • -11db
44% Popularity • 69% Danceability • 40% Energy • 7% Liveness
2% Instrumentalness • 43% Positiveness
44% Popularity • 69% Danceability • 40% Energy • 7% Liveness
2% Instrumentalness • 43% Positiveness
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Hush Kids
All My Love
132 bpm • C Maj • 03:43 • -12db
31% Popularity • 58% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
31% Popularity • 58% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Beta Radio
Take My Photograph
117 bpm • A min • 03:31 • -12.02db
42% Popularity • 53% Danceability • 47% Energy • 11% Liveness
53% Instrumentalness • 12% Positiveness
42% Popularity • 53% Danceability • 47% Energy • 11% Liveness
53% Instrumentalness • 12% Positiveness
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Old Sea Brigade
Love Brought Weight
117 bpm • G Maj • 03:05 • -16db
64% Popularity • 37% Danceability • 33% Energy • 8% Liveness
36% Instrumentalness • 7% Positiveness
64% Popularity • 37% Danceability • 33% Energy • 8% Liveness
36% Instrumentalness • 7% Positiveness
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The Staves
Mexico
132 bpm • F Maj • 04:06 • -15db
44% Popularity • 56% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
44% Popularity • 56% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Aoife O'Donovan
Lakes of Pontchartrain (Recorded at Spot...
132 bpm • C Maj • 03:54 • -10.38db
34% Popularity • 38% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
34% Popularity • 38% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Henry Jamison
The Parting Glass
132 bpm • G Maj • 02:51 • -8.28db
31% Popularity • 43% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
31% Popularity • 43% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
