Songs like If You Don't Know Me, Who Am I by Josh Pyke
Based on a tempo of (+/- 10%) and a similar genre
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Boy & Bear
Fall At Your Feet
87 bpm • C min • 04:31 • -6.6db
55% Popularity • 41% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
55% Popularity • 41% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Bernard Fanning
Yesterday's Gone
87 bpm • A Maj • 02:32 • -9db
40% Popularity • 59% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
40% Popularity • 59% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Oh Mercy
Let Me Go
87 bpm • B min • 03:00 • -8.8db
13% Popularity • 77% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
13% Popularity • 77% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Clare Bowditch
The Big Happy
87 bpm • G Maj • 03:12 • -9db
17% Popularity • 47% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
17% Popularity • 47% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Powderfinger
My Happiness
86 bpm • C Maj • 04:36 • -5.42db
63% Popularity • 44% Danceability • 82% Energy • 43% Liveness
0% Instrumentalness • 49% Positiveness
63% Popularity • 44% Danceability • 82% Energy • 43% Liveness
0% Instrumentalness • 49% Positiveness
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Lisa Mitchell
Coin Laundry
85 bpm • C Maj • 03:11 • -7db
7% Popularity • 76% Danceability • 41% Energy • 40% Liveness
3% Instrumentalness • 67% Positiveness
7% Popularity • 76% Danceability • 41% Energy • 40% Liveness
3% Instrumentalness • 67% Positiveness
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Eskimo Joe
Life Is Better With You
85 bpm • B min • 04:41 • -3.45db
26% Popularity • 46% Danceability • 74% Energy • 25% Liveness
0% Instrumentalness • 48% Positiveness
26% Popularity • 46% Danceability • 74% Energy • 25% Liveness
0% Instrumentalness • 48% Positiveness
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Bernard Fanning
How Many Times?
86 bpm • A Maj • 04:18 • -6db
28% Popularity • 74% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
28% Popularity • 74% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Little Birdy
Hairdo
85 bpm • A Maj • 04:10 • -7db
18% Popularity • 54% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
18% Popularity • 54% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Josh Pyke
Momentary Glow
85 bpm • F# min • 03:54 • -7.18db
15% Popularity • 48% Danceability • 53% Energy • 9% Liveness
67% Instrumentalness • 36% Positiveness
15% Popularity • 48% Danceability • 53% Energy • 9% Liveness
67% Instrumentalness • 36% Positiveness
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The Panics
Don't Fight It - Radio Edit
89 bpm • E Maj • 03:57 • -7.5db
10% Popularity • 57% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
10% Popularity • 57% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Israel Cannan
Far & Wide
85 bpm • G# Maj • 02:07 • -7.64db
42% Popularity • 51% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
42% Popularity • 51% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Angus Stone
River Love
84 bpm • G Maj • 04:55 • -9.54db
27% Popularity • 38% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
27% Popularity • 38% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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Bernard Fanning
Departures (Blue Toowong Skies)
89 bpm • G Maj • 04:20 • -12db
32% Popularity • 40% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
32% Popularity • 40% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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The Jezabels
Dark Storm
90 bpm • E Maj • 04:52 • -6.85db
35% Popularity • 30% Danceability • 76% Energy • 10% Liveness
62% Instrumentalness • 16% Positiveness
35% Popularity • 30% Danceability • 76% Energy • 10% Liveness
62% Instrumentalness • 16% Positiveness
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Hein Cooper
The Art of Escape
90 bpm • F# Maj • 03:47 • -14.13db
27% Popularity • 32% Danceability • 36% Energy • 12% Liveness
2% Instrumentalness • 40% Positiveness
27% Popularity • 32% Danceability • 36% Energy • 12% Liveness
2% Instrumentalness • 40% Positiveness
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Jack River
Truly Madly Deeply - triple j Like A Ver...
84 bpm • C Maj • 04:24 • -6db
34% Popularity • 42% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
34% Popularity • 42% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Benjalu
The Battle
84 bpm • C# min • 03:19 • -7.21db
29% Popularity • 51% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
29% Popularity • 51% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Matt Corby
Lighthome
83 bpm • E Maj • 02:54 • -8.79db
13% Popularity • 27% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
13% Popularity • 27% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Powderfinger
These Days
84 bpm • A Maj • 04:58 • -7.64db
56% Popularity • 15% Danceability • 45% Energy • 16% Liveness
2% Instrumentalness • 10% Positiveness
56% Popularity • 15% Danceability • 45% Energy • 16% Liveness
2% Instrumentalness • 10% Positiveness
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Bernard Fanning
The Strangest Thing
91 bpm • G Maj • 03:14 • -7db
37% Popularity • 76% Danceability • 52% Energy • 11% Liveness
1% Instrumentalness • 80% Positiveness
37% Popularity • 76% Danceability • 52% Energy • 11% Liveness
1% Instrumentalness • 80% Positiveness
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Israel Cannan
Ageless
91 bpm • F Maj • 03:09 • -10db
38% Popularity • 60% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
38% Popularity • 60% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Meg Mac
Bridges - triple j Like A Version
91 bpm • C min • 03:36 • -7.3db
32% Popularity • 54% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
32% Popularity • 54% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Alex the Astronaut
I Like To Dance
83 bpm • C Maj • 03:28 • -6.22db
20% Popularity • 48% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
20% Popularity • 48% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Matt Corby
Letters
91 bpm • G Maj • 03:25 • -8.51db
24% Popularity • 54% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
24% Popularity • 54% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Art of Sleeping
Burning Bright
83 bpm • F# Maj • 03:19 • -11.28db
21% Popularity • 51% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
21% Popularity • 51% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Meg Washington
My Heart Is A Wheel
92 bpm • D Maj • 03:44 • -6.1db
21% Popularity • 65% Danceability • 82% Energy • 25% Liveness
0% Instrumentalness • 94% Positiveness
21% Popularity • 65% Danceability • 82% Energy • 25% Liveness
0% Instrumentalness • 94% Positiveness
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Kate Miller-Heidke
Space They Cannot Touch
92 bpm • C# Maj • 04:08 • -7.55db
25% Popularity • 46% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
25% Popularity • 46% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Lior
I'll Forget You
92 bpm • C# Maj • 03:20 • -8.03db
31% Popularity • 46% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
31% Popularity • 46% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
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Alex the Astronaut
Happy Song - Alternate Version
82 bpm • C Maj • 04:17 • -6.78db
28% Popularity • 59% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
28% Popularity • 59% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
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The Preatures
Better Than It Ever Could Be
92 bpm • A Maj • 03:34 • -7.79db
22% Popularity • 40% Danceability • 72% Energy • 37% Liveness
0% Instrumentalness • 43% Positiveness
22% Popularity • 40% Danceability • 72% Energy • 37% Liveness
0% Instrumentalness • 43% Positiveness
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Matt Corby
Take All of Me
92 bpm • D Maj • 04:36 • -7.62db
15% Popularity • 54% Danceability • 42% Energy • 11% Liveness
6% Instrumentalness • 16% Positiveness
15% Popularity • 54% Danceability • 42% Energy • 11% Liveness
6% Instrumentalness • 16% Positiveness
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The Dreggs
Just for One Night
82 bpm • D# Maj • 04:12 • -16.17db
40% Popularity • 57% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
40% Popularity • 57% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Paul Dempsey
The Great Optimist
82 bpm • D Maj • 03:09 • -5.81db
24% Popularity • 63% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
24% Popularity • 63% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Didirri
Jude
82 bpm • C Maj • 03:44 • -11.92db
30% Popularity • 41% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
30% Popularity • 41% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Gang of Youths
Magnolia
92 bpm • F# Maj • 05:11 • -6.99db
52% Popularity • 43% Danceability • 66% Energy • 10% Liveness
1% Instrumentalness • 32% Positiveness
52% Popularity • 43% Danceability • 66% Energy • 10% Liveness
1% Instrumentalness • 32% Positiveness
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The Jezabels
Mace Spray
93 bpm • C Maj • 05:07 • -7.69db
39% Popularity • 46% Danceability • 71% Energy • 11% Liveness
71% Instrumentalness • 22% Positiveness
39% Popularity • 46% Danceability • 71% Energy • 11% Liveness
71% Instrumentalness • 22% Positiveness
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Lisa Mitchell
Sometimes I Feel Like Alice
82 bpm • C Maj • 03:59 • -10.34db
12% Popularity • 55% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
12% Popularity • 55% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Bob Evans
Darlin', Won't You Come?
93 bpm • D Maj • 03:31 • -9.42db
24% Popularity • 35% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
24% Popularity • 35% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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Paul Dempsey
Idiot Oracle
82 bpm • D# Maj • 04:05 • -10db
33% Popularity • 64% Danceability • 56% Energy • 13% Liveness
2% Instrumentalness • 79% Positiveness
33% Popularity • 64% Danceability • 56% Energy • 13% Liveness
2% Instrumentalness • 79% Positiveness
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Didirri
Tea Stains
94 bpm • A Maj • 02:46 • -12.16db
26% Popularity • 69% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
26% Popularity • 69% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Darren Hanlon
Falling Aeroplanes
94 bpm • D Maj • 03:32 • -10.24db
19% Popularity • 57% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
19% Popularity • 57% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Bernard Fanning
Songbird
81 bpm • F# min • 02:36 • -6.97db
58% Popularity • 58% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
58% Popularity • 58% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
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Angus Stone
Monsters
81 bpm • F# Maj • 05:20 • -9db
33% Popularity • 37% Danceability • 74% Energy • 12% Liveness
79% Instrumentalness • 45% Positiveness
33% Popularity • 37% Danceability • 74% Energy • 12% Liveness
79% Instrumentalness • 45% Positiveness
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Lior
Daniel
94 bpm • G Maj • 03:50 • -9.58db
34% Popularity • 72% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
34% Popularity • 72% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Paul Dempsey
Bats
92 bpm • D# Maj • 03:52 • -4.77db
22% Popularity • 21% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
22% Popularity • 21% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Urthboy
Roll up Your Sleeves - triple j Like A V...
80 bpm • G Maj • 03:40 • -6.82db
36% Popularity • 67% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
36% Popularity • 67% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Robbie Miller
Sunday
94 bpm • C Maj • 03:39 • -11.49db
9% Popularity • 54% Danceability • 41% Energy • 8% Liveness
1% Instrumentalness • 29% Positiveness
9% Popularity • 54% Danceability • 41% Energy • 8% Liveness
1% Instrumentalness • 29% Positiveness
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Ball Park Music
Glass Jar
94 bpm • G# Maj • 02:46 • -7.7db
21% Popularity • 28% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
21% Popularity • 28% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
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Clare Bowditch
You Make Me Happy
80 bpm • E Maj • 02:59 • -7.23db
28% Popularity • 46% Danceability • 58% Energy • 24% Liveness
0% Instrumentalness • 33% Positiveness
28% Popularity • 46% Danceability • 58% Energy • 24% Liveness
0% Instrumentalness • 33% Positiveness
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Art of Sleeping
Above The Water
94 bpm • A Maj • 03:41 • -5.49db
23% Popularity • 52% Danceability • 63% Energy • 5% Liveness
0% Instrumentalness • 28% Positiveness
23% Popularity • 52% Danceability • 63% Energy • 5% Liveness
0% Instrumentalness • 28% Positiveness
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Paul Dempsey
Iris Black
93 bpm • G Maj • 03:12 • -9.23db
14% Popularity • 49% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
14% Popularity • 49% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Meg Mac
Every Lie
80 bpm • G min • 03:13 • -8.22db
30% Popularity • 68% Danceability • 26% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
30% Popularity • 68% Danceability • 26% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
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Jack River
Confess
80 bpm • F Maj • 03:22 • -6db
38% Popularity • 47% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
38% Popularity • 47% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
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Ball Park Music
The Perfect Life Does Not Exist
94 bpm • F# Maj • 03:21 • -7.49db
38% Popularity • 44% Danceability • 65% Energy • 37% Liveness
0% Instrumentalness • 45% Positiveness
38% Popularity • 44% Danceability • 65% Energy • 37% Liveness
0% Instrumentalness • 45% Positiveness
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Kingswood
Golden
80 bpm • A min • 03:22 • -9db
42% Popularity • 74% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
42% Popularity • 74% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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Lior
Real Love
80 bpm • A Maj • 03:11 • -12.7db
30% Popularity • 73% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
30% Popularity • 73% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Angie McMahon
Slow Mover
95 bpm • D# Maj • 03:10 • -7.1db
52% Popularity • 57% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
52% Popularity • 57% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Josh Pyke
You're My Colour
95 bpm • D Maj • 04:20 • -6.17db
28% Popularity • 47% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
28% Popularity • 47% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Jack River
Fool's Gold
80 bpm • C min • 04:18 • -7db
49% Popularity • 40% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
49% Popularity • 40% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Gang of Youths
Still Unbeaten Life
95 bpm • C# Maj • 07:30 • -9.59db
32% Popularity • 44% Danceability • 48% Energy • 13% Liveness
4% Instrumentalness • 13% Positiveness
32% Popularity • 44% Danceability • 48% Energy • 13% Liveness
4% Instrumentalness • 13% Positiveness
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Ball Park Music
It's Nice to Be Alive
94 bpm • G# Maj • 03:28 • -7db
51% Popularity • 45% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
51% Popularity • 45% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Mama Kin
Give Me A Reason
95 bpm • C Maj • 03:56 • -6.78db
18% Popularity • 75% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
18% Popularity • 75% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Damian Cowell's Disco Machine
Can't Stop the Music*
95 bpm • F min • 03:50 • -6.07db
1% Popularity • 74% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
1% Popularity • 74% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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Angus Stone
Clouds Above
95 bpm • F# Maj • 02:51 • -12.73db
24% Popularity • 50% Danceability • 34% Energy • 11% Liveness
17% Instrumentalness • 6% Positiveness
24% Popularity • 50% Danceability • 34% Energy • 11% Liveness
17% Instrumentalness • 6% Positiveness
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Angie McMahon
Knowing Me, Knowing You - triple j Like ...
96 bpm • A Maj • 04:02 • -13.17db
44% Popularity • 64% Danceability • 29% Energy • 12% Liveness
51% Instrumentalness • 50% Positiveness
44% Popularity • 64% Danceability • 29% Energy • 12% Liveness
51% Instrumentalness • 50% Positiveness
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Darren Hanlon
Butterfly Bones
95 bpm • D# Maj • 02:26 • -15.18db
16% Popularity • 66% Danceability • 34% Energy • 11% Liveness
5% Instrumentalness • 54% Positiveness
16% Popularity • 66% Danceability • 34% Energy • 11% Liveness
5% Instrumentalness • 54% Positiveness
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Little Birdy
Brother
96 bpm • C min • 03:37 • -9db
34% Popularity • 67% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
34% Popularity • 67% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Bernard Fanning
Thrill Is Gone
79 bpm • F Maj • 03:11 • -7db
37% Popularity • 54% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
37% Popularity • 54% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Meg Mac
Roll Up Your Sleeves
79 bpm • G Maj • 03:04 • -6.83db
47% Popularity • 59% Danceability • 53% Energy • 12% Liveness
3% Instrumentalness • 39% Positiveness
47% Popularity • 59% Danceability • 53% Energy • 12% Liveness
3% Instrumentalness • 39% Positiveness
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Xavier Rudd
Green Spandex
96 bpm • G Maj • 03:56 • -11.19db
27% Popularity • 45% Danceability • 21% Energy • 19% Liveness
0% Instrumentalness • 41% Positiveness
27% Popularity • 45% Danceability • 21% Energy • 19% Liveness
0% Instrumentalness • 41% Positiveness
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The Middle East
Blood
79 bpm • B Maj • 05:26 • -8.59db
45% Popularity • 47% Danceability • 48% Energy • 12% Liveness
7% Instrumentalness • 12% Positiveness
45% Popularity • 47% Danceability • 48% Energy • 12% Liveness
7% Instrumentalness • 12% Positiveness
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Seeker Lover Keeper
Bridges Burned
96 bpm • C# Maj • 04:20 • -9.95db
12% Popularity • 45% Danceability • 40% Energy • 9% Liveness
5% Instrumentalness • 38% Positiveness
12% Popularity • 45% Danceability • 40% Energy • 9% Liveness
5% Instrumentalness • 38% Positiveness
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Daniel Champagne
Heart Like This
96 bpm • C min • 04:58 • -9db
16% Popularity • 58% Danceability • 38% Energy • 4% Liveness
0% Instrumentalness • 47% Positiveness
16% Popularity • 58% Danceability • 38% Energy • 4% Liveness
0% Instrumentalness • 47% Positiveness
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Goodshirt
Fiji Baby
96 bpm • C# Maj • 03:13 • -11.22db
33% Popularity • 73% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
33% Popularity • 73% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Clare Bowditch
Amazing Life
96 bpm • G Maj • 03:16 • -12.2db
16% Popularity • 52% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
16% Popularity • 52% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Paul Dempsey
Out The Airlock
96 bpm • C# Maj • 03:35 • -10.82db
32% Popularity • 55% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
32% Popularity • 55% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Meg Washington
1997
96 bpm • C Maj • 02:53 • -6.25db
16% Popularity • 62% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
16% Popularity • 62% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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Bob Evans
Don't You Think It's Time
96 bpm • G Maj • 03:18 • -11db
37% Popularity • 46% Danceability • 33% Energy • 41% Liveness
0% Instrumentalness • 57% Positiveness
37% Popularity • 46% Danceability • 33% Energy • 41% Liveness
0% Instrumentalness • 57% Positiveness
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Machine Translations
Need A Miracle
79 bpm • G Maj • 03:28 • -7.55db
13% Popularity • 51% Danceability • 61% Energy • 11% Liveness
3% Instrumentalness • 53% Positiveness
13% Popularity • 51% Danceability • 61% Energy • 11% Liveness
3% Instrumentalness • 53% Positiveness
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Bernard Fanning
Hope And Validation
78 bpm • E Maj • 03:09 • -6db
34% Popularity • 54% Danceability • 65% Energy • 44% Liveness
8% Instrumentalness • 38% Positiveness
34% Popularity • 54% Danceability • 65% Energy • 44% Liveness
8% Instrumentalness • 38% Positiveness
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Lior
Corner of an Endless Road
97 bpm • E Maj • 03:26 • -11.51db
24% Popularity • 51% Danceability • 36% Energy • 14% Liveness
44% Instrumentalness • 29% Positiveness
24% Popularity • 51% Danceability • 36% Energy • 14% Liveness
44% Instrumentalness • 29% Positiveness
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The Preatures
Ordinary
97 bpm • B min • 03:48 • -8db
29% Popularity • 62% Danceability • 71% Energy • 29% Liveness
0% Instrumentalness • 51% Positiveness
29% Popularity • 62% Danceability • 71% Energy • 29% Liveness
0% Instrumentalness • 51% Positiveness
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Mama Kin
Water and Fire
97 bpm • G Maj • 03:42 • -12.39db
16% Popularity • 65% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
16% Popularity • 65% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Bob Evans
Me & My Friend
97 bpm • F# Maj • 02:42 • -9.83db
15% Popularity • 62% Danceability • 35% Energy • 63% Liveness
0% Instrumentalness • 77% Positiveness
15% Popularity • 62% Danceability • 35% Energy • 63% Liveness
0% Instrumentalness • 77% Positiveness
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Powderfinger
Poison In Your Mind
97 bpm • D Maj • 02:51 • -11.8db
32% Popularity • 35% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
32% Popularity • 35% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
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Augie March
There Is No Such Place
78 bpm • A Maj • 03:17 • -13db
31% Popularity • 46% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
31% Popularity • 46% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Matt Corby
What The Devil Has Made
78 bpm • G Maj • 04:47 • -8.5db
27% Popularity • 52% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
27% Popularity • 52% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
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Bernard Fanning
Watch Over Me
77 bpm • D Maj • 03:33 • -15.92db
41% Popularity • 66% Danceability • 10% Energy • 11% Liveness
2% Instrumentalness • 47% Positiveness
41% Popularity • 66% Danceability • 10% Energy • 11% Liveness
2% Instrumentalness • 47% Positiveness
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Angie McMahon
Soon
98 bpm • E Maj • 03:43 • -12.23db
40% Popularity • 41% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
40% Popularity • 41% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Clare Bowditch
Little Black Cave
77 bpm • G Maj • 03:19 • -7.39db
9% Popularity • 53% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
9% Popularity • 53% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Sparkadia
China
99 bpm • C# Maj • 04:43 • -7.03db
20% Popularity • 54% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
20% Popularity • 54% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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John Butler Trio
Tahitian Blue
99 bpm • G Maj • 04:15 • -3db
41% Popularity • 62% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 71% Positiveness
41% Popularity • 62% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 71% Positiveness
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Angus Stone
Be What You Be
99 bpm • E Maj • 04:52 • -11db
25% Popularity • 66% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
25% Popularity • 66% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Bernard Fanning
Which Way Home?
77 bpm • D Maj • 03:19 • -4.41db
32% Popularity • 65% Danceability • 64% Energy • 9% Liveness
5% Instrumentalness • 61% Positiveness
32% Popularity • 65% Danceability • 64% Energy • 9% Liveness
5% Instrumentalness • 61% Positiveness
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Jack River
Fool's Gold - Acoustic
99 bpm • A# Maj • 03:29 • -6.81db
15% Popularity • 34% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
15% Popularity • 34% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Nick Cunningham
On My Way
76 bpm • G Maj • 03:59 • -20.33db
34% Popularity • 68% Danceability • 20% Energy • 10% Liveness
2% Instrumentalness • 23% Positiveness
34% Popularity • 68% Danceability • 20% Energy • 10% Liveness
2% Instrumentalness • 23% Positiveness
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Meg Mac
Never Be
100 bpm • A# min • 04:13 • -8.2db
39% Popularity • 57% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
39% Popularity • 57% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
