Songs like If You Go - triple j Like A Version by The Jezabels
Based on a tempo of (+/- 10%) and a similar genre
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The Jezabels
If You Go - triple j Like A Version
100 bpm • F Maj • 04:05 • -7.57db
27% Popularity • 61% Danceability • 64% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
27% Popularity • 61% Danceability • 64% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
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Big Scary
Come as You Are - triple j Like A Versio...
100 bpm • F min • 05:18 • -11.35db
32% Popularity • 77% Danceability • 28% Energy • 8% Liveness
3% Instrumentalness • 72% Positiveness
32% Popularity • 77% Danceability • 28% Energy • 8% Liveness
3% Instrumentalness • 72% Positiveness
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Greta Stanley
Soak into This
100 bpm • E Maj • 03:25 • -5.61db
29% Popularity • 63% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 82% Positiveness
29% Popularity • 63% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 82% Positiveness
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Alice Ivy
Chasing Stars
100 bpm • A# Maj • 03:40 • -4.15db
29% Popularity • 54% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
29% Popularity • 54% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
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Kuren
Unforgettable - triple j Like a Version
100 bpm • F# Maj • 03:15 • -10.04db
20% Popularity • 72% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
20% Popularity • 72% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Meg Mac
Never Be
100 bpm • A# min • 04:13 • -8.2db
38% Popularity • 57% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
38% Popularity • 57% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Lisa Mitchell
Where You Are
100 bpm • D Maj • 03:38 • -10.63db
9% Popularity • 59% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
9% Popularity • 59% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
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Woodes
Dots
100 bpm • G Maj • 03:27 • -5.39db
16% Popularity • 47% Danceability • 69% Energy • 23% Liveness
0% Instrumentalness • 34% Positiveness
16% Popularity • 47% Danceability • 69% Energy • 23% Liveness
0% Instrumentalness • 34% Positiveness
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Alice Skye
For Every Year
100 bpm • G Maj • 04:49 • -16.97db
9% Popularity • 50% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
9% Popularity • 50% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Sorcha Richardson
Waking Life
100 bpm • G# min • 04:01 • -7.42db
15% Popularity • 54% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
15% Popularity • 54% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Angie McMahon
Missing Me
99 bpm • E min • 03:19 • -8.41db
43% Popularity • 43% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
43% Popularity • 43% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Holy Holy
Wanderer
99 bpm • E Maj • 04:11 • -8.01db
17% Popularity • 50% Danceability • 53% Energy • 10% Liveness
4% Instrumentalness • 41% Positiveness
17% Popularity • 50% Danceability • 53% Energy • 10% Liveness
4% Instrumentalness • 41% Positiveness
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Angus & Julia Stone
My Word For It
99 bpm • A min • 04:14 • -10.26db
13% Popularity • 64% Danceability • 61% Energy • 76% Liveness
6% Instrumentalness • 34% Positiveness
13% Popularity • 64% Danceability • 61% Energy • 76% Liveness
6% Instrumentalness • 34% Positiveness
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The Preatures
Cherry Ripe
101 bpm • F# min • 04:38 • -10.24db
12% Popularity • 61% Danceability • 46% Energy • 25% Liveness
3% Instrumentalness • 12% Positiveness
12% Popularity • 61% Danceability • 46% Energy • 25% Liveness
3% Instrumentalness • 12% Positiveness
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Meg Mac
Ride It
99 bpm • C Maj • 04:05 • -6db
24% Popularity • 62% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 29% Positiveness
24% Popularity • 62% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 29% Positiveness
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Vlossom
Fast Car - triple j Like A Version
98 bpm • A Maj • 04:12 • -12.12db
31% Popularity • 60% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
31% Popularity • 60% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Angie McMahon
Soon
98 bpm • E Maj • 03:43 • -12.23db
40% Popularity • 41% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
40% Popularity • 41% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Gordi
Better Than Then, Closer To Now
102 bpm • D Maj • 04:23 • -8.2db
7% Popularity • 58% Danceability • 69% Energy • 12% Liveness
2% Instrumentalness • 21% Positiveness
7% Popularity • 58% Danceability • 69% Energy • 12% Liveness
2% Instrumentalness • 21% Positiveness
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Greta Stanley
Kick
102 bpm • D Maj • 03:27 • -10db
38% Popularity • 77% Danceability • 52% Energy • 38% Liveness
4% Instrumentalness • 74% Positiveness
38% Popularity • 77% Danceability • 52% Energy • 38% Liveness
4% Instrumentalness • 74% Positiveness
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The Preatures
Nite Machine
102 bpm • G Maj • 04:06 • -4.94db
13% Popularity • 65% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
13% Popularity • 65% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Hermitude
Heart-Shaped Box - triple j Like A Versi...
98 bpm • G# min • 04:11 • -10.85db
31% Popularity • 65% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
31% Popularity • 65% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
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Meg Mac
Low Blows
98 bpm • G# Maj • 03:32 • -6db
40% Popularity • 71% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
40% Popularity • 71% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Vallis Alps
So Settled
98 bpm • G# Maj • 03:14 • -7db
36% Popularity • 64% Danceability • 71% Energy • 14% Liveness
63% Instrumentalness • 44% Positiveness
36% Popularity • 64% Danceability • 71% Energy • 14% Liveness
63% Instrumentalness • 44% Positiveness
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Jimblah
What's Going On - triple j Like A Versio...
102 bpm • D Maj • 04:24 • -11.11db
24% Popularity • 66% Danceability • 37% Energy • 90% Liveness
0% Instrumentalness • 40% Positiveness
24% Popularity • 66% Danceability • 37% Energy • 90% Liveness
0% Instrumentalness • 40% Positiveness
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Montaigne
Till It Kills Me
102 bpm • C Maj • 03:11 • -2.98db
28% Popularity • 57% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
28% Popularity • 57% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Asha Jefferies
If You Were My Hero
98 bpm • A Maj • 03:48 • -4.47db
10% Popularity • 47% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
10% Popularity • 47% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
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Something For Kate
Situation Room
97 bpm • D Maj • 04:30 • -5db
27% Popularity • 51% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
27% Popularity • 51% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Alex the Astronaut
Rockstar City
103 bpm • A Maj • 03:32 • -6.94db
23% Popularity • 55% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
23% Popularity • 55% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Meg Washington
Saint Lo
103 bpm • F min • 03:20 • -7.45db
24% Popularity • 43% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
24% Popularity • 43% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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REMI
Since I Left You - triple j Like A Versi...
103 bpm • G Maj • 03:39 • -6.04db
26% Popularity • 70% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
26% Popularity • 70% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Powderfinger
Poison In Your Mind
97 bpm • D Maj • 02:51 • -11.8db
31% Popularity • 35% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
31% Popularity • 35% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
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Tyne-James Organ
Something New
97 bpm • B min • 03:30 • -5db
24% Popularity • 55% Danceability • 97% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
24% Popularity • 55% Danceability • 97% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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DMA'S
The End
103 bpm • C Maj • 04:24 • -6.31db
31% Popularity • 33% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 33% Positiveness
31% Popularity • 33% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 33% Positiveness
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Kim Churchill
Whole Entire
103 bpm • C Maj • 04:29 • -7.63db
14% Popularity • 55% Danceability • 82% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
14% Popularity • 55% Danceability • 82% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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The Preatures
Ordinary
97 bpm • B min • 03:48 • -8db
28% Popularity • 62% Danceability • 71% Energy • 29% Liveness
0% Instrumentalness • 51% Positiveness
28% Popularity • 62% Danceability • 71% Energy • 29% Liveness
0% Instrumentalness • 51% Positiveness
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Montaigne
Consolation Prize
97 bpm • F Maj • 03:53 • -6.26db
15% Popularity • 35% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
15% Popularity • 35% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Alex Lahey
Welcome to the Black Parade - triple j L...
97 bpm • G Maj • 05:22 • -9.71db
35% Popularity • 21% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
35% Popularity • 21% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Alex the Astronaut
Reflector
104 bpm • G Maj • 02:51 • -6.2db
7% Popularity • 51% Danceability • 76% Energy • 82% Liveness
0% Instrumentalness • 52% Positiveness
7% Popularity • 51% Danceability • 76% Energy • 82% Liveness
0% Instrumentalness • 52% Positiveness
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Stella Donnelly
Love Is in the Air - triple j Like A Ver...
96 bpm • G Maj • 04:25 • -10.96db
34% Popularity • 57% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
34% Popularity • 57% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Kim Churchill
Second Hand Car
103 bpm • E min • 03:41 • -5.57db
39% Popularity • 65% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
39% Popularity • 65% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Paul Dempsey
Out The Airlock
96 bpm • C# Maj • 03:35 • -10.82db
30% Popularity • 55% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
30% Popularity • 55% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Angie McMahon
Knowing Me, Knowing You - triple j Like ...
96 bpm • A Maj • 04:02 • -13.17db
43% Popularity • 64% Danceability • 29% Energy • 12% Liveness
51% Instrumentalness • 50% Positiveness
43% Popularity • 64% Danceability • 29% Energy • 12% Liveness
51% Instrumentalness • 50% Positiveness
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Lisa Mitchell
Every You Every Me
105 bpm • C# min • 03:30 • -14db
14% Popularity • 62% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
14% Popularity • 62% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Little Birdy
Brother
96 bpm • C min • 03:37 • -9db
34% Popularity • 67% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
34% Popularity • 67% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Kingswood
Atmosphere
105 bpm • F min • 03:54 • -6.58db
25% Popularity • 62% Danceability • 87% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
25% Popularity • 62% Danceability • 87% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
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Alex Lahey
I Haven’t Been Taking Care Of Myself
95 bpm • A# Maj • 03:46 • -4.39db
32% Popularity • 54% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
32% Popularity • 54% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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#1 Dads
Twice a Fool
95 bpm • C Maj • 04:43 • -8.66db
28% Popularity • 84% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
28% Popularity • 84% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Gang of Youths
Still Unbeaten Life
95 bpm • C# Maj • 07:30 • -9.59db
31% Popularity • 44% Danceability • 48% Energy • 13% Liveness
4% Instrumentalness • 13% Positiveness
31% Popularity • 44% Danceability • 48% Energy • 13% Liveness
4% Instrumentalness • 13% Positiveness
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Lisa Mitchell
Warhol
95 bpm • F# Maj • 03:40 • -8db
10% Popularity • 58% Danceability • 66% Energy • 35% Liveness
29% Instrumentalness • 61% Positiveness
10% Popularity • 58% Danceability • 66% Energy • 35% Liveness
29% Instrumentalness • 61% Positiveness
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SLUMBERJACK
Paper Planes - triple j Like A Version
95 bpm • B min • 03:32 • -7.23db
31% Popularity • 62% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
31% Popularity • 62% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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Josh Pyke
You're My Colour
95 bpm • D Maj • 04:20 • -6.17db
27% Popularity • 47% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
27% Popularity • 47% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Amy Shark
Adore - Acoustic
95 bpm • C Maj • 03:10 • -7.53db
28% Popularity • 49% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
28% Popularity • 49% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Angie McMahon
Slow Mover
95 bpm • D# Maj • 03:10 • -7.1db
51% Popularity • 57% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
51% Popularity • 57% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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The Preatures
Mess It Up
95 bpm • C Maj • 03:07 • -4db
26% Popularity • 62% Danceability • 79% Energy • 39% Liveness
0% Instrumentalness • 73% Positiveness
26% Popularity • 62% Danceability • 79% Energy • 39% Liveness
0% Instrumentalness • 73% Positiveness
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Gretta Ray
Drive
106 bpm • A Maj • 05:02 • -9db
42% Popularity • 72% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
42% Popularity • 72% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Paul Dempsey
Be Somebody
106 bpm • F# Maj • 03:50 • -8.87db
14% Popularity • 62% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
14% Popularity • 62% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Art of Sleeping
Above The Water
94 bpm • A Maj • 03:41 • -5.49db
23% Popularity • 52% Danceability • 63% Energy • 5% Liveness
0% Instrumentalness • 28% Positiveness
23% Popularity • 52% Danceability • 63% Energy • 5% Liveness
0% Instrumentalness • 28% Positiveness
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CHVRCHES
LOVE - triple j Like A Version
106 bpm • F# Maj • 03:52 • -9.27db
40% Popularity • 59% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
40% Popularity • 59% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Little May
Girl
106 bpm • D# Maj • 03:44 • -10.91db
13% Popularity • 64% Danceability • 58% Energy • 12% Liveness
51% Instrumentalness • 46% Positiveness
13% Popularity • 64% Danceability • 58% Energy • 12% Liveness
51% Instrumentalness • 46% Positiveness
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Gordi
All The Light We Cannot See
106 bpm • E Maj • 04:17 • -9db
14% Popularity • 32% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
14% Popularity • 32% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
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Ball Park Music
The Perfect Life Does Not Exist
94 bpm • F# Maj • 03:21 • -7.49db
37% Popularity • 44% Danceability • 65% Energy • 37% Liveness
0% Instrumentalness • 45% Positiveness
37% Popularity • 44% Danceability • 65% Energy • 37% Liveness
0% Instrumentalness • 45% Positiveness
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Ali Barter
Ur A Piece Of Shit
94 bpm • A# Maj • 03:22 • -4db
22% Popularity • 40% Danceability • 94% Energy • 77% Liveness
0% Instrumentalness • 30% Positiveness
22% Popularity • 40% Danceability • 94% Energy • 77% Liveness
0% Instrumentalness • 30% Positiveness
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Holy Holy
That Message
94 bpm • F# min • 03:33 • -9.68db
36% Popularity • 61% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
36% Popularity • 61% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Eves Karydas
Damn Loyal
94 bpm • F Maj • 03:29 • -7.33db
26% Popularity • 60% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
26% Popularity • 60% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
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Didirri
Tea Stains
94 bpm • A Maj • 02:46 • -12.16db
25% Popularity • 69% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
25% Popularity • 69% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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E^ST
Life Goes On
107 bpm • C Maj • 03:30 • -6.02db
45% Popularity • 70% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
45% Popularity • 70% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Bob Evans
Not Fair - triple j Like A Version
107 bpm • D min • 03:45 • -11.82db
24% Popularity • 41% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
24% Popularity • 41% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Ruby Gill
Your Mum
93 bpm • F Maj • 03:21 • -10.7db
22% Popularity • 42% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
22% Popularity • 42% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Holy Holy
The Crowd
107 bpm • E min • 04:22 • -12.35db
14% Popularity • 25% Danceability • 35% Energy • 10% Liveness
14% Instrumentalness • 8% Positiveness
14% Popularity • 25% Danceability • 35% Energy • 10% Liveness
14% Instrumentalness • 8% Positiveness
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The Jezabels
Mace Spray
93 bpm • C Maj • 05:07 • -7.69db
38% Popularity • 46% Danceability • 71% Energy • 11% Liveness
71% Instrumentalness • 22% Positiveness
38% Popularity • 46% Danceability • 71% Energy • 11% Liveness
71% Instrumentalness • 22% Positiveness
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Gretta Ray
Blank White Canvas
108 bpm • D# Maj • 04:37 • -10.72db
15% Popularity • 40% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
15% Popularity • 40% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Ali Barter
Far Away
93 bpm • E Maj • 03:09 • -4db
17% Popularity • 52% Danceability • 90% Energy • 44% Liveness
0% Instrumentalness • 69% Positiveness
17% Popularity • 52% Danceability • 90% Energy • 44% Liveness
0% Instrumentalness • 69% Positiveness
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Client Liaison
Medley: Party / ! (The Song Formerly Kno...
108 bpm • F min • 04:16 • -7.34db
25% Popularity • 75% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
25% Popularity • 75% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Lisa Mitchell
Unravelling
108 bpm • G# Maj • 03:20 • -7.15db
11% Popularity • 70% Danceability • 64% Energy • 22% Liveness
2% Instrumentalness • 55% Positiveness
11% Popularity • 70% Danceability • 64% Energy • 22% Liveness
2% Instrumentalness • 55% Positiveness
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The Temper Trap
Don't Fight It - triple j Like A Version
92 bpm • A Maj • 04:29 • -15.05db
26% Popularity • 56% Danceability • 36% Energy • 23% Liveness
0% Instrumentalness • 40% Positiveness
26% Popularity • 56% Danceability • 36% Energy • 23% Liveness
0% Instrumentalness • 40% Positiveness
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Paul Dempsey
Bats
92 bpm • D# Maj • 03:52 • -4.77db
21% Popularity • 21% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
21% Popularity • 21% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Sycco
Embrace - triple j Like A Version
109 bpm • D Maj • 04:50 • -11.26db
27% Popularity • 54% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
27% Popularity • 54% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Meg Washington
My Heart Is A Wheel
92 bpm • D Maj • 03:44 • -6.1db
18% Popularity • 65% Danceability • 82% Energy • 25% Liveness
0% Instrumentalness • 94% Positiveness
18% Popularity • 65% Danceability • 82% Energy • 25% Liveness
0% Instrumentalness • 94% Positiveness
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Gordi
On My Side
109 bpm • E Maj • 04:30 • -8.44db
16% Popularity • 62% Danceability • 77% Energy • 67% Liveness
0% Instrumentalness • 45% Positiveness
16% Popularity • 62% Danceability • 77% Energy • 67% Liveness
0% Instrumentalness • 45% Positiveness
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Kate Miller-Heidke
Space They Cannot Touch
92 bpm • C# Maj • 04:08 • -7.55db
25% Popularity • 46% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
25% Popularity • 46% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Meg Mac
Bridges - triple j Like A Version
91 bpm • C min • 03:36 • -7.3db
32% Popularity • 54% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
32% Popularity • 54% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Paul Dempsey
Edge Of Town - triple j Like A Version
109 bpm • G# Maj • 03:37 • -6.9db
33% Popularity • 58% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
33% Popularity • 58% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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The Jezabels
Come Alive
91 bpm • E min • 05:47 • -8.39db
16% Popularity • 37% Danceability • 71% Energy • 11% Liveness
71% Instrumentalness • 4% Positiveness
16% Popularity • 37% Danceability • 71% Energy • 11% Liveness
71% Instrumentalness • 4% Positiveness
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Matt Corby
Made Of Stone
110 bpm • B min • 03:13 • -11.42db
24% Popularity • 39% Danceability • 32% Energy • 9% Liveness
68% Instrumentalness • 11% Positiveness
24% Popularity • 39% Danceability • 32% Energy • 9% Liveness
68% Instrumentalness • 11% Positiveness
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Amy Shark
Blood Brothers
91 bpm • B Maj • 03:45 • -6.28db
34% Popularity • 64% Danceability • 73% Energy • 46% Liveness
0% Instrumentalness • 27% Positiveness
34% Popularity • 64% Danceability • 73% Energy • 46% Liveness
0% Instrumentalness • 27% Positiveness
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Winston Surfshirt
21 Questions - triple j Like A Version
91 bpm • F# min • 04:15 • -9.57db
33% Popularity • 74% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
33% Popularity • 74% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Meg Mac
Maybe It’s My First Time
91 bpm • B min • 03:33 • -6.52db
32% Popularity • 70% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
32% Popularity • 70% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
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Oh Mercy
I Feel Possessed
110 bpm • G min • 03:15 • -11db
25% Popularity • 74% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
25% Popularity • 74% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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George Maple
Hero
110 bpm • A Maj • 03:40 • -5.03db
26% Popularity • 51% Danceability • 77% Energy • 21% Liveness
0% Instrumentalness • 6% Positiveness
26% Popularity • 51% Danceability • 77% Energy • 21% Liveness
0% Instrumentalness • 6% Positiveness
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#1 Dads
Another Day
110 bpm • C Maj • 03:38 • -8db
28% Popularity • 79% Danceability • 55% Energy • 12% Liveness
3% Instrumentalness • 97% Positiveness
28% Popularity • 79% Danceability • 55% Energy • 12% Liveness
3% Instrumentalness • 97% Positiveness
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The Preatures
I Know A Girl
110 bpm • D Maj • 03:47 • -4db
24% Popularity • 69% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
24% Popularity • 69% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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MANE
Save Yourself
110 bpm • E min • 04:10 • -7.32db
13% Popularity • 50% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 26% Positiveness
13% Popularity • 50% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 26% Positiveness
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Gang of Youths
Knuckles White Dry
110 bpm • F# Maj • 06:10 • -10.3db
26% Popularity • 36% Danceability • 40% Energy • 11% Liveness
25% Instrumentalness • 13% Positiveness
26% Popularity • 36% Danceability • 40% Energy • 11% Liveness
25% Instrumentalness • 13% Positiveness
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Angus & Julia Stone
Passionfruit - triple j Like a Version
110 bpm • G# min • 04:28 • -12db
46% Popularity • 53% Danceability • 42% Energy • 11% Liveness
10% Instrumentalness • 41% Positiveness
46% Popularity • 53% Danceability • 42% Energy • 11% Liveness
10% Instrumentalness • 41% Positiveness
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The Jezabels
Time To Dance - Audio Commentary
90 bpm • F Maj • 01:07 • -26.21db
0% Popularity • 71% Danceability • 27% Energy • 60% Liveness
0% Instrumentalness • 41% Positiveness
0% Popularity • 71% Danceability • 27% Energy • 60% Liveness
0% Instrumentalness • 41% Positiveness
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Ceres
A Thousand Miles - triple j Like A Versi...
91 bpm • C Maj • 04:59 • -10.64db
31% Popularity • 21% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
31% Popularity • 21% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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SAFIA
Resolution
90 bpm • G# Maj • 04:01 • -8.19db
29% Popularity • 70% Danceability • 43% Energy • 6% Liveness
1% Instrumentalness • 42% Positiveness
29% Popularity • 70% Danceability • 43% Energy • 6% Liveness
1% Instrumentalness • 42% Positiveness
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#1 Dads
Orion
90 bpm • F# Maj • 05:33 • -7.18db
18% Popularity • 55% Danceability • 47% Energy • 37% Liveness
0% Instrumentalness • 44% Positiveness
18% Popularity • 55% Danceability • 47% Energy • 37% Liveness
0% Instrumentalness • 44% Positiveness
