Songs like If (feat. Milan Ring) by Tutara Peak
Based on a tempo of (+/- 10%) and a similar genre
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King Henry
June
136 bpm • D Maj • 03:31 • -7db
28% Popularity • 85% Danceability • 38% Energy • 11% Liveness
19% Instrumentalness • 35% Positiveness
28% Popularity • 85% Danceability • 38% Energy • 11% Liveness
19% Instrumentalness • 35% Positiveness
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ODESZA
Wide Awake - Hot Chip Remix
136 bpm • G min • 03:35 • -8db
33% Popularity • 64% Danceability • 82% Energy • 17% Liveness
67% Instrumentalness • 28% Positiveness
33% Popularity • 64% Danceability • 82% Energy • 17% Liveness
67% Instrumentalness • 28% Positiveness
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Emmit Fenn
Beautiful Life
136 bpm • F Maj • 03:56 • -9.11db
35% Popularity • 86% Danceability • 45% Energy • 9% Liveness
15% Instrumentalness • 87% Positiveness
35% Popularity • 86% Danceability • 45% Energy • 9% Liveness
15% Instrumentalness • 87% Positiveness
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Turtle
Autumn Light (Tutara Peak Remix)
136 bpm • A min • 04:56 • -8.4db
10% Popularity • 34% Danceability • 67% Energy • 11% Liveness
76% Instrumentalness • 8% Positiveness
10% Popularity • 34% Danceability • 67% Energy • 11% Liveness
76% Instrumentalness • 8% Positiveness
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Tutara Peak
If
136 bpm • B Maj • 04:47 • -9.01db
32% Popularity • 54% Danceability • 55% Energy • 38% Liveness
0% Instrumentalness • 44% Positiveness
32% Popularity • 54% Danceability • 55% Energy • 38% Liveness
0% Instrumentalness • 44% Positiveness
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Fred again..
Lydia (please make it better)
137 bpm • C# Maj • 03:07 • -9.52db
50% Popularity • 37% Danceability • 53% Energy • 63% Liveness
0% Instrumentalness • 17% Positiveness
50% Popularity • 37% Danceability • 53% Energy • 63% Liveness
0% Instrumentalness • 17% Positiveness
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Lila Drew
2023 - Majid Jordan Remix
137 bpm • B min • 02:26 • -8.51db
41% Popularity • 70% Danceability • 51% Energy • 10% Liveness
1% Instrumentalness • 64% Positiveness
41% Popularity • 70% Danceability • 51% Energy • 10% Liveness
1% Instrumentalness • 64% Positiveness
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Emerson Leif
More or Less
135 bpm • G min • 02:57 • -6.61db
26% Popularity • 75% Danceability • 56% Energy • 12% Liveness
6% Instrumentalness • 27% Positiveness
26% Popularity • 75% Danceability • 56% Energy • 12% Liveness
6% Instrumentalness • 27% Positiveness
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Nicole Millar
hugs
135 bpm • F# Maj • 02:39 • -7.56db
9% Popularity • 65% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
9% Popularity • 65% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Baseball Game
Whatever You Want (Rework)
138 bpm • C Maj • 02:20 • -15.63db
21% Popularity • 59% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
21% Popularity • 59% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Mindchatter
Pull Me Back
138 bpm • F Maj • 02:51 • -5.81db
34% Popularity • 66% Danceability • 88% Energy • 10% Liveness
11% Instrumentalness • 66% Positiveness
34% Popularity • 66% Danceability • 88% Energy • 10% Liveness
11% Instrumentalness • 66% Positiveness
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Jerry Folk
The Bells
135 bpm • D# min • 01:36 • -11.6db
33% Popularity • 60% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 26% Positiveness
33% Popularity • 60% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 26% Positiveness
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kid apollo
fantasise
134 bpm • F# Maj • 02:49 • -10.5db
29% Popularity • 59% Danceability • 77% Energy • 34% Liveness
0% Instrumentalness • 45% Positiveness
29% Popularity • 59% Danceability • 77% Energy • 34% Liveness
0% Instrumentalness • 45% Positiveness
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Chiiild
Into The Deep End
138 bpm • C# Maj • 04:08 • -7.89db
24% Popularity • 64% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
24% Popularity • 64% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Big Wild
Something In The Water - slenderbodies V...
134 bpm • G# min • 02:48 • -11.2db
35% Popularity • 69% Danceability • 48% Energy • 11% Liveness
11% Instrumentalness • 19% Positiveness
35% Popularity • 69% Danceability • 48% Energy • 11% Liveness
11% Instrumentalness • 19% Positiveness
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![On The Eve Of The Rush [134bpm VIP] cover art](https://i.scdn.co/image/ab67616d00001e02f82ceb85ca66f0d9141c288e)
Vallis Alps
On The Eve Of The Rush [134bpm VIP]
134 bpm • C Maj • 05:37 • -6db
15% Popularity • 71% Danceability • 90% Energy • 6% Liveness
67% Instrumentalness • 44% Positiveness
15% Popularity • 71% Danceability • 90% Energy • 6% Liveness
67% Instrumentalness • 44% Positiveness
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George FitzGerald
The Last Transmission
138 bpm • C# Maj • 03:47 • -8.37db
43% Popularity • 29% Danceability • 57% Energy • 8% Liveness
47% Instrumentalness • 6% Positiveness
43% Popularity • 29% Danceability • 57% Energy • 8% Liveness
47% Instrumentalness • 6% Positiveness
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Tash Sultana
James Dean
133 bpm • A# min • 04:26 • -6db
50% Popularity • 66% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 61% Positiveness
50% Popularity • 66% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 61% Positiveness
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Biig Piig
Ghosting
139 bpm • F Maj • 02:15 • -9.12db
43% Popularity • 73% Danceability • 44% Energy • 9% Liveness
1% Instrumentalness • 37% Positiveness
43% Popularity • 73% Danceability • 44% Energy • 9% Liveness
1% Instrumentalness • 37% Positiveness
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Caye
A DOOR
133 bpm • C Maj • 03:01 • -11.55db
31% Popularity • 52% Danceability • 31% Energy • 15% Liveness
80% Instrumentalness • 12% Positiveness
31% Popularity • 52% Danceability • 31% Energy • 15% Liveness
80% Instrumentalness • 12% Positiveness
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Kyson
Own Cloud
139 bpm • G# Maj • 02:21 • -17.46db
33% Popularity • 38% Danceability • 19% Energy • 12% Liveness
9% Instrumentalness • 9% Positiveness
33% Popularity • 38% Danceability • 19% Energy • 12% Liveness
9% Instrumentalness • 9% Positiveness
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Vallis Alps
Turn It Around
140 bpm • D# Maj • 03:34 • -4.8db
24% Popularity • 62% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
24% Popularity • 62% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Fred again..
Berwyn (kennington tube)
139 bpm • C# Maj • 02:50 • -20.75db
38% Popularity • 31% Danceability • 3% Energy • 32% Liveness
43% Instrumentalness • 21% Positiveness
38% Popularity • 31% Danceability • 3% Energy • 32% Liveness
43% Instrumentalness • 21% Positiveness
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pastels
Intuition
140 bpm • C min • 03:44 • -10.03db
21% Popularity • 70% Danceability • 35% Energy • 11% Liveness
2% Instrumentalness • 58% Positiveness
21% Popularity • 70% Danceability • 35% Energy • 11% Liveness
2% Instrumentalness • 58% Positiveness
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Tre. Charles
Mantra.
140 bpm • F# min • 01:12 • -6.04db
31% Popularity • 68% Danceability • 84% Energy • 12% Liveness
87% Instrumentalness • 6% Positiveness
31% Popularity • 68% Danceability • 84% Energy • 12% Liveness
87% Instrumentalness • 6% Positiveness
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Wild Rivers
Long Time - Cabu Remix
140 bpm • F min • 03:07 • -8.66db
36% Popularity • 51% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
36% Popularity • 51% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Cub Sport
High For The Summer
140 bpm • C Maj • 03:31 • -8.24db
29% Popularity • 56% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
29% Popularity • 56% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Model Man
Esc (Holding Back)
132 bpm • D Maj • 04:24 • -8.16db
30% Popularity • 52% Danceability • 48% Energy • 9% Liveness
4% Instrumentalness • 8% Positiveness
30% Popularity • 52% Danceability • 48% Energy • 9% Liveness
4% Instrumentalness • 8% Positiveness
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Dexter Francis Mason
Busband - Armando Young Remix
140 bpm • F# Maj • 04:37 • -11.64db
27% Popularity • 70% Danceability • 53% Energy • 27% Liveness
7% Instrumentalness • 38% Positiveness
27% Popularity • 70% Danceability • 53% Energy • 27% Liveness
7% Instrumentalness • 38% Positiveness
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Axel Flóvent
Sea Creatures - Nightshifts Remix
140 bpm • D# Maj • 02:35 • -10.33db
33% Popularity • 62% Danceability • 55% Energy • 19% Liveness
64% Instrumentalness • 48% Positiveness
33% Popularity • 62% Danceability • 55% Energy • 19% Liveness
64% Instrumentalness • 48% Positiveness
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Ella Rosa
y u?
140 bpm • B min • 02:10 • -8.3db
36% Popularity • 82% Danceability • 70% Energy • 12% Liveness
4% Instrumentalness • 82% Positiveness
36% Popularity • 82% Danceability • 70% Energy • 12% Liveness
4% Instrumentalness • 82% Positiveness
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Love Remain
Poetry Of You
140 bpm • G# Maj • 04:17 • -9.56db
21% Popularity • 47% Danceability • 48% Energy • 9% Liveness
5% Instrumentalness • 26% Positiveness
21% Popularity • 47% Danceability • 48% Energy • 9% Liveness
5% Instrumentalness • 26% Positiveness
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Mindchatter
Too Little, Too Late
140 bpm • F min • 03:21 • -11db
29% Popularity • 69% Danceability • 43% Energy • 10% Liveness
3% Instrumentalness • 40% Positiveness
29% Popularity • 69% Danceability • 43% Energy • 10% Liveness
3% Instrumentalness • 40% Positiveness
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Milan Ring
Quicksand
140 bpm • B Maj • 03:32 • -10.17db
25% Popularity • 57% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 33% Positiveness
25% Popularity • 57% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 33% Positiveness
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Dejector
Light
140 bpm • D Maj • 04:23 • -10.73db
9% Popularity • 69% Danceability • 53% Energy • 29% Liveness
48% Instrumentalness • 41% Positiveness
9% Popularity • 69% Danceability • 53% Energy • 29% Liveness
48% Instrumentalness • 41% Positiveness
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Bearcubs
Damages
132 bpm • C Maj • 04:40 • -9db
19% Popularity • 82% Danceability • 57% Energy • 12% Liveness
68% Instrumentalness • 63% Positiveness
19% Popularity • 82% Danceability • 57% Energy • 12% Liveness
68% Instrumentalness • 63% Positiveness
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Chloe Kae
Recluse
132 bpm • C min • 03:10 • -6.11db
32% Popularity • 69% Danceability • 62% Energy • 10% Liveness
44% Instrumentalness • 34% Positiveness
32% Popularity • 69% Danceability • 62% Energy • 10% Liveness
44% Instrumentalness • 34% Positiveness
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altopalo
frenemy - Jacana People Remix
132 bpm • D Maj • 03:55 • -9.52db
14% Popularity • 45% Danceability • 73% Energy • 9% Liveness
63% Instrumentalness • 14% Positiveness
14% Popularity • 45% Danceability • 73% Energy • 9% Liveness
63% Instrumentalness • 14% Positiveness
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Geographer
Leaving The Garden State
140 bpm • F# Maj • 01:29 • -9db
39% Popularity • 46% Danceability • 48% Energy • 16% Liveness
96% Instrumentalness • 40% Positiveness
39% Popularity • 46% Danceability • 48% Energy • 16% Liveness
96% Instrumentalness • 40% Positiveness
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Karnaval Blues
Rooftop Blues
132 bpm • G# min • 03:09 • -8.21db
34% Popularity • 56% Danceability • 38% Energy • 73% Liveness
0% Instrumentalness • 24% Positiveness
34% Popularity • 56% Danceability • 38% Energy • 73% Liveness
0% Instrumentalness • 24% Positiveness
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Moglii
Welcome To
140 bpm • C Maj • 01:11 • -15.51db
38% Popularity • 46% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
38% Popularity • 46% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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Chiiild
Antidote
141 bpm • G# Maj • 02:49 • -7.77db
34% Popularity • 57% Danceability • 73% Energy • 24% Liveness
21% Instrumentalness • 55% Positiveness
34% Popularity • 57% Danceability • 73% Energy • 24% Liveness
21% Instrumentalness • 55% Positiveness
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Chet Faker
It Could Be Nice
131 bpm • C# min • 02:52 • -10.17db
53% Popularity • 64% Danceability • 37% Energy • 59% Liveness
78% Instrumentalness • 14% Positiveness
53% Popularity • 64% Danceability • 37% Energy • 59% Liveness
78% Instrumentalness • 14% Positiveness
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Channel Tres
Hennessy Cups
131 bpm • A# Maj • 01:46 • -17db
23% Popularity • 64% Danceability • 26% Energy • 14% Liveness
86% Instrumentalness • 48% Positiveness
23% Popularity • 64% Danceability • 26% Energy • 14% Liveness
86% Instrumentalness • 48% Positiveness
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Apricot Ink
Usually
131 bpm • F Maj • 02:24 • -11.02db
39% Popularity • 88% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
39% Popularity • 88% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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MAX RAD
Dream Big
131 bpm • G# min • 03:44 • -5.04db
10% Popularity • 68% Danceability • 60% Energy • 11% Liveness
3% Instrumentalness • 30% Positiveness
10% Popularity • 68% Danceability • 60% Energy • 11% Liveness
3% Instrumentalness • 30% Positiveness
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Fred again..
Big Hen (steal my joy)
131 bpm • E Maj • 04:23 • -7.52db
49% Popularity • 53% Danceability • 64% Energy • 40% Liveness
1% Instrumentalness • 38% Positiveness
49% Popularity • 53% Danceability • 64% Energy • 40% Liveness
1% Instrumentalness • 38% Positiveness
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Milan Ring
Fool (Prod. Nehzuil)
141 bpm • F# Maj • 04:13 • -11.37db
4% Popularity • 71% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
4% Popularity • 71% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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MARO
can you see me?
142 bpm • G# min • 03:17 • -10.22db
49% Popularity • 66% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
49% Popularity • 66% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Rezar
Most Days
142 bpm • A min • 03:02 • -10.09db
38% Popularity • 71% Danceability • 48% Energy • 10% Liveness
15% Instrumentalness • 56% Positiveness
38% Popularity • 71% Danceability • 48% Energy • 10% Liveness
15% Instrumentalness • 56% Positiveness
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let me you
ride like that
142 bpm • C min • 02:01 • -10.75db
25% Popularity • 72% Danceability • 74% Energy • 10% Liveness
84% Instrumentalness • 74% Positiveness
25% Popularity • 72% Danceability • 74% Energy • 10% Liveness
84% Instrumentalness • 74% Positiveness
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Mac Wetha
Fairytale
142 bpm • F# Maj • 02:45 • -8.32db
20% Popularity • 71% Danceability • 59% Energy • 22% Liveness
4% Instrumentalness • 62% Positiveness
20% Popularity • 71% Danceability • 59% Energy • 22% Liveness
4% Instrumentalness • 62% Positiveness
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3STRANGE
Someone Else
130 bpm • C Maj • 03:28 • -6.41db
47% Popularity • 65% Danceability • 73% Energy • 11% Liveness
2% Instrumentalness • 38% Positiveness
47% Popularity • 65% Danceability • 73% Energy • 11% Liveness
2% Instrumentalness • 38% Positiveness
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Holly Walker
How Can I Tell You
142 bpm • C# min • 04:11 • -11.39db
36% Popularity • 78% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
36% Popularity • 78% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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LonelyTwin
Secrets
130 bpm • G Maj • 02:12 • -4.43db
23% Popularity • 65% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
23% Popularity • 65% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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BOP
Closer 2 U
130 bpm • G# Maj • 04:11 • -8.84db
23% Popularity • 71% Danceability • 61% Energy • 11% Liveness
89% Instrumentalness • 17% Positiveness
23% Popularity • 71% Danceability • 61% Energy • 11% Liveness
89% Instrumentalness • 17% Positiveness
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Faye Meana
Stuck In The Middle
130 bpm • C Maj • 04:24 • -9.81db
20% Popularity • 73% Danceability • 44% Energy • 11% Liveness
35% Instrumentalness • 92% Positiveness
20% Popularity • 73% Danceability • 44% Energy • 11% Liveness
35% Instrumentalness • 92% Positiveness
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Joy Anonymous
JOY (Not Sure What I'm Going Through)
130 bpm • C# Maj • 03:17 • -12.14db
28% Popularity • 78% Danceability • 25% Energy • 11% Liveness
66% Instrumentalness • 58% Positiveness
28% Popularity • 78% Danceability • 25% Energy • 11% Liveness
66% Instrumentalness • 58% Positiveness
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Seb Wildblood
we did it again
130 bpm • B Maj • 02:01 • -10.53db
46% Popularity • 68% Danceability • 51% Energy • 13% Liveness
93% Instrumentalness • 13% Positiveness
46% Popularity • 68% Danceability • 51% Energy • 13% Liveness
93% Instrumentalness • 13% Positiveness
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Emmit Fenn
Friends
130 bpm • F# Maj • 03:06 • -10.95db
44% Popularity • 81% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
44% Popularity • 81% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Alf the Great
RUNNING.
130 bpm • A Maj • 03:15 • -13.8db
38% Popularity • 44% Danceability • 27% Energy • 9% Liveness
90% Instrumentalness • 9% Positiveness
38% Popularity • 44% Danceability • 27% Energy • 9% Liveness
90% Instrumentalness • 9% Positiveness
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Xavier Dunn
Better Be Ready
143 bpm • G# Maj • 03:52 • -7.9db
22% Popularity • 61% Danceability • 80% Energy • 19% Liveness
1% Instrumentalness • 8% Positiveness
22% Popularity • 61% Danceability • 80% Energy • 19% Liveness
1% Instrumentalness • 8% Positiveness
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Biig Piig
Liquorice
130 bpm • A# min • 02:36 • -8.13db
37% Popularity • 88% Danceability • 60% Energy • 9% Liveness
57% Instrumentalness • 29% Positiveness
37% Popularity • 88% Danceability • 60% Energy • 9% Liveness
57% Instrumentalness • 29% Positiveness
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Young & Sick
ANGELS - Gilligan Moss Remix
143 bpm • A# min • 03:18 • -8.5db
28% Popularity • 77% Danceability • 61% Energy • 7% Liveness
82% Instrumentalness • 92% Positiveness
28% Popularity • 77% Danceability • 61% Energy • 7% Liveness
82% Instrumentalness • 92% Positiveness
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The Last Artful, Dodgr
pure95
130 bpm • C# Maj • 02:16 • -7.22db
17% Popularity • 62% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
17% Popularity • 62% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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flowerovlove
Out For The Weekend
143 bpm • C Maj • 03:27 • -7.31db
21% Popularity • 69% Danceability • 50% Energy • 15% Liveness
1% Instrumentalness • 24% Positiveness
21% Popularity • 69% Danceability • 50% Energy • 15% Liveness
1% Instrumentalness • 24% Positiveness
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Fred again..
Mustafa (time to move you)
129 bpm • G# min • 02:34 • -14.54db
50% Popularity • 44% Danceability • 37% Energy • 48% Liveness
3% Instrumentalness • 34% Positiveness
50% Popularity • 44% Danceability • 37% Energy • 48% Liveness
3% Instrumentalness • 34% Positiveness
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Hologramme
Follow
143 bpm • C Maj • 04:22 • -12.04db
32% Popularity • 63% Danceability • 42% Energy • 34% Liveness
84% Instrumentalness • 28% Positiveness
32% Popularity • 63% Danceability • 42% Energy • 34% Liveness
84% Instrumentalness • 28% Positiveness
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Wilhelm
Pain
144 bpm • B Maj • 02:50 • -8.3db
18% Popularity • 68% Danceability • 78% Energy • 15% Liveness
1% Instrumentalness • 8% Positiveness
18% Popularity • 68% Danceability • 78% Energy • 15% Liveness
1% Instrumentalness • 8% Positiveness
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KUÄŒKA
Cry Cry Cry
144 bpm • G# Maj • 03:22 • -8.31db
6% Popularity • 76% Danceability • 68% Energy • 5% Liveness
4% Instrumentalness • 70% Positiveness
6% Popularity • 76% Danceability • 68% Energy • 5% Liveness
4% Instrumentalness • 70% Positiveness
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Emmit Fenn
I Want To Fly Away
144 bpm • G Maj • 02:40 • -14.5db
37% Popularity • 47% Danceability • 27% Energy • 7% Liveness
36% Instrumentalness • 18% Positiveness
37% Popularity • 47% Danceability • 27% Energy • 7% Liveness
36% Instrumentalness • 18% Positiveness
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Milan Ring
Fluttering
144 bpm • G# min • 02:07 • -8.62db
4% Popularity • 48% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
4% Popularity • 48% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Fred again..
Mollie (hear your name)
128 bpm • C# Maj • 04:01 • -9db
47% Popularity • 55% Danceability • 61% Energy • 17% Liveness
21% Instrumentalness • 24% Positiveness
47% Popularity • 55% Danceability • 61% Energy • 17% Liveness
21% Instrumentalness • 24% Positiveness
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MorMor
Dawn
128 bpm • A# Maj • 03:33 • -13.9db
23% Popularity • 52% Danceability • 40% Energy • 7% Liveness
6% Instrumentalness • 7% Positiveness
23% Popularity • 52% Danceability • 40% Energy • 7% Liveness
6% Instrumentalness • 7% Positiveness
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Neon Valis
Lettin' go
128 bpm • B Maj • 02:31 • -14.72db
16% Popularity • 63% Danceability • 55% Energy • 24% Liveness
55% Instrumentalness • 30% Positiveness
16% Popularity • 63% Danceability • 55% Energy • 24% Liveness
55% Instrumentalness • 30% Positiveness
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Gilligan Moss
Love Song
128 bpm • C# Maj • 04:22 • -6.55db
27% Popularity • 69% Danceability • 83% Energy • 10% Liveness
10% Instrumentalness • 82% Positiveness
27% Popularity • 69% Danceability • 83% Energy • 10% Liveness
10% Instrumentalness • 82% Positiveness
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barking continues
can we stay friends?
128 bpm • A# Maj • 04:08 • -14.43db
28% Popularity • 80% Danceability • 54% Energy • 11% Liveness
83% Instrumentalness • 35% Positiveness
28% Popularity • 80% Danceability • 54% Energy • 11% Liveness
83% Instrumentalness • 35% Positiveness
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Kornél Kovács
Follow You - Alex Kassian Ambient Remix
128 bpm • G Maj • 04:49 • -13.41db
12% Popularity • 44% Danceability • 38% Energy • 8% Liveness
20% Instrumentalness • 20% Positiveness
12% Popularity • 44% Danceability • 38% Energy • 8% Liveness
20% Instrumentalness • 20% Positiveness
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Fred again..
Tayla (every night)
128 bpm • G min • 01:05 • -8.52db
59% Popularity • 46% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
59% Popularity • 46% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
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alayna
If You Want My Love
128 bpm • F# min • 02:38 • -6.4db
37% Popularity • 66% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
37% Popularity • 66% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
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Matt Corby
Big Smoke
145 bpm • B Maj • 03:38 • -8.42db
35% Popularity • 41% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
35% Popularity • 41% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Tyrer
Good Life
145 bpm • A# min • 03:04 • -7.22db
33% Popularity • 59% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
33% Popularity • 59% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Beauvois
2SOULS
145 bpm • G# Maj • 02:04 • -10.91db
26% Popularity • 86% Danceability • 49% Energy • 12% Liveness
45% Instrumentalness • 16% Positiveness
26% Popularity • 86% Danceability • 49% Energy • 12% Liveness
45% Instrumentalness • 16% Positiveness
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Sound of Fractures
No One Knows Me Like You
127 bpm • C Maj • 03:43 • -10.87db
24% Popularity • 49% Danceability • 49% Energy • 14% Liveness
25% Instrumentalness • 4% Positiveness
24% Popularity • 49% Danceability • 49% Energy • 14% Liveness
25% Instrumentalness • 4% Positiveness
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Fred again..
Winnie (end of me)
128 bpm • C Maj • 04:02 • -10.97db
48% Popularity • 50% Danceability • 38% Energy • 44% Liveness
1% Instrumentalness • 30% Positiveness
48% Popularity • 50% Danceability • 38% Energy • 44% Liveness
1% Instrumentalness • 30% Positiveness
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Mont Duamel
2164
127 bpm • G# Maj • 01:08 • -6.8db
34% Popularity • 49% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
34% Popularity • 49% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Uma
Crocodile
127 bpm • F min • 03:41 • -9.15db
36% Popularity • 90% Danceability • 26% Energy • 11% Liveness
4% Instrumentalness • 33% Positiveness
36% Popularity • 90% Danceability • 26% Energy • 11% Liveness
4% Instrumentalness • 33% Positiveness
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Couros
i don’t feel the same
127 bpm • G# min • 02:44 • -6.78db
30% Popularity • 51% Danceability • 41% Energy • 21% Liveness
0% Instrumentalness • 33% Positiveness
30% Popularity • 51% Danceability • 41% Energy • 21% Liveness
0% Instrumentalness • 33% Positiveness
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Salmon Cat
Stick up Man
127 bpm • D Maj • 01:45 • -13.09db
29% Popularity • 62% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
29% Popularity • 62% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Milan Ring
Pick Me Up
127 bpm • A min • 03:42 • -8.25db
7% Popularity • 58% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
7% Popularity • 58% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Fred again..
Berwyn (all that i got is you)
127 bpm • F# Maj • 03:40 • -14db
53% Popularity • 44% Danceability • 41% Energy • 45% Liveness
65% Instrumentalness • 9% Positiveness
53% Popularity • 44% Danceability • 41% Energy • 45% Liveness
65% Instrumentalness • 9% Positiveness
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Mont Duamel
Sunshine
146 bpm • D Maj • 03:00 • -6.89db
23% Popularity • 43% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
23% Popularity • 43% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Tutara Peak
Bassika: Assembly
126 bpm • D Maj • 04:27 • -14.1db
4% Popularity • 31% Danceability • 22% Energy • 8% Liveness
87% Instrumentalness • 19% Positiveness
4% Popularity • 31% Danceability • 22% Energy • 8% Liveness
87% Instrumentalness • 19% Positiveness
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Joesef
Borderline
146 bpm • B Maj • 03:34 • -10db
35% Popularity • 46% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
35% Popularity • 46% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Decades
Want Me Back
126 bpm • C min • 03:43 • -8.98db
16% Popularity • 63% Danceability • 67% Energy • 10% Liveness
4% Instrumentalness • 26% Positiveness
16% Popularity • 63% Danceability • 67% Energy • 10% Liveness
4% Instrumentalness • 26% Positiveness
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Fractures
Do Nothing
126 bpm • A min • 04:19 • -9.61db
10% Popularity • 71% Danceability • 65% Energy • 11% Liveness
1% Instrumentalness • 27% Positiveness
10% Popularity • 71% Danceability • 65% Energy • 11% Liveness
1% Instrumentalness • 27% Positiveness
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Elijah Waters
Someone Special
126 bpm • C Maj • 03:18 • -14.32db
33% Popularity • 84% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
33% Popularity • 84% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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HANDSOME
Pulse
126 bpm • C Maj • 04:55 • -7.22db
12% Popularity • 69% Danceability • 75% Energy • 9% Liveness
1% Instrumentalness • 44% Positiveness
12% Popularity • 69% Danceability • 75% Energy • 9% Liveness
1% Instrumentalness • 44% Positiveness
