Songs like III. Freue Dich, Erlöste Schar BWV 30, For The Feast Of John Baptist, Am Sonntag Cantate, Seconda Parte: Choral (Coro), Freue Dich, Geheiligte Schar by Pieter Jan Leusink
Based on a tempo of (+/- 10%) and a similar genre
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Antonio Caldara
Sinfonia Nо. 3 in fa minore (La morte d...
85 bpm • G# Maj • 01:21 • -18.3db
26% Popularity • 21% Danceability • 12% Energy • 10% Liveness
96% Instrumentalness • 9% Positiveness
26% Popularity • 21% Danceability • 12% Energy • 10% Liveness
96% Instrumentalness • 9% Positiveness
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Dietrich Buxtehude
Ihr lieben Christen, freut euch nun, Bux...
85 bpm • D Maj • 00:59 • -22db
21% Popularity • 15% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 27% Positiveness
21% Popularity • 15% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 27% Positiveness
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Holland Boys Choir, Netherlands Bach Collegium
III. Freue Dich, Erlöste Schar BWV 30, ...
85 bpm • C# Maj • 03:49 • -17.15db
22% Popularity • 45% Danceability • 21% Energy • 12% Liveness
32% Instrumentalness • 65% Positiveness
22% Popularity • 45% Danceability • 21% Energy • 12% Liveness
32% Instrumentalness • 65% Positiveness
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John Propitius
Psalm 108: Vers 1 & 2
85 bpm • G Maj • 05:03 • -19.25db
3% Popularity • 16% Danceability • 25% Energy • 33% Liveness
89% Instrumentalness • 20% Positiveness
3% Popularity • 16% Danceability • 25% Energy • 33% Liveness
89% Instrumentalness • 20% Positiveness
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Felix Mendelssohn
Wer nur den lieben Gott lasst walten: Me...
85 bpm • A min • 00:47 • -22.69db
10% Popularity • 16% Danceability • 10% Energy • 21% Liveness
56% Instrumentalness • 38% Positiveness
10% Popularity • 16% Danceability • 10% Energy • 21% Liveness
56% Instrumentalness • 38% Positiveness
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Pieter Jan Leusink
In Christus Is Nog Oost Nog West
85 bpm • D# Maj • 03:26 • -18.11db
5% Popularity • 10% Danceability • 21% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
5% Popularity • 10% Danceability • 21% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
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Nikolaus Matthes
Markuspassion: No. 21, Arie. Falsche Wel...
86 bpm • B min • 05:24 • -14.17db
7% Popularity • 51% Danceability • 26% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
7% Popularity • 51% Danceability • 26% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
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Sietze de Vries
Wer Nur Den Lieben Gott - Courante
84 bpm • G# Maj • 01:09 • -26.93db
17% Popularity • 17% Danceability • 19% Energy • 20% Liveness
90% Instrumentalness • 28% Positiveness
17% Popularity • 17% Danceability • 19% Energy • 20% Liveness
90% Instrumentalness • 28% Positiveness
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Holland Boys Choir, Netherlands Bach Collegium
I. Schauet Doch Und Sehet, Ob Irgendein ...
85 bpm • F# min • 01:23 • -20.17db
21% Popularity • 22% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
21% Popularity • 22% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
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William Croft
The Lord is a sun and a shield: No. 3, C...
84 bpm • C# Maj • 01:20 • -16.46db
15% Popularity • 17% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
15% Popularity • 17% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Georg Philipp Telemann
Kommt her zu mir alle, TVWV 1:1008: XIV....
86 bpm • G# min • 02:21 • -19.83db
11% Popularity • 20% Danceability • 13% Energy • 11% Liveness
75% Instrumentalness • 42% Positiveness
11% Popularity • 20% Danceability • 13% Energy • 11% Liveness
75% Instrumentalness • 42% Positiveness
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Johann Kuhnau
Christ lag in Todesbanden: V. Coro "So f...
84 bpm • C# min • 00:53 • -10.6db
11% Popularity • 21% Danceability • 48% Energy • 20% Liveness
4% Instrumentalness • 26% Positiveness
11% Popularity • 21% Danceability • 48% Energy • 20% Liveness
4% Instrumentalness • 26% Positiveness
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Oosterwolds Gem. Chr. Koor OGCK
Ik wil mijn God bezingen
86 bpm • G# Maj • 03:00 • -15.72db
2% Popularity • 15% Danceability • 26% Energy • 7% Liveness
94% Instrumentalness • 14% Positiveness
2% Popularity • 15% Danceability • 26% Energy • 7% Liveness
94% Instrumentalness • 14% Positiveness
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Carl Loewe
Das Sühnopfer des neuen Bundes, Pt. 1: ...
86 bpm • C min • 03:47 • -24.43db
15% Popularity • 12% Danceability • 4% Energy • 11% Liveness
46% Instrumentalness • 4% Positiveness
15% Popularity • 12% Danceability • 4% Energy • 11% Liveness
46% Instrumentalness • 4% Positiveness
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Holland Boys Choir, Netherlands Bach Collegium
I. Es Ist Dir Gesagt, Mensch, Was Gut Is...
86 bpm • D# Maj • 05:23 • -17db
19% Popularity • 43% Danceability • 26% Energy • 11% Liveness
41% Instrumentalness • 57% Positiveness
19% Popularity • 43% Danceability • 26% Energy • 11% Liveness
41% Instrumentalness • 57% Positiveness
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Felix Mendelssohn
Elias, Op. 70: Teil I: Hilf, Herr!
86 bpm • A Maj • 02:49 • -18.37db
12% Popularity • 21% Danceability • 22% Energy • 17% Liveness
27% Instrumentalness • 4% Positiveness
12% Popularity • 21% Danceability • 22% Energy • 17% Liveness
27% Instrumentalness • 4% Positiveness
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Georg Philipp Telemann
Telemann: Concerto for Recorder and Bass...
84 bpm • E Maj • 04:35 • -20.76db
12% Popularity • 20% Danceability • 8% Energy • 55% Liveness
35% Instrumentalness • 14% Positiveness
12% Popularity • 20% Danceability • 8% Energy • 55% Liveness
35% Instrumentalness • 14% Positiveness
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Christoph Willibald Gluck
Alceste, Wq. 44 (Excerpts): Parez vos fr...
84 bpm • G Maj • 08:49 • -28.66db
12% Popularity • 18% Danceability • 3% Energy • 9% Liveness
69% Instrumentalness • 9% Positiveness
12% Popularity • 18% Danceability • 3% Energy • 9% Liveness
69% Instrumentalness • 9% Positiveness
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Pieter Jan Leusink
III. Wer Dank Opfert, Der Preiset Mich B...
84 bpm • G# Maj • 02:01 • -17db
23% Popularity • 30% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
23% Popularity • 30% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Luc Beauséjour
The Well-Tempered Clavier, Book 1, BWV 8...
86 bpm • F# Maj • 00:59 • -18.32db
17% Popularity • 30% Danceability • 53% Energy • 7% Liveness
72% Instrumentalness • 72% Positiveness
17% Popularity • 30% Danceability • 53% Energy • 7% Liveness
72% Instrumentalness • 72% Positiveness
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César Franck
Sept paroles du Christ en croix: Parole ...
83 bpm • F min • 02:58 • -33.02db
10% Popularity • 16% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 3% Positiveness
10% Popularity • 16% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 3% Positiveness
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Massale Samenzang vanuit Kampen & Maasluis
Psalm 43, vers 3 en 4 - Zend Heer, uw li...
83 bpm • C Maj • 04:16 • -20.75db
7% Popularity • 8% Danceability • 19% Energy • 17% Liveness
84% Instrumentalness • 6% Positiveness
7% Popularity • 8% Danceability • 19% Energy • 17% Liveness
84% Instrumentalness • 6% Positiveness
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Jan Dismas Zelenka
Missa Divi Xaverii, ZWV 12: Qui sedes
87 bpm • G# Maj • 00:55 • -20.36db
17% Popularity • 21% Danceability • 15% Energy • 8% Liveness
53% Instrumentalness • 18% Positiveness
17% Popularity • 21% Danceability • 15% Energy • 8% Liveness
53% Instrumentalness • 18% Positiveness
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Reinhard Keiser
Markuspassion: V. Was mein Gott will
83 bpm • G# min • 01:23 • -13.7db
10% Popularity • 33% Danceability • 34% Energy • 18% Liveness
72% Instrumentalness • 43% Positiveness
10% Popularity • 33% Danceability • 34% Energy • 18% Liveness
72% Instrumentalness • 43% Positiveness
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Pieter Jan Leusink
Jezus Roept Zondaars
87 bpm • C Maj • 02:20 • -14.27db
6% Popularity • 30% Danceability • 32% Energy • 26% Liveness
0% Instrumentalness • 37% Positiveness
6% Popularity • 30% Danceability • 32% Energy • 26% Liveness
0% Instrumentalness • 37% Positiveness
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Felix Mendelssohn
Paulus: II. Teil: Nr. 28 Chor "Ist das n...
87 bpm • A# Maj • 05:41 • -23db
14% Popularity • 11% Danceability • 3% Energy • 14% Liveness
21% Instrumentalness • 5% Positiveness
14% Popularity • 11% Danceability • 3% Energy • 14% Liveness
21% Instrumentalness • 5% Positiveness
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George Frideric Handel
Israel in Egypt, HWV 54: Part III, Moses...
83 bpm • G# min • 01:04 • -20.8db
16% Popularity • 10% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
16% Popularity • 10% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Antonio Caldara
Stabat Mater: IX. Fac, ut portem
83 bpm • D Maj • 02:32 • -26.87db
18% Popularity • 22% Danceability • 2% Energy • 8% Liveness
6% Instrumentalness • 14% Positiveness
18% Popularity • 22% Danceability • 2% Energy • 8% Liveness
6% Instrumentalness • 14% Positiveness
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Georg Philipp Telemann
Telemann: Concerto for Recorder and Bass...
83 bpm • G# min • 04:34 • -26.4db
12% Popularity • 12% Danceability • 4% Energy • 12% Liveness
80% Instrumentalness • 11% Positiveness
12% Popularity • 12% Danceability • 4% Energy • 12% Liveness
80% Instrumentalness • 11% Positiveness
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Johann Pachelbel
Magnificat Fugue Quinti Toni IV, P317
83 bpm • F Maj • 01:44 • -25.41db
7% Popularity • 13% Danceability • 4% Energy • 11% Liveness
85% Instrumentalness • 21% Positiveness
7% Popularity • 13% Danceability • 4% Energy • 11% Liveness
85% Instrumentalness • 21% Positiveness
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Pieter Jan Leusink
Houd Mij Vast
87 bpm • B min • 02:24 • -21.34db
7% Popularity • 13% Danceability • 11% Energy • 12% Liveness
1% Instrumentalness • 5% Positiveness
7% Popularity • 13% Danceability • 11% Energy • 12% Liveness
1% Instrumentalness • 5% Positiveness
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Holland Boys Choir, Netherlands Bach Collegium
II. Nach Dir, Herr, Verlanget Mich BWV 1...
87 bpm • A# min • 03:31 • -21db
14% Popularity • 34% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
14% Popularity • 34% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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George Frideric Handel
Israel in Egypt, HWV 54: Part II: And th...
83 bpm • B min • 03:30 • -18.34db
7% Popularity • 17% Danceability • 20% Energy • 10% Liveness
30% Instrumentalness • 10% Positiveness
7% Popularity • 17% Danceability • 20% Energy • 10% Liveness
30% Instrumentalness • 10% Positiveness
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Antonio Caldara
Stabat Mater: XI. Christe, cum sit hinc ...
83 bpm • D Maj • 01:36 • -21.7db
28% Popularity • 12% Danceability • 4% Energy • 14% Liveness
53% Instrumentalness • 4% Positiveness
28% Popularity • 12% Danceability • 4% Energy • 14% Liveness
53% Instrumentalness • 4% Positiveness
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Georg Philipp Telemann
Der Herr verstößet nicht ewiglich, TWV...
83 bpm • G# Maj • 01:00 • -18.93db
10% Popularity • 28% Danceability • 6% Energy • 16% Liveness
2% Instrumentalness • 34% Positiveness
10% Popularity • 28% Danceability • 6% Energy • 16% Liveness
2% Instrumentalness • 34% Positiveness
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Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75, Ad faciem:...
88 bpm • A# Maj • 01:29 • -15db
15% Popularity • 36% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
15% Popularity • 36% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
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Pieter Jan Leusink
Zachtkens en teder
87 bpm • B Maj • 03:44 • -17db
5% Popularity • 22% Danceability • 18% Energy • 13% Liveness
7% Instrumentalness • 18% Positiveness
5% Popularity • 22% Danceability • 18% Energy • 13% Liveness
7% Instrumentalness • 18% Positiveness
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Johann Schelle
Aria for Five Voices: Komm, Jesu, komm
83 bpm • A Maj • 04:13 • -24.45db
20% Popularity • 20% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
20% Popularity • 20% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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![Tobit, Pt. II Scene 1: Air. In great Jehovah (Tobit) [arr. J.C. Smith for voice, choir and orchestra] cover art](https://i.scdn.co/image/ab67616d00001e0288285f99f633656fd8bb0a4b)
George Frideric Handel
Tobit, Pt. II Scene 1: Air. In great Jeh...
88 bpm • F# Maj • 01:25 • -26.63db
13% Popularity • 17% Danceability • 7% Energy • 26% Liveness
0% Instrumentalness • 29% Positiveness
13% Popularity • 17% Danceability • 7% Energy • 26% Liveness
0% Instrumentalness • 29% Positiveness
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Johann Michael Bach
Halt, was du hast
88 bpm • E min • 05:26 • -21db
17% Popularity • 18% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
17% Popularity • 18% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Wilhelm Friedemann Bach
Dies ist der Tag, Fk. 85: Choral: Heilge...
82 bpm • C# Maj • 01:00 • -16.01db
18% Popularity • 28% Danceability • 16% Energy • 10% Liveness
59% Instrumentalness • 37% Positiveness
18% Popularity • 28% Danceability • 16% Energy • 10% Liveness
59% Instrumentalness • 37% Positiveness
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Antonio Caldara
Stabat Mater: III. Quis est home
82 bpm • F# min • 04:36 • -22.88db
15% Popularity • 14% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
15% Popularity • 14% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
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Pieter Jan Leusink
Ik zie een poort wijd open staan
88 bpm • D# Maj • 02:51 • -14.91db
6% Popularity • 20% Danceability • 31% Energy • 17% Liveness
7% Instrumentalness • 25% Positiveness
6% Popularity • 20% Danceability • 31% Energy • 17% Liveness
7% Instrumentalness • 25% Positiveness
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Holland Boys Choir, Netherlands Bach Collegium
I. Ein Feste Burg Ist Unser Gott BWV 80,...
88 bpm • C# Maj • 05:15 • -15.8db
23% Popularity • 37% Danceability • 30% Energy • 7% Liveness
6% Instrumentalness • 54% Positiveness
23% Popularity • 37% Danceability • 30% Energy • 7% Liveness
6% Instrumentalness • 54% Positiveness
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George Frideric Handel
The "Brockes" Passion: 1. "Mich vom Stri...
82 bpm • F# min • 05:41 • -14.13db
21% Popularity • 27% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
21% Popularity • 27% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Johann Kuhnau
Christ lag in Todesbanden: IVb. Rittorne...
82 bpm • E Maj • 01:09 • -20.17db
16% Popularity • 14% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
16% Popularity • 14% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Dietrich Buxtehude
Jesu, meine Freude, BuxWV 60: VII. Weich...
82 bpm • E min • 01:19 • -20db
20% Popularity • 12% Danceability • 12% Energy • 12% Liveness
9% Instrumentalness • 8% Positiveness
20% Popularity • 12% Danceability • 12% Energy • 12% Liveness
9% Instrumentalness • 8% Positiveness
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Jan Dismas Zelenka
Litaniae Omnium Sanctorum, ZWV 153: Prop...
89 bpm • B min • 01:58 • -25.76db
20% Popularity • 16% Danceability • 9% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
20% Popularity • 16% Danceability • 9% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
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Pieter Jan Leusink
Cantilena
82 bpm • G Maj • 03:16 • -12.68db
2% Popularity • 24% Danceability • 35% Energy • 22% Liveness
90% Instrumentalness • 17% Positiveness
2% Popularity • 24% Danceability • 35% Energy • 22% Liveness
90% Instrumentalness • 17% Positiveness
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Georg Philipp Telemann
Was für ein jauchzendes Gedränge, TWV ...
81 bpm • D# min • 01:12 • -16.8db
12% Popularity • 23% Danceability • 22% Energy • 11% Liveness
32% Instrumentalness • 26% Positiveness
12% Popularity • 23% Danceability • 22% Energy • 11% Liveness
32% Instrumentalness • 26% Positiveness
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George Frideric Handel
Dixit Dominus, HWV 232: VI. Dominus a de...
82 bpm • C# min • 02:45 • -19.29db
22% Popularity • 36% Danceability • 25% Energy • 36% Liveness
0% Instrumentalness • 33% Positiveness
22% Popularity • 36% Danceability • 25% Energy • 36% Liveness
0% Instrumentalness • 33% Positiveness
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Holland Boys Choir, Netherlands Bach Collegium
III. Meine Seel Erhebt Den Herren BWV 10...
89 bpm • B min • 03:48 • -18db
19% Popularity • 47% Danceability • 27% Energy • 26% Liveness
23% Instrumentalness • 71% Positiveness
19% Popularity • 47% Danceability • 27% Energy • 26% Liveness
23% Instrumentalness • 71% Positiveness
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Dietrich Buxtehude
Membra Jesu nostri, BuxWV 75: Sonata
81 bpm • F# min • 01:04 • -28.31db
15% Popularity • 21% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
15% Popularity • 21% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Jan Dismas Zelenka
Requeim in C Minor, ZWV. 48
81 bpm • G# min • 01:34 • -22.71db
9% Popularity • 23% Danceability • 9% Energy • 15% Liveness
17% Instrumentalness • 15% Positiveness
9% Popularity • 23% Danceability • 9% Energy • 15% Liveness
17% Instrumentalness • 15% Positiveness
► Preview
Pieter Jan Leusink
III. Freue Dich, Erlöste Schar BWV 30, ...
81 bpm • G# Maj • 01:04 • -17.4db
19% Popularity • 16% Danceability • 18% Energy • 32% Liveness
92% Instrumentalness • 36% Positiveness
19% Popularity • 16% Danceability • 18% Energy • 32% Liveness
92% Instrumentalness • 36% Positiveness
► Preview
Georg Philipp Telemann
Jesu meine Freude, TWV 1:966: VII. Wie b...
81 bpm • D# Maj • 01:13 • -19.92db
13% Popularity • 22% Danceability • 7% Energy • 12% Liveness
54% Instrumentalness • 23% Positiveness
13% Popularity • 22% Danceability • 7% Energy • 12% Liveness
54% Instrumentalness • 23% Positiveness
► Preview
George Frideric Handel
Laudate pueri, HWV 237: II. Sit nomen Do...
81 bpm • A# min • 02:33 • -24.32db
22% Popularity • 15% Danceability • 3% Energy • 16% Liveness
38% Instrumentalness • 8% Positiveness
22% Popularity • 15% Danceability • 3% Energy • 16% Liveness
38% Instrumentalness • 8% Positiveness
► Preview
Holland Boys Choir, Netherlands Bach Collegium
I. Du Friedefürst, Herr Jesu Christ BWV...
89 bpm • G# Maj • 04:38 • -18.32db
0% Popularity • 48% Danceability • 24% Energy • 20% Liveness
24% Instrumentalness • 65% Positiveness
0% Popularity • 48% Danceability • 24% Energy • 20% Liveness
24% Instrumentalness • 65% Positiveness
► Preview
Dietrich Buxtehude
Puer natus in Bethlehem, BuxWV 217
81 bpm • A min • 01:21 • -26.37db
7% Popularity • 31% Danceability • 18% Energy • 11% Liveness
30% Instrumentalness • 22% Positiveness
7% Popularity • 31% Danceability • 18% Energy • 11% Liveness
30% Instrumentalness • 22% Positiveness
► Preview
Chr. Mannenkoor Staphorst
Psalm 78 en Psalm 29
89 bpm • A# Maj • 07:42 • -24.52db
1% Popularity • 10% Danceability • 12% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
1% Popularity • 10% Danceability • 12% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Pieter Jan Leusink
Comrades in Arm
89 bpm • A# Maj • 04:35 • -14.76db
5% Popularity • 30% Danceability • 35% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
5% Popularity • 30% Danceability • 35% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
► Preview
Gerben Mourik
Toccata Psalm 107
81 bpm • D min • 07:38 • -16.9db
1% Popularity • 16% Danceability • 19% Energy • 31% Liveness
91% Instrumentalness • 4% Positiveness
1% Popularity • 16% Danceability • 19% Energy • 31% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
George Frideric Handel
Israel in Egypt, HWV 54, Pt I. "Lamentat...
81 bpm • F# min • 05:11 • -18.44db
8% Popularity • 11% Danceability • 13% Energy • 25% Liveness
16% Instrumentalness • 7% Positiveness
8% Popularity • 11% Danceability • 13% Energy • 25% Liveness
16% Instrumentalness • 7% Positiveness
► Preview
Holland Boys Choir, Netherlands Bach Collegium
Jesus Schläft, Was Soll Ich Hoffen BWV ...
89 bpm • C# Maj • 01:10 • -18.25db
0% Popularity • 40% Danceability • 7% Energy • 20% Liveness
0% Instrumentalness • 13% Positiveness
0% Popularity • 40% Danceability • 7% Energy • 20% Liveness
0% Instrumentalness • 13% Positiveness
► Preview
Dietrich Buxtehude
Das neugeborne Kindelein, BuxWV 13
89 bpm • B Maj • 06:39 • -21db
8% Popularity • 27% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
8% Popularity • 27% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
► Preview
François Couperin
Concert Royal No. 1 in G (Version for 2 ...
90 bpm • C# Maj • 00:59 • -21.83db
9% Popularity • 29% Danceability • 42% Energy • 44% Liveness
56% Instrumentalness • 80% Positiveness
9% Popularity • 29% Danceability • 42% Energy • 44% Liveness
56% Instrumentalness • 80% Positiveness
► Preview
Pieter Jan Leusink
Ruwe stormen mogen woeden
89 bpm • D Maj • 04:17 • -14.78db
6% Popularity • 11% Danceability • 35% Energy • 9% Liveness
74% Instrumentalness • 21% Positiveness
6% Popularity • 11% Danceability • 35% Energy • 9% Liveness
74% Instrumentalness • 21% Positiveness
► Preview
Jan Dismas Zelenka
Litaniae Omnium Sanctorum, ZWV 153: Kyri...
80 bpm • G# min • 03:38 • -21.34db
8% Popularity • 8% Danceability • 18% Energy • 12% Liveness
78% Instrumentalness • 22% Positiveness
8% Popularity • 8% Danceability • 18% Energy • 12% Liveness
78% Instrumentalness • 22% Positiveness
► Preview
George Frideric Handel
Israel in Egypt, HWV 54, Pt 2. "Exodus":...
89 bpm • B min • 02:01 • -15.43db
11% Popularity • 18% Danceability • 16% Energy • 9% Liveness
7% Instrumentalness • 8% Positiveness
11% Popularity • 18% Danceability • 16% Energy • 9% Liveness
7% Instrumentalness • 8% Positiveness
► Preview
Alexander Därr
Hope
80 bpm • A# Maj • 02:45 • -34.07db
10% Popularity • 15% Danceability • 0% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
10% Popularity • 15% Danceability • 0% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
► Preview
Luc Beauséjour
The Well-Tempered Clavier, Book 1, BWV 8...
80 bpm • F min • 01:19 • -21.05db
13% Popularity • 26% Danceability • 44% Energy • 8% Liveness
43% Instrumentalness • 92% Positiveness
13% Popularity • 26% Danceability • 44% Energy • 8% Liveness
43% Instrumentalness • 92% Positiveness
► Preview
Jong Gemengd Koor "Immanuel" Urk
Zingt de Heere een nieuw lied
80 bpm • D# Maj • 03:02 • -24.4db
5% Popularity • 16% Danceability • 13% Energy • 31% Liveness
80% Instrumentalness • 18% Positiveness
5% Popularity • 16% Danceability • 13% Energy • 31% Liveness
80% Instrumentalness • 18% Positiveness
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Pieter Jan Leusink
Hij die rustig en stil
81 bpm • G# Maj • 04:07 • -13.64db
3% Popularity • 14% Danceability • 26% Energy • 13% Liveness
16% Instrumentalness • 16% Positiveness
3% Popularity • 14% Danceability • 26% Energy • 13% Liveness
16% Instrumentalness • 16% Positiveness
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Georg Philipp Telemann
Ein Aussatz ist die Sünde, TVWV 1:417: ...
80 bpm • D# min • 02:08 • -17.99db
8% Popularity • 46% Danceability • 13% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
8% Popularity • 46% Danceability • 13% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
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Johann Kuhnau
Christ lag in Todesbanden: IVd. Rittorne...
80 bpm • E Maj • 01:07 • -19.44db
20% Popularity • 14% Danceability • 12% Energy • 19% Liveness
97% Instrumentalness • 15% Positiveness
20% Popularity • 14% Danceability • 12% Energy • 19% Liveness
97% Instrumentalness • 15% Positiveness
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Jan Dismas Zelenka
Confitebor tibi Domine, ZWV 72: Confiteb...
80 bpm • G# min • 02:14 • -21.54db
14% Popularity • 28% Danceability • 14% Energy • 10% Liveness
8% Instrumentalness • 9% Positiveness
14% Popularity • 28% Danceability • 14% Energy • 10% Liveness
8% Instrumentalness • 9% Positiveness
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Johann Pachelbel
Magnificat Fugue Quinti Toni XI, P324
80 bpm • F Maj • 01:00 • -22.74db
7% Popularity • 18% Danceability • 6% Energy • 11% Liveness
79% Instrumentalness • 34% Positiveness
7% Popularity • 18% Danceability • 6% Energy • 11% Liveness
79% Instrumentalness • 34% Positiveness
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Frank Kaman
Verset
91 bpm • F Maj • 02:06 • -29db
28% Popularity • 25% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
28% Popularity • 25% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Pieter Jan Leusink
I. Herz Und Mund Und Tat Und Leben BWV 1...
90 bpm • B Maj • 04:28 • -16db
26% Popularity • 40% Danceability • 31% Energy • 16% Liveness
34% Instrumentalness • 71% Positiveness
26% Popularity • 40% Danceability • 31% Energy • 16% Liveness
34% Instrumentalness • 71% Positiveness
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Pier Giuseppe Sandoni
Organ Sonata in C Major
91 bpm • C Maj • 04:39 • -35.24db
10% Popularity • 24% Danceability • 1% Energy • 8% Liveness
57% Instrumentalness • 30% Positiveness
10% Popularity • 24% Danceability • 1% Energy • 8% Liveness
57% Instrumentalness • 30% Positiveness
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Musica Amphion
Motet Jesu Meine Freude (Bwv 227)
80 bpm • D# min • 01:15 • -22.18db
30% Popularity • 17% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
30% Popularity • 17% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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George Frideric Handel
Theodora, HWV 68: Streams of Pleasure Ev...
91 bpm • G Maj • 05:32 • -24.99db
8% Popularity • 20% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
8% Popularity • 20% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Holland Boys Choir, Netherlands Bach Collegium
Jesus Schläft, Was Soll Ich Hoffen BWV ...
91 bpm • G# min • 04:29 • -25.24db
0% Popularity • 20% Danceability • 5% Energy • 11% Liveness
32% Instrumentalness • 9% Positiveness
0% Popularity • 20% Danceability • 5% Energy • 11% Liveness
32% Instrumentalness • 9% Positiveness
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Robert Schumann
Sechs Stüche In Kanonischer Form, Op. 5...
91 bpm • B min • 02:37 • -35.23db
8% Popularity • 30% Danceability • 3% Energy • 13% Liveness
96% Instrumentalness • 29% Positiveness
8% Popularity • 30% Danceability • 3% Energy • 13% Liveness
96% Instrumentalness • 29% Positiveness
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Pieter Jan Leusink
De Storm
91 bpm • A# Maj • 05:29 • -15.44db
2% Popularity • 28% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
2% Popularity • 28% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Johann Pachelbel
Magnificat Fugue Primi Toni IV, P260
79 bpm • D min • 01:52 • -34.84db
10% Popularity • 11% Danceability • 0% Energy • 12% Liveness
98% Instrumentalness • 20% Positiveness
10% Popularity • 11% Danceability • 0% Energy • 12% Liveness
98% Instrumentalness • 20% Positiveness
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Carl Loewe
Das Sühnopfer des neuen Bundes, Pt. 1: ...
79 bpm • A# Maj • 01:30 • -23db
19% Popularity • 16% Danceability • 7% Energy • 11% Liveness
86% Instrumentalness • 8% Positiveness
19% Popularity • 16% Danceability • 7% Energy • 11% Liveness
86% Instrumentalness • 8% Positiveness
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Johann Sebastian Bach
Passionsoratorium, BWV Anh. 169 (Reconst...
79 bpm • F min • 00:58 • -16.16db
19% Popularity • 36% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
19% Popularity • 36% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Holland Boys Choir, Netherlands Bach Collegium
Jesus Schläft, Was Soll Ich Hoffen BWV ...
91 bpm • A# min • 00:56 • -25.04db
2% Popularity • 58% Danceability • 4% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
2% Popularity • 58% Danceability • 4% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
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Johann Kuhnau
Christ lag in Todesbanden: IVc. Aria "Er...
79 bpm • E Maj • 00:54 • -20.92db
14% Popularity • 26% Danceability • 12% Energy • 11% Liveness
4% Instrumentalness • 28% Positiveness
14% Popularity • 26% Danceability • 12% Energy • 11% Liveness
4% Instrumentalness • 28% Positiveness
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George Frideric Handel
Coronation Anthems, Let thy hand be stre...
79 bpm • D# min • 03:23 • -23.94db
12% Popularity • 14% Danceability • 8% Energy • 10% Liveness
21% Instrumentalness • 4% Positiveness
12% Popularity • 14% Danceability • 8% Energy • 10% Liveness
21% Instrumentalness • 4% Positiveness
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Luc Beauséjour
The Well-Tempered Clavier, Book 1, BWV 8...
91 bpm • F# min • 01:52 • -20.47db
17% Popularity • 26% Danceability • 22% Energy • 16% Liveness
17% Instrumentalness • 48% Positiveness
17% Popularity • 26% Danceability • 22% Energy • 16% Liveness
17% Instrumentalness • 48% Positiveness
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Alessandro Marcello
Concerto No. 6 in G Major, SF 941 "La Ce...
91 bpm • C# Maj • 02:31 • -16.66db
8% Popularity • 40% Danceability • 16% Energy • 15% Liveness
48% Instrumentalness • 40% Positiveness
8% Popularity • 40% Danceability • 16% Energy • 15% Liveness
48% Instrumentalness • 40% Positiveness
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Henry Purcell
Hail! bright Cecilia, Z. 328: III. Hark!...
79 bpm • G# min • 04:10 • -28.02db
14% Popularity • 26% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
14% Popularity • 26% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Georg Philipp Telemann
Dich rühmen die Welten, TWV 1:329: No. ...
79 bpm • C# Maj • 02:50 • -20db
8% Popularity • 37% Danceability • 19% Energy • 11% Liveness
2% Instrumentalness • 34% Positiveness
8% Popularity • 37% Danceability • 19% Energy • 11% Liveness
2% Instrumentalness • 34% Positiveness
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Jan Dismas Zelenka
Missa Paschalis, ZWV 7: Credo. Crucifixu...
79 bpm • A# min • 01:27 • -23.49db
20% Popularity • 20% Danceability • 7% Energy • 14% Liveness
88% Instrumentalness • 3% Positiveness
20% Popularity • 20% Danceability • 7% Energy • 14% Liveness
88% Instrumentalness • 3% Positiveness
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William Croft
The Lord is a sun and a shield: No. 4, V...
79 bpm • A# min • 01:35 • -23db
20% Popularity • 21% Danceability • 12% Energy • 12% Liveness
68% Instrumentalness • 20% Positiveness
20% Popularity • 21% Danceability • 12% Energy • 12% Liveness
68% Instrumentalness • 20% Positiveness
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Samenzangkerkkoor Haëzerkerk
Psalm 105 vers 1, 2 en 24
79 bpm • D Maj • 05:07 • -19.75db
3% Popularity • 7% Danceability • 22% Energy • 12% Liveness
90% Instrumentalness • 16% Positiveness
3% Popularity • 7% Danceability • 22% Energy • 12% Liveness
90% Instrumentalness • 16% Positiveness