Songs like Il barbiere di Siviglia (The Barber of Seville): Act I No. 2: Cavatina: Largo al factotum della citta by Gioachino Rossini
Based on a tempo of (+/- 10%) and a similar genre
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Giuseppe Verdi
Rigoletto / Act 3: La donna è mobile
76 bpm • F# Maj • 02:08 • -16.4db
30% Popularity • 37% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
30% Popularity • 37% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Richard Strauss
Also sprach Zarathustra, Op. 30: Sonnena...
76 bpm • C Maj • 01:31 • -18db
29% Popularity • 18% Danceability • 12% Energy • 13% Liveness
52% Instrumentalness • 14% Positiveness
29% Popularity • 18% Danceability • 12% Energy • 13% Liveness
52% Instrumentalness • 14% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia (The Barber of S...
76 bpm • C Maj • 04:31 • -17.38db
44% Popularity • 40% Danceability • 31% Energy • 25% Liveness
28% Instrumentalness • 44% Positiveness
44% Popularity • 40% Danceability • 31% Energy • 25% Liveness
28% Instrumentalness • 44% Positiveness
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Johann Strauss II
Frühlingsstimmen, Op. 410
76 bpm • F# min • 06:14 • -16.7db
23% Popularity • 33% Danceability • 17% Energy • 23% Liveness
50% Instrumentalness • 34% Positiveness
23% Popularity • 33% Danceability • 17% Energy • 23% Liveness
50% Instrumentalness • 34% Positiveness
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Umberto Giordano
Andrea Chénier / Act III: "La mamma mor...
76 bpm • D Maj • 04:58 • -17.91db
27% Popularity • 21% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
27% Popularity • 21% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Maria Callas
Casta Diva, a Belloa Me Ritono
76 bpm • F Maj • 05:36 • -16db
30% Popularity • 20% Danceability • 11% Energy • 10% Liveness
76% Instrumentalness • 9% Positiveness
30% Popularity • 20% Danceability • 11% Energy • 10% Liveness
76% Instrumentalness • 9% Positiveness
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Richard Wagner
Das Rheingold: Einzug der Götter in Wal...
76 bpm • C# Maj • 08:43 • -20.73db
32% Popularity • 16% Danceability • 5% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
32% Popularity • 16% Danceability • 5% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
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Alessandro Parisotti
Se tu m'ami (formerly attributed to Perg...
76 bpm • F min • 02:31 • -22.73db
27% Popularity • 43% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
27% Popularity • 43% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia (The Barber of S...
76 bpm • A# Maj • 03:29 • -20.52db
3% Popularity • 36% Danceability • 19% Energy • 26% Liveness
0% Instrumentalness • 21% Positiveness
3% Popularity • 36% Danceability • 19% Energy • 26% Liveness
0% Instrumentalness • 21% Positiveness
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Giuseppe Verdi
Un ballo in maschera, Act I: Act I Scene...
76 bpm • B Maj • 01:45 • -32.96db
4% Popularity • 21% Danceability • 6% Energy • 66% Liveness
0% Instrumentalness • 10% Positiveness
4% Popularity • 21% Danceability • 6% Energy • 66% Liveness
0% Instrumentalness • 10% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Samson et Dalila, Op. 47, ...
77 bpm • C# Maj • 05:20 • -19.91db
23% Popularity • 16% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
23% Popularity • 16% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Nikolaus Harnoncourt
Mozart: Requiem in D Minor, K. 626: III....
77 bpm • G min • 01:51 • -18.33db
28% Popularity • 39% Danceability • 35% Energy • 23% Liveness
1% Instrumentalness • 27% Positiveness
28% Popularity • 39% Danceability • 35% Energy • 23% Liveness
1% Instrumentalness • 27% Positiveness
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Ludwig van Beethoven
Beethoven: Symphony No. 5 in C Minor, Op...
75 bpm • C Maj • 08:19 • -21.66db
12% Popularity • 23% Danceability • 6% Energy • 58% Liveness
85% Instrumentalness • 30% Positiveness
12% Popularity • 23% Danceability • 6% Energy • 58% Liveness
85% Instrumentalness • 30% Positiveness
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Charles Gounod
Roméo et Juliette, CG 9 / Act 1: "Ah, j...
77 bpm • C Maj • 03:52 • -12.17db
30% Popularity • 35% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
30% Popularity • 35% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia (The Barber of S...
76 bpm • D# Maj • 02:53 • -29.83db
5% Popularity • 45% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
5% Popularity • 45% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Giuseppe Verdi
Verdi: Nabucco, Act 3: Chorus of the Heb...
75 bpm • C# Maj • 05:29 • -23db
31% Popularity • 9% Danceability • 3% Energy • 8% Liveness
35% Instrumentalness • 6% Positiveness
31% Popularity • 9% Danceability • 3% Energy • 8% Liveness
35% Instrumentalness • 6% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30 / Act III: "Ch...
77 bpm • C Maj • 03:55 • -17.2db
24% Popularity • 23% Danceability • 12% Energy • 34% Liveness
0% Instrumentalness • 15% Positiveness
24% Popularity • 23% Danceability • 12% Energy • 34% Liveness
0% Instrumentalness • 15% Positiveness
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Richard Strauss
Also Sprach Zarathustra, Op. 30
75 bpm • F Maj • 01:23 • -13.65db
31% Popularity • 16% Danceability • 26% Energy • 52% Liveness
89% Instrumentalness • 4% Positiveness
31% Popularity • 16% Danceability • 26% Energy • 52% Liveness
89% Instrumentalness • 4% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Gli aranci olezza...
75 bpm • A Maj • 07:24 • -22db
27% Popularity • 11% Danceability • 11% Energy • 34% Liveness
67% Instrumentalness • 12% Positiveness
27% Popularity • 11% Danceability • 11% Energy • 34% Liveness
67% Instrumentalness • 12% Positiveness
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Giacomo Puccini
Puccini: Gianni Schicchi: "O mio babbino...
75 bpm • G# Maj • 02:34 • -16.63db
46% Popularity • 17% Danceability • 11% Energy • 15% Liveness
7% Instrumentalness • 8% Positiveness
46% Popularity • 17% Danceability • 11% Energy • 15% Liveness
7% Instrumentalness • 8% Positiveness
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Gaetano Donizetti
L'elisir d'amore / Act 2: "Una furtiva l...
78 bpm • F min • 04:38 • -18db
29% Popularity • 16% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
29% Popularity • 16% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Giuseppe Verdi
Messa da Requiem: Dies irae: Recordare J...
77 bpm • F Maj • 03:45 • -27.39db
2% Popularity • 26% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
2% Popularity • 26% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Isabel Marie
Cuatro Copas
74 bpm • G Maj • 03:20 • -12.05db
4% Popularity • 55% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
4% Popularity • 55% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Johann Strauss II
Annen-Polka, Op. 117
78 bpm • D Maj • 04:17 • -18.27db
23% Popularity • 54% Danceability • 12% Energy • 10% Liveness
82% Instrumentalness • 43% Positiveness
23% Popularity • 54% Danceability • 12% Energy • 10% Liveness
82% Instrumentalness • 43% Positiveness
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Jacques Offenbach
Galop Infernal (Can-Can) - De La Opera "...
74 bpm • D Maj • 02:24 • -12.92db
37% Popularity • 52% Danceability • 40% Energy • 8% Liveness
79% Instrumentalness • 86% Positiveness
37% Popularity • 52% Danceability • 40% Energy • 8% Liveness
79% Instrumentalness • 86% Positiveness
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Giacomo Puccini
La bohème, SC 67 / Act 1: "Che gelida m...
75 bpm • G# Maj • 05:06 • -12.26db
32% Popularity • 15% Danceability • 26% Energy • 11% Liveness
21% Instrumentalness • 6% Positiveness
32% Popularity • 15% Danceability • 26% Energy • 11% Liveness
21% Instrumentalness • 6% Positiveness
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Gioachino Rossini
La scala di seta: II. Introduzione
78 bpm • F Maj • 06:51 • -20.53db
3% Popularity • 35% Danceability • 21% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
3% Popularity • 35% Danceability • 21% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
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Orquesta Sinfonica de Londres
Sinfonische Dichtung für großes Orches...
78 bpm • F Maj • 01:48 • -12.98db
20% Popularity • 22% Danceability • 42% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
20% Popularity • 22% Danceability • 42% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Sposa son disprezzata
74 bpm • F min • 05:50 • -30.4db
35% Popularity • 18% Danceability • 1% Energy • 6% Liveness
20% Instrumentalness • 5% Positiveness
35% Popularity • 18% Danceability • 1% Energy • 6% Liveness
20% Instrumentalness • 5% Positiveness
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Johann Sebastian Bach
Herz und Mund und Tat und Leben, BWV 147...
78 bpm • G Maj • 01:23 • -19.33db
6% Popularity • 39% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
6% Popularity • 39% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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English Chamber Orchestra
"Una furtiva lagrima" from L'Elisir d'Am...
78 bpm • A# Maj • 04:59 • -21.21db
2% Popularity • 23% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
2% Popularity • 23% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Messa di Gloria: Benedictus
78 bpm • A# Maj • 02:03 • -26.82db
5% Popularity • 18% Danceability • 7% Energy • 9% Liveness
23% Instrumentalness • 4% Positiveness
5% Popularity • 18% Danceability • 7% Energy • 9% Liveness
23% Instrumentalness • 4% Positiveness
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Giuseppe Verdi
Messa da Requiem: Dies irae
78 bpm • C min • 02:22 • -15.32db
14% Popularity • 15% Danceability • 28% Energy • 10% Liveness
59% Instrumentalness • 15% Positiveness
14% Popularity • 15% Danceability • 28% Energy • 10% Liveness
59% Instrumentalness • 15% Positiveness
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Felix Mendelssohn
Midsummer Night's Dream, Incidental Musi...
74 bpm • C Maj • 05:06 • -12db
33% Popularity • 33% Danceability • 23% Energy • 6% Liveness
94% Instrumentalness • 11% Positiveness
33% Popularity • 33% Danceability • 23% Energy • 6% Liveness
94% Instrumentalness • 11% Positiveness
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Gioachino Rossini
Io sono docile
74 bpm • F Maj • 03:52 • -9.96db
20% Popularity • 32% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
20% Popularity • 32% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Ludwig van Beethoven
Symphony No. 9 in D minor, Op. 125 - "Ch...
74 bpm • D Maj • 02:43 • -15.78db
12% Popularity • 34% Danceability • 33% Energy • 33% Liveness
11% Instrumentalness • 40% Positiveness
12% Popularity • 34% Danceability • 33% Energy • 33% Liveness
11% Instrumentalness • 40% Positiveness
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Tommaso Giordani
Caro mio ben
74 bpm • D# Maj • 02:43 • -25db
34% Popularity • 22% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
34% Popularity • 22% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Giacomo Puccini
Turandot, Act III: Nessun dorma!
78 bpm • D Maj • 02:59 • -15.03db
6% Popularity • 22% Danceability • 24% Energy • 15% Liveness
11% Instrumentalness • 10% Positiveness
6% Popularity • 22% Danceability • 24% Energy • 15% Liveness
11% Instrumentalness • 10% Positiveness
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Giuseppe Verdi
Rigoletto / Act 3: Bella figlia dell'amo...
78 bpm • C# Maj • 03:53 • -14.58db
22% Popularity • 23% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
22% Popularity • 23% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Wolfgang Amadeus Mozart
The Magic Flute, K. 620, Act II: Aria. D...
73 bpm • F Maj • 02:51 • -16.81db
27% Popularity • 43% Danceability • 14% Energy • 39% Liveness
0% Instrumentalness • 43% Positiveness
27% Popularity • 43% Danceability • 14% Energy • 39% Liveness
0% Instrumentalness • 43% Positiveness
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Gioachino Rossini
Il Barbiere di Siviglia: All'idea di que...
79 bpm • G Maj • 08:04 • -16.95db
3% Popularity • 41% Danceability • 23% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
3% Popularity • 41% Danceability • 23% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
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Ludwig van Beethoven
Beethoven: Symphony No. 9 in D Minor, Op...
79 bpm • D Maj • 03:11 • -21db
11% Popularity • 28% Danceability • 16% Energy • 37% Liveness
2% Instrumentalness • 31% Positiveness
11% Popularity • 28% Danceability • 16% Energy • 37% Liveness
2% Instrumentalness • 31% Positiveness
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Gaetano Donizetti
Donizetti: L'elisir d'amore, Act 2: "Una...
79 bpm • A# min • 04:17 • -22.29db
20% Popularity • 16% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
20% Popularity • 16% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Giacomo Puccini
Puccini: La bohème, Act 1: "Sì. mi chi...
78 bpm • D Maj • 05:01 • -17.69db
31% Popularity • 17% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
31% Popularity • 17% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Giuseppe Verdi
La traviata / Act 1: Un dì felice, eter...
74 bpm • F Maj • 03:27 • -20.33db
21% Popularity • 29% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
21% Popularity • 29% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Richard Wagner
Lohengrin, Act III: Prelude
79 bpm • G Maj • 03:07 • -19db
16% Popularity • 15% Danceability • 19% Energy • 38% Liveness
95% Instrumentalness • 12% Positiveness
16% Popularity • 15% Danceability • 19% Energy • 38% Liveness
95% Instrumentalness • 12% Positiveness
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Ruggero Leoncavallo
Mattinata (Orch. Faris)
79 bpm • E Maj • 01:58 • -14.46db
38% Popularity • 23% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
38% Popularity • 23% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Ludwig van Beethoven
Fidelio, Op. 72, Act I: Aria and Chorus....
79 bpm • D min • 03:10 • -15.2db
5% Popularity • 39% Danceability • 30% Energy • 14% Liveness
74% Instrumentalness • 22% Positiveness
5% Popularity • 39% Danceability • 30% Energy • 14% Liveness
74% Instrumentalness • 22% Positiveness
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Dame Joan Sutherland
La traviata, Act 1: "Libiamo, ne' lieti ...
79 bpm • A# Maj • 03:15 • -19db
32% Popularity • 32% Danceability • 15% Energy • 73% Liveness
0% Instrumentalness • 28% Positiveness
32% Popularity • 32% Danceability • 15% Energy • 73% Liveness
0% Instrumentalness • 28% Positiveness
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Giulio Caccini
Amarilli mia bella
72 bpm • G min • 03:08 • -26.37db
28% Popularity • 29% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
28% Popularity • 29% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Giuseppe Verdi
Nabucco / Act III: Va, pensiero, sull'al...
73 bpm • C# Maj • 03:54 • -24.06db
48% Popularity • 7% Danceability • 2% Energy • 10% Liveness
68% Instrumentalness • 13% Positiveness
48% Popularity • 7% Danceability • 2% Energy • 10% Liveness
68% Instrumentalness • 13% Positiveness
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Richard Wagner
Entrance of the Gods into Valhalla
79 bpm • C# Maj • 08:01 • -21.71db
23% Popularity • 8% Danceability • 7% Energy • 4% Liveness
76% Instrumentalness • 4% Positiveness
23% Popularity • 8% Danceability • 7% Energy • 4% Liveness
76% Instrumentalness • 4% Positiveness
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Plácido Domingo
Nessun dorma! from Turandot
80 bpm • D Maj • 02:59 • -12db
32% Popularity • 14% Danceability • 41% Energy • 16% Liveness
7% Instrumentalness • 13% Positiveness
32% Popularity • 14% Danceability • 41% Energy • 16% Liveness
7% Instrumentalness • 13% Positiveness
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Ludwig van Beethoven
Fidelio, Op. 72: Abscheulicher! Wo eilst...
80 bpm • E Maj • 07:29 • -13.75db
6% Popularity • 21% Danceability • 19% Energy • 12% Liveness
1% Instrumentalness • 6% Positiveness
6% Popularity • 21% Danceability • 19% Energy • 12% Liveness
1% Instrumentalness • 6% Positiveness
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Franz von Suppé
Morning, Noon and Night in Vienna
80 bpm • F Maj • 08:08 • -14.05db
23% Popularity • 18% Danceability • 19% Energy • 27% Liveness
88% Instrumentalness • 10% Positiveness
23% Popularity • 18% Danceability • 19% Energy • 27% Liveness
88% Instrumentalness • 10% Positiveness
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Léo Delibes
Lakmé / Act I: Viens, Mallika, ... Dôm...
80 bpm • B Maj • 06:43 • -20.36db
35% Popularity • 24% Danceability • 14% Energy • 89% Liveness
0% Instrumentalness • 4% Positiveness
35% Popularity • 24% Danceability • 14% Energy • 89% Liveness
0% Instrumentalness • 4% Positiveness
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Giuseppe Verdi
Verdi: Rigoletto, Act 3: "La donna è mo...
79 bpm • A# Maj • 02:16 • -19.67db
38% Popularity • 43% Danceability • 29% Energy • 84% Liveness
0% Instrumentalness • 54% Positiveness
38% Popularity • 43% Danceability • 29% Energy • 84% Liveness
0% Instrumentalness • 54% Positiveness
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Renata Tebaldi
Si, Mi Chiamano Mimì - la Boheme Atto I
80 bpm • D Maj • 04:56 • -14.01db
28% Popularity • 20% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
28% Popularity • 20% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Orchestra of the Viennese Volksoper & Alfred Scholz
Tritsch Tratsch - Galopp Polka, Op. 214
80 bpm • A Maj • 02:42 • -20db
37% Popularity • 61% Danceability • 24% Energy • 13% Liveness
2% Instrumentalness • 77% Positiveness
37% Popularity • 61% Danceability • 24% Energy • 13% Liveness
2% Instrumentalness • 77% Positiveness
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Johann Strauss II
On the Beautiful Blue Danube - Waltz Op....
81 bpm • D Maj • 09:34 • -24.92db
37% Popularity • 23% Danceability • 3% Energy • 31% Liveness
58% Instrumentalness • 15% Positiveness
37% Popularity • 23% Danceability • 3% Energy • 31% Liveness
58% Instrumentalness • 15% Positiveness
► Preview
Giacomo Puccini
Manon Lescaut / Act 1: Discendono, vedia...
81 bpm • D Maj • 02:01 • -26db
13% Popularity • 35% Danceability • 6% Energy • 10% Liveness
63% Instrumentalness • 23% Positiveness
13% Popularity • 35% Danceability • 6% Energy • 10% Liveness
63% Instrumentalness • 23% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Intermezzo
81 bpm • F Maj • 03:10 • -19.56db
50% Popularity • 10% Danceability • 17% Energy • 47% Liveness
87% Instrumentalness • 4% Positiveness
50% Popularity • 10% Danceability • 17% Energy • 47% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Giuseppe Verdi
Un ballo in maschera, Act I: Act I Scene...
73 bpm • A# Maj • 06:45 • -19.81db
4% Popularity • 41% Danceability • 23% Energy • 46% Liveness
0% Instrumentalness • 18% Positiveness
4% Popularity • 41% Danceability • 23% Energy • 46% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
Johann Sebastian Bach
Herz und Mund und Tat und Leben, BWV 147...
81 bpm • C Maj • 01:52 • -18.81db
5% Popularity • 44% Danceability • 13% Energy • 41% Liveness
0% Instrumentalness • 16% Positiveness
5% Popularity • 44% Danceability • 13% Energy • 41% Liveness
0% Instrumentalness • 16% Positiveness
► Preview
Ernesto de Curtis
Non ti scordar di me (Arr. for Soprano, ...
81 bpm • A Maj • 03:39 • -14.02db
31% Popularity • 18% Danceability • 19% Energy • 38% Liveness
0% Instrumentalness • 7% Positiveness
31% Popularity • 18% Danceability • 19% Energy • 38% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Ruggero Leoncavallo
Pagliacci / Act 1: "Recitar!...Vesti la ...
81 bpm • E min • 03:41 • -13db
33% Popularity • 20% Danceability • 36% Energy • 10% Liveness
51% Instrumentalness • 8% Positiveness
33% Popularity • 20% Danceability • 36% Energy • 10% Liveness
51% Instrumentalness • 8% Positiveness
► Preview
Giacomo Puccini
Turandot, SC 91, Act III: Nessun dorma
71 bpm • D Maj • 03:15 • -12.08db
40% Popularity • 25% Danceability • 24% Energy • 9% Liveness
1% Instrumentalness • 7% Positiveness
40% Popularity • 25% Danceability • 24% Energy • 9% Liveness
1% Instrumentalness • 7% Positiveness
► Preview
Johann Strauss II
Perpetuum mobile, Op. 257
81 bpm • D# Maj • 02:51 • -25.52db
35% Popularity • 48% Danceability • 23% Energy • 74% Liveness
60% Instrumentalness • 69% Positiveness
35% Popularity • 48% Danceability • 23% Energy • 74% Liveness
60% Instrumentalness • 69% Positiveness
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Giuseppe Verdi
Un ballo in maschera, Act II: Act II Sce...
80 bpm • F Maj • 07:31 • -24.84db
3% Popularity • 30% Danceability • 10% Energy • 93% Liveness
0% Instrumentalness • 21% Positiveness
3% Popularity • 30% Danceability • 10% Energy • 93% Liveness
0% Instrumentalness • 21% Positiveness
► Preview
Jacques Offenbach
Offenbach: Les Contes d'Hoffmann, Act 4:...
81 bpm • D Maj • 04:23 • -24.77db
32% Popularity • 24% Danceability • 9% Energy • 33% Liveness
6% Instrumentalness • 6% Positiveness
32% Popularity • 24% Danceability • 9% Energy • 33% Liveness
6% Instrumentalness • 6% Positiveness
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Francesco Paolo Tosti
'A vucchella
81 bpm • F Maj • 03:08 • -21.22db
31% Popularity • 14% Danceability • 11% Energy • 7% Liveness
1% Instrumentalness • 8% Positiveness
31% Popularity • 14% Danceability • 11% Energy • 7% Liveness
1% Instrumentalness • 8% Positiveness
► Preview
Gioachino Rossini
Il barbiere di Siviglia (The Barber of S...
71 bpm • G Maj • 00:55 • -28.47db
4% Popularity • 45% Danceability • 3% Energy • 38% Liveness
0% Instrumentalness • 67% Positiveness
4% Popularity • 45% Danceability • 3% Energy • 38% Liveness
0% Instrumentalness • 67% Positiveness
► Preview
Ruggero Leoncavallo
Pagliacci: Vesti la giubba
81 bpm • E min • 02:56 • -15.83db
31% Popularity • 29% Danceability • 21% Energy • 64% Liveness
0% Instrumentalness • 10% Positiveness
31% Popularity • 29% Danceability • 21% Energy • 64% Liveness
0% Instrumentalness • 10% Positiveness
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Nigel Woodhouse
"Se il mio nome saper voi bramate" from ...
71 bpm • C Maj • 02:41 • -23.62db
4% Popularity • 22% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
4% Popularity • 22% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Giuseppe Verdi
Il Trovatore / Act 3: "Di quella pira"
80 bpm • C Maj • 03:23 • -11.64db
38% Popularity • 36% Danceability • 37% Energy • 38% Liveness
0% Instrumentalness • 39% Positiveness
38% Popularity • 36% Danceability • 37% Energy • 38% Liveness
0% Instrumentalness • 39% Positiveness
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Gaetano Donizetti
La fille du régiment / Act 1: Ah! mes a...
82 bpm • D# Maj • 01:43 • -14.88db
40% Popularity • 47% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
40% Popularity • 47% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Ludwig van Beethoven
Symphony No. 5 in C Minor, Op. 67: I. Al...
82 bpm • C min • 08:13 • -15db
19% Popularity • 34% Danceability • 21% Energy • 11% Liveness
90% Instrumentalness • 25% Positiveness
19% Popularity • 34% Danceability • 21% Energy • 11% Liveness
90% Instrumentalness • 25% Positiveness
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Gioachino Rossini
Il Barbiere di Siviglia: Largo al factot...
71 bpm • C Maj • 04:17 • -14.04db
24% Popularity • 50% Danceability • 31% Energy • 16% Liveness
51% Instrumentalness • 53% Positiveness
24% Popularity • 50% Danceability • 31% Energy • 16% Liveness
51% Instrumentalness • 53% Positiveness
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Francesco Cilea
Adriana Lecouvreur / Act I: "Ecco: respi...
82 bpm • G# Maj • 03:42 • -18.62db
32% Popularity • 21% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
32% Popularity • 21% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Turandot, Atto III: "Nessun Dorma"
82 bpm • D Maj • 03:10 • -14.8db
37% Popularity • 20% Danceability • 28% Energy • 9% Liveness
47% Instrumentalness • 10% Positiveness
37% Popularity • 20% Danceability • 28% Energy • 9% Liveness
47% Instrumentalness • 10% Positiveness
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Giuseppe Verdi
Un ballo in maschera, Act I: Act I Scene...
81 bpm • A# Maj • 05:49 • -22.7db
3% Popularity • 30% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
3% Popularity • 30% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Gaetano Donizetti
Act II: Una furtiva lagrima ... Un solo ...
71 bpm • A# Maj • 05:23 • -17.05db
27% Popularity • 13% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
27% Popularity • 13% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 2: "Belle nu...
82 bpm • D Maj • 04:09 • -27.01db
39% Popularity • 20% Danceability • 11% Energy • 37% Liveness
15% Instrumentalness • 6% Positiveness
39% Popularity • 20% Danceability • 11% Energy • 37% Liveness
15% Instrumentalness • 6% Positiveness
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Gioachino Rossini
Le Comte Ory / Act 1: "Que les destins p...
82 bpm • C Maj • 05:33 • -16.75db
7% Popularity • 29% Danceability • 14% Energy • 32% Liveness
0% Instrumentalness • 18% Positiveness
7% Popularity • 29% Danceability • 14% Energy • 32% Liveness
0% Instrumentalness • 18% Positiveness
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Johann Sebastian Bach
Ein feste Burg ist unser Gott, BWV 80: A...
83 bpm • G Maj • 03:33 • -20.08db
6% Popularity • 15% Danceability • 16% Energy • 45% Liveness
0% Instrumentalness • 39% Positiveness
6% Popularity • 15% Danceability • 16% Energy • 45% Liveness
0% Instrumentalness • 39% Positiveness
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Giacomo Puccini
Tosca, SC 69 / Act 3: "E lucevan le stel...
70 bpm • B min • 03:21 • -12.48db
40% Popularity • 10% Danceability • 16% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
40% Popularity • 10% Danceability • 16% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
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Giuseppe Verdi
Falstaff: Act III: Una, due, tre ....
82 bpm • C# Maj • 03:58 • -23.6db
14% Popularity • 38% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
14% Popularity • 38% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Gaetano Donizetti
Maria Stuarda: Act II Scene 2: Del suo c...
82 bpm • C# Maj • 01:06 • -22.39db
20% Popularity • 43% Danceability • 16% Energy • 32% Liveness
0% Instrumentalness • 28% Positiveness
20% Popularity • 43% Danceability • 16% Energy • 32% Liveness
0% Instrumentalness • 28% Positiveness
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Ernesto de Curtis
Torna a Surriento (Arr. Chiaramello)
83 bpm • E Maj • 04:22 • -16.47db
38% Popularity • 24% Danceability • 19% Energy • 18% Liveness
4% Instrumentalness • 14% Positiveness
38% Popularity • 24% Danceability • 19% Energy • 18% Liveness
4% Instrumentalness • 14% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia (The Barber of S...
82 bpm • C Maj • 01:08 • -26.4db
6% Popularity • 56% Danceability • 9% Energy • 27% Liveness
0% Instrumentalness • 63% Positiveness
6% Popularity • 56% Danceability • 9% Energy • 27% Liveness
0% Instrumentalness • 63% Positiveness
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Ruggero Leoncavallo
Pagliacci / Act 1: "Recitar!...Vesti la ...
83 bpm • E Maj • 04:08 • -17db
47% Popularity • 18% Danceability • 20% Energy • 19% Liveness
1% Instrumentalness • 4% Positiveness
47% Popularity • 18% Danceability • 20% Energy • 19% Liveness
1% Instrumentalness • 4% Positiveness
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Giacomo Puccini
La Bohème / Act 1: "O soave fanciulla"
69 bpm • C Maj • 04:21 • -22db
35% Popularity • 16% Danceability • 7% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 7% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
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Giuseppe Verdi
Otello / Act I: Una vela! Una vela!
82 bpm • C# min • 03:48 • -14.63db
4% Popularity • 31% Danceability • 31% Energy • 82% Liveness
7% Instrumentalness • 5% Positiveness
4% Popularity • 31% Danceability • 31% Energy • 82% Liveness
7% Instrumentalness • 5% Positiveness
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Gaetano Donizetti
L'elisir d'amore: "Una furtiva lacrima"
84 bpm • A# min • 05:25 • -11.52db
7% Popularity • 20% Danceability • 38% Energy • 90% Liveness
0% Instrumentalness • 4% Positiveness
7% Popularity • 20% Danceability • 38% Energy • 90% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
SWR Symphony Orchestra
Also Sprach Zarathustra, Op. 30: Introdu...
83 bpm • C# Maj • 01:32 • -18.04db
27% Popularity • 16% Danceability • 20% Energy • 25% Liveness
73% Instrumentalness • 4% Positiveness
27% Popularity • 16% Danceability • 20% Energy • 25% Liveness
73% Instrumentalness • 4% Positiveness
► Preview
Gioachino Rossini
L'Italiana in Algeri (The Italian Girl i...
70 bpm • A Maj • 04:01 • -18db
18% Popularity • 51% Danceability • 22% Energy • 68% Liveness
0% Instrumentalness • 48% Positiveness
18% Popularity • 51% Danceability • 22% Energy • 68% Liveness
0% Instrumentalness • 48% Positiveness
► Preview
Léo Delibes
Lakmé / Act 1: Viens, Mallika, ... Dôm...
84 bpm • B Maj • 06:03 • -22.23db
38% Popularity • 23% Danceability • 6% Energy • 41% Liveness
0% Instrumentalness • 6% Positiveness
38% Popularity • 23% Danceability • 6% Energy • 41% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Giacomo Puccini
Manon Lescaut / Act 1: L'amor?! L'amor?!
84 bpm • G Maj • 00:58 • -18.2db
25% Popularity • 41% Danceability • 27% Energy • 41% Liveness
0% Instrumentalness • 26% Positiveness
25% Popularity • 41% Danceability • 27% Energy • 41% Liveness
0% Instrumentalness • 26% Positiveness
