Songs like Il Romano E Il Veneto by Walter Chiari
Based on a tempo of (+/- 10%) and a similar genre
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Hannah Spearritt
That's Why They Call Him Daddy
78 bpm • D Maj • 03:23 • -11.51db
10% Popularity • 68% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
10% Popularity • 68% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Musicam Sacram Ensemble
Ang Pananalangin sa Halamanan, Kagat-dil...
78 bpm • C Maj • 04:35 • -15.32db
13% Popularity • 16% Danceability • 22% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
13% Popularity • 16% Danceability • 22% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
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Charles Keating
Going Up
78 bpm • D Maj • 04:57 • -11.41db
9% Popularity • 66% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
9% Popularity • 66% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Angela Mocanu
No Sky
78 bpm • A# Maj • 02:41 • -10.56db
12% Popularity • 63% Danceability • 63% Energy • 39% Liveness
0% Instrumentalness • 89% Positiveness
12% Popularity • 63% Danceability • 63% Energy • 39% Liveness
0% Instrumentalness • 89% Positiveness
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Paul Williams
Romeo Midnight
78 bpm • C# Maj • 01:35 • -13.95db
14% Popularity • 36% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
14% Popularity • 36% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Brent Barrett
At the Grand Hotel / Table with a View
78 bpm • G# Maj • 03:05 • -14.53db
9% Popularity • 34% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
9% Popularity • 34% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Peter Gallagher
Our Private World
78 bpm • C# Maj • 03:07 • -11.23db
7% Popularity • 24% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
7% Popularity • 24% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Walter Chiari
Il Romano E Il Veneto
78 bpm • G# Maj • 02:21 • -7.3db
0% Popularity • 65% Danceability • 48% Energy • 46% Liveness
0% Instrumentalness • 60% Positiveness
0% Popularity • 65% Danceability • 48% Energy • 46% Liveness
0% Instrumentalness • 60% Positiveness
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Hadley Fraser, Lesley Joseph, Ross Noble
The Experiment
78 bpm • D min • 02:07 • -7.64db
8% Popularity • 44% Danceability • 61% Energy • 73% Liveness
0% Instrumentalness • 56% Positiveness
8% Popularity • 44% Danceability • 61% Energy • 73% Liveness
0% Instrumentalness • 56% Positiveness
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Lindsay Ridgeway
Born To Entertain
78 bpm • G Maj • 01:57 • -12.75db
9% Popularity • 56% Danceability • 37% Energy • 25% Liveness
0% Instrumentalness • 74% Positiveness
9% Popularity • 56% Danceability • 37% Energy • 25% Liveness
0% Instrumentalness • 74% Positiveness
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Paul Williams
"Aaay"Mless
78 bpm • D min • 02:57 • -7.12db
9% Popularity • 66% Danceability • 56% Energy • 33% Liveness
0% Instrumentalness • 46% Positiveness
9% Popularity • 66% Danceability • 56% Energy • 33% Liveness
0% Instrumentalness • 46% Positiveness
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Christian Borle
When The Earth Stopped Turning
79 bpm • E Maj • 04:00 • -15.92db
9% Popularity • 48% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
9% Popularity • 48% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Angela Mocanu
My Shadow
79 bpm • C Maj • 02:02 • -13db
12% Popularity • 41% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
12% Popularity • 41% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
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Kim Huber
Little Women
79 bpm • E Maj • 04:35 • -12.88db
30% Popularity • 28% Danceability • 17% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
30% Popularity • 28% Danceability • 17% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
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Roger Rees
Man In the Mirror
79 bpm • A# min • 03:24 • -20.64db
10% Popularity • 34% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
10% Popularity • 34% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Brian Michael Hoffman
Notice Me, Horton
77 bpm • F min • 03:27 • -17.5db
14% Popularity • 41% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
14% Popularity • 41% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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Paul Williams
What I Dreamed Last Night
79 bpm • A Maj • 03:26 • -14.84db
8% Popularity • 47% Danceability • 17% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
8% Popularity • 47% Danceability • 17% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
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湯蘭花
藍色的憂鬱
77 bpm • F# min • 03:17 • -28.57db
9% Popularity • 17% Danceability • 4% Energy • 20% Liveness
0% Instrumentalness • 6% Positiveness
9% Popularity • 17% Danceability • 4% Energy • 20% Liveness
0% Instrumentalness • 6% Positiveness
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Angela Mocanu
One I Love
79 bpm • A# Maj • 02:36 • -10.75db
12% Popularity • 55% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
12% Popularity • 55% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Gary Wilmot
Buddy's Blues - Live
77 bpm • G min • 03:41 • -12.12db
10% Popularity • 58% Danceability • 58% Energy • 96% Liveness
0% Instrumentalness • 75% Positiveness
10% Popularity • 58% Danceability • 58% Energy • 96% Liveness
0% Instrumentalness • 75% Positiveness
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Elisa Sagardia
Medley: Opening Act Two / Hook's Tango
77 bpm • G# Maj • 04:34 • -14.79db
10% Popularity • 31% Danceability • 27% Energy • 79% Liveness
0% Instrumentalness • 24% Positiveness
10% Popularity • 31% Danceability • 27% Energy • 79% Liveness
0% Instrumentalness • 24% Positiveness
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Phillip Griffiths
Sailors' Chantey
77 bpm • C Maj • 01:37 • -24db
16% Popularity • 62% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
16% Popularity • 62% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Rob Gardner
Miracles
79 bpm • F# min • 05:54 • -18.39db
9% Popularity • 30% Danceability • 11% Energy • 63% Liveness
0% Instrumentalness • 11% Positiveness
9% Popularity • 30% Danceability • 11% Energy • 63% Liveness
0% Instrumentalness • 11% Positiveness
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Kenneth Tobey
Everything's Great
80 bpm • D min • 02:10 • -14.98db
8% Popularity • 51% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
8% Popularity • 51% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Barbara Cook
Who Can, You Can
80 bpm • C min • 02:08 • -17.26db
0% Popularity • 51% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
0% Popularity • 51% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Adam Guettel
ACT I the Cave, the Call:, Pt. II: It Mo...
80 bpm • E Maj • 03:09 • -16.35db
8% Popularity • 34% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
8% Popularity • 34% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
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Walter Chiari
L'avvocato e il cliente brianzolo
76 bpm • F Maj • 04:59 • -17.22db
0% Popularity • 62% Danceability • 26% Energy • 77% Liveness
0% Instrumentalness • 75% Positiveness
0% Popularity • 62% Danceability • 26% Energy • 77% Liveness
0% Instrumentalness • 75% Positiveness
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Alison Fraser
Picture Postcard Place (Reprise)
76 bpm • F Maj • 01:11 • -17.03db
12% Popularity • 74% Danceability • 13% Energy • 43% Liveness
0% Instrumentalness • 44% Positiveness
12% Popularity • 74% Danceability • 13% Energy • 43% Liveness
0% Instrumentalness • 44% Positiveness
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Gilbert & Sullivan Society of Houston
Trial by Jury: That She Is Reeling Is Pl...
80 bpm • G min • 00:55 • -14.94db
7% Popularity • 52% Danceability • 27% Energy • 84% Liveness
0% Instrumentalness • 49% Positiveness
7% Popularity • 52% Danceability • 27% Energy • 84% Liveness
0% Instrumentalness • 49% Positiveness
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Fiorello! - Original Broadway Cast
When Did I Fall In Love
80 bpm • D Maj • 04:24 • -14.95db
7% Popularity • 27% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
7% Popularity • 27% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
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Gabriel Witcher
I Want to Be a Tree
80 bpm • A# Maj • 03:04 • -12.16db
30% Popularity • 37% Danceability • 46% Energy • 69% Liveness
0% Instrumentalness • 30% Positiveness
30% Popularity • 37% Danceability • 46% Energy • 69% Liveness
0% Instrumentalness • 30% Positiveness
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Mo Willems
We Are in a Play
76 bpm • G# Maj • 04:47 • -7.04db
12% Popularity • 60% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
12% Popularity • 60% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Walter Chiari
The Gay Life
76 bpm • D Maj • 01:42 • -12.59db
0% Popularity • 22% Danceability • 45% Energy • 24% Liveness
0% Instrumentalness • 43% Positiveness
0% Popularity • 22% Danceability • 45% Energy • 24% Liveness
0% Instrumentalness • 43% Positiveness
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Lynn Ahrens
Knoxville
81 bpm • C Maj • 04:51 • -11.15db
10% Popularity • 29% Danceability • 32% Energy • 35% Liveness
0% Instrumentalness • 22% Positiveness
10% Popularity • 29% Danceability • 32% Energy • 35% Liveness
0% Instrumentalness • 22% Positiveness
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Amelia Morgan-Rothschild
Here On Who
81 bpm • D Maj • 03:42 • -15.04db
17% Popularity • 41% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
17% Popularity • 41% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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William Maselli
"Blood is on my feet and stains my soul....
81 bpm • D# Maj • 03:09 • -5.83db
12% Popularity • 25% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
12% Popularity • 25% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
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Isabella Lundgren
It's Not Where You Start it's Where You ...
81 bpm • A# min • 03:55 • -9.2db
13% Popularity • 49% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
13% Popularity • 49% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
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Christian Borle
14 Dwight Ave., Natick, Massachusetts
75 bpm • D# Maj • 06:00 • -6.64db
7% Popularity • 46% Danceability • 32% Energy • 23% Liveness
0% Instrumentalness • 23% Positiveness
7% Popularity • 46% Danceability • 32% Energy • 23% Liveness
0% Instrumentalness • 23% Positiveness
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Walter Chiari
La strana malattia di ciccio
80 bpm • E min • 04:13 • -23.68db
0% Popularity • 51% Danceability • 32% Energy • 94% Liveness
0% Instrumentalness • 31% Positiveness
0% Popularity • 51% Danceability • 32% Energy • 94% Liveness
0% Instrumentalness • 31% Positiveness
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Lynn Ahrens
The Ferryman
81 bpm • E min • 01:10 • -13.35db
10% Popularity • 41% Danceability • 31% Energy • 56% Liveness
0% Instrumentalness • 27% Positiveness
10% Popularity • 41% Danceability • 31% Energy • 56% Liveness
0% Instrumentalness • 27% Positiveness
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Allan Sherman
Cradunza
81 bpm • G# Maj • 01:02 • -13.87db
16% Popularity • 36% Danceability • 22% Energy • 47% Liveness
0% Instrumentalness • 60% Positiveness
16% Popularity • 36% Danceability • 22% Energy • 47% Liveness
0% Instrumentalness • 60% Positiveness
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Emily E. Finke
Maybe
82 bpm • D# Maj • 03:37 • -12.46db
14% Popularity • 28% Danceability • 26% Energy • 13% Liveness
25% Instrumentalness • 13% Positiveness
14% Popularity • 28% Danceability • 26% Energy • 13% Liveness
25% Instrumentalness • 13% Positiveness
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Micah Sandt
Hello, Mr Gable (Reprise)
75 bpm • D Maj • 02:10 • -13.61db
12% Popularity • 51% Danceability • 14% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
12% Popularity • 51% Danceability • 14% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
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Taylor Streep
Home
82 bpm • G Maj • 03:32 • -14.1db
7% Popularity • 24% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
7% Popularity • 24% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Walter Chiari
I Wouldn't Marry You
80 bpm • G Maj • 01:10 • -12.27db
0% Popularity • 58% Danceability • 38% Energy • 61% Liveness
0% Instrumentalness • 78% Positiveness
0% Popularity • 58% Danceability • 38% Energy • 61% Liveness
0% Instrumentalness • 78% Positiveness
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The Charlottetown Festival
The Facts
82 bpm • D# Maj • 01:44 • -14.18db
8% Popularity • 53% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
8% Popularity • 53% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
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Gregg Edelman
My Time of Day / I've Never Been In Love...
82 bpm • G min • 04:06 • -17.68db
8% Popularity • 25% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
8% Popularity • 25% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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李安和
流浪之歌
74 bpm • F min • 03:00 • -20.77db
8% Popularity • 18% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
8% Popularity • 18% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Isabella Lundgren
A Fine Romance
82 bpm • C Maj • 04:16 • -10.37db
21% Popularity • 40% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
21% Popularity • 40% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Jule Styne
Hallelujah, Baby!: I Wanted to Change Hi...
74 bpm • B Maj • 02:20 • -8.28db
8% Popularity • 56% Danceability • 46% Energy • 70% Liveness
0% Instrumentalness • 68% Positiveness
8% Popularity • 56% Danceability • 46% Energy • 70% Liveness
0% Instrumentalness • 68% Positiveness
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Walter Chiari
Il Pisellino/Fisiologia
81 bpm • C# Maj • 08:44 • -6.57db
0% Popularity • 63% Danceability • 48% Energy • 92% Liveness
0% Instrumentalness • 41% Positiveness
0% Popularity • 63% Danceability • 48% Energy • 92% Liveness
0% Instrumentalness • 41% Positiveness
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Caroline Kava
For That's My Way
82 bpm • G min • 01:28 • -16.57db
11% Popularity • 62% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
11% Popularity • 62% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Gwen Verdon
Two Lost Souls
82 bpm • G Maj • 02:18 • -12db
15% Popularity • 62% Danceability • 22% Energy • 48% Liveness
0% Instrumentalness • 29% Positiveness
15% Popularity • 62% Danceability • 22% Energy • 48% Liveness
0% Instrumentalness • 29% Positiveness
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Roger Rees
Art
82 bpm • D Maj • 05:11 • -12.07db
8% Popularity • 54% Danceability • 28% Energy • 45% Liveness
0% Instrumentalness • 55% Positiveness
8% Popularity • 54% Danceability • 28% Energy • 45% Liveness
0% Instrumentalness • 55% Positiveness
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Doris Day
Jimmy Unknown
82 bpm • A# Maj • 02:46 • -14.61db
10% Popularity • 24% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
10% Popularity • 24% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Alfred Molina
Lonely Room
82 bpm • G Maj • 02:34 • -19.91db
17% Popularity • 24% Danceability • 27% Energy • 70% Liveness
0% Instrumentalness • 20% Positiveness
17% Popularity • 24% Danceability • 27% Energy • 70% Liveness
0% Instrumentalness • 20% Positiveness
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Walter Chiari
L'operaio e il leone / Il sadico e il ma...
75 bpm • G min • 08:52 • -7.2db
0% Popularity • 66% Danceability • 49% Energy • 93% Liveness
0% Instrumentalness • 64% Positiveness
0% Popularity • 66% Danceability • 49% Energy • 93% Liveness
0% Instrumentalness • 64% Positiveness
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The Charlottetown Festival
Apology
82 bpm • G Maj • 02:06 • -15.91db
8% Popularity • 37% Danceability • 15% Energy • 22% Liveness
0% Instrumentalness • 13% Positiveness
8% Popularity • 37% Danceability • 15% Energy • 22% Liveness
0% Instrumentalness • 13% Positiveness
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Roy Brocksmith
Ballad of Mack the Knife
82 bpm • A min • 01:41 • -16db
10% Popularity • 30% Danceability • 30% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
10% Popularity • 30% Danceability • 30% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
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Rob Gardner
The Blind Man
74 bpm • A min • 02:19 • -20.46db
7% Popularity • 55% Danceability • 27% Energy • 47% Liveness
0% Instrumentalness • 53% Positiveness
7% Popularity • 55% Danceability • 27% Energy • 47% Liveness
0% Instrumentalness • 53% Positiveness
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The Beverley Sisters
Keep The Home Fires Burning
82 bpm • G# Maj • 02:00 • -17.51db
8% Popularity • 34% Danceability • 12% Energy • 73% Liveness
0% Instrumentalness • 10% Positiveness
8% Popularity • 34% Danceability • 12% Energy • 73% Liveness
0% Instrumentalness • 10% Positiveness
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Barbra Streisand
The Moon And I - Demo
83 bpm • C min • 04:30 • -16.78db
11% Popularity • 36% Danceability • 11% Energy • 22% Liveness
0% Instrumentalness • 27% Positiveness
11% Popularity • 36% Danceability • 11% Energy • 22% Liveness
0% Instrumentalness • 27% Positiveness
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Walter Chiari
L'alpino del '15-'18 / Il romano e il ve...
82 bpm • A min • 08:43 • -6.9db
0% Popularity • 65% Danceability • 54% Energy • 80% Liveness
0% Instrumentalness • 66% Positiveness
0% Popularity • 65% Danceability • 54% Energy • 80% Liveness
0% Instrumentalness • 66% Positiveness
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Sally Ann Triplett
The Man with the Ginger Moustache
83 bpm • D min • 03:03 • -13.7db
7% Popularity • 52% Danceability • 15% Energy • 25% Liveness
0% Instrumentalness • 16% Positiveness
7% Popularity • 52% Danceability • 15% Energy • 25% Liveness
0% Instrumentalness • 16% Positiveness
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Chor und Orchester des Theaters an der Wien
Tevjes Traum (Anatevka)
83 bpm • G min • 06:45 • -12.77db
7% Popularity • 48% Danceability • 41% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
7% Popularity • 48% Danceability • 41% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
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Perry O’Dea, Josh Wilmott, Andrew Gordon-Watkins, Nathan Elwick, Patrick Clancy
Welcome To Transylvania
83 bpm • A# Maj • 01:28 • -12.59db
9% Popularity • 56% Danceability • 34% Energy • 98% Liveness
0% Instrumentalness • 55% Positiveness
9% Popularity • 56% Danceability • 34% Energy • 98% Liveness
0% Instrumentalness • 55% Positiveness
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Josh Walden
The Wickershams Depart / Gertrude's Fift...
83 bpm • G# Maj • 01:13 • -17.19db
17% Popularity • 57% Danceability • 11% Energy • 48% Liveness
0% Instrumentalness • 40% Positiveness
17% Popularity • 57% Danceability • 11% Energy • 48% Liveness
0% Instrumentalness • 40% Positiveness
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Bob Merrill
Finale "Carnival" - 1961 Original Broadw...
83 bpm • G Maj • 01:06 • -16.6db
11% Popularity • 36% Danceability • 6% Energy • 28% Liveness
0% Instrumentalness • 21% Positiveness
11% Popularity • 36% Danceability • 6% Energy • 28% Liveness
0% Instrumentalness • 21% Positiveness
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Walter Chiari
Gli studenti
83 bpm • C# Maj • 06:51 • -8.47db
0% Popularity • 65% Danceability • 61% Energy • 38% Liveness
0% Instrumentalness • 56% Positiveness
0% Popularity • 65% Danceability • 61% Energy • 38% Liveness
0% Instrumentalness • 56% Positiveness
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Nicky Croydon
Poor Sweet Baby
83 bpm • F min • 03:19 • -20.51db
9% Popularity • 40% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 40% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Anthony Ritchie
Coming To It, Op. 91: VI.
83 bpm • D Maj • 01:47 • -21.7db
14% Popularity • 47% Danceability • 17% Energy • 21% Liveness
0% Instrumentalness • 45% Positiveness
14% Popularity • 47% Danceability • 17% Energy • 21% Liveness
0% Instrumentalness • 45% Positiveness
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Gladys Rich
American Lullaby
83 bpm • G Maj • 02:20 • -18.08db
12% Popularity • 35% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
12% Popularity • 35% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Barbara Cook
This Kind Of A Girl
84 bpm • C min • 03:24 • -18.55db
0% Popularity • 40% Danceability • 10% Energy • 32% Liveness
0% Instrumentalness • 23% Positiveness
0% Popularity • 40% Danceability • 10% Energy • 32% Liveness
0% Instrumentalness • 23% Positiveness
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Royal Shakespeare Company
My Father's Eyes
73 bpm • A# Maj • 05:00 • -17.27db
8% Popularity • 46% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
8% Popularity • 46% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Marc Kudisch
I Was Here
84 bpm • D Maj • 03:10 • -11.83db
7% Popularity • 32% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
7% Popularity • 32% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Roy Rogers and Dale Evans
Oh, What a Beautiful Morning
84 bpm • D# Maj • 01:40 • -6.95db
8% Popularity • 52% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 94% Positiveness
8% Popularity • 52% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 94% Positiveness
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Jason Alexander
Marry Me
84 bpm • B Maj • 03:12 • -18.24db
7% Popularity • 18% Danceability • 8% Energy • 18% Liveness
0% Instrumentalness • 6% Positiveness
7% Popularity • 18% Danceability • 8% Energy • 18% Liveness
0% Instrumentalness • 6% Positiveness
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Micah Sandt
White Cliffs of Dover (Reprise)
73 bpm • D# Maj • 02:33 • -19.14db
12% Popularity • 54% Danceability • 5% Energy • 33% Liveness
0% Instrumentalness • 31% Positiveness
12% Popularity • 54% Danceability • 5% Energy • 33% Liveness
0% Instrumentalness • 31% Positiveness
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Hadley Fraser, Perry O’Dea, Nathan Elwick, Josh Wilmott, Ensemble
The Brain
72 bpm • G Maj • 04:37 • -11.08db
12% Popularity • 49% Danceability • 48% Energy • 69% Liveness
0% Instrumentalness • 66% Positiveness
12% Popularity • 49% Danceability • 48% Energy • 69% Liveness
0% Instrumentalness • 66% Positiveness
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Anna-Jane Casey
Lullaby
84 bpm • A Maj • 02:59 • -15.6db
7% Popularity • 44% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
7% Popularity • 44% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Leonard Bernstein
On the Town: Act I: Opening: New York, N...
72 bpm • C Maj • 11:31 • -11.52db
7% Popularity • 36% Danceability • 42% Energy • 11% Liveness
2% Instrumentalness • 33% Positiveness
7% Popularity • 36% Danceability • 42% Energy • 11% Liveness
2% Instrumentalness • 33% Positiveness
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Walter Chiari
The Gay Life
84 bpm • C min • 03:26 • -13.57db
0% Popularity • 32% Danceability • 14% Energy • 28% Liveness
0% Instrumentalness • 16% Positiveness
0% Popularity • 32% Danceability • 14% Energy • 28% Liveness
0% Instrumentalness • 16% Positiveness
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Malcolm Gets
Mr. Witherspoon's Friday Night
84 bpm • D min • 04:30 • -12.34db
10% Popularity • 57% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
10% Popularity • 57% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Eileen Page
Nine
84 bpm • C Maj • 03:11 • -23.47db
8% Popularity • 28% Danceability • 11% Energy • 12% Liveness
1% Instrumentalness • 8% Positiveness
8% Popularity • 28% Danceability • 11% Energy • 12% Liveness
1% Instrumentalness • 8% Positiveness
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Gilbert & Sullivan Society of Houston
H.M.S. Pinafore, Act I: Refrain, Audacio...
84 bpm • C Maj • 03:31 • -16.03db
8% Popularity • 26% Danceability • 20% Energy • 75% Liveness
0% Instrumentalness • 18% Positiveness
8% Popularity • 26% Danceability • 20% Energy • 75% Liveness
0% Instrumentalness • 18% Positiveness
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Christian Borle
Peggy Hewitt & Mysty Del Giorno
72 bpm • E Maj • 02:50 • -13db
9% Popularity • 38% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
9% Popularity • 38% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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Liz Callaway
We Start Today
85 bpm • G Maj • 03:40 • -13.12db
8% Popularity • 55% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
8% Popularity • 55% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Walter Chiari
Il sadico e il masochista
84 bpm • G# Maj • 02:24 • -11.17db
0% Popularity • 63% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
0% Popularity • 63% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Janet Metz
Nice
85 bpm • A# Maj • 03:41 • -16.94db
8% Popularity • 39% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
8% Popularity • 39% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Michael Nostrand
Hook's Waltz
71 bpm • G# Maj • 02:56 • -11db
9% Popularity • 38% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 52% Positiveness
9% Popularity • 38% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 52% Positiveness
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Pulp Musicals
President Chester Thomas
86 bpm • G Maj • 02:59 • -7.66db
9% Popularity • 48% Danceability • 40% Energy • 44% Liveness
0% Instrumentalness • 60% Positiveness
9% Popularity • 48% Danceability • 40% Energy • 44% Liveness
0% Instrumentalness • 60% Positiveness
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Christian Borle
My Dogs
85 bpm • E Maj • 04:51 • -9.52db
10% Popularity • 52% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
10% Popularity • 52% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Bonaventura Bottone
The Mikado: The Flowers That Bloom In th...
86 bpm • E Maj • 01:35 • -23.43db
10% Popularity • 66% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
10% Popularity • 66% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
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Rita McKenzie
I Hate Musicals
71 bpm • F# min • 02:15 • -9db
9% Popularity • 69% Danceability • 38% Energy • 25% Liveness
0% Instrumentalness • 65% Positiveness
9% Popularity • 69% Danceability • 38% Energy • 25% Liveness
0% Instrumentalness • 65% Positiveness
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Walter Chiari
The Gay Life
86 bpm • D Maj • 02:06 • -13.79db
0% Popularity • 39% Danceability • 31% Energy • 44% Liveness
0% Instrumentalness • 36% Positiveness
0% Popularity • 39% Danceability • 31% Energy • 44% Liveness
0% Instrumentalness • 36% Positiveness
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Michael McCorry Rose
Lion Tamer (Reprise)
71 bpm • C# Maj • 01:07 • -13.74db
17% Popularity • 57% Danceability • 13% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
17% Popularity • 57% Danceability • 13% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
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The Charlottetown Festival
Summer
71 bpm • D Maj • 02:12 • -14.71db
10% Popularity • 63% Danceability • 25% Energy • 50% Liveness
0% Instrumentalness • 55% Positiveness
10% Popularity • 63% Danceability • 25% Energy • 50% Liveness
0% Instrumentalness • 55% Positiveness
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Andrew Lloyd Webber
As If We Never Said Goodbye
86 bpm • E Maj • 06:12 • -16.01db
9% Popularity • 30% Danceability • 12% Energy • 27% Liveness
0% Instrumentalness • 16% Positiveness
9% Popularity • 30% Danceability • 12% Energy • 27% Liveness
0% Instrumentalness • 16% Positiveness
