Songs like I'll Be Home for Christmas by Michael Bublé
Based on a tempo of (+/- 10%) and a similar genre
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Joey Gian
Return To Me
83 bpm • A Maj • 02:30 • -19.4db
25% Popularity • 36% Danceability • 10% Energy • 22% Liveness
0% Instrumentalness • 16% Positiveness
25% Popularity • 36% Danceability • 10% Energy • 22% Liveness
0% Instrumentalness • 16% Positiveness
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All-4-One
I Swear
83 bpm • F# min • 04:19 • -9.66db
70% Popularity • 53% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
70% Popularity • 53% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Bobby Darin
Mack the Knife
83 bpm • D# min • 03:04 • -12.29db
60% Popularity • 55% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
60% Popularity • 55% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
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Joe Cocker
You Are So Beautiful
83 bpm • C# Maj • 02:39 • -10.94db
70% Popularity • 30% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
70% Popularity • 30% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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Stacey Kent
What a Wonderful World
83 bpm • A Maj • 04:28 • -15.62db
53% Popularity • 56% Danceability • 18% Energy • 10% Liveness
1% Instrumentalness • 25% Positiveness
53% Popularity • 56% Danceability • 18% Energy • 10% Liveness
1% Instrumentalness • 25% Positiveness
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Carpenters
I Won't Last A Day Without You
82 bpm • D Maj • 03:52 • -13.19db
66% Popularity • 45% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
66% Popularity • 45% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Bread
Make It with You
84 bpm • E Maj • 03:12 • -11.14db
71% Popularity • 63% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
71% Popularity • 63% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
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Barbra Streisand
It Had to Be You
82 bpm • F min • 04:22 • -7db
46% Popularity • 37% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
46% Popularity • 37% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
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Labrinth
Beneath Your Beautiful
84 bpm • D Maj • 04:31 • -5.86db
68% Popularity • 56% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
68% Popularity • 56% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Jason Mraz
Have It All
82 bpm • C# min • 03:46 • -4.95db
64% Popularity • 64% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
64% Popularity • 64% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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The Platters
Only You (And You Alone)
84 bpm • D# Maj • 02:46 • -10.81db
62% Popularity • 39% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
62% Popularity • 39% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Wet Wet Wet
Love Is All Around
84 bpm • A# Maj • 04:06 • -6.58db
70% Popularity • 52% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
70% Popularity • 52% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Wham!
Wake Me Up Before You Go-Go
82 bpm • C Maj • 03:51 • -11.89db
80% Popularity • 62% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
80% Popularity • 62% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Billy Joel
The Longest Time
84 bpm • D# Maj • 03:37 • -9.6db
66% Popularity • 64% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
66% Popularity • 64% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
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Sam Smith
Writing's On The Wall
81 bpm • F min • 04:38 • -8.19db
66% Popularity • 26% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
66% Popularity • 26% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Andy Williams
Where Do I Begin - Love Theme from "Love...
85 bpm • F# Maj • 03:09 • -10.19db
55% Popularity • 26% Danceability • 47% Energy • 40% Liveness
0% Instrumentalness • 23% Positiveness
55% Popularity • 26% Danceability • 47% Energy • 40% Liveness
0% Instrumentalness • 23% Positiveness
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Perry Como
Papa Loves Mambo
81 bpm • C Maj • 02:42 • -10.07db
59% Popularity • 67% Danceability • 50% Energy • 40% Liveness
0% Instrumentalness • 75% Positiveness
59% Popularity • 67% Danceability • 50% Energy • 40% Liveness
0% Instrumentalness • 75% Positiveness
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Miguel
Remember Me (Dúo)
85 bpm • C Maj • 02:44 • -8.33db
50% Popularity • 60% Danceability • 51% Energy • 53% Liveness
0% Instrumentalness • 57% Positiveness
50% Popularity • 60% Danceability • 51% Energy • 53% Liveness
0% Instrumentalness • 57% Positiveness
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Sara Bareilles
She Used To Be Mine
81 bpm • F Maj • 04:10 • -7.51db
65% Popularity • 40% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
65% Popularity • 40% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Israel Kamakawiwo'ole
Somewhere Over The Rainbow_What A Wonder...
85 bpm • C Maj • 05:08 • -13.73db
71% Popularity • 66% Danceability • 17% Energy • 36% Liveness
0% Instrumentalness • 68% Positiveness
71% Popularity • 66% Danceability • 17% Energy • 36% Liveness
0% Instrumentalness • 68% Positiveness
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Savage Garden
I Knew I Loved You
85 bpm • A Maj • 04:10 • -9.88db
71% Popularity • 61% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
71% Popularity • 61% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Michael Jackson
Heal the World
81 bpm • A Maj • 06:24 • -8.05db
69% Popularity • 55% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
69% Popularity • 55% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Lily Allen
Somewhere Only We Know
81 bpm • A# Maj • 03:28 • -10.59db
62% Popularity • 31% Danceability • 29% Energy • 10% Liveness
5% Instrumentalness • 29% Positiveness
62% Popularity • 31% Danceability • 29% Energy • 10% Liveness
5% Instrumentalness • 29% Positiveness
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Norah Jones
The Nearness Of You
81 bpm • C Maj • 03:07 • -14.72db
61% Popularity • 38% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
61% Popularity • 38% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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John Denver
Perhaps Love
81 bpm • A Maj • 02:57 • -10.94db
51% Popularity • 39% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
51% Popularity • 39% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Israel Kamakawiwo'ole
Over the Rainbow
86 bpm • C Maj • 03:31 • -14db
74% Popularity • 67% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
74% Popularity • 67% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Roxette
It Must Have Been Love
81 bpm • F Maj • 04:18 • -6.66db
78% Popularity • 52% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 72% Positiveness
78% Popularity • 52% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 72% Positiveness
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Natalie Cole
Unforgettable
86 bpm • F Maj • 03:30 • -13.37db
63% Popularity • 29% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
63% Popularity • 29% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Mandy Moore
Only Hope
80 bpm • G# min • 03:53 • -9.46db
54% Popularity • 45% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
54% Popularity • 45% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Niall Horan
Slow Hands
86 bpm • C Maj • 03:08 • -6.65db
78% Popularity • 74% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
78% Popularity • 74% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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Adele
Chasing Pavements
80 bpm • F min • 03:30 • -6.09db
75% Popularity • 62% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
75% Popularity • 62% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Norah Jones
Carry On
80 bpm • A# Maj • 02:48 • -14.91db
68% Popularity • 55% Danceability • 22% Energy • 11% Liveness
21% Instrumentalness • 36% Positiveness
68% Popularity • 55% Danceability • 22% Energy • 11% Liveness
21% Instrumentalness • 36% Positiveness
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Jon McLaughlin
So Close
80 bpm • B Maj • 03:46 • -11.5db
60% Popularity • 32% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
60% Popularity • 32% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
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Stevie Wonder
Isn't She Lovely (Arr. Harry Bradford)
80 bpm • D# Maj • 02:40 • -11.45db
18% Popularity • 31% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
18% Popularity • 31% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Louis Armstrong
Moon River
86 bpm • C Maj • 02:59 • -14.09db
58% Popularity • 45% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 26% Positiveness
58% Popularity • 45% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 26% Positiveness
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Ella Fitzgerald
Blue Skies
79 bpm • C Maj • 03:46 • -10.23db
51% Popularity • 61% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
51% Popularity • 61% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Michael Bublé
I Get a Kick out of You
87 bpm • E min • 02:57 • -4.24db
39% Popularity • 54% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
39% Popularity • 54% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Meghan Trainor
Dear Future Husband
79 bpm • C# Maj • 03:04 • -4.79db
75% Popularity • 66% Danceability • 78% Energy • 32% Liveness
0% Instrumentalness • 83% Positiveness
75% Popularity • 66% Danceability • 78% Energy • 32% Liveness
0% Instrumentalness • 83% Positiveness
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One Direction
History
87 bpm • B Maj • 03:07 • -4.42db
73% Popularity • 66% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
73% Popularity • 66% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Ray Charles
I Can't Stop Loving You
79 bpm • F Maj • 04:16 • -13.55db
62% Popularity • 31% Danceability • 28% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
62% Popularity • 31% Danceability • 28% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
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Bread
Everything I Own
79 bpm • D Maj • 03:07 • -13.41db
72% Popularity • 36% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
72% Popularity • 36% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Ella Fitzgerald
Let's Do It (Let's Fall In Love)
79 bpm • F Maj • 03:35 • -11.38db
54% Popularity • 36% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
54% Popularity • 36% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Train
Drops of Jupiter (Tell Me)
79 bpm • C Maj • 04:19 • -5.86db
81% Popularity • 48% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
81% Popularity • 48% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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Take That
Back for Good - Radio Mix
79 bpm • F Maj • 04:02 • -9.76db
72% Popularity • 60% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
72% Popularity • 60% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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The Bangles
Eternal Flame
79 bpm • E min • 03:58 • -12.57db
55% Popularity • 52% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
55% Popularity • 52% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Carla Bruni
Moon River
79 bpm • F Maj • 03:14 • -13.23db
60% Popularity • 32% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
60% Popularity • 32% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Etta James
At Last
87 bpm • F Maj • 02:59 • -8.63db
78% Popularity • 27% Danceability • 35% Energy • 33% Liveness
1% Instrumentalness • 33% Positiveness
78% Popularity • 27% Danceability • 35% Energy • 33% Liveness
1% Instrumentalness • 33% Positiveness
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Perry Como
Feelings
78 bpm • E min • 03:33 • -14.6db
39% Popularity • 28% Danceability • 29% Energy • 25% Liveness
0% Instrumentalness • 13% Positiveness
39% Popularity • 28% Danceability • 29% Energy • 25% Liveness
0% Instrumentalness • 13% Positiveness
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Train
Marry Me
88 bpm • C Maj • 03:25 • -8.51db
66% Popularity • 46% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
66% Popularity • 46% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Louis Armstrong
A Kiss To Build A Dream On - Single Vers...
88 bpm • C Maj • 03:01 • -14.11db
63% Popularity • 72% Danceability • 8% Energy • 51% Liveness
0% Instrumentalness • 36% Positiveness
63% Popularity • 72% Danceability • 8% Energy • 51% Liveness
0% Instrumentalness • 36% Positiveness
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Ray Charles
Georgia on My Mind
88 bpm • G Maj • 03:33 • -11.33db
57% Popularity • 29% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
57% Popularity • 29% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
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Nat King Cole
L-O-V-E
78 bpm • E Maj • 02:35 • -7.54db
76% Popularity • 42% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
76% Popularity • 42% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Richard Marx
Now And Forever
78 bpm • G Maj • 03:34 • -11.23db
67% Popularity • 44% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
67% Popularity • 44% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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George Michael
Kissing a Fool - Remastered
78 bpm • D min • 04:40 • -9.85db
55% Popularity • 28% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
55% Popularity • 28% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Debby Boone
You Light Up My Life
78 bpm • D Maj • 03:36 • -10.06db
57% Popularity • 33% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 7% Positiveness
57% Popularity • 33% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 7% Positiveness
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Perry Como
For the Good Times
89 bpm • D# Maj • 03:39 • -13db
43% Popularity • 33% Danceability • 26% Energy • 15% Liveness
1% Instrumentalness • 30% Positiveness
43% Popularity • 33% Danceability • 26% Energy • 15% Liveness
1% Instrumentalness • 30% Positiveness
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Norah Jones
Don't Know Why
89 bpm • F Maj • 03:06 • -11.22db
77% Popularity • 74% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
77% Popularity • 74% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Amanda Seyfried
I've Been Waiting For You
78 bpm • A Maj • 03:17 • -11.67db
57% Popularity • 49% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
57% Popularity • 49% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Paul Anka
My Way
77 bpm • G# Maj • 05:10 • -8.48db
40% Popularity • 39% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
40% Popularity • 39% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Carpenters
(They Long To Be) Close To You
89 bpm • G# Maj • 04:33 • -15.36db
68% Popularity • 53% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
68% Popularity • 53% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Bruno Mars
Count on Me
89 bpm • C Maj • 03:17 • -5.97db
75% Popularity • 59% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
75% Popularity • 59% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Linda Ronstadt
I Love You for Sentimental Reasons
77 bpm • A# Maj • 03:44 • -16.92db
38% Popularity • 45% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
38% Popularity • 45% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Enrique Iglesias
Hero
77 bpm • G Maj • 04:24 • -5.63db
69% Popularity • 35% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
69% Popularity • 35% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Louis Armstrong
What A Wonderful World
77 bpm • F Maj • 02:19 • -20.65db
78% Popularity • 27% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
78% Popularity • 27% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Elvis Presley
Always on My Mind
90 bpm • G Maj • 03:37 • -7.97db
53% Popularity • 29% Danceability • 59% Energy • 13% Liveness
2% Instrumentalness • 28% Positiveness
53% Popularity • 29% Danceability • 59% Energy • 13% Liveness
2% Instrumentalness • 28% Positiveness
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Michael Bublé
Crazy Love
77 bpm • D Maj • 03:31 • -7.22db
54% Popularity • 42% Danceability • 55% Energy • 26% Liveness
0% Instrumentalness • 47% Positiveness
54% Popularity • 42% Danceability • 55% Energy • 26% Liveness
0% Instrumentalness • 47% Positiveness
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Whitney Houston
Run to You
77 bpm • G# Maj • 04:24 • -10.21db
65% Popularity • 37% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
65% Popularity • 37% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
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Andy Williams
The Shadow of Your Smile (Love Theme fro...
90 bpm • F min • 03:02 • -15db
39% Popularity • 20% Danceability • 20% Energy • 10% Liveness
41% Instrumentalness • 16% Positiveness
39% Popularity • 20% Danceability • 20% Energy • 10% Liveness
41% Instrumentalness • 16% Positiveness
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Billy Joel
The River of Dreams
90 bpm • G Maj • 04:07 • -8.15db
67% Popularity • 63% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
67% Popularity • 63% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Louis Armstrong
We Have All The Time In The World
89 bpm • A Maj • 03:15 • -13.03db
56% Popularity • 50% Danceability • 40% Energy • 21% Liveness
0% Instrumentalness • 48% Positiveness
56% Popularity • 50% Danceability • 40% Energy • 21% Liveness
0% Instrumentalness • 48% Positiveness
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Chris de Burgh
The Lady In Red
77 bpm • A# Maj • 04:16 • -17.11db
76% Popularity • 55% Danceability • 29% Energy • 4% Liveness
0% Instrumentalness • 49% Positiveness
76% Popularity • 55% Danceability • 29% Energy • 4% Liveness
0% Instrumentalness • 49% Positiveness
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Dionne Warwick
Raindrops Keep Falling on My Head
90 bpm • C# Maj • 02:59 • -14db
47% Popularity • 69% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
47% Popularity • 69% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Norah Jones
Come Away With Me
77 bpm • C Maj • 03:18 • -13.27db
75% Popularity • 44% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
75% Popularity • 44% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Macy Gray
I Try
76 bpm • D Maj • 03:59 • -7.28db
74% Popularity • 59% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
74% Popularity • 59% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Amanda Seyfried
Mean Ol’ Moon
76 bpm • C min • 02:03 • -17.87db
40% Popularity • 46% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
40% Popularity • 46% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Captain & Tennille
Do That To Me One More Time
90 bpm • G Maj • 04:16 • -8.23db
68% Popularity • 73% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
68% Popularity • 73% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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The Platters
The Great Pretender
76 bpm • G Maj • 02:38 • -6.6db
53% Popularity • 59% Danceability • 41% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
53% Popularity • 59% Danceability • 41% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
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Andy Williams
A Summer Place
90 bpm • G min • 02:34 • -15.45db
51% Popularity • 39% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
51% Popularity • 39% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
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Christina Aguilera
Beautiful
76 bpm • F min • 03:58 • -3.87db
70% Popularity • 46% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
70% Popularity • 46% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Bee Gees
To Love Somebody
90 bpm • A Maj • 03:02 • -12.5db
70% Popularity • 42% Danceability • 38% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
70% Popularity • 42% Danceability • 38% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
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Michael Bublé
To Love Somebody
91 bpm • F# Maj • 03:15 • -6.42db
56% Popularity • 52% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
56% Popularity • 52% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Norah Jones
What Am I To You?
76 bpm • C Maj • 03:30 • -9.18db
65% Popularity • 65% Danceability • 35% Energy • 11% Liveness
2% Instrumentalness • 53% Positiveness
65% Popularity • 65% Danceability • 35% Energy • 11% Liveness
2% Instrumentalness • 53% Positiveness
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Perry Como
And I Love You So
91 bpm • G# Maj • 03:20 • -12.98db
49% Popularity • 45% Danceability • 28% Energy • 11% Liveness
64% Instrumentalness • 28% Positiveness
49% Popularity • 45% Danceability • 28% Energy • 11% Liveness
64% Instrumentalness • 28% Positiveness
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Stacey Kent
What The World Needs Now Is Love
91 bpm • G min • 04:12 • -20db
46% Popularity • 49% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
46% Popularity • 49% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Lionel Richie
Endless Love
91 bpm • A Maj • 04:19 • -8.53db
52% Popularity • 54% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
52% Popularity • 54% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Frank Sinatra
My Way
75 bpm • D Maj • 04:36 • -7.46db
74% Popularity • 40% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
74% Popularity • 40% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Michael Bublé
When You're Smiling
76 bpm • G# Maj • 02:50 • -4.2db
53% Popularity • 60% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
53% Popularity • 60% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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Amanda Seyfried
My Love, My Life
75 bpm • C Maj • 03:49 • -14.17db
56% Popularity • 40% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
56% Popularity • 40% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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James Taylor
You've Got a Friend - 2019 Remaster
92 bpm • A Maj • 04:28 • -18.63db
68% Popularity • 69% Danceability • 20% Energy • 9% Liveness
3% Instrumentalness • 48% Positiveness
68% Popularity • 69% Danceability • 20% Energy • 9% Liveness
3% Instrumentalness • 48% Positiveness
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Extreme
More Than Words
92 bpm • F# Maj • 05:34 • -14.9db
75% Popularity • 63% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
75% Popularity • 63% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Tyler Shaw
Lean on Me - ArtistsCAN
75 bpm • F Maj • 04:02 • -3.9db
45% Popularity • 54% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
45% Popularity • 54% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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Barry White
Just The Way You Are
75 bpm • A Maj • 04:49 • -14.63db
63% Popularity • 56% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
63% Popularity • 56% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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Michael Bublé
Unforgettable
91 bpm • F Maj • 03:08 • -6.16db
52% Popularity • 44% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
52% Popularity • 44% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Christina Perri
jar of hearts
75 bpm • D# Maj • 04:06 • -6.14db
72% Popularity • 35% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
72% Popularity • 35% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Alicia Keys
Girl on Fire
93 bpm • A Maj • 03:44 • -5.76db
80% Popularity • 48% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
80% Popularity • 48% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Hugh Grant
Don't Write Me Off
74 bpm • C# Maj • 02:30 • -11.11db
38% Popularity • 64% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
38% Popularity • 64% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Chicago
You're the Inspiration - 2006 Remaster
74 bpm • B Maj • 03:49 • -6.36db
75% Popularity • 58% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
75% Popularity • 58% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
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The Jackson 5
I'll Be There
93 bpm • F Maj • 03:57 • -7.25db
64% Popularity • 51% Danceability • 52% Energy • 65% Liveness
0% Instrumentalness • 33% Positiveness
64% Popularity • 51% Danceability • 52% Energy • 65% Liveness
0% Instrumentalness • 33% Positiveness
