Songs like I'll Be Seeing You by New York Voices
Based on a tempo of (+/- 10%) and a similar genre
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Esperanza Spalding
Fall In
84 bpm • D Maj • 03:56 • -16.95db
41% Popularity • 38% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
41% Popularity • 38% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Veronica Swift
You've Got to Be Carefully Taught
84 bpm • C# Maj • 05:16 • -11.92db
13% Popularity • 41% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
13% Popularity • 41% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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New York Voices
I'll Be Seeing You
84 bpm • E Maj • 03:49 • -13db
16% Popularity • 29% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
16% Popularity • 29% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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Cantus
Wanting Memories
84 bpm • F# Maj • 05:00 • -25.82db
17% Popularity • 40% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
17% Popularity • 40% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Phoebe Katis
Until Next Time
83 bpm • A# Maj • 03:07 • -12.27db
7% Popularity • 39% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
7% Popularity • 39% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Kevin Mahogany
Pretty Blue
83 bpm • D min • 03:57 • -14db
36% Popularity • 64% Danceability • 29% Energy • 24% Liveness
0% Instrumentalness • 40% Positiveness
36% Popularity • 64% Danceability • 29% Energy • 24% Liveness
0% Instrumentalness • 40% Positiveness
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Catherine Russell
Harlem On My Mind
83 bpm • C Maj • 04:17 • -10db
19% Popularity • 65% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
19% Popularity • 65% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
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Stan Kenton
Malaguena
83 bpm • G min • 04:25 • -7.87db
26% Popularity • 19% Danceability • 60% Energy • 28% Liveness
61% Instrumentalness • 48% Positiveness
26% Popularity • 19% Danceability • 60% Energy • 28% Liveness
61% Instrumentalness • 48% Positiveness
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New York Voices
Hallelujah, I Love Her So
83 bpm • C Maj • 05:17 • -10.07db
6% Popularity • 44% Danceability • 29% Energy • 36% Liveness
0% Instrumentalness • 41% Positiveness
6% Popularity • 44% Danceability • 29% Energy • 36% Liveness
0% Instrumentalness • 41% Positiveness
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Jazzmeia Horn
Social Call
83 bpm • D Maj • 02:25 • -14db
27% Popularity • 55% Danceability • 23% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
27% Popularity • 55% Danceability • 23% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
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Nnenna Freelon
Overjoyed
85 bpm • C Maj • 04:45 • -10db
29% Popularity • 49% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
29% Popularity • 49% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Groove For Thought
Straight to My Heart
83 bpm • B min • 03:40 • -10.46db
4% Popularity • 65% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
4% Popularity • 65% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Roberta Gambarini
Porgy, I's Your Woman Now/I Loves You , ...
85 bpm • C min • 07:24 • -15.44db
11% Popularity • 34% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
11% Popularity • 34% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
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Marshall Gilkes
Morning Smiles
85 bpm • A# Maj • 08:42 • -15.36db
18% Popularity • 30% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 19% Positiveness
18% Popularity • 30% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 19% Positiveness
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Morgana King
Bill
83 bpm • G Maj • 02:47 • -18.36db
32% Popularity • 39% Danceability • 6% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
32% Popularity • 39% Danceability • 6% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
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Pentatonix
Run to You
85 bpm • C Maj • 04:25 • -10.02db
42% Popularity • 24% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
42% Popularity • 24% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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GQ
Bei Mir Bist Du Schön
86 bpm • C Maj • 02:37 • -7.53db
9% Popularity • 64% Danceability • 22% Energy • 39% Liveness
0% Instrumentalness • 63% Positiveness
9% Popularity • 64% Danceability • 22% Energy • 39% Liveness
0% Instrumentalness • 63% Positiveness
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The Hi-Lo's
Tenderly
82 bpm • F# Maj • 02:15 • -16.16db
11% Popularity • 20% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
11% Popularity • 20% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
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Kings Return
Bridge Over Troubled Water
86 bpm • D# Maj • 04:14 • -9.45db
16% Popularity • 26% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 22% Positiveness
16% Popularity • 26% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 22% Positiveness
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New York Voices
Invitacion
82 bpm • F Maj • 04:07 • -13.59db
1% Popularity • 42% Danceability • 22% Energy • 18% Liveness
5% Instrumentalness • 25% Positiveness
1% Popularity • 42% Danceability • 22% Energy • 18% Liveness
5% Instrumentalness • 25% Positiveness
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Joe Sample
One Day I Fly Away
86 bpm • A Maj • 04:00 • -12.97db
46% Popularity • 77% Danceability • 42% Energy • 9% Liveness
28% Instrumentalness • 67% Positiveness
46% Popularity • 77% Danceability • 42% Energy • 9% Liveness
28% Instrumentalness • 67% Positiveness
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säje
Wisteria
87 bpm • C Maj • 03:58 • -17.93db
24% Popularity • 43% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
24% Popularity • 43% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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GQ
Scotch and Soda
86 bpm • G Maj • 02:21 • -12.03db
12% Popularity • 30% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
12% Popularity • 30% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
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Jean Frye Sidwell
Smile - Charlie Chaplin, Turner & Parson...
81 bpm • C Maj • 04:31 • -16.65db
9% Popularity • 45% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
9% Popularity • 45% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Lorez Alexandria
Dancing On The Ceiling
81 bpm • C Maj • 01:29 • -14.47db
44% Popularity • 61% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
44% Popularity • 61% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Rachael & Vilray
I Love the Way You're Breaking My Heart
87 bpm • F Maj • 03:18 • -6db
28% Popularity • 59% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
28% Popularity • 59% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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The Singers Unlimited
London By Night
81 bpm • F Maj • 03:30 • -14.94db
17% Popularity • 25% Danceability • 11% Energy • 21% Liveness
1% Instrumentalness • 11% Positiveness
17% Popularity • 25% Danceability • 11% Energy • 21% Liveness
1% Instrumentalness • 11% Positiveness
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m-pact
My Favorite Things
87 bpm • E min • 02:57 • -6.69db
11% Popularity • 64% Danceability • 24% Energy • 62% Liveness
0% Instrumentalness • 61% Positiveness
11% Popularity • 64% Danceability • 24% Energy • 62% Liveness
0% Instrumentalness • 61% Positiveness
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GQ
Pity Party
88 bpm • C# Maj • 03:44 • -6.74db
12% Popularity • 44% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
12% Popularity • 44% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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Freddy Cole
This Is The Life
88 bpm • G Maj • 03:19 • -12db
13% Popularity • 47% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
13% Popularity • 47% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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New York Voices
Answered Prayers (E De Deus)
87 bpm • F Maj • 05:06 • -10.45db
5% Popularity • 63% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
5% Popularity • 63% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Tony DeSare
Just One of Those Things
88 bpm • D Maj • 03:17 • -8.74db
40% Popularity • 72% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
40% Popularity • 72% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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The Manhattan Transfer
The Paradise Within (aka Paradise Found)
88 bpm • G min • 05:00 • -12.71db
8% Popularity • 16% Danceability • 36% Energy • 38% Liveness
0% Instrumentalness • 9% Positiveness
8% Popularity • 16% Danceability • 36% Energy • 38% Liveness
0% Instrumentalness • 9% Positiveness
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Kandace Springs
The Nearness Of You
80 bpm • C Maj • 03:36 • -12db
38% Popularity • 44% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
38% Popularity • 44% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Elliot Deutsch
Fake News
88 bpm • A min • 03:59 • -4.13db
20% Popularity • 57% Danceability • 62% Energy • 8% Liveness
92% Instrumentalness • 65% Positiveness
20% Popularity • 57% Danceability • 62% Energy • 8% Liveness
92% Instrumentalness • 65% Positiveness
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Irene Kral
Love Came On Stealthy Fingers
80 bpm • D min • 03:10 • -16.79db
32% Popularity • 45% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
32% Popularity • 45% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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New York Voices
That's The Way Of The World
88 bpm • F# Maj • 05:22 • -8.64db
17% Popularity • 54% Danceability • 58% Energy • 44% Liveness
0% Instrumentalness • 61% Positiveness
17% Popularity • 54% Danceability • 58% Energy • 44% Liveness
0% Instrumentalness • 61% Positiveness
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Tony DeSare
How I Will Say I Love You
80 bpm • D Maj • 03:11 • -11db
35% Popularity • 24% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
35% Popularity • 24% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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The Quincy Jones-Sammy Nestico Orchestra
The Joy Of Cookin'
88 bpm • C min • 06:21 • -5.07db
20% Popularity • 63% Danceability • 52% Energy • 9% Liveness
78% Instrumentalness • 48% Positiveness
20% Popularity • 63% Danceability • 52% Energy • 9% Liveness
78% Instrumentalness • 48% Positiveness
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Stan Kenton & His Orchestra
My Funny Valentine
89 bpm • F min • 04:48 • -18db
14% Popularity • 28% Danceability • 3% Energy • 10% Liveness
72% Instrumentalness • 4% Positiveness
14% Popularity • 28% Danceability • 3% Energy • 10% Liveness
72% Instrumentalness • 4% Positiveness
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The Real Group
There Will Never Be Another You
80 bpm • D# Maj • 02:50 • -11.05db
9% Popularity • 46% Danceability • 26% Energy • 71% Liveness
0% Instrumentalness • 22% Positiveness
9% Popularity • 46% Danceability • 26% Energy • 71% Liveness
0% Instrumentalness • 22% Positiveness
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Linda Ronstadt
Bewitched, Bothered & Bewildered
89 bpm • G Maj • 04:25 • -19.89db
22% Popularity • 41% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
22% Popularity • 41% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Catherine Russell
I Only Have Eyes For You
89 bpm • F# Maj • 03:43 • -9.66db
45% Popularity • 72% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
45% Popularity • 72% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Accent
This Will Be (An Everlasting Love)
89 bpm • F min • 02:01 • -6.66db
17% Popularity • 33% Danceability • 48% Energy • 38% Liveness
0% Instrumentalness • 78% Positiveness
17% Popularity • 33% Danceability • 48% Energy • 38% Liveness
0% Instrumentalness • 78% Positiveness
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Veronica Swift
I'm Always Chasing Rainbows
89 bpm • C# Maj • 03:32 • -11.65db
16% Popularity • 21% Danceability • 31% Energy • 21% Liveness
2% Instrumentalness • 22% Positiveness
16% Popularity • 21% Danceability • 31% Energy • 21% Liveness
2% Instrumentalness • 22% Positiveness
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Ray Charles
Cocktails for Two
79 bpm • C min • 03:12 • -17.58db
28% Popularity • 40% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
28% Popularity • 40% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Joe Stilgoe
I Just Wasn't Made for These Times
90 bpm • D# min • 04:45 • -12.34db
8% Popularity • 51% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
8% Popularity • 51% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Sammy Fain
Secret Love
90 bpm • A# Maj • 04:05 • -14.07db
11% Popularity • 59% Danceability • 41% Energy • 32% Liveness
0% Instrumentalness • 58% Positiveness
11% Popularity • 59% Danceability • 41% Energy • 32% Liveness
0% Instrumentalness • 58% Positiveness
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Groove For Thought
Strangers of the Heart
90 bpm • C min • 04:30 • -15.41db
5% Popularity • 70% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
5% Popularity • 70% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Cyrus Chestnut
Summertime
78 bpm • B min • 04:27 • -18db
32% Popularity • 51% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
32% Popularity • 51% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
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David Benoit
Happiness
78 bpm • C# Maj • 03:47 • -17.59db
17% Popularity • 38% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
17% Popularity • 38% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Bob Dorough
Devil May Care
78 bpm • F# Maj • 04:30 • -6.25db
1% Popularity • 58% Danceability • 52% Energy • 35% Liveness
0% Instrumentalness • 50% Positiveness
1% Popularity • 58% Danceability • 52% Energy • 35% Liveness
0% Instrumentalness • 50% Positiveness
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Veronica Swift
Confession / The Other Woman
78 bpm • G min • 06:43 • -15.4db
39% Popularity • 34% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
39% Popularity • 34% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
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Jazzmeia Horn
Free Your Mind
90 bpm • C Maj • 04:47 • -9.52db
27% Popularity • 56% Danceability • 39% Energy • 27% Liveness
0% Instrumentalness • 64% Positiveness
27% Popularity • 56% Danceability • 39% Energy • 27% Liveness
0% Instrumentalness • 64% Positiveness
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Kevin Mahogany
Wild Honey
78 bpm • D Maj • 04:49 • -14.45db
19% Popularity • 58% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
19% Popularity • 58% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Claire Martin
It's Only a Paper Moon
91 bpm • B min • 04:25 • -13.8db
15% Popularity • 30% Danceability • 19% Energy • 28% Liveness
0% Instrumentalness • 12% Positiveness
15% Popularity • 30% Danceability • 19% Energy • 28% Liveness
0% Instrumentalness • 12% Positiveness
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Steven Feifke
On The Street Where You Live
91 bpm • G# Maj • 07:46 • -8.15db
9% Popularity • 43% Danceability • 28% Energy • 33% Liveness
1% Instrumentalness • 37% Positiveness
9% Popularity • 43% Danceability • 28% Energy • 33% Liveness
1% Instrumentalness • 37% Positiveness
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GQ
Deed I Do
91 bpm • E Maj • 02:38 • -9.53db
11% Popularity • 54% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
11% Popularity • 54% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Maynard Ferguson
The Way We Were
78 bpm • G# Maj • 03:23 • -10.84db
17% Popularity • 38% Danceability • 28% Energy • 12% Liveness
95% Instrumentalness • 30% Positiveness
17% Popularity • 38% Danceability • 28% Energy • 12% Liveness
95% Instrumentalness • 30% Positiveness
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Carly Simon
How Long Has This Been Going On
78 bpm • C Maj • 03:52 • -6.43db
29% Popularity • 40% Danceability • 51% Energy • 21% Liveness
0% Instrumentalness • 28% Positiveness
29% Popularity • 40% Danceability • 51% Energy • 21% Liveness
0% Instrumentalness • 28% Positiveness
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The Manhattan Transfer
A Nightingale Sang In Berkeley Square
77 bpm • C Maj • 03:52 • -18.62db
29% Popularity • 28% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
29% Popularity • 28% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Lauren Henderson
The Sweetest Sounds
78 bpm • F# min • 03:01 • -18.44db
35% Popularity • 40% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
35% Popularity • 40% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Nnenna Freelon
The Very Thought of You
91 bpm • D# Maj • 06:01 • -16.03db
40% Popularity • 42% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
40% Popularity • 42% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Groove For Thought
True Colors
77 bpm • A# Maj • 04:19 • -13.84db
17% Popularity • 47% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
17% Popularity • 47% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Connie Lansberg
You Hit the Spot
92 bpm • C Maj • 02:14 • -11db
46% Popularity • 68% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
46% Popularity • 68% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Betty Carter
Some Other Time
92 bpm • C Maj • 03:48 • -19db
25% Popularity • 29% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
25% Popularity • 29% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Erika Lloyd
Cells Planets (arr. V. Peterson)
92 bpm • E Maj • 05:51 • -16.11db
13% Popularity • 18% Danceability • 7% Energy • 29% Liveness
0% Instrumentalness • 8% Positiveness
13% Popularity • 18% Danceability • 7% Energy • 29% Liveness
0% Instrumentalness • 8% Positiveness
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Luiz Millan
Full Moon
92 bpm • F# min • 04:15 • -8.71db
6% Popularity • 38% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
6% Popularity • 38% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Irene Kral
Memphis In June
92 bpm • G# Maj • 02:55 • -13.85db
30% Popularity • 35% Danceability • 10% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
30% Popularity • 35% Danceability • 10% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
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GQ
Crabbuckit
92 bpm • G# min • 02:29 • -7.3db
22% Popularity • 71% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
22% Popularity • 71% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Sammy Nestico
Wind Machine
77 bpm • C min • 04:07 • -8.45db
21% Popularity • 53% Danceability • 68% Energy • 97% Liveness
3% Instrumentalness • 76% Positiveness
21% Popularity • 53% Danceability • 68% Energy • 97% Liveness
3% Instrumentalness • 76% Positiveness
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Betty Carter
Jazz (Ain't Nothin' But Soul)
77 bpm • C min • 01:56 • -10.63db
44% Popularity • 63% Danceability • 33% Energy • 33% Liveness
0% Instrumentalness • 68% Positiveness
44% Popularity • 63% Danceability • 33% Energy • 33% Liveness
0% Instrumentalness • 68% Positiveness
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Groove For Thought
Human Nature
92 bpm • D Maj • 03:57 • -10.74db
6% Popularity • 64% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 61% Positiveness
6% Popularity • 64% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 61% Positiveness
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Midtown
You're Falling in Love
76 bpm • C# Maj • 02:58 • -8.87db
17% Popularity • 51% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
17% Popularity • 51% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Fred Hersch
Little Suede Shoes
92 bpm • D# Maj • 09:03 • -17.32db
20% Popularity • 60% Danceability • 15% Energy • 69% Liveness
1% Instrumentalness • 53% Positiveness
20% Popularity • 60% Danceability • 15% Energy • 69% Liveness
1% Instrumentalness • 53% Positiveness
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The Swingles
Footprints
92 bpm • C min • 04:17 • -10.32db
1% Popularity • 51% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
1% Popularity • 51% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Nnenna Freelon
Another Star
92 bpm • A min • 03:44 • -10.25db
11% Popularity • 51% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
11% Popularity • 51% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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säje
As This Moment Slips Away
93 bpm • F min • 06:16 • -10.19db
11% Popularity • 38% Danceability • 39% Energy • 8% Liveness
2% Instrumentalness • 32% Positiveness
11% Popularity • 38% Danceability • 39% Energy • 8% Liveness
2% Instrumentalness • 32% Positiveness
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The Real Group
A Cappella in Acapulco
93 bpm • A min • 04:07 • -10.78db
13% Popularity • 75% Danceability • 61% Energy • 35% Liveness
0% Instrumentalness • 86% Positiveness
13% Popularity • 75% Danceability • 61% Energy • 35% Liveness
0% Instrumentalness • 86% Positiveness
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Kevin Mahogany
Nature Boy
93 bpm • F min • 06:01 • -11db
15% Popularity • 45% Danceability • 42% Energy • 19% Liveness
1% Instrumentalness • 49% Positiveness
15% Popularity • 45% Danceability • 42% Energy • 19% Liveness
1% Instrumentalness • 49% Positiveness
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Bill Watrous
Unforgettable
76 bpm • B min • 05:50 • -23.12db
15% Popularity • 31% Danceability • 5% Energy • 28% Liveness
82% Instrumentalness • 8% Positiveness
15% Popularity • 31% Danceability • 5% Energy • 28% Liveness
82% Instrumentalness • 8% Positiveness
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Jeff Rupert
Let's Sail Away
93 bpm • C Maj • 04:04 • -11.04db
11% Popularity • 55% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
11% Popularity • 55% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Kevin Spacey
Hello Young Lovers
75 bpm • D Maj • 01:51 • -6.75db
19% Popularity • 55% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
19% Popularity • 55% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
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Tuck & Patti
One Hand, One Heart
94 bpm • G# Maj • 02:46 • -24.39db
8% Popularity • 41% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
8% Popularity • 41% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Rachael & Vilray
Alone at Last
75 bpm • G Maj • 03:16 • -8.26db
26% Popularity • 40% Danceability • 18% Energy • 26% Liveness
0% Instrumentalness • 16% Positiveness
26% Popularity • 40% Danceability • 18% Energy • 26% Liveness
0% Instrumentalness • 16% Positiveness
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Kevin Mahogany
How Did She Look?
93 bpm • C min • 04:06 • -17.94db
13% Popularity • 43% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
13% Popularity • 43% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Betty Carter
It's A Big Wide Wonderful World
94 bpm • F Maj • 01:50 • -13.19db
44% Popularity • 70% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
44% Popularity • 70% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
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Matt Dennis
Violets For Your Furs
75 bpm • F Maj • 02:23 • -16db
13% Popularity • 41% Danceability • 10% Energy • 63% Liveness
0% Instrumentalness • 26% Positiveness
13% Popularity • 41% Danceability • 10% Energy • 63% Liveness
0% Instrumentalness • 26% Positiveness
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Grace Kelly
Trying to Figure It Out
94 bpm • G# Maj • 05:10 • -12.15db
13% Popularity • 42% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
13% Popularity • 42% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Veronica Swift
You're Gonna Hear from Me
75 bpm • C min • 03:47 • -9db
15% Popularity • 65% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
15% Popularity • 65% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Irene Kral
I'd Know You Anywhere
75 bpm • G Maj • 02:11 • -6.41db
40% Popularity • 50% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
40% Popularity • 50% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Johnny Costa
You Are Special
95 bpm • G Maj • 03:03 • -12.91db
18% Popularity • 28% Danceability • 50% Energy • 32% Liveness
94% Instrumentalness • 22% Positiveness
18% Popularity • 28% Danceability • 50% Energy • 32% Liveness
94% Instrumentalness • 22% Positiveness
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Tony DeSare
Two for the Road
74 bpm • G Maj • 04:07 • -13.54db
33% Popularity • 38% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
33% Popularity • 38% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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The Swingle Singers
All The Things You Are
95 bpm • G# Maj • 02:50 • -12.22db
16% Popularity • 38% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
16% Popularity • 38% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Fred Astaire
Isn't This A Lovely Day
75 bpm • C Maj • 04:23 • -23db
44% Popularity • 49% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
44% Popularity • 49% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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New York Voices
The World Keeps You Waiting
95 bpm • G min • 06:08 • -10.01db
11% Popularity • 51% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
11% Popularity • 51% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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B-Side Band
Baby Driver - Live
74 bpm • A# min • 04:25 • -11.25db
1% Popularity • 55% Danceability • 48% Energy • 98% Liveness
0% Instrumentalness • 67% Positiveness
1% Popularity • 55% Danceability • 48% Energy • 98% Liveness
0% Instrumentalness • 67% Positiveness
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Johnny Costa
Won't You Be My Neighbor?
95 bpm • C Maj • 02:58 • -12.16db
28% Popularity • 29% Danceability • 56% Energy • 37% Liveness
92% Instrumentalness • 36% Positiveness
28% Popularity • 29% Danceability • 56% Energy • 37% Liveness
92% Instrumentalness • 36% Positiveness
