Songs like I'll Be There for You by Sarah Menescal
Based on a tempo of (+/- 10%) and a similar genre
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Cassandra Beck
Good 4 U
75 bpm • C Maj • 02:50 • -7.39db
39% Popularity • 75% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
39% Popularity • 75% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Dinah York
Enjoy the Silence
75 bpm • D# Maj • 04:29 • -12db
23% Popularity • 28% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
23% Popularity • 28% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Beluga's Trio
It Ain't over Til' It's Over
75 bpm • C Maj • 04:02 • -13.71db
49% Popularity • 73% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
49% Popularity • 73% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
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Adelle
Your Woman
76 bpm • G min • 02:40 • -12.31db
26% Popularity • 67% Danceability • 35% Energy • 14% Liveness
4% Instrumentalness • 31% Positiveness
26% Popularity • 67% Danceability • 35% Energy • 14% Liveness
4% Instrumentalness • 31% Positiveness
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Lifuki
That's All Right
76 bpm • E min • 02:26 • -9.52db
44% Popularity • 72% Danceability • 60% Energy • 11% Liveness
5% Instrumentalness • 59% Positiveness
44% Popularity • 72% Danceability • 60% Energy • 11% Liveness
5% Instrumentalness • 59% Positiveness
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Alana Marie
Let Her Go
74 bpm • G Maj • 03:40 • -11.34db
49% Popularity • 69% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
49% Popularity • 69% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Marcelo Rezende
Karma Chameleon - Bossa Version
74 bpm • G Maj • 03:42 • -13.03db
27% Popularity • 46% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
27% Popularity • 46% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Shirley Adamson
Just the Way It is, Baby
80 bpm • C min • 04:08 • -15.87db
37% Popularity • 63% Danceability • 18% Energy • 13% Liveness
15% Instrumentalness • 38% Positiveness
37% Popularity • 63% Danceability • 18% Energy • 13% Liveness
15% Instrumentalness • 38% Positiveness
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Beluga's Trio
Physical
76 bpm • C Maj • 02:28 • -9.91db
54% Popularity • 69% Danceability • 46% Energy • 21% Liveness
1% Instrumentalness • 52% Positiveness
54% Popularity • 69% Danceability • 46% Energy • 21% Liveness
1% Instrumentalness • 52% Positiveness
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Franco Sattamini
I'll Be There For You - Bossa Version
74 bpm • G# Maj • 03:49 • -14.32db
41% Popularity • 63% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
41% Popularity • 63% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Ghetto Blaster Ltd.
Trouble
80 bpm • B min • 03:30 • -8.16db
49% Popularity • 66% Danceability • 48% Energy • 19% Liveness
81% Instrumentalness • 91% Positiveness
49% Popularity • 66% Danceability • 48% Energy • 19% Liveness
81% Instrumentalness • 91% Positiveness
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Sarah Menescal
Don't Speak - Positive Vibes Mix
80 bpm • A min • 03:13 • -10.51db
49% Popularity • 66% Danceability • 54% Energy • 14% Liveness
1% Instrumentalness • 73% Positiveness
49% Popularity • 66% Danceability • 54% Energy • 14% Liveness
1% Instrumentalness • 73% Positiveness
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The Moleskins
In the Waiting Line - Da Break Remix
80 bpm • F Maj • 03:16 • -11.7db
39% Popularity • 70% Danceability • 51% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
39% Popularity • 70% Danceability • 51% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
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Olga Chung
Somewhere Over The Rainbow - Bossa Versi...
80 bpm • G Maj • 03:24 • -12.82db
51% Popularity • 75% Danceability • 49% Energy • 11% Liveness
19% Instrumentalness • 90% Positiveness
51% Popularity • 75% Danceability • 49% Energy • 11% Liveness
19% Instrumentalness • 90% Positiveness
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Krister & Dalbani
Part-Time Lover
80 bpm • E min • 03:23 • -12db
34% Popularity • 64% Danceability • 42% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
34% Popularity • 64% Danceability • 42% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
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Beluga's Trio
Touch the Sky
80 bpm • C# min • 02:46 • -15.6db
32% Popularity • 70% Danceability • 34% Energy • 34% Liveness
75% Instrumentalness • 42% Positiveness
32% Popularity • 70% Danceability • 34% Energy • 34% Liveness
75% Instrumentalness • 42% Positiveness
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Klub Rider
Attention - Acoustic Version
80 bpm • A min • 02:51 • -17.29db
39% Popularity • 67% Danceability • 26% Energy • 22% Liveness
0% Instrumentalness • 53% Positiveness
39% Popularity • 67% Danceability • 26% Energy • 22% Liveness
0% Instrumentalness • 53% Positiveness
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Sarah Menescal
Mercy Mercy Me (The Ecology)
80 bpm • C Maj • 02:51 • -13db
50% Popularity • 68% Danceability • 51% Energy • 26% Liveness
40% Instrumentalness • 77% Positiveness
50% Popularity • 68% Danceability • 51% Energy • 26% Liveness
40% Instrumentalness • 77% Positiveness
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Anekka
I Touch Myself
80 bpm • D Maj • 03:20 • -13.35db
50% Popularity • 60% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
50% Popularity • 60% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Urban Aires
Something - Flamenco Chill Mix
82 bpm • C Maj • 02:26 • -13.93db
50% Popularity • 77% Danceability • 45% Energy • 12% Liveness
31% Instrumentalness • 54% Positiveness
50% Popularity • 77% Danceability • 45% Energy • 12% Liveness
31% Instrumentalness • 54% Positiveness
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The Chillout Connection
Can't Take My Eyes off You
82 bpm • F# min • 03:54 • -10.45db
45% Popularity • 36% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
45% Popularity • 36% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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The Bacalhau Quintet
Locked Out of Heaven
82 bpm • F Maj • 04:32 • -8.06db
43% Popularity • 65% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
43% Popularity • 65% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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Lizette
Mary's Prayer
68 bpm • C Maj • 03:14 • -15db
38% Popularity • 67% Danceability • 29% Energy • 11% Liveness
2% Instrumentalness • 25% Positiveness
38% Popularity • 67% Danceability • 29% Energy • 11% Liveness
2% Instrumentalness • 25% Positiveness
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Sarah Menescal
Company
81 bpm • B min • 02:59 • -12db
55% Popularity • 74% Danceability • 66% Energy • 12% Liveness
40% Instrumentalness • 88% Positiveness
55% Popularity • 74% Danceability • 66% Energy • 12% Liveness
40% Instrumentalness • 88% Positiveness
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Bossa de Carnaval
Easy
83 bpm • G# Maj • 03:45 • -11.6db
44% Popularity • 69% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
44% Popularity • 69% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Assunção Bossa
Fix you
85 bpm • A# Maj • 04:45 • -13.43db
45% Popularity • 56% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
45% Popularity • 56% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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George White Group
Sahara Night
85 bpm • F Maj • 02:56 • -15db
46% Popularity • 49% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
46% Popularity • 49% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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The Chillout Connection
Upside Down
85 bpm • F Maj • 03:48 • -9.2db
41% Popularity • 64% Danceability • 62% Energy • 13% Liveness
2% Instrumentalness • 41% Positiveness
41% Popularity • 64% Danceability • 62% Energy • 13% Liveness
2% Instrumentalness • 41% Positiveness
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Lizette
Missing You
85 bpm • F# Maj • 03:29 • -10.36db
49% Popularity • 70% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
49% Popularity • 70% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Sarah Menescal
Palo Santo
83 bpm • C# min • 03:57 • -10.41db
30% Popularity • 73% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
30% Popularity • 73% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Lisa Östergren
La isla bonita
86 bpm • B min • 03:52 • -13.66db
39% Popularity • 50% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
39% Popularity • 50% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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The Moleskins
Caught up in the Rapture
87 bpm • E min • 05:23 • -13db
38% Popularity • 71% Danceability • 46% Energy • 29% Liveness
0% Instrumentalness • 38% Positiveness
38% Popularity • 71% Danceability • 46% Energy • 29% Liveness
0% Instrumentalness • 38% Positiveness
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Os Digitalistas
Umbrella
87 bpm • C# Maj • 04:07 • -11db
26% Popularity • 69% Danceability • 64% Energy • 4% Liveness
46% Instrumentalness • 78% Positiveness
26% Popularity • 69% Danceability • 64% Energy • 4% Liveness
46% Instrumentalness • 78% Positiveness
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Samantha Emme
Easy On Me - Bossa Nova
88 bpm • F Maj • 02:50 • -9.76db
42% Popularity • 53% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
42% Popularity • 53% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Lifuki
Bring on the Night
88 bpm • E min • 02:53 • -9.87db
34% Popularity • 63% Danceability • 68% Energy • 9% Liveness
28% Instrumentalness • 51% Positiveness
34% Popularity • 63% Danceability • 68% Energy • 9% Liveness
28% Instrumentalness • 51% Positiveness
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Sarah Menescal
Angels - Acoustic Version
83 bpm • G# Maj • 02:37 • -11.55db
42% Popularity • 66% Danceability • 41% Energy • 12% Liveness
2% Instrumentalness • 12% Positiveness
42% Popularity • 66% Danceability • 41% Energy • 12% Liveness
2% Instrumentalness • 12% Positiveness
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Krister
Eyes Without a Face
88 bpm • C Maj • 04:06 • -8.41db
36% Popularity • 55% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
36% Popularity • 55% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Brothers of Bossa
For Once In My Life
88 bpm • B Maj • 03:25 • -9.82db
44% Popularity • 72% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
44% Popularity • 72% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Eve St. Jones
Just an Illusion
90 bpm • F# min • 03:30 • -12.06db
49% Popularity • 66% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
49% Popularity • 66% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Lua Blanco
Umbrella (Bossa Version)
89 bpm • G min • 03:38 • -12.85db
53% Popularity • 62% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
53% Popularity • 62% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Groove Messengers
This Girl - Chill Mix
90 bpm • F min • 03:06 • -10.24db
36% Popularity • 72% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
36% Popularity • 72% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Sarah Menescal
High and Dry
85 bpm • E Maj • 03:37 • -13.64db
32% Popularity • 32% Danceability • 29% Energy • 11% Liveness
1% Instrumentalness • 17% Positiveness
32% Popularity • 32% Danceability • 29% Energy • 11% Liveness
1% Instrumentalness • 17% Positiveness
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Dinah York
No One Can
90 bpm • E Maj • 03:49 • -16db
21% Popularity • 71% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
21% Popularity • 71% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Celso Mendes
Slave to the Rhythm
90 bpm • C# Maj • 03:19 • -13.95db
36% Popularity • 71% Danceability • 33% Energy • 18% Liveness
54% Instrumentalness • 40% Positiveness
36% Popularity • 71% Danceability • 33% Energy • 18% Liveness
54% Instrumentalness • 40% Positiveness
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Bossa Bros
Shallow
90 bpm • E min • 03:21 • -11.04db
63% Popularity • 68% Danceability • 63% Energy • 27% Liveness
0% Instrumentalness • 81% Positiveness
63% Popularity • 68% Danceability • 63% Energy • 27% Liveness
0% Instrumentalness • 81% Positiveness
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Cassandra Beck
Too Good at Goodbyes
90 bpm • F Maj • 04:02 • -13db
42% Popularity • 64% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
42% Popularity • 64% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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George White Group
Come Go with Me
90 bpm • C Maj • 04:03 • -11db
44% Popularity • 75% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
44% Popularity • 75% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
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Sarah Menescal
I Can't Go for That (No Can Do)
85 bpm • F# min • 03:48 • -12.54db
28% Popularity • 80% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
28% Popularity • 80% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Dinah York
You and I
90 bpm • B min • 04:17 • -10.81db
32% Popularity • 77% Danceability • 50% Energy • 12% Liveness
30% Instrumentalness • 64% Positiveness
32% Popularity • 77% Danceability • 50% Energy • 12% Liveness
30% Instrumentalness • 64% Positiveness
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Lizette
Heaven Give Me Words - Bossa Nova Versio...
90 bpm • E min • 03:52 • -14db
35% Popularity • 72% Danceability • 55% Energy • 11% Liveness
64% Instrumentalness • 56% Positiveness
35% Popularity • 72% Danceability • 55% Energy • 11% Liveness
64% Instrumentalness • 56% Positiveness
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Beluga's Trio
Voices
90 bpm • G Maj • 02:20 • -14.4db
54% Popularity • 73% Danceability • 51% Energy • 16% Liveness
38% Instrumentalness • 53% Positiveness
54% Popularity • 73% Danceability • 51% Energy • 16% Liveness
38% Instrumentalness • 53% Positiveness
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Bossanatics
Holding Back the Years
90 bpm • A min • 04:19 • -11db
39% Popularity • 74% Danceability • 40% Energy • 10% Liveness
15% Instrumentalness • 17% Positiveness
39% Popularity • 74% Danceability • 40% Energy • 10% Liveness
15% Instrumentalness • 17% Positiveness
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George White Group
Mr. Jones
90 bpm • G min • 06:24 • -10.45db
31% Popularity • 38% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
31% Popularity • 38% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Nara
Shape of You
90 bpm • G min • 03:34 • -10.6db
59% Popularity • 53% Danceability • 41% Energy • 27% Liveness
0% Instrumentalness • 86% Positiveness
59% Popularity • 53% Danceability • 41% Energy • 27% Liveness
0% Instrumentalness • 86% Positiveness
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Sarah Menescal
Shout
85 bpm • C Maj • 04:04 • -14.27db
40% Popularity • 59% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
40% Popularity • 59% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Krister & Dalbani
All of My Love
91 bpm • E min • 03:01 • -14.33db
34% Popularity • 76% Danceability • 37% Energy • 9% Liveness
9% Instrumentalness • 50% Positiveness
34% Popularity • 76% Danceability • 37% Energy • 9% Liveness
9% Instrumentalness • 50% Positiveness
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Les Crossaders
People Say
92 bpm • D Maj • 04:12 • -12.48db
16% Popularity • 83% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
16% Popularity • 83% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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Lizette
Heroes
92 bpm • G Maj • 03:12 • -12.96db
29% Popularity • 60% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
29% Popularity • 60% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Trio Musical
I Want You Back
92 bpm • G# Maj • 03:17 • -10.81db
46% Popularity • 80% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
46% Popularity • 80% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Bossasonic
You Can't Hurry Love
93 bpm • G Maj • 04:11 • -5.97db
45% Popularity • 61% Danceability • 72% Energy • 31% Liveness
0% Instrumentalness • 34% Positiveness
45% Popularity • 61% Danceability • 72% Energy • 31% Liveness
0% Instrumentalness • 34% Positiveness
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Sarah Menescal
Over My Shoulder - Acoustic Version
88 bpm • E Maj • 02:28 • -11.26db
29% Popularity • 76% Danceability • 44% Energy • 16% Liveness
14% Instrumentalness • 37% Positiveness
29% Popularity • 76% Danceability • 44% Energy • 16% Liveness
14% Instrumentalness • 37% Positiveness
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Alana Marie
Waterfalls
93 bpm • G# Maj • 03:49 • -11.39db
33% Popularity • 69% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
33% Popularity • 69% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Style Project
Brothers in Arms
94 bpm • G# min • 03:25 • -15.73db
47% Popularity • 76% Danceability • 16% Energy • 11% Liveness
21% Instrumentalness • 48% Positiveness
47% Popularity • 76% Danceability • 16% Energy • 11% Liveness
21% Instrumentalness • 48% Positiveness
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Julie Benson
Say You'll Be There
93 bpm • A# Maj • 03:12 • -14.55db
43% Popularity • 48% Danceability • 28% Energy • 35% Liveness
0% Instrumentalness • 30% Positiveness
43% Popularity • 48% Danceability • 28% Energy • 35% Liveness
0% Instrumentalness • 30% Positiveness
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Beluga's Trio
Living in a Ghost Town
94 bpm • D min • 03:13 • -14.68db
43% Popularity • 72% Danceability • 28% Energy • 10% Liveness
60% Instrumentalness • 33% Positiveness
43% Popularity • 72% Danceability • 28% Energy • 10% Liveness
60% Instrumentalness • 33% Positiveness
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Nova Bossa Ltd.
IDGAF - Bossa Nova Version
94 bpm • C# min • 02:51 • -9.62db
52% Popularity • 72% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
52% Popularity • 72% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
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Sarah Menescal
Free
90 bpm • F min • 03:46 • -13.03db
32% Popularity • 72% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
32% Popularity • 72% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Olga Chung
Dream A little Dream Of Me
94 bpm • G Maj • 02:57 • -9.8db
54% Popularity • 89% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
54% Popularity • 89% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
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Roger Beck
Flowers
94 bpm • F# min • 02:55 • -10.91db
56% Popularity • 64% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
56% Popularity • 64% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Daniela Procopio
Do You Really Want to Hurt Me? (Bossa Ve...
94 bpm • A# Maj • 03:22 • -11.55db
36% Popularity • 67% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
36% Popularity • 67% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Claudia Rezende
This Love - Bossa Version
95 bpm • F min • 03:43 • -9.54db
37% Popularity • 77% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
37% Popularity • 77% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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BossArt Ensemble
Again
95 bpm • A Maj • 02:48 • -11.74db
54% Popularity • 90% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
54% Popularity • 90% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Sarah Menescal
Alive and Kicking
92 bpm • C Maj • 03:54 • -10.79db
31% Popularity • 61% Danceability • 73% Energy • 15% Liveness
62% Instrumentalness • 65% Positiveness
31% Popularity • 61% Danceability • 73% Energy • 15% Liveness
62% Instrumentalness • 65% Positiveness
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Brothers of Bossa
If You Leave Me Now
95 bpm • F Maj • 03:48 • -11.55db
45% Popularity • 78% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
45% Popularity • 78% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Spanish Flow
Imagine
95 bpm • D Maj • 02:03 • -11.34db
43% Popularity • 72% Danceability • 58% Energy • 11% Liveness
86% Instrumentalness • 34% Positiveness
43% Popularity • 72% Danceability • 58% Energy • 11% Liveness
86% Instrumentalness • 34% Positiveness
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Lifuki
Living For The City
95 bpm • C Maj • 02:58 • -10.18db
39% Popularity • 73% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
39% Popularity • 73% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Nikki Ocean
Perfect Strangers
95 bpm • A# Maj • 03:27 • -18.31db
37% Popularity • 72% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
37% Popularity • 72% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Morgan, G & Machines
Samba da Rosa
95 bpm • A# Maj • 03:01 • -9.37db
39% Popularity • 64% Danceability • 57% Energy • 10% Liveness
79% Instrumentalness • 74% Positiveness
39% Popularity • 64% Danceability • 57% Energy • 10% Liveness
79% Instrumentalness • 74% Positiveness
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Sarah Menescal
Adventure of a Lifetime
92 bpm • C Maj • 03:55 • -13.63db
49% Popularity • 69% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
49% Popularity • 69% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Bob Tostes
Strangers in the Night
95 bpm • D Maj • 03:47 • -13.19db
37% Popularity • 51% Danceability • 49% Energy • 10% Liveness
10% Instrumentalness • 68% Positiveness
37% Popularity • 51% Danceability • 49% Energy • 10% Liveness
10% Instrumentalness • 68% Positiveness
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Spanish Flow
Let It Be
96 bpm • G Maj • 01:38 • -9.4db
36% Popularity • 76% Danceability • 71% Energy • 10% Liveness
81% Instrumentalness • 33% Positiveness
36% Popularity • 76% Danceability • 71% Energy • 10% Liveness
81% Instrumentalness • 33% Positiveness
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Lifuki
Do It Again
95 bpm • A min • 03:02 • -13.2db
43% Popularity • 77% Danceability • 41% Energy • 10% Liveness
2% Instrumentalness • 23% Positiveness
43% Popularity • 77% Danceability • 41% Energy • 10% Liveness
2% Instrumentalness • 23% Positiveness
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Blended Colors
Dancing With Tears In My Eyes - Bossa No...
96 bpm • A Maj • 03:36 • -12db
41% Popularity • 85% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
41% Popularity • 85% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Shirley Adamson
Rolling in the Deep
96 bpm • A# min • 04:06 • -7.48db
42% Popularity • 77% Danceability • 51% Energy • 31% Liveness
0% Instrumentalness • 40% Positiveness
42% Popularity • 77% Danceability • 51% Energy • 31% Liveness
0% Instrumentalness • 40% Positiveness
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Sarah Menescal
Call Me
94 bpm • F Maj • 02:49 • -9.69db
50% Popularity • 78% Danceability • 52% Energy • 10% Liveness
3% Instrumentalness • 51% Positiveness
50% Popularity • 78% Danceability • 52% Energy • 10% Liveness
3% Instrumentalness • 51% Positiveness
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Cassandra Beck
Be the One
96 bpm • G Maj • 02:06 • -9.61db
52% Popularity • 74% Danceability • 53% Energy • 21% Liveness
24% Instrumentalness • 21% Positiveness
52% Popularity • 74% Danceability • 53% Energy • 21% Liveness
24% Instrumentalness • 21% Positiveness
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Adelle
Give It to Me Baby
97 bpm • B Maj • 03:33 • -15.24db
38% Popularity • 80% Danceability • 45% Energy • 9% Liveness
2% Instrumentalness • 70% Positiveness
38% Popularity • 80% Danceability • 45% Energy • 9% Liveness
2% Instrumentalness • 70% Positiveness
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Ted Leener Band
I Want to Know What Love Is
98 bpm • A# Maj • 03:16 • -12.75db
47% Popularity • 83% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
47% Popularity • 83% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Spanish Flow
At Last
99 bpm • C Maj • 01:50 • -11.24db
37% Popularity • 74% Danceability • 60% Energy • 11% Liveness
82% Instrumentalness • 51% Positiveness
37% Popularity • 74% Danceability • 60% Energy • 11% Liveness
82% Instrumentalness • 51% Positiveness
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Shirley Adamson
My Future
96 bpm • D Maj • 02:32 • -11.62db
51% Popularity • 59% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
51% Popularity • 59% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Les Crossaders
Adore You
98 bpm • F# Maj • 03:22 • -11.2db
38% Popularity • 86% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
38% Popularity • 86% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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The Molsbees
Limbo
100 bpm • E min • 03:47 • -18.46db
24% Popularity • 64% Danceability • 19% Energy • 10% Liveness
46% Instrumentalness • 40% Positiveness
24% Popularity • 64% Danceability • 19% Energy • 10% Liveness
46% Instrumentalness • 40% Positiveness
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Monique Kessous
Michelle (Bossa Version)
100 bpm • A min • 03:13 • -14db
35% Popularity • 54% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
35% Popularity • 54% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Von Mondo
Classic
100 bpm • B min • 02:26 • -12.09db
50% Popularity • 82% Danceability • 29% Energy • 18% Liveness
0% Instrumentalness • 63% Positiveness
50% Popularity • 82% Danceability • 29% Energy • 18% Liveness
0% Instrumentalness • 63% Positiveness
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Os Digitalistas
Free Fallin'
100 bpm • A min • 03:22 • -7.16db
33% Popularity • 83% Danceability • 43% Energy • 8% Liveness
6% Instrumentalness • 69% Positiveness
33% Popularity • 83% Danceability • 43% Energy • 8% Liveness
6% Instrumentalness • 69% Positiveness
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Shirley Adamson
Tears Dry on Their Own
100 bpm • E Maj • 03:56 • -10.27db
35% Popularity • 73% Danceability • 60% Energy • 28% Liveness
5% Instrumentalness • 70% Positiveness
35% Popularity • 73% Danceability • 60% Energy • 28% Liveness
5% Instrumentalness • 70% Positiveness
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Beluga's Trio
On parle de vous
100 bpm • C# Maj • 02:28 • -13.11db
39% Popularity • 72% Danceability • 48% Energy • 12% Liveness
62% Instrumentalness • 38% Positiveness
39% Popularity • 72% Danceability • 48% Energy • 12% Liveness
62% Instrumentalness • 38% Positiveness
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Spanish Flow
What a Wonderful World
100 bpm • G Maj • 02:10 • -8.61db
46% Popularity • 78% Danceability • 44% Energy • 11% Liveness
74% Instrumentalness • 37% Positiveness
46% Popularity • 78% Danceability • 44% Energy • 11% Liveness
74% Instrumentalness • 37% Positiveness
