Songs like I’ll Be Your Mirror by Courtney Barnett
Based on a tempo of (+/- 10%) and a similar genre
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Parquet Courts
Walking at a Downtown Pace
110 bpm • B min • 04:46 • -5db
35% Popularity • 53% Danceability • 84% Energy • 30% Liveness
0% Instrumentalness • 81% Positiveness
35% Popularity • 53% Danceability • 84% Energy • 30% Liveness
0% Instrumentalness • 81% Positiveness
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Fruit Bats
Without Any Airs
110 bpm • A min • 02:38 • -8db
32% Popularity • 74% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
32% Popularity • 74% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Simona Castricum
Anonymous Club - Simona Castricum Remix
110 bpm • C# min • 06:08 • -13.7db
1% Popularity • 53% Danceability • 90% Energy • 11% Liveness
34% Instrumentalness • 15% Positiveness
1% Popularity • 53% Danceability • 90% Energy • 11% Liveness
34% Instrumentalness • 15% Positiveness
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Jess Williamson
Wind on Tin
110 bpm • A min • 03:06 • -9.02db
29% Popularity • 58% Danceability • 45% Energy • 13% Liveness
14% Instrumentalness • 30% Positiveness
29% Popularity • 58% Danceability • 45% Energy • 13% Liveness
14% Instrumentalness • 30% Positiveness
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Courtney Barnett
I’ll Be Your Mirror
110 bpm • A# Maj • 02:27 • -11db
35% Popularity • 70% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
35% Popularity • 70% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Whitney
Strange Overtones
110 bpm • D Maj • 03:26 • -10db
38% Popularity • 73% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
38% Popularity • 73% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Lael Neale
Acquainted with Night
110 bpm • D Maj • 02:48 • -4.28db
20% Popularity • 34% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
20% Popularity • 34% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Andrew Bird
Inside Problems
110 bpm • C Maj • 04:16 • -9.3db
33% Popularity • 52% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
33% Popularity • 52% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Dana Gavanski
Yesterday is Gone
111 bpm • G Maj • 02:23 • -9.76db
20% Popularity • 60% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
20% Popularity • 60% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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The Magnetic Fields
The Day the Politicians Died
111 bpm • A Maj • 01:57 • -9.73db
20% Popularity • 58% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
20% Popularity • 58% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Kacy & Clayton
I'm Unfamiliar
111 bpm • G min • 01:59 • -9db
21% Popularity • 64% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
21% Popularity • 64% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Bonny Light Horseman
Buzzin' Fly
111 bpm • F Maj • 05:37 • -5.44db
27% Popularity • 64% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
27% Popularity • 64% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Greta Morgan
When the Sun Comes Up
109 bpm • A Maj • 04:42 • -12.78db
17% Popularity • 67% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
17% Popularity • 67% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Father John Misty
Everything Is Free - Recorded at Spotify...
111 bpm • G Maj • 04:25 • -13.51db
44% Popularity • 51% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
44% Popularity • 51% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Esther Rose
How Many Times
111 bpm • C Maj • 04:07 • -4.69db
12% Popularity • 63% Danceability • 71% Energy • 3% Liveness
0% Instrumentalness • 81% Positiveness
12% Popularity • 63% Danceability • 71% Energy • 3% Liveness
0% Instrumentalness • 81% Positiveness
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Kurt Vile
Hey Like A Child
111 bpm • C# Maj • 05:46 • -8db
34% Popularity • 64% Danceability • 61% Energy • 11% Liveness
88% Instrumentalness • 70% Positiveness
34% Popularity • 64% Danceability • 61% Energy • 11% Liveness
88% Instrumentalness • 70% Positiveness
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Lael Neale
Every Star Shivers in the Dark
108 bpm • B Maj • 05:32 • -5.73db
35% Popularity • 46% Danceability • 79% Energy • 12% Liveness
3% Instrumentalness • 19% Positiveness
35% Popularity • 46% Danceability • 79% Energy • 12% Liveness
3% Instrumentalness • 19% Positiveness
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Buck Meek
Dream Daughter
112 bpm • E Maj • 03:53 • -12.19db
19% Popularity • 44% Danceability • 24% Energy • 11% Liveness
6% Instrumentalness • 19% Positiveness
19% Popularity • 44% Danceability • 24% Energy • 11% Liveness
6% Instrumentalness • 19% Positiveness
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RocKwiz
Sunday Morning
112 bpm • C Maj • 02:53 • -4.29db
29% Popularity • 53% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
29% Popularity • 53% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Father John Misty
One of Us Cannot Be Wrong
112 bpm • B min • 07:32 • -3.53db
31% Popularity • 39% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
31% Popularity • 39% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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The Felice Brothers
We Shall Live Again
112 bpm • D Maj • 08:16 • -10.56db
19% Popularity • 63% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
19% Popularity • 63% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Jenny Lewis
Standing in the Doorway - Demo
112 bpm • C Maj • 04:00 • -10.66db
13% Popularity • 53% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
13% Popularity • 53% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Kacy & Clayton
Last Burning Ember
108 bpm • A Maj • 03:11 • -9.61db
12% Popularity • 61% Danceability • 55% Energy • 30% Liveness
0% Instrumentalness • 48% Positiveness
12% Popularity • 61% Danceability • 55% Energy • 30% Liveness
0% Instrumentalness • 48% Positiveness
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Iron & Wine
This Solemn Day
108 bpm • G Maj • 03:47 • -11.57db
25% Popularity • 79% Danceability • 28% Energy • 9% Liveness
50% Instrumentalness • 66% Positiveness
25% Popularity • 79% Danceability • 28% Energy • 9% Liveness
50% Instrumentalness • 66% Positiveness
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Andrew Bird
The Night Before Your Birthday
108 bpm • D# Maj • 04:07 • -8.83db
28% Popularity • 71% Danceability • 51% Energy • 10% Liveness
1% Instrumentalness • 59% Positiveness
28% Popularity • 71% Danceability • 51% Energy • 10% Liveness
1% Instrumentalness • 59% Positiveness
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Courtney Barnett
New Speedway Boogie
108 bpm • B min • 05:20 • -9db
36% Popularity • 76% Danceability • 50% Energy • 12% Liveness
1% Instrumentalness • 37% Positiveness
36% Popularity • 76% Danceability • 50% Energy • 12% Liveness
1% Instrumentalness • 37% Positiveness
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Tré Burt
Carnival Mirror
108 bpm • G Maj • 03:24 • -6.03db
12% Popularity • 66% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
12% Popularity • 66% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Anaïs Mitchell
Revenant
107 bpm • A min • 03:30 • -10.16db
22% Popularity • 57% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
22% Popularity • 57% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Gruff Rhys
Mausoleum of My Former Self
113 bpm • G Maj • 04:53 • -9.21db
16% Popularity • 57% Danceability • 63% Energy • 7% Liveness
58% Instrumentalness • 76% Positiveness
16% Popularity • 57% Danceability • 63% Energy • 7% Liveness
58% Instrumentalness • 76% Positiveness
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Cory Hanson
Pale Horse Rider
113 bpm • G Maj • 04:05 • -8.73db
19% Popularity • 30% Danceability • 38% Energy • 7% Liveness
56% Instrumentalness • 29% Positiveness
19% Popularity • 30% Danceability • 38% Energy • 7% Liveness
56% Instrumentalness • 29% Positiveness
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Cate Le Bon
Moderation
113 bpm • D Maj • 04:04 • -7.56db
33% Popularity • 65% Danceability • 50% Energy • 15% Liveness
11% Instrumentalness • 48% Positiveness
33% Popularity • 65% Danceability • 50% Energy • 15% Liveness
11% Instrumentalness • 48% Positiveness
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Sharon Van Etten
Let Go
113 bpm • A Maj • 04:42 • -8.16db
40% Popularity • 34% Danceability • 60% Energy • 17% Liveness
48% Instrumentalness • 16% Positiveness
40% Popularity • 34% Danceability • 60% Energy • 17% Liveness
48% Instrumentalness • 16% Positiveness
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Cut Worms
Song of the Highest Tower
107 bpm • F Maj • 06:53 • -6.41db
40% Popularity • 57% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
40% Popularity • 57% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Kacy & Clayton
Your Mind's Walking Out
113 bpm • D# Maj • 02:33 • -8db
21% Popularity • 59% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
21% Popularity • 59% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Painted Shrines
Heaven and Holy
113 bpm • D Maj • 03:00 • -7.69db
8% Popularity • 32% Danceability • 68% Energy • 34% Liveness
1% Instrumentalness • 55% Positiveness
8% Popularity • 32% Danceability • 68% Energy • 34% Liveness
1% Instrumentalness • 55% Positiveness
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Arlo Parks
Redondo Beach - Reprise by La Blogothèq...
107 bpm • C Maj • 04:12 • -15.04db
28% Popularity • 50% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
28% Popularity • 50% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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The Felice Brothers
Jazz on the Autobahn
113 bpm • D Maj • 04:32 • -7.68db
39% Popularity • 60% Danceability • 68% Energy • 19% Liveness
1% Instrumentalness • 82% Positiveness
39% Popularity • 60% Danceability • 68% Energy • 19% Liveness
1% Instrumentalness • 82% Positiveness
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Jimbo Mathus
Poor Lost Souls
106 bpm • A Maj • 04:16 • -5.02db
22% Popularity • 45% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
22% Popularity • 45% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Steve Gunn
Wild Mountain Thyme
106 bpm • C# Maj • 04:46 • -14db
26% Popularity • 44% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
26% Popularity • 44% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Carson McHone
Still Life
114 bpm • C Maj • 05:11 • -11.09db
16% Popularity • 63% Danceability • 62% Energy • 26% Liveness
7% Instrumentalness • 54% Positiveness
16% Popularity • 63% Danceability • 62% Energy • 26% Liveness
7% Instrumentalness • 54% Positiveness
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No-No Boy
Imperial Twist
114 bpm • D Maj • 03:35 • -11.47db
32% Popularity • 74% Danceability • 40% Energy • 11% Liveness
14% Instrumentalness • 68% Positiveness
32% Popularity • 74% Danceability • 40% Energy • 11% Liveness
14% Instrumentalness • 68% Positiveness
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Damien Jurado
Birds Tricked into the Trees
114 bpm • A# Maj • 02:14 • -8.56db
21% Popularity • 66% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
21% Popularity • 66% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Jolie Holland
Damn Shame
114 bpm • D Maj • 04:50 • -18.36db
29% Popularity • 48% Danceability • 7% Energy • 12% Liveness
2% Instrumentalness • 12% Positiveness
29% Popularity • 48% Danceability • 7% Energy • 12% Liveness
2% Instrumentalness • 12% Positiveness
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Mikaela Davis
Some Song
106 bpm • F Maj • 02:26 • -7.01db
20% Popularity • 64% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
20% Popularity • 64% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Andrew Bird
Never Fall Apart
106 bpm • C Maj • 03:52 • -8.73db
28% Popularity • 74% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
28% Popularity • 74% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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The Felice Brothers
Inferno
114 bpm • A Maj • 03:41 • -9.69db
32% Popularity • 51% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
32% Popularity • 51% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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The Tallest Man On Earth
Graceland
106 bpm • G Maj • 02:55 • -7.87db
30% Popularity • 67% Danceability • 33% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
30% Popularity • 67% Danceability • 33% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
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Woods
Waiting Around for a New Me
115 bpm • C Maj • 02:23 • -8.53db
15% Popularity • 65% Danceability • 58% Energy • 45% Liveness
0% Instrumentalness • 77% Positiveness
15% Popularity • 65% Danceability • 58% Energy • 45% Liveness
0% Instrumentalness • 77% Positiveness
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Michael Hurley
Are You Here For The Festival
115 bpm • A# Maj • 03:56 • -11db
28% Popularity • 74% Danceability • 31% Energy • 14% Liveness
20% Instrumentalness • 65% Positiveness
28% Popularity • 74% Danceability • 31% Energy • 14% Liveness
20% Instrumentalness • 65% Positiveness
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Norah Jones
Jesus, Etc.
115 bpm • A Maj • 03:43 • -11.67db
35% Popularity • 67% Danceability • 22% Energy • 87% Liveness
0% Instrumentalness • 57% Positiveness
35% Popularity • 67% Danceability • 22% Energy • 87% Liveness
0% Instrumentalness • 57% Positiveness
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Smog
In The Pines
115 bpm • B Maj • 05:12 • -17db
33% Popularity • 46% Danceability • 13% Energy • 11% Liveness
7% Instrumentalness • 15% Positiveness
33% Popularity • 46% Danceability • 13% Energy • 11% Liveness
7% Instrumentalness • 15% Positiveness
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Sam Burton
Nothing Touches Me
105 bpm • A Maj • 04:55 • -8.96db
28% Popularity • 58% Danceability • 54% Energy • 11% Liveness
11% Instrumentalness • 43% Positiveness
28% Popularity • 58% Danceability • 54% Energy • 11% Liveness
11% Instrumentalness • 43% Positiveness
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The Magnetic Fields
All My Little Words
105 bpm • G# Maj • 02:46 • -8db
54% Popularity • 48% Danceability • 53% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
54% Popularity • 48% Danceability • 53% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
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Dehd
Desire
115 bpm • C Maj • 03:14 • -5.62db
32% Popularity • 30% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
32% Popularity • 30% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Katy J Pearson
Willie of Winsbury
115 bpm • G Maj • 03:37 • -9.26db
9% Popularity • 70% Danceability • 52% Energy • 8% Liveness
2% Instrumentalness • 74% Positiveness
9% Popularity • 70% Danceability • 52% Energy • 8% Liveness
2% Instrumentalness • 74% Positiveness
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Vetiver
White Fence Round House
105 bpm • G# Maj • 04:15 • -11db
9% Popularity • 65% Danceability • 37% Energy • 11% Liveness
20% Instrumentalness • 23% Positiveness
9% Popularity • 65% Danceability • 37% Energy • 11% Liveness
20% Instrumentalness • 23% Positiveness
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Iron & Wine
Calm on the Valley
115 bpm • G Maj • 04:06 • -10.29db
21% Popularity • 72% Danceability • 40% Energy • 12% Liveness
44% Instrumentalness • 47% Positiveness
21% Popularity • 72% Danceability • 40% Energy • 12% Liveness
44% Instrumentalness • 47% Positiveness
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Father John Misty
Goodbye Mr. Blue
105 bpm • D Maj • 05:00 • -8.79db
53% Popularity • 51% Danceability • 47% Energy • 12% Liveness
61% Instrumentalness • 48% Positiveness
53% Popularity • 51% Danceability • 47% Energy • 12% Liveness
61% Instrumentalness • 48% Positiveness
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Kurt Vile
Cool Water
105 bpm • B Maj • 05:05 • -11.11db
32% Popularity • 72% Danceability • 52% Energy • 13% Liveness
62% Instrumentalness • 62% Positiveness
32% Popularity • 72% Danceability • 52% Energy • 13% Liveness
62% Instrumentalness • 62% Positiveness
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Erin Rae
True Love's Face
116 bpm • A Maj • 03:20 • -6.25db
21% Popularity • 58% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 46% Positiveness
21% Popularity • 58% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 46% Positiveness
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Charlotte Cornfield
Headlines
116 bpm • D# Maj • 03:41 • -6.72db
13% Popularity • 70% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
13% Popularity • 70% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Better Oblivion Community Center
Dylan Thomas
116 bpm • D Maj • 03:36 • -8db
54% Popularity • 59% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
54% Popularity • 59% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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S.G. Goodman
If It Ain't Me Babe
116 bpm • E min • 05:08 • -9.66db
24% Popularity • 55% Danceability • 47% Energy • 11% Liveness
2% Instrumentalness • 22% Positiveness
24% Popularity • 55% Danceability • 47% Energy • 11% Liveness
2% Instrumentalness • 22% Positiveness
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Dan Reeder
A Place on the River
104 bpm • A# Maj • 02:14 • -10.29db
24% Popularity • 46% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
24% Popularity • 46% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Aimee Mann
Suicide is Murder
116 bpm • D Maj • 04:14 • -11.09db
19% Popularity • 50% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
19% Popularity • 50% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Katy J Pearson
Return
117 bpm • D Maj • 04:03 • -10.71db
21% Popularity • 56% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
21% Popularity • 56% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Anna B Savage
Corncrakes
104 bpm • D Maj • 03:43 • -11.06db
3% Popularity • 39% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
3% Popularity • 39% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
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Andrew Bird
Faithless Ghost
117 bpm • C Maj • 03:42 • -7.14db
28% Popularity • 68% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
28% Popularity • 68% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Liz Cooper
Slice of Life
117 bpm • C# Maj • 04:43 • -7.09db
13% Popularity • 60% Danceability • 72% Energy • 33% Liveness
30% Instrumentalness • 46% Positiveness
13% Popularity • 60% Danceability • 72% Energy • 33% Liveness
30% Instrumentalness • 46% Positiveness
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Jimbo Mathus
Dig up the Hatchet
103 bpm • D Maj • 02:33 • -6db
16% Popularity • 59% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
16% Popularity • 59% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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The Mountain Goats
Mobile
118 bpm • E Maj • 03:42 • -10.49db
26% Popularity • 70% Danceability • 57% Energy • 32% Liveness
23% Instrumentalness • 58% Positiveness
26% Popularity • 70% Danceability • 57% Energy • 32% Liveness
23% Instrumentalness • 58% Positiveness
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Erin Rae
Candy & Curry
118 bpm • D Maj • 03:33 • -8.16db
15% Popularity • 59% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
15% Popularity • 59% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Jennifer Castle
Texas
118 bpm • A Maj • 03:18 • -12.87db
18% Popularity • 62% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
18% Popularity • 62% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Kate Davis
I'll Do Anything but Break Dance for Ya,...
118 bpm • G# Maj • 04:01 • -9.11db
12% Popularity • 66% Danceability • 30% Energy • 12% Liveness
1% Instrumentalness • 19% Positiveness
12% Popularity • 66% Danceability • 30% Energy • 12% Liveness
1% Instrumentalness • 19% Positiveness
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Blake Mills
Wintersong
118 bpm • G min • 04:16 • -8.22db
39% Popularity • 47% Danceability • 76% Energy • 14% Liveness
5% Instrumentalness • 74% Positiveness
39% Popularity • 47% Danceability • 76% Energy • 14% Liveness
5% Instrumentalness • 74% Positiveness
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Tristen
A Case of You
118 bpm • C# Maj • 04:20 • -10db
26% Popularity • 82% Danceability • 58% Energy • 12% Liveness
4% Instrumentalness • 75% Positiveness
26% Popularity • 82% Danceability • 58% Energy • 12% Liveness
4% Instrumentalness • 75% Positiveness
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Fruit Bats
Disarm
118 bpm • C Maj • 03:00 • -12.35db
20% Popularity • 80% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
20% Popularity • 80% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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Alex Cameron
Islands In The Stream
103 bpm • C Maj • 04:29 • -6.47db
22% Popularity • 84% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
22% Popularity • 84% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Palm Springs
Real Tender
118 bpm • G# min • 04:17 • -10.35db
7% Popularity • 58% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
7% Popularity • 58% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Lael Neale
Blue Vein
102 bpm • D# Maj • 04:22 • -4db
32% Popularity • 41% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 9% Positiveness
32% Popularity • 41% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 9% Positiveness
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Joshua Burnside
Holllllogram
118 bpm • F Maj • 03:38 • -12db
37% Popularity • 68% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
37% Popularity • 68% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Big Thief
Sparrow
102 bpm • C# Maj • 05:11 • -9.46db
45% Popularity • 56% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
45% Popularity • 56% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Anna Ash
Favorite Part
118 bpm • C# Maj • 03:17 • -8.97db
23% Popularity • 58% Danceability • 55% Energy • 26% Liveness
2% Instrumentalness • 43% Positiveness
23% Popularity • 58% Danceability • 55% Energy • 26% Liveness
2% Instrumentalness • 43% Positiveness
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Car Seat Headrest
Golden Years
102 bpm • E Maj • 04:34 • -10.69db
33% Popularity • 70% Danceability • 52% Energy • 26% Liveness
0% Instrumentalness • 76% Positiveness
33% Popularity • 70% Danceability • 52% Energy • 26% Liveness
0% Instrumentalness • 76% Positiveness
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Gillian Welch
Everything Is Free
102 bpm • C Maj • 04:47 • -14.77db
39% Popularity • 69% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
39% Popularity • 69% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Blake Mills
It'll All Work Out
119 bpm • A Maj • 04:28 • -8db
37% Popularity • 76% Danceability • 44% Energy • 11% Liveness
15% Instrumentalness • 57% Positiveness
37% Popularity • 76% Danceability • 44% Energy • 11% Liveness
15% Instrumentalness • 57% Positiveness
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Porridge Radio
You Are a Runner and I Am My Father's So...
102 bpm • A min • 03:22 • -8db
21% Popularity • 44% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
21% Popularity • 44% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
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Kurt Vile
Flyin (like a fast train)
101 bpm • C# Maj • 04:46 • -8.2db
35% Popularity • 75% Danceability • 52% Energy • 7% Liveness
1% Instrumentalness • 69% Positiveness
35% Popularity • 75% Danceability • 52% Energy • 7% Liveness
1% Instrumentalness • 69% Positiveness
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Sam Amidon
Sugar Baby
119 bpm • F# Maj • 05:24 • -15.87db
33% Popularity • 69% Danceability • 11% Energy • 11% Liveness
5% Instrumentalness • 19% Positiveness
33% Popularity • 69% Danceability • 11% Energy • 11% Liveness
5% Instrumentalness • 19% Positiveness
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Widowspeak
The Drive
119 bpm • B min • 04:21 • -6.17db
32% Popularity • 63% Danceability • 57% Energy • 36% Liveness
4% Instrumentalness • 54% Positiveness
32% Popularity • 63% Danceability • 57% Energy • 36% Liveness
4% Instrumentalness • 54% Positiveness
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Jimbo Mathus
Burn the Honky Tonk
101 bpm • C Maj • 02:22 • -5.76db
11% Popularity • 47% Danceability • 32% Energy • 26% Liveness
0% Instrumentalness • 35% Positiveness
11% Popularity • 47% Danceability • 32% Energy • 26% Liveness
0% Instrumentalness • 35% Positiveness
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This Is The Kit
Keep Going
120 bpm • E Maj • 06:39 • -14.33db
43% Popularity • 57% Danceability • 44% Energy • 11% Liveness
51% Instrumentalness • 57% Positiveness
43% Popularity • 57% Danceability • 44% Energy • 11% Liveness
51% Instrumentalness • 57% Positiveness
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Whitmer Thomas
Trevor
120 bpm • E Maj • 03:38 • -14.6db
17% Popularity • 56% Danceability • 40% Energy • 36% Liveness
2% Instrumentalness • 30% Positiveness
17% Popularity • 56% Danceability • 40% Energy • 36% Liveness
2% Instrumentalness • 30% Positiveness
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Kurt Vile
Jesus on a Wire
119 bpm • A# Maj • 05:15 • -9.37db
30% Popularity • 69% Danceability • 56% Energy • 27% Liveness
27% Instrumentalness • 70% Positiveness
30% Popularity • 69% Danceability • 56% Energy • 27% Liveness
27% Instrumentalness • 70% Positiveness
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Bobby Gillespie
Remember We Were Lovers
120 bpm • C Maj • 04:18 • -8.9db
20% Popularity • 56% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
20% Popularity • 56% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Courtney Marie Andrews
Loose Future
120 bpm • C Maj • 03:28 • -8.68db
25% Popularity • 71% Danceability • 64% Energy • 16% Liveness
4% Instrumentalness • 73% Positiveness
25% Popularity • 71% Danceability • 64% Energy • 16% Liveness
4% Instrumentalness • 73% Positiveness
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The Secret Sisters
Dust Cain't Kill Me
101 bpm • C Maj • 03:20 • -9.32db
26% Popularity • 72% Danceability • 43% Energy • 10% Liveness
1% Instrumentalness • 46% Positiveness
26% Popularity • 72% Danceability • 43% Energy • 10% Liveness
1% Instrumentalness • 46% Positiveness
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This Is The Kit
Shinbone Soap
101 bpm • F# min • 04:18 • -13.13db
19% Popularity • 52% Danceability • 35% Energy • 9% Liveness
3% Instrumentalness • 57% Positiveness
19% Popularity • 52% Danceability • 35% Energy • 9% Liveness
3% Instrumentalness • 57% Positiveness
