Songs like I'll Come Running Back To You by The Soul Stirrers
Based on a tempo of (+/- 10%) and a similar genre
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Doris Troy
Lazy Days (When Are You Coming Home)
95 bpm • G Maj • 02:55 • -16db
18% Popularity • 55% Danceability • 18% Energy • 31% Liveness
0% Instrumentalness • 56% Positiveness
18% Popularity • 55% Danceability • 18% Energy • 31% Liveness
0% Instrumentalness • 56% Positiveness
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Toussaint McCall
Nothing Takes the Place of You
95 bpm • G# Maj • 03:24 • -12db
27% Popularity • 32% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
27% Popularity • 32% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Donny Hathaway
Put Your Hand in the Hand - Single Versi...
95 bpm • C# min • 03:48 • -8.52db
28% Popularity • 49% Danceability • 55% Energy • 31% Liveness
0% Instrumentalness • 47% Positiveness
28% Popularity • 49% Danceability • 55% Energy • 31% Liveness
0% Instrumentalness • 47% Positiveness
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Dorothy Love Coates
Lord, Don't Forget About Me
96 bpm • G# Maj • 02:14 • -12.57db
15% Popularity • 66% Danceability • 32% Energy • 29% Liveness
0% Instrumentalness • 71% Positiveness
15% Popularity • 66% Danceability • 32% Energy • 29% Liveness
0% Instrumentalness • 71% Positiveness
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Little Willie John
You Hurt Me
96 bpm • G min • 03:07 • -11db
30% Popularity • 66% Danceability • 44% Energy • 33% Liveness
0% Instrumentalness • 80% Positiveness
30% Popularity • 66% Danceability • 44% Energy • 33% Liveness
0% Instrumentalness • 80% Positiveness
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The Consolers
Give Me My Flowers
94 bpm • G Maj • 02:38 • -10.32db
11% Popularity • 49% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
11% Popularity • 49% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Roberta Flack
Come Ye Disconsolate
96 bpm • F# Maj • 04:52 • -14.73db
20% Popularity • 21% Danceability • 26% Energy • 16% Liveness
3% Instrumentalness • 9% Positiveness
20% Popularity • 21% Danceability • 26% Energy • 16% Liveness
3% Instrumentalness • 9% Positiveness
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Clyde McPhatter
I Can't Stand Up Alone
96 bpm • C Maj • 02:11 • -10.83db
10% Popularity • 62% Danceability • 25% Energy • 19% Liveness
0% Instrumentalness • 42% Positiveness
10% Popularity • 62% Danceability • 25% Energy • 19% Liveness
0% Instrumentalness • 42% Positiveness
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Deanna Durbin
Night And Day
94 bpm • C Maj • 02:33 • -7.8db
4% Popularity • 73% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
4% Popularity • 73% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Sam Cooke
Jesus Gave Me Water
94 bpm • B min • 02:30 • -11.99db
34% Popularity • 58% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
34% Popularity • 58% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
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Esther Phillips
Be Honest with Me
96 bpm • F Maj • 03:10 • -10.16db
16% Popularity • 39% Danceability • 26% Energy • 11% Liveness
4% Instrumentalness • 48% Positiveness
16% Popularity • 39% Danceability • 26% Energy • 11% Liveness
4% Instrumentalness • 48% Positiveness
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Pops Staples
I Shall Not Be Moved
94 bpm • D# Maj • 04:03 • -16.41db
9% Popularity • 35% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
9% Popularity • 35% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Shirley Ann Lee
You Better Run
94 bpm • F Maj • 02:12 • -5.19db
15% Popularity • 52% Danceability • 56% Energy • 51% Liveness
0% Instrumentalness • 68% Positiveness
15% Popularity • 52% Danceability • 56% Energy • 51% Liveness
0% Instrumentalness • 68% Positiveness
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The Soul Stirrers
Mother Don't Worry 'Bout Me
94 bpm • A# Maj • 02:35 • -8.01db
8% Popularity • 54% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
8% Popularity • 54% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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Anthony Koepp
I Don't Have A Home
94 bpm • F Maj • 03:55 • -12.07db
9% Popularity • 46% Danceability • 24% Energy • 23% Liveness
0% Instrumentalness • 15% Positiveness
9% Popularity • 46% Danceability • 24% Energy • 23% Liveness
0% Instrumentalness • 15% Positiveness
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Dorothy Love Coates
One Morning Soon
93 bpm • C Maj • 02:29 • -10.51db
16% Popularity • 56% Danceability • 34% Energy • 39% Liveness
0% Instrumentalness • 72% Positiveness
16% Popularity • 56% Danceability • 34% Energy • 39% Liveness
0% Instrumentalness • 72% Positiveness
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The Sensational Nightingales
Live So God Can Use You
94 bpm • A Maj • 04:25 • -9.89db
9% Popularity • 65% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
9% Popularity • 65% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
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The Dixie Hummingbirds
Don't You Want To Join That Number
93 bpm • D Maj • 02:36 • -9.45db
11% Popularity • 66% Danceability • 36% Energy • 12% Liveness
50% Instrumentalness • 57% Positiveness
11% Popularity • 66% Danceability • 36% Energy • 12% Liveness
50% Instrumentalness • 57% Positiveness
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Inez Andrews
The Lord Will Make a Way Somehow
97 bpm • G# min • 04:57 • -10db
15% Popularity • 50% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
15% Popularity • 50% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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The Soul Stirrers
His Love
93 bpm • E Maj • 02:23 • -9.04db
9% Popularity • 51% Danceability • 42% Energy • 25% Liveness
0% Instrumentalness • 67% Positiveness
9% Popularity • 51% Danceability • 42% Energy • 25% Liveness
0% Instrumentalness • 67% Positiveness
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The Clara Ward Singers
The Storm Is Passing Over
93 bpm • F min • 02:24 • -14.71db
14% Popularity • 34% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
14% Popularity • 34% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Dorothy Love Coates
99 1/2 Won't Do
93 bpm • G Maj • 02:43 • -6.35db
13% Popularity • 64% Danceability • 59% Energy • 35% Liveness
0% Instrumentalness • 79% Positiveness
13% Popularity • 64% Danceability • 59% Energy • 35% Liveness
0% Instrumentalness • 79% Positiveness
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Marion Williams
I Shall Be Released
97 bpm • D# Maj • 04:31 • -10.18db
21% Popularity • 53% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
21% Popularity • 53% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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The Five Blind Boys Of Mississippi
Lift The Saviour Up
93 bpm • C# Maj • 02:47 • -10.1db
9% Popularity • 66% Danceability • 76% Energy • 52% Liveness
0% Instrumentalness • 86% Positiveness
9% Popularity • 66% Danceability • 76% Energy • 52% Liveness
0% Instrumentalness • 86% Positiveness
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The Harmonizing Four
I Shall Not Be Moved
97 bpm • A# min • 03:02 • -12.63db
14% Popularity • 57% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
14% Popularity • 57% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Freddie Scott
Are You Lonely For Me?
93 bpm • F# Maj • 03:20 • -10.88db
26% Popularity • 67% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
26% Popularity • 67% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
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The Soul Stirrers
Time Brings About A Change
97 bpm • C# Maj • 02:34 • -8.44db
17% Popularity • 49% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
17% Popularity • 49% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
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Dorothy Love Coates
Ninety-Nine And A Half
93 bpm • G Maj • 02:40 • -11db
13% Popularity • 66% Danceability • 44% Energy • 36% Liveness
0% Instrumentalness • 78% Positiveness
13% Popularity • 66% Danceability • 44% Energy • 36% Liveness
0% Instrumentalness • 78% Positiveness
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Marion Williams
Talk About Jesus
97 bpm • C Maj • 02:02 • -11.71db
21% Popularity • 57% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
21% Popularity • 57% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Ollie & The Nightengales
I Got A Sure Thing
98 bpm • B min • 02:36 • -11db
16% Popularity • 58% Danceability • 43% Energy • 57% Liveness
0% Instrumentalness • 71% Positiveness
16% Popularity • 58% Danceability • 43% Energy • 57% Liveness
0% Instrumentalness • 71% Positiveness
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The Pilgrim Travelers
Lord, Hold My Hand
98 bpm • F Maj • 02:20 • -19.07db
24% Popularity • 53% Danceability • 17% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
24% Popularity • 53% Danceability • 17% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
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The Sensational Nightingales
Handwriting On the Wall
92 bpm • G# Maj • 04:44 • -6db
9% Popularity • 52% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 81% Positiveness
9% Popularity • 52% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 81% Positiveness
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The Soul Stirrers
All Over This World
98 bpm • F# Maj • 02:23 • -7.96db
8% Popularity • 52% Danceability • 48% Energy • 30% Liveness
0% Instrumentalness • 54% Positiveness
8% Popularity • 52% Danceability • 48% Energy • 30% Liveness
0% Instrumentalness • 54% Positiveness
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Sam Cooke
Jesus Will Lead Me to That Promised Land...
92 bpm • F Maj • 02:43 • -14.96db
13% Popularity • 45% Danceability • 16% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
13% Popularity • 45% Danceability • 16% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
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The Swan Silvertones
When the Saints Go Marching In
92 bpm • F# Maj • 02:20 • -4.86db
10% Popularity • 54% Danceability • 95% Energy • 13% Liveness
1% Instrumentalness • 65% Positiveness
10% Popularity • 54% Danceability • 95% Energy • 13% Liveness
1% Instrumentalness • 65% Positiveness
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Dorothy Love Coates
You Better Run
92 bpm • C Maj • 02:15 • -10.04db
10% Popularity • 66% Danceability • 49% Energy • 41% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 66% Danceability • 49% Energy • 41% Liveness
0% Instrumentalness • 96% Positiveness
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Sister Gertrude Morgan
God's Word Will Never Pass Away
98 bpm • G# Maj • 01:22 • -14.81db
22% Popularity • 78% Danceability • 28% Energy • 25% Liveness
0% Instrumentalness • 72% Positiveness
22% Popularity • 78% Danceability • 28% Energy • 25% Liveness
0% Instrumentalness • 72% Positiveness
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The Highway Q.C.'s
Somewhere To Lay My Head
98 bpm • C Maj • 02:23 • -12.63db
24% Popularity • 33% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
24% Popularity • 33% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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The Soul Stirrers
Jesus Be A Fence Around Me
98 bpm • A# Maj • 02:26 • -8.65db
24% Popularity • 61% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
24% Popularity • 61% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
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The Chosen Gospel Singers
Ananais
98 bpm • B Maj • 02:10 • -13.52db
16% Popularity • 46% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 35% Positiveness
16% Popularity • 46% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 35% Positiveness
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The Harmonizing Four
Motherless Child
91 bpm • G# min • 03:09 • -15.31db
15% Popularity • 27% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
15% Popularity • 27% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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The Roberta Martin Singers
God Specializes
99 bpm • D# Maj • 03:36 • -12.01db
17% Popularity • 31% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
17% Popularity • 31% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Brother Joe May
Bye & Bye, Afterwhile
99 bpm • F Maj • 02:27 • -10.61db
16% Popularity • 37% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
16% Popularity • 37% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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The Holmes Brothers
God Will
99 bpm • F Maj • 02:22 • -7.74db
15% Popularity • 53% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
15% Popularity • 53% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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The Soul Stirrers
Toiling On
92 bpm • G# Maj • 02:20 • -11.59db
14% Popularity • 71% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
14% Popularity • 71% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Sam Cooke & The Soul Stirrers
Touch The Hem Of His Garment
100 bpm • A# Maj • 01:59 • -13.74db
24% Popularity • 45% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
24% Popularity • 45% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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The Harmonizing Four
Where Could I Go To The Lord
99 bpm • C Maj • 02:40 • -12.06db
10% Popularity • 58% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
10% Popularity • 58% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Sam Cooke
Let Me Go Home (Take 2)
99 bpm • G Maj • 02:38 • -12.14db
12% Popularity • 47% Danceability • 18% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
12% Popularity • 47% Danceability • 18% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
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Eddie Ruth Bradford
I've Got a Feeling (Everything's Gonna B...
100 bpm • C# min • 04:28 • -5.33db
14% Popularity • 79% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
14% Popularity • 79% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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The Jackson Southernaires
Sweet Hour Of Prayer
100 bpm • E Maj • 04:11 • -10.83db
8% Popularity • 33% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
8% Popularity • 33% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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The Sensational Nightingales
Saints Hold On
100 bpm • G Maj • 05:15 • -9.87db
17% Popularity • 80% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
17% Popularity • 80% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Sam Cooke & The Soul Stirrers
Jesus, Wash Away My Troubles
100 bpm • A# Maj • 02:02 • -17.21db
16% Popularity • 42% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
16% Popularity • 42% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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The Soul Stirrers
When The Gates Swing Open
100 bpm • C Maj • 03:53 • -7.69db
8% Popularity • 32% Danceability • 47% Energy • 41% Liveness
0% Instrumentalness • 28% Positiveness
8% Popularity • 32% Danceability • 47% Energy • 41% Liveness
0% Instrumentalness • 28% Positiveness
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Sam Cooke
The Last Mile Of The Way - Take 2 Alt.
90 bpm • A Maj • 02:58 • -11.81db
31% Popularity • 51% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
31% Popularity • 51% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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The Pilgrim Travelers
Close To Thee
100 bpm • C Maj • 02:30 • -18.85db
14% Popularity • 44% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
14% Popularity • 44% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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The Dixie Hummingbirds
In the Morning
90 bpm • C Maj • 03:19 • -6.41db
14% Popularity • 40% Danceability • 65% Energy • 68% Liveness
0% Instrumentalness • 53% Positiveness
14% Popularity • 40% Danceability • 65% Energy • 68% Liveness
0% Instrumentalness • 53% Positiveness
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Tommy Ellison
Lord I Thank You
101 bpm • E Maj • 03:12 • -10.76db
13% Popularity • 53% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
13% Popularity • 53% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
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Inez Andrews
Lord Don't Move the Mountain
90 bpm • G# min • 03:22 • -17.69db
9% Popularity • 66% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
9% Popularity • 66% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Rev. F.C. Barnes
Learn How to Lean On Jesus
90 bpm • D Maj • 04:05 • -13.79db
19% Popularity • 60% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
19% Popularity • 60% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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The Soul Stirrers
Where You There - Remastered
101 bpm • B Maj • 02:29 • -10.13db
5% Popularity • 39% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 68% Positiveness
5% Popularity • 39% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 68% Positiveness
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The Gospel Clefs
Rest For The Weary
101 bpm • G Maj • 02:14 • -9.95db
12% Popularity • 40% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
12% Popularity • 40% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Brother Joe May
Testimony
101 bpm • C Maj • 02:12 • -12.59db
14% Popularity • 54% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
14% Popularity • 54% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Sam Cooke
Were You There
102 bpm • B Maj • 02:29 • -10.84db
30% Popularity • 44% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
30% Popularity • 44% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
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Luther Barnes
My God Can Do Anything
88 bpm • C# Maj • 05:32 • -8.18db
16% Popularity • 60% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
16% Popularity • 60% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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Rev. F.C. Barnes
Never Alone
88 bpm • F Maj • 04:42 • -14.3db
17% Popularity • 68% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
17% Popularity • 68% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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The Soul Stirrers
No Need To Worry
101 bpm • B Maj • 02:41 • -6.68db
7% Popularity • 49% Danceability • 67% Energy • 40% Liveness
0% Instrumentalness • 84% Positiveness
7% Popularity • 49% Danceability • 67% Energy • 40% Liveness
0% Instrumentalness • 84% Positiveness
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The Sensational Nightingales
It's Gonna Rain
89 bpm • C Maj • 03:26 • -7.74db
12% Popularity • 81% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 82% Positiveness
12% Popularity • 81% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 82% Positiveness
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The Highway Q.C.'s
Pray
88 bpm • B min • 02:24 • -14db
21% Popularity • 58% Danceability • 32% Energy • 44% Liveness
0% Instrumentalness • 69% Positiveness
21% Popularity • 58% Danceability • 32% Energy • 44% Liveness
0% Instrumentalness • 69% Positiveness
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The Barrett Sisters
I'll Fly Away
103 bpm • G Maj • 03:45 • -12.19db
9% Popularity • 56% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
9% Popularity • 56% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Deanie Parker
Each Step I Take
103 bpm • G min • 02:49 • -12.37db
11% Popularity • 70% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
11% Popularity • 70% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Viola James & Congregation
Is There Anybody Here That Love My Jesus
103 bpm • F# min • 03:02 • -14.3db
14% Popularity • 43% Danceability • 48% Energy • 33% Liveness
0% Instrumentalness • 50% Positiveness
14% Popularity • 43% Danceability • 48% Energy • 33% Liveness
0% Instrumentalness • 50% Positiveness
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Bernice Johnson Reagon
Since I Laid My Burden Down
88 bpm • G# Maj • 03:02 • -12.65db
21% Popularity • 48% Danceability • 35% Energy • 34% Liveness
0% Instrumentalness • 61% Positiveness
21% Popularity • 48% Danceability • 35% Energy • 34% Liveness
0% Instrumentalness • 61% Positiveness
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The Soul Stirrers
Lead Me To Calvary
103 bpm • A# Maj • 02:54 • -8.5db
8% Popularity • 33% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
8% Popularity • 33% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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The Persuasions
Buffalo Soldier
103 bpm • G Maj • 03:12 • -21.29db
12% Popularity • 37% Danceability • 4% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
12% Popularity • 37% Danceability • 4% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
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Rev. F.C. Barnes
Rough Side of the Mountain
103 bpm • D# Maj • 05:24 • -14.15db
29% Popularity • 67% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
29% Popularity • 67% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Dorothy Norwood
(I'm Coming Up On) The Rough Side Of The...
104 bpm • F# Maj • 04:53 • -13.57db
9% Popularity • 72% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
9% Popularity • 72% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Walter Hawkins
Goin’ Up Yonder
104 bpm • C# Maj • 09:54 • -12.99db
18% Popularity • 33% Danceability • 48% Energy • 24% Liveness
0% Instrumentalness • 43% Positiveness
18% Popularity • 33% Danceability • 48% Energy • 24% Liveness
0% Instrumentalness • 43% Positiveness
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Sam Cooke & The Soul Stirrers
He's My Friend 'til The End
87 bpm • A# Maj • 03:00 • -15.78db
9% Popularity • 38% Danceability • 27% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
9% Popularity • 38% Danceability • 27% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
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The Soul Stirrers
Since I Met The Savior
103 bpm • B Maj • 03:04 • -7.15db
14% Popularity • 50% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
14% Popularity • 50% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Neal Roberson
Don't Let the Devil Ride
104 bpm • F# min • 04:05 • -9.47db
24% Popularity • 80% Danceability • 63% Energy • 4% Liveness
0% Instrumentalness • 79% Positiveness
24% Popularity • 80% Danceability • 63% Energy • 4% Liveness
0% Instrumentalness • 79% Positiveness
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The Sensational Nightingales
I Want To Go
87 bpm • D# min • 02:21 • -10.51db
1% Popularity • 57% Danceability • 81% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
1% Popularity • 57% Danceability • 81% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
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Sister Gertrude Morgan
Way In The Middle Of The Air
104 bpm • F# Maj • 02:41 • -15db
16% Popularity • 78% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
16% Popularity • 78% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
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Teejay Minala
Kabiyesi
104 bpm • C Maj • 01:00 • -10.32db
16% Popularity • 55% Danceability • 57% Energy • 50% Liveness
0% Instrumentalness • 68% Positiveness
16% Popularity • 55% Danceability • 57% Energy • 50% Liveness
0% Instrumentalness • 68% Positiveness
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The Valentinos
What About Me
104 bpm • G# min • 02:48 • -9db
15% Popularity • 66% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
15% Popularity • 66% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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The Soul Stirrers
Joy In My Soul
103 bpm • A# Maj • 02:53 • -7.26db
9% Popularity • 66% Danceability • 58% Energy • 32% Liveness
0% Instrumentalness • 59% Positiveness
9% Popularity • 66% Danceability • 58% Energy • 32% Liveness
0% Instrumentalness • 59% Positiveness
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Shirley Ann Lee
I Shall Not Be Moved
105 bpm • E Maj • 02:52 • -7.96db
23% Popularity • 68% Danceability • 29% Energy • 59% Liveness
0% Instrumentalness • 41% Positiveness
23% Popularity • 68% Danceability • 29% Energy • 59% Liveness
0% Instrumentalness • 41% Positiveness
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Lou Rawls
Did You Stop to Pray This Morning
105 bpm • C Maj • 03:31 • -10.33db
8% Popularity • 71% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
8% Popularity • 71% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
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The Valadiers
Greetings (This Is Uncle Sam) - Single V...
86 bpm • D min • 02:45 • -5.97db
22% Popularity • 53% Danceability • 57% Energy • 64% Liveness
0% Instrumentalness • 62% Positiveness
22% Popularity • 53% Danceability • 57% Energy • 64% Liveness
0% Instrumentalness • 62% Positiveness
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Brother Joe May
I'm Going That Way
105 bpm • G Maj • 02:17 • -10.22db
10% Popularity • 68% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
10% Popularity • 68% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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The Swan Silvertones
I'm Not Tired Yet
105 bpm • G# min • 02:09 • -6.74db
17% Popularity • 70% Danceability • 71% Energy • 34% Liveness
24% Instrumentalness • 79% Positiveness
17% Popularity • 70% Danceability • 71% Energy • 34% Liveness
24% Instrumentalness • 79% Positiveness
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The Soul Stirrers
Christ Is All
87 bpm • F Maj • 02:36 • -12.6db
9% Popularity • 40% Danceability • 43% Energy • 37% Liveness
0% Instrumentalness • 80% Positiveness
9% Popularity • 40% Danceability • 43% Energy • 37% Liveness
0% Instrumentalness • 80% Positiveness
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The Sensational Nightingales
Last Mile of the Way
105 bpm • F Maj • 04:10 • -8.12db
12% Popularity • 69% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
12% Popularity • 69% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
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Sugar Pie DeSanto
It's Done And Forgotten
106 bpm • A min • 02:33 • -4.66db
32% Popularity • 69% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
32% Popularity • 69% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Willie Banks
I'm So Tired
106 bpm • E min • 04:46 • -13.64db
14% Popularity • 44% Danceability • 34% Energy • 68% Liveness
0% Instrumentalness • 57% Positiveness
14% Popularity • 44% Danceability • 34% Energy • 68% Liveness
0% Instrumentalness • 57% Positiveness
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Brother Joe May
When The Lord Gets Ready (You've Got To ...
106 bpm • D min • 02:41 • -8.33db
8% Popularity • 62% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
8% Popularity • 62% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
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The Swan Silvertones
If You Believe Your God Is Dead, Try Min...
106 bpm • F# Maj • 03:10 • -8.18db
20% Popularity • 59% Danceability • 80% Energy • 29% Liveness
0% Instrumentalness • 66% Positiveness
20% Popularity • 59% Danceability • 80% Energy • 29% Liveness
0% Instrumentalness • 66% Positiveness
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The Pilgrim Travelers
Gonna Walk Right Out
85 bpm • D Maj • 02:45 • -7db
15% Popularity • 51% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 81% Positiveness
15% Popularity • 51% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 81% Positiveness
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The Soul Stirrers
Looking Back
103 bpm • A Maj • 03:03 • -11.4db
11% Popularity • 40% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
11% Popularity • 40% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
