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I'm All Gone
Songs like
I'm All Gone
by
Pinkish Black
Based on a tempo of (+/- 10%) and a similar genre
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Pinkish Black
Inanimatronic
141 bpm • A min • 05:32 • -14.01db
5% Popularity • 20% Danceability • 26% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Manes
Young Skeleton
141 bpm • D Maj • 04:46 • -11.88db
15% Popularity • 44% Danceability • 37% Energy • 32% Liveness
37% Instrumentalness • 12% Positiveness
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Cough
Haunter of the Dark
141 bpm • G Maj • 07:50 • -7.66db
34% Popularity • 15% Danceability • 80% Energy • 38% Liveness
79% Instrumentalness • 24% Positiveness
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SubRosa
Stonecarver
142 bpm • B min • 11:44 • -5.92db
15% Popularity • 14% Danceability • 74% Energy • 12% Liveness
79% Instrumentalness • 9% Positiveness
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Author & Punisher
Krüller
142 bpm • G# Maj • 07:22 • -6.65db
17% Popularity • 14% Danceability • 56% Energy • 12% Liveness
61% Instrumentalness • 4% Positiveness
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Nadja
Long Dark Twenties
141 bpm • C Maj • 08:21 • -8.37db
13% Popularity • 14% Danceability • 68% Energy • 34% Liveness
75% Instrumentalness • 15% Positiveness
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Pinkish Black
I'm All Gone
141 bpm • E Maj • 04:02 • -7.01db
5% Popularity • 18% Danceability • 62% Energy • 15% Liveness
89% Instrumentalness • 22% Positiveness
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Helms Alee
Keep This Be the Way
142 bpm • F min • 03:32 • -9.12db
16% Popularity • 25% Danceability • 80% Energy • 36% Liveness
73% Instrumentalness • 4% Positiveness
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Fvnerals
Shiver
140 bpm • A# min • 05:23 • -14.05db
19% Popularity • 35% Danceability • 21% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Oranssi Pazuzu
Tyhjä Temppeli
142 bpm • D Maj • 04:26 • -6.23db
16% Popularity • 28% Danceability • 68% Energy • 12% Liveness
94% Instrumentalness • 47% Positiveness
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Mrs. Piss
M.B.O.T.W.O.
140 bpm • C Maj • 01:22 • -8.37db
30% Popularity • 40% Danceability • 93% Energy • 14% Liveness
44% Instrumentalness • 8% Positiveness
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(DOLCH)
Coda
140 bpm • D# Maj • 05:55 • -7.96db
17% Popularity • 38% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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BIG|BRAVE
Abating the Incarnation of Matter
140 bpm • F# min • 07:22 • -3.94db
13% Popularity • 35% Danceability • 67% Energy • 29% Liveness
78% Instrumentalness • 25% Positiveness
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GGGOLDDD
Tear
140 bpm • E min • 05:16 • -5.97db
15% Popularity • 27% Danceability • 76% Energy • 14% Liveness
87% Instrumentalness • 22% Positiveness
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Bossk
Unberth
140 bpm • E Maj • 08:26 • -12db
14% Popularity • 15% Danceability • 44% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
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Manes
Terminus A Quo
140 bpm • B min • 05:21 • -7.05db
10% Popularity • 25% Danceability • 55% Energy • 35% Liveness
1% Instrumentalness • 11% Positiveness
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FÓRN
Dweller on the Threshold
140 bpm • C# min • 07:35 • -6.83db
22% Popularity • 33% Danceability • 92% Energy • 10% Liveness
76% Instrumentalness • 7% Positiveness
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Emma Ruth Rundle
Killing Floor
142 bpm • D# Maj • 06:46 • -8.09db
34% Popularity • 18% Danceability • 65% Energy • 37% Liveness
81% Instrumentalness • 16% Positiveness
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Rope Sect
Fallen Nation
140 bpm • D min • 03:00 • -8.72db
20% Popularity • 36% Danceability • 64% Energy • 22% Liveness
86% Instrumentalness • 33% Positiveness
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The Body
Partly Alive
140 bpm • F Maj • 04:22 • -10.9db
15% Popularity • 43% Danceability • 62% Energy • 24% Liveness
76% Instrumentalness • 10% Positiveness
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Mammoth Weed Wizard Bastard
Y Proffwyd Dwyll
140 bpm • A# Maj • 08:49 • -6.73db
28% Popularity • 16% Danceability • 78% Energy • 14% Liveness
89% Instrumentalness • 17% Positiveness
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Palehorse/Palerider
Fire Gone Out
142 bpm • A# min • 07:09 • -9.5db
12% Popularity • 38% Danceability • 63% Energy • 9% Liveness
77% Instrumentalness • 24% Positiveness
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Helms Alee
Three Cheeks to the Wind
143 bpm • B Maj • 02:31 • -8.34db
26% Popularity • 42% Danceability • 90% Energy • 9% Liveness
82% Instrumentalness • 49% Positiveness
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Emma Ruth Rundle
Magickal Cost
139 bpm • F# Maj • 04:10 • -10.52db
29% Popularity • 26% Danceability • 56% Energy • 11% Liveness
90% Instrumentalness • 20% Positiveness
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King Woman
Entwined
143 bpm • C min • 06:04 • -7.02db
29% Popularity • 32% Danceability • 61% Energy • 10% Liveness
22% Instrumentalness • 16% Positiveness
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Author & Punisher
Glorybox
139 bpm • F Maj • 06:28 • -9db
21% Popularity • 27% Danceability • 54% Energy • 15% Liveness
62% Instrumentalness • 23% Positiveness
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Nadja
Needle In The Hay (Elliott Smith)
143 bpm • G min • 04:45 • -7.31db
13% Popularity • 14% Danceability • 68% Energy • 23% Liveness
94% Instrumentalness • 23% Positiveness
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The Body
The Wheel Weaves as the Wheel Wills
143 bpm • F# Maj • 05:19 • -7db
20% Popularity • 19% Danceability • 89% Energy • 14% Liveness
87% Instrumentalness • 16% Positiveness
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YOB
Ablaze
139 bpm • A Maj • 10:13 • -6.76db
30% Popularity • 15% Danceability • 65% Energy • 14% Liveness
46% Instrumentalness • 18% Positiveness
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The Moth Gatherer
The Black Antlers
139 bpm • F# Maj • 06:58 • -7.13db
13% Popularity • 31% Danceability • 70% Energy • 35% Liveness
83% Instrumentalness • 12% Positiveness
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Mammoth Weed Wizard Bastard
Cithuula
143 bpm • D Maj • 06:48 • -6.99db
19% Popularity • 23% Danceability • 79% Energy • 11% Liveness
63% Instrumentalness • 13% Positiveness
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Helms Alee
Pleasure Center
143 bpm • E Maj • 03:04 • -6.83db
30% Popularity • 40% Danceability • 87% Energy • 10% Liveness
83% Instrumentalness • 44% Positiveness
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Locrian
Eternal Return
144 bpm • G# Maj • 02:51 • -7.37db
24% Popularity • 13% Danceability • 64% Energy • 11% Liveness
99% Instrumentalness • 19% Positiveness
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King Woman
Coil
138 bpm • D Maj • 03:01 • -5.63db
29% Popularity • 31% Danceability • 88% Energy • 14% Liveness
45% Instrumentalness • 28% Positiveness
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The Angelic Process
Mouvement: The Flesh Is Weak
139 bpm • C# min • 01:59 • -12.36db
23% Popularity • 44% Danceability • 41% Energy • 11% Liveness
86% Instrumentalness • 29% Positiveness
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Godflesh
Post Self
144 bpm • E min • 04:28 • -7.82db
31% Popularity • 34% Danceability • 84% Energy • 27% Liveness
74% Instrumentalness • 17% Positiveness
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Messa
Tulsi
138 bpm • D Maj • 07:00 • -6.8db
18% Popularity • 25% Danceability • 82% Energy • 38% Liveness
80% Instrumentalness • 15% Positiveness
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Author & Punisher
Nazarene
144 bpm • G# Maj • 04:09 • -6.95db
20% Popularity • 30% Danceability • 50% Energy • 12% Liveness
93% Instrumentalness • 10% Positiveness
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Pinkish Black
Until
144 bpm • A# Maj • 03:51 • -7.16db
15% Popularity • 26% Danceability • 90% Energy • 27% Liveness
79% Instrumentalness • 34% Positiveness
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Ragana
The Void
138 bpm • A min • 04:35 • -9.85db
31% Popularity • 30% Danceability • 67% Energy • 11% Liveness
12% Instrumentalness • 15% Positiveness
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Waste of Space Orchestra
Seeker's Reflection
137 bpm • G Maj • 05:04 • -5.45db
13% Popularity • 15% Danceability • 81% Energy • 2% Liveness
80% Instrumentalness • 32% Positiveness
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Emma Ruth Rundle
Ancestral Recall
145 bpm • D# min • 03:54 • -8.06db
32% Popularity • 24% Danceability • 82% Energy • 11% Liveness
87% Instrumentalness • 20% Positiveness
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Blackwater Holylight
MDIII
145 bpm • F min • 06:21 • -18.22db
17% Popularity • 37% Danceability • 24% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Latitudes
Body Within a Body
145 bpm • C min • 07:56 • -10.75db
17% Popularity • 13% Danceability • 54% Energy • 19% Liveness
85% Instrumentalness • 4% Positiveness
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Dark Castle
Awake In Sleep
145 bpm • D# Maj • 06:51 • -6.8db
16% Popularity • 13% Danceability • 88% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
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Nadja
Stillborn (a Fragment)
137 bpm • A# Maj • 01:39 • -8.6db
28% Popularity • 15% Danceability • 78% Energy • 11% Liveness
98% Instrumentalness • 26% Positiveness
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Mizmor
Prefect
145 bpm • E Maj • 06:10 • -8.69db
25% Popularity • 16% Danceability • 57% Energy • 10% Liveness
84% Instrumentalness • 9% Positiveness
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Pinkish Black
Tastes Like Blood
137 bpm • G# Maj • 05:48 • -12.11db
2% Popularity • 18% Danceability • 30% Energy • 10% Liveness
63% Instrumentalness • 4% Positiveness
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Marriages
Southern Eye
145 bpm • E min • 04:49 • -8db
30% Popularity • 33% Danceability • 79% Energy • 10% Liveness
19% Instrumentalness • 18% Positiveness
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Emma Ruth Rundle
Hollywood
146 bpm • G# min • 05:15 • -9.2db
27% Popularity • 33% Danceability • 54% Energy • 11% Liveness
85% Instrumentalness • 26% Positiveness
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True Widow
AKA
146 bpm • F min • 04:50 • -11db
27% Popularity • 35% Danceability • 49% Energy • 10% Liveness
62% Instrumentalness • 9% Positiveness
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Latitudes
Dovestone
136 bpm • D# Maj • 07:36 • -6.96db
19% Popularity • 17% Danceability • 75% Energy • 7% Liveness
82% Instrumentalness • 46% Positiveness
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Bossk
HTV-3
136 bpm • A# min • 06:29 • -8.31db
19% Popularity • 36% Danceability • 83% Energy • 9% Liveness
5% Instrumentalness • 22% Positiveness
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Pinkish Black
Dial Tone
146 bpm • A Maj • 06:32 • -10.1db
10% Popularity • 26% Danceability • 53% Energy • 56% Liveness
86% Instrumentalness • 32% Positiveness
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(DOLCH)
House Of Glass (Hydroxytryptamin Baby Pa...
136 bpm • F# min • 05:15 • -9.62db
20% Popularity • 52% Danceability • 86% Energy • 14% Liveness
94% Instrumentalness • 18% Positiveness
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Mammoth Weed Wizard Bastard
Yn Ol i Annwn
136 bpm • D Maj • 06:37 • -7.58db
15% Popularity • 22% Danceability • 72% Energy • 19% Liveness
63% Instrumentalness • 25% Positiveness
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GGGOLDDD
Why Aren't You Laughing?
146 bpm • A min • 04:13 • -9.34db
19% Popularity • 46% Danceability • 82% Energy • 9% Liveness
50% Instrumentalness • 17% Positiveness
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Fvnerals
Where
135 bpm • G Maj • 08:38 • -18.02db
12% Popularity • 17% Danceability • 9% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
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Marriages
Less Than
135 bpm • E Maj • 05:24 • -7.82db
22% Popularity • 33% Danceability • 76% Energy • 11% Liveness
16% Instrumentalness • 15% Positiveness
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Spotlights
Part IV
135 bpm • F# Maj • 07:27 • -9.98db
11% Popularity • 40% Danceability • 69% Energy • 29% Liveness
84% Instrumentalness • 15% Positiveness
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(DOLCH)
I Am Ok (Hydroxytryptamin Baby Part II)
136 bpm • F# min • 05:28 • -14.25db
22% Popularity • 48% Danceability • 52% Energy • 11% Liveness
91% Instrumentalness • 15% Positiveness
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E-L-R
Glancing Limbs
135 bpm • A Maj • 08:48 • -7.69db
14% Popularity • 19% Danceability • 61% Energy • 7% Liveness
85% Instrumentalness • 3% Positiveness
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Oranssi Pazuzu
Vino Verso
135 bpm • F# Maj • 04:52 • -5.93db
10% Popularity • 36% Danceability • 87% Energy • 26% Liveness
3% Instrumentalness • 36% Positiveness
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Rope Sect
King Of The Night
135 bpm • G# min • 04:36 • -8.18db
15% Popularity • 44% Danceability • 70% Energy • 20% Liveness
10% Instrumentalness • 50% Positiveness
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Inter Arma
Citadel
147 bpm • C Maj • 06:40 • -6.05db
23% Popularity • 25% Danceability • 90% Energy • 37% Liveness
82% Instrumentalness • 25% Positiveness
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Pinkish Black
Brown Rainbow
135 bpm • C Maj • 06:44 • -7.92db
8% Popularity • 21% Danceability • 92% Energy • 24% Liveness
84% Instrumentalness • 23% Positiveness
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Latitudes
Braille
135 bpm • G min • 04:08 • -6.07db
31% Popularity • 26% Danceability • 92% Energy • 33% Liveness
92% Instrumentalness • 19% Positiveness
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Messa
Blood
148 bpm • D Maj • 10:25 • -7.69db
16% Popularity • 20% Danceability • 48% Energy • 14% Liveness
67% Instrumentalness • 14% Positiveness
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Windhand
Orchard
134 bpm • D# Maj • 06:37 • -6.23db
40% Popularity • 16% Danceability • 83% Energy • 18% Liveness
90% Instrumentalness • 13% Positiveness
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Emma Ruth Rundle
Into Being
135 bpm • F# Maj • 05:16 • -8.99db
28% Popularity • 27% Danceability • 53% Energy • 11% Liveness
58% Instrumentalness • 12% Positiveness
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Mammoth Weed Wizard Bastard
Interstellar Wrecking
134 bpm • B Maj • 03:27 • -16.13db
12% Popularity • 25% Danceability • 52% Energy • 17% Liveness
90% Instrumentalness • 3% Positiveness
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King Woman
Ruse
134 bpm • G min • 04:18 • -6.96db
26% Popularity • 33% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Frayle
All The Things I Was
134 bpm • E Maj • 05:22 • -6.32db
21% Popularity • 48% Danceability • 68% Energy • 11% Liveness
85% Instrumentalness • 8% Positiveness
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Helms Alee
Galloping Mind Fuk
148 bpm • D Maj • 02:44 • -5.47db
30% Popularity • 32% Danceability • 90% Energy • 32% Liveness
87% Instrumentalness • 41% Positiveness
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Ragana
666
148 bpm • A Maj • 06:17 • -7.81db
14% Popularity • 13% Danceability • 91% Energy • 27% Liveness
69% Instrumentalness • 12% Positiveness
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Wailin' Storms
Rattle
149 bpm • D# min • 05:32 • -5.63db
28% Popularity • 19% Danceability • 87% Energy • 9% Liveness
51% Instrumentalness • 8% Positiveness
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Bell Witch
Beneath the Mask (Intro)
134 bpm • F Maj • 03:51 • -20.49db
19% Popularity • 54% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
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Locrian
Return to Annihilation
149 bpm • A Maj • 06:44 • -7.24db
9% Popularity • 15% Danceability • 43% Energy • 8% Liveness
92% Instrumentalness • 14% Positiveness
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Obscure Sphinx
Memorare
133 bpm • F Maj • 08:39 • -10.11db
13% Popularity • 26% Danceability • 57% Energy • 7% Liveness
58% Instrumentalness • 4% Positiveness
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Helms Alee
Untoxicated
133 bpm • C Maj • 03:02 • -5.82db
35% Popularity • 26% Danceability • 90% Energy • 11% Liveness
92% Instrumentalness • 24% Positiveness
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Bathsheba
Conjuration of Fire
133 bpm • A min • 07:34 • -9.8db
13% Popularity • 24% Danceability • 64% Energy • 38% Liveness
20% Instrumentalness • 11% Positiveness
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Chelsea Wolfe
Vex
150 bpm • B min • 03:02 • -6.64db
42% Popularity • 22% Danceability • 70% Energy • 44% Liveness
93% Instrumentalness • 14% Positiveness
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Pinkish Black
New Dawn Fades - Bonus Track
133 bpm • E min • 06:30 • -16.01db
7% Popularity • 21% Danceability • 38% Energy • 9% Liveness
85% Instrumentalness • 23% Positiveness
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GGGOLDDD
Be Good
150 bpm • G Maj • 02:07 • -4.68db
39% Popularity • 13% Danceability • 88% Energy • 32% Liveness
72% Instrumentalness • 44% Positiveness
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Thou
In Bloom
150 bpm • D# Maj • 04:27 • -6.43db
22% Popularity • 39% Danceability • 84% Energy • 28% Liveness
90% Instrumentalness • 30% Positiveness
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(DOLCH)
Open
150 bpm • B Maj • 05:09 • -9.63db
25% Popularity • 36% Danceability • 82% Energy • 15% Liveness
32% Instrumentalness • 14% Positiveness
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Mournful Congregation
The Indwelling Ascent
132 bpm • E Maj • 03:10 • -10.71db
25% Popularity • 15% Danceability • 24% Energy • 9% Liveness
81% Instrumentalness • 14% Positiveness
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Author & Punisher
Centurion
150 bpm • C# min • 05:42 • -9.06db
21% Popularity • 37% Danceability • 77% Energy • 10% Liveness
87% Instrumentalness • 18% Positiveness
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The Angelic Process
My Blood Still Whispers
132 bpm • F# min • 04:27 • -8db
16% Popularity • 22% Danceability • 71% Energy • 17% Liveness
86% Instrumentalness • 8% Positiveness
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Year Of No Light
Géhenne
150 bpm • F min • 05:53 • -6.75db
11% Popularity • 16% Danceability • 74% Energy • 15% Liveness
92% Instrumentalness • 5% Positiveness
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Mammoth Weed Wizard Bastard
The Harvest
132 bpm • A Maj • 09:10 • -8.16db
17% Popularity • 23% Danceability • 80% Energy • 38% Liveness
80% Instrumentalness • 13% Positiveness
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Pinkish Black
Razed to the Ground
150 bpm • A Maj • 03:52 • -8.81db
3% Popularity • 20% Danceability • 64% Energy • 39% Liveness
93% Instrumentalness • 4% Positiveness
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Oranssi Pazuzu
Kuulen ääniä maan alta
132 bpm • D Maj • 07:12 • -7.75db
23% Popularity • 50% Danceability • 89% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
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Pijn
Squalor
132 bpm • D# Maj • 04:52 • -12.87db
20% Popularity • 33% Danceability • 36% Energy • 12% Liveness
90% Instrumentalness • 14% Positiveness
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Thou
Night
132 bpm • D# Maj • 04:01 • -8db
22% Popularity • 16% Danceability • 90% Energy • 8% Liveness
87% Instrumentalness • 5% Positiveness
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Helms Alee
The Middle Half
151 bpm • C# min • 01:10 • -16.73db
35% Popularity • 37% Danceability • 42% Energy • 10% Liveness
82% Instrumentalness • 14% Positiveness
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Windhand
Halcyon
131 bpm • G Maj • 08:16 • -8.47db
31% Popularity • 25% Danceability • 86% Energy • 31% Liveness
65% Instrumentalness • 27% Positiveness
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Omega Massif
Wölfe
152 bpm • F# Maj • 03:34 • -6.03db
20% Popularity • 34% Danceability • 94% Energy • 25% Liveness
42% Instrumentalness • 44% Positiveness
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SubRosa
No Safe Harbor
131 bpm • B min • 12:34 • -6.64db
16% Popularity • 20% Danceability • 46% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Jaye Jayle
Cemetery Rain
131 bpm • B Maj • 04:41 • -7.76db
11% Popularity • 57% Danceability • 70% Energy • 11% Liveness
36% Instrumentalness • 55% Positiveness
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I'm All Gone