Songs like I'm Gonna Leave You by Black Joe Lewis & The Honeybears
Based on a tempo of (+/- 10%) and a similar genre
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Lonesome Shack
More Primitive
87 bpm • B min • 04:08 • -10.83db
10% Popularity • 76% Danceability • 57% Energy • 8% Liveness
70% Instrumentalness • 52% Positiveness
10% Popularity • 76% Danceability • 57% Energy • 8% Liveness
70% Instrumentalness • 52% Positiveness
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Black Joe Lewis & The Honeybears
I'm Gonna Leave You
87 bpm • G Maj • 03:51 • -7.28db
30% Popularity • 79% Danceability • 44% Energy • 8% Liveness
1% Instrumentalness • 88% Positiveness
30% Popularity • 79% Danceability • 44% Energy • 8% Liveness
1% Instrumentalness • 88% Positiveness
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Black Pistol Fire
Hipster Shakes
88 bpm • C Maj • 02:50 • -4.81db
48% Popularity • 35% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
48% Popularity • 35% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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The Bones of J.R. Jones
The Drop
88 bpm • D Maj • 03:16 • -6.36db
45% Popularity • 59% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
45% Popularity • 59% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
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The Raconteurs
Top Yourself
86 bpm • G Maj • 04:25 • -5db
43% Popularity • 50% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
43% Popularity • 50% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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The Steepwater Band
Slow Train Drag
86 bpm • G Maj • 03:39 • -10.55db
15% Popularity • 40% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
15% Popularity • 40% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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John Hammond
Heartattack And Vine
86 bpm • G Maj • 04:40 • -7.25db
17% Popularity • 58% Danceability • 67% Energy • 24% Liveness
2% Instrumentalness • 83% Positiveness
17% Popularity • 58% Danceability • 67% Energy • 24% Liveness
2% Instrumentalness • 83% Positiveness
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Dan Auerbach
The Prowl
85 bpm • G# Maj • 03:16 • -6db
51% Popularity • 37% Danceability • 76% Energy • 66% Liveness
3% Instrumentalness • 60% Positiveness
51% Popularity • 37% Danceability • 76% Energy • 66% Liveness
3% Instrumentalness • 60% Positiveness
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Radio Moscow
The Stranger
89 bpm • A min • 02:54 • -6.08db
24% Popularity • 69% Danceability • 62% Energy • 10% Liveness
6% Instrumentalness • 54% Positiveness
24% Popularity • 69% Danceability • 62% Energy • 10% Liveness
6% Instrumentalness • 54% Positiveness
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Blitzen Trapper
Thirsty Man
89 bpm • C Maj • 03:41 • -6db
36% Popularity • 72% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 95% Positiveness
36% Popularity • 72% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 95% Positiveness
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The Raconteurs
Old Enough
89 bpm • G Maj • 03:57 • -5db
41% Popularity • 33% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
41% Popularity • 33% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
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Fantastic Negrito
A New Beginning
85 bpm • F# min • 03:32 • -6.64db
22% Popularity • 67% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
22% Popularity • 67% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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The Dead Weather
Hustle and Cuss
90 bpm • A Maj • 03:45 • -3.38db
38% Popularity • 48% Danceability • 89% Energy • 25% Liveness
3% Instrumentalness • 49% Positiveness
38% Popularity • 48% Danceability • 89% Energy • 25% Liveness
3% Instrumentalness • 49% Positiveness
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Dan Auerbach
Whispered Words (Pretty Lies)
84 bpm • A Maj • 04:06 • -7db
40% Popularity • 43% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
40% Popularity • 43% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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The Texas Gentlemen
Habbie Doobie
90 bpm • D Maj • 06:16 • -7db
32% Popularity • 51% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
32% Popularity • 51% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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7Horse
Please Come on Home
90 bpm • D Maj • 04:23 • -5.61db
26% Popularity • 45% Danceability • 90% Energy • 12% Liveness
53% Instrumentalness • 39% Positiveness
26% Popularity • 45% Danceability • 90% Energy • 12% Liveness
53% Instrumentalness • 39% Positiveness
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Lonesome Shack
Medicine
90 bpm • A min • 05:54 • -9.69db
20% Popularity • 71% Danceability • 42% Energy • 22% Liveness
21% Instrumentalness • 55% Positiveness
20% Popularity • 71% Danceability • 42% Energy • 22% Liveness
21% Instrumentalness • 55% Positiveness
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JD McPherson
Steal Away
84 bpm • C Maj • 03:08 • -9.29db
24% Popularity • 57% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
24% Popularity • 57% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Dexateens
Naked Ground
84 bpm • D Maj • 02:49 • -7.29db
28% Popularity • 44% Danceability • 68% Energy • 8% Liveness
22% Instrumentalness • 54% Positiveness
28% Popularity • 44% Danceability • 68% Energy • 8% Liveness
22% Instrumentalness • 54% Positiveness
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Eric Lindell
It's My Pleasure
90 bpm • G Maj • 04:29 • -4.94db
33% Popularity • 62% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
33% Popularity • 62% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Tedeschi Trucks Band
The Storm
90 bpm • A Maj • 06:34 • -7.99db
30% Popularity • 36% Danceability • 71% Energy • 11% Liveness
13% Instrumentalness • 59% Positiveness
30% Popularity • 36% Danceability • 71% Energy • 11% Liveness
13% Instrumentalness • 59% Positiveness
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Robert Bradley
Bellybone
90 bpm • B Maj • 04:26 • -8db
16% Popularity • 57% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
16% Popularity • 57% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Lonesome Shack
Head Holes
91 bpm • A Maj • 03:10 • -6.85db
33% Popularity • 63% Danceability • 51% Energy • 18% Liveness
7% Instrumentalness • 74% Positiveness
33% Popularity • 63% Danceability • 51% Energy • 18% Liveness
7% Instrumentalness • 74% Positiveness
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JD McPherson
I Wish You Would
90 bpm • G Maj • 02:44 • -8db
30% Popularity • 68% Danceability • 73% Energy • 22% Liveness
0% Instrumentalness • 60% Positiveness
30% Popularity • 68% Danceability • 73% Energy • 22% Liveness
0% Instrumentalness • 60% Positiveness
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Black Joe Lewis & The Honeybears
Messin'
91 bpm • F# Maj • 02:25 • -6.93db
15% Popularity • 71% Danceability • 73% Energy • 9% Liveness
8% Instrumentalness • 23% Positiveness
15% Popularity • 71% Danceability • 73% Energy • 9% Liveness
8% Instrumentalness • 23% Positiveness
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Eric Lindell
Casanova
90 bpm • C Maj • 02:51 • -5.39db
37% Popularity • 65% Danceability • 84% Energy • 35% Liveness
0% Instrumentalness • 88% Positiveness
37% Popularity • 65% Danceability • 84% Energy • 35% Liveness
0% Instrumentalness • 88% Positiveness
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J. Roddy Walston & The Business
Full Growing Man
83 bpm • D Maj • 04:04 • -5.66db
18% Popularity • 26% Danceability • 76% Energy • 5% Liveness
1% Instrumentalness • 46% Positiveness
18% Popularity • 26% Danceability • 76% Energy • 5% Liveness
1% Instrumentalness • 46% Positiveness
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The Record Company
On The Move
91 bpm • F min • 04:08 • -3.83db
38% Popularity • 56% Danceability • 81% Energy • 10% Liveness
1% Instrumentalness • 68% Positiveness
38% Popularity • 56% Danceability • 81% Energy • 10% Liveness
1% Instrumentalness • 68% Positiveness
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Cedric Burnside
So Much Love
91 bpm • E min • 04:26 • -7.56db
9% Popularity • 40% Danceability • 88% Energy • 25% Liveness
2% Instrumentalness • 62% Positiveness
9% Popularity • 40% Danceability • 88% Energy • 25% Liveness
2% Instrumentalness • 62% Positiveness
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Radio Moscow
Creepin'
83 bpm • D min • 03:28 • -8.3db
13% Popularity • 38% Danceability • 66% Energy • 19% Liveness
4% Instrumentalness • 70% Positiveness
13% Popularity • 38% Danceability • 66% Energy • 19% Liveness
4% Instrumentalness • 70% Positiveness
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Black Joe Lewis & The Honeybears
Some Conversations You Just Don't Need t...
91 bpm • G Maj • 03:51 • -7.6db
17% Popularity • 42% Danceability • 78% Energy • 33% Liveness
68% Instrumentalness • 28% Positiveness
17% Popularity • 42% Danceability • 78% Energy • 33% Liveness
68% Instrumentalness • 28% Positiveness
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The Derek Trucks Band
Volunteered Slavery
92 bpm • C Maj • 02:05 • -11.56db
24% Popularity • 77% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
24% Popularity • 77% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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J. Roddy Walston & The Business
Use Your Language
82 bpm • C# min • 03:39 • -4.2db
19% Popularity • 54% Danceability • 91% Energy • 30% Liveness
14% Instrumentalness • 82% Positiveness
19% Popularity • 54% Danceability • 91% Energy • 30% Liveness
14% Instrumentalness • 82% Positiveness
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The Record Company
Off The Ground
92 bpm • G Maj • 04:13 • -4.57db
53% Popularity • 54% Danceability • 70% Energy • 38% Liveness
22% Instrumentalness • 85% Positiveness
53% Popularity • 54% Danceability • 70% Energy • 38% Liveness
22% Instrumentalness • 85% Positiveness
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Patrick Sweany
Terrible Years
82 bpm • G Maj • 02:40 • -8.71db
17% Popularity • 65% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
17% Popularity • 65% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
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The Dead Weather
Blue Blood Blues
92 bpm • D Maj • 03:22 • -2.5db
41% Popularity • 55% Danceability • 94% Energy • 68% Liveness
1% Instrumentalness • 52% Positiveness
41% Popularity • 55% Danceability • 94% Energy • 68% Liveness
1% Instrumentalness • 52% Positiveness
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Luke Winslow-King
I'm Glad Trouble Don't Last Always
82 bpm • D Maj • 04:17 • -7.12db
48% Popularity • 58% Danceability • 52% Energy • 9% Liveness
1% Instrumentalness • 29% Positiveness
48% Popularity • 58% Danceability • 52% Energy • 9% Liveness
1% Instrumentalness • 29% Positiveness
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The Derek Trucks Band
Chevrolet
92 bpm • E min • 02:24 • -9.37db
18% Popularity • 63% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 83% Positiveness
18% Popularity • 63% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 83% Positiveness
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Sturgill Simpson
Sugar Daddy - Theme from Vinyl
82 bpm • C Maj • 03:45 • -5.84db
27% Popularity • 26% Danceability • 93% Energy • 14% Liveness
4% Instrumentalness • 36% Positiveness
27% Popularity • 26% Danceability • 93% Energy • 14% Liveness
4% Instrumentalness • 36% Positiveness
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Cedric Burnside
Stay Here In Your Arms
93 bpm • G Maj • 03:17 • -8.69db
14% Popularity • 62% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
14% Popularity • 62% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Dan Auerbach
When I Left The Room
93 bpm • C# Maj • 04:01 • -6.79db
29% Popularity • 34% Danceability • 55% Energy • 29% Liveness
1% Instrumentalness • 22% Positiveness
29% Popularity • 34% Danceability • 55% Energy • 29% Liveness
1% Instrumentalness • 22% Positiveness
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Patrick Sweany
Them Shoes
82 bpm • C Maj • 05:48 • -8db
48% Popularity • 40% Danceability • 40% Energy • 14% Liveness
1% Instrumentalness • 49% Positiveness
48% Popularity • 40% Danceability • 40% Energy • 14% Liveness
1% Instrumentalness • 49% Positiveness
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Luke Winslow-King
Act Like You Love Me
93 bpm • B min • 03:14 • -6.42db
31% Popularity • 69% Danceability • 74% Energy • 59% Liveness
0% Instrumentalness • 74% Positiveness
31% Popularity • 69% Danceability • 74% Energy • 59% Liveness
0% Instrumentalness • 74% Positiveness
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JD McPherson
Signs & Signifiers
93 bpm • C Maj • 04:45 • -11.08db
23% Popularity • 76% Danceability • 52% Energy • 11% Liveness
2% Instrumentalness • 66% Positiveness
23% Popularity • 76% Danceability • 52% Energy • 11% Liveness
2% Instrumentalness • 66% Positiveness
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The Bones of J.R. Jones
The Heat
93 bpm • D Maj • 03:14 • -4.37db
54% Popularity • 59% Danceability • 84% Energy • 4% Liveness
0% Instrumentalness • 68% Positiveness
54% Popularity • 59% Danceability • 84% Energy • 4% Liveness
0% Instrumentalness • 68% Positiveness
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Don Cavalli
I'M Going To A River
93 bpm • E Maj • 02:18 • -6db
20% Popularity • 86% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
20% Popularity • 86% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
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Black Joe Lewis & The Honeybears
Suit or Soul? - Audiotree Live Version
93 bpm • F Maj • 02:44 • -8.45db
16% Popularity • 53% Danceability • 81% Energy • 19% Liveness
43% Instrumentalness • 49% Positiveness
16% Popularity • 53% Danceability • 81% Energy • 19% Liveness
43% Instrumentalness • 49% Positiveness
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The Parlor Mob
Can't Keep No Good Boy Down
94 bpm • C Maj • 03:40 • -5.52db
33% Popularity • 47% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
33% Popularity • 47% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Garrett Mason
Something About You
94 bpm • G# Maj • 04:36 • -9.3db
11% Popularity • 56% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
11% Popularity • 56% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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The Record Company
Born Unnamed
80 bpm • F min • 04:40 • -8.4db
17% Popularity • 58% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 54% Positiveness
17% Popularity • 58% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 54% Positiveness
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The Harpoonist & the Axe Murderer
Be My Woman
80 bpm • A min • 01:37 • -6.23db
27% Popularity • 70% Danceability • 38% Energy • 21% Liveness
1% Instrumentalness • 66% Positiveness
27% Popularity • 70% Danceability • 38% Energy • 21% Liveness
1% Instrumentalness • 66% Positiveness
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The Word
Come By Here
95 bpm • A# min • 05:40 • -7.91db
8% Popularity • 46% Danceability • 76% Energy • 10% Liveness
36% Instrumentalness • 60% Positiveness
8% Popularity • 46% Danceability • 76% Energy • 10% Liveness
36% Instrumentalness • 60% Positiveness
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Black Joe Lewis & The Honeybears
I'm Broke
94 bpm • E min • 04:07 • -6.74db
38% Popularity • 78% Danceability • 56% Energy • 5% Liveness
50% Instrumentalness • 78% Positiveness
38% Popularity • 78% Danceability • 56% Energy • 5% Liveness
50% Instrumentalness • 78% Positiveness
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Randall Bramblett
Dead In The Water
80 bpm • E min • 04:23 • -7.45db
27% Popularity • 62% Danceability • 78% Energy • 20% Liveness
2% Instrumentalness • 77% Positiveness
27% Popularity • 62% Danceability • 78% Energy • 20% Liveness
2% Instrumentalness • 77% Positiveness
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Nathaniel Rateliff & The Night Sweats
Shoe Boot
80 bpm • C Maj • 04:43 • -6.95db
37% Popularity • 45% Danceability • 77% Energy • 16% Liveness
70% Instrumentalness • 73% Positiveness
37% Popularity • 45% Danceability • 77% Energy • 16% Liveness
70% Instrumentalness • 73% Positiveness
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Smooth Hound Smith
Get Low
95 bpm • C# min • 05:14 • -7.21db
30% Popularity • 66% Danceability • 60% Energy • 11% Liveness
2% Instrumentalness • 37% Positiveness
30% Popularity • 66% Danceability • 60% Energy • 11% Liveness
2% Instrumentalness • 37% Positiveness
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John The Conqueror
John Doe
80 bpm • G min • 03:22 • -9.81db
12% Popularity • 66% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
12% Popularity • 66% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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T Bird and the Breaks
The Piano Joint
95 bpm • A# min • 04:04 • -4.92db
13% Popularity • 62% Danceability • 96% Energy • 35% Liveness
0% Instrumentalness • 25% Positiveness
13% Popularity • 62% Danceability • 96% Energy • 35% Liveness
0% Instrumentalness • 25% Positiveness
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Black Joe Lewis & The Honeybears
Cousin Randy
80 bpm • D Maj • 03:50 • -4.97db
17% Popularity • 52% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 46% Positiveness
17% Popularity • 52% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 46% Positiveness
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The Shouting Matches
Three Dollar Bill
79 bpm • E min • 03:27 • -10.26db
24% Popularity • 62% Danceability • 68% Energy • 11% Liveness
82% Instrumentalness • 94% Positiveness
24% Popularity • 62% Danceability • 68% Energy • 11% Liveness
82% Instrumentalness • 94% Positiveness
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Breakestra
Recognize
95 bpm • D Maj • 05:02 • -4.43db
29% Popularity • 72% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
29% Popularity • 72% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Ben Harper
Blood Side Out
79 bpm • A# min • 02:51 • -5.67db
14% Popularity • 36% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
14% Popularity • 36% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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The Wood Brothers
Without Desire
79 bpm • E min • 03:48 • -6.94db
23% Popularity • 54% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
23% Popularity • 54% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Hollis Brown
Hey Baby
96 bpm • A min • 03:21 • -8.35db
8% Popularity • 64% Danceability • 75% Energy • 44% Liveness
1% Instrumentalness • 96% Positiveness
8% Popularity • 64% Danceability • 75% Energy • 44% Liveness
1% Instrumentalness • 96% Positiveness
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The Greenhornes
Too Much Sorrow
96 bpm • A Maj • 04:05 • -4.99db
14% Popularity • 36% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
14% Popularity • 36% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
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The Wanton Bishops
Smith and Wesson
96 bpm • F# min • 02:35 • -6db
42% Popularity • 49% Danceability • 95% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
42% Popularity • 49% Danceability • 95% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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Cedric Burnside
Ain't Gonna Take No Mess
96 bpm • B min • 03:34 • -6.48db
23% Popularity • 58% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
23% Popularity • 58% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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The Relatives
Things Are Changing
96 bpm • B Maj • 03:51 • -8.84db
28% Popularity • 73% Danceability • 49% Energy • 29% Liveness
0% Instrumentalness • 52% Positiveness
28% Popularity • 73% Danceability • 49% Energy • 29% Liveness
0% Instrumentalness • 52% Positiveness
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Sharon Jones & The Dap-Kings
He Said I Can
79 bpm • A# min • 02:51 • -5.32db
22% Popularity • 69% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
22% Popularity • 69% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Monophonics
There's a Riot Going On
96 bpm • B min • 03:54 • -5.19db
25% Popularity • 58% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
25% Popularity • 58% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Link Wray
Juke Box Mama
96 bpm • G# Maj • 04:27 • -12db
34% Popularity • 59% Danceability • 56% Energy • 20% Liveness
42% Instrumentalness • 57% Positiveness
34% Popularity • 59% Danceability • 56% Energy • 20% Liveness
42% Instrumentalness • 57% Positiveness
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Left Lane Cruiser
Pork n' Beans
79 bpm • A Maj • 02:54 • -5.79db
15% Popularity • 43% Danceability • 87% Energy • 32% Liveness
3% Instrumentalness • 73% Positiveness
15% Popularity • 43% Danceability • 87% Energy • 32% Liveness
3% Instrumentalness • 73% Positiveness
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Charlie Patton's War
Git Gone
96 bpm • E Maj • 02:51 • -9.4db
30% Popularity • 60% Danceability • 67% Energy • 12% Liveness
2% Instrumentalness • 90% Positiveness
30% Popularity • 60% Danceability • 67% Energy • 12% Liveness
2% Instrumentalness • 90% Positiveness
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T Bird and the Breaks
Waxin
96 bpm • F# Maj • 03:48 • -5.47db
23% Popularity • 77% Danceability • 74% Energy • 23% Liveness
0% Instrumentalness • 49% Positiveness
23% Popularity • 77% Danceability • 74% Energy • 23% Liveness
0% Instrumentalness • 49% Positiveness
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Radio Moscow
Lucky Dutch
97 bpm • A Maj • 04:40 • -9db
24% Popularity • 24% Danceability • 72% Energy • 40% Liveness
10% Instrumentalness • 50% Positiveness
24% Popularity • 24% Danceability • 72% Energy • 40% Liveness
10% Instrumentalness • 50% Positiveness
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The Record Company
Baby I'm Broken
97 bpm • G Maj • 03:35 • -3.34db
34% Popularity • 46% Danceability • 83% Energy • 25% Liveness
1% Instrumentalness • 56% Positiveness
34% Popularity • 46% Danceability • 83% Energy • 25% Liveness
1% Instrumentalness • 56% Positiveness
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Howlin Rain
Self Made Man
78 bpm • E min • 08:00 • -4.74db
8% Popularity • 37% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
8% Popularity • 37% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Left Lane Cruiser
Big Momma
78 bpm • G Maj • 03:12 • -7.11db
34% Popularity • 42% Danceability • 76% Energy • 11% Liveness
1% Instrumentalness • 69% Positiveness
34% Popularity • 42% Danceability • 76% Energy • 11% Liveness
1% Instrumentalness • 69% Positiveness
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Leo "Bud" Welch
Don't Let The Devil Ride
97 bpm • E min • 02:45 • -5db
30% Popularity • 53% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
30% Popularity • 53% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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T Bird and the Breaks
I Get's My Boogie On
97 bpm • A min • 04:10 • -5.67db
35% Popularity • 68% Danceability • 73% Energy • 82% Liveness
0% Instrumentalness • 72% Positiveness
35% Popularity • 68% Danceability • 73% Energy • 82% Liveness
0% Instrumentalness • 72% Positiveness
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The Dead Weather
60 Feet Tall
78 bpm • C Maj • 05:33 • -8.63db
34% Popularity • 50% Danceability • 66% Energy • 15% Liveness
6% Instrumentalness • 28% Positiveness
34% Popularity • 50% Danceability • 66% Energy • 15% Liveness
6% Instrumentalness • 28% Positiveness
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Patrick Sweany
Every Gun
78 bpm • F Maj • 03:17 • -8db
24% Popularity • 62% Danceability • 67% Energy • 9% Liveness
1% Instrumentalness • 80% Positiveness
24% Popularity • 62% Danceability • 67% Energy • 9% Liveness
1% Instrumentalness • 80% Positiveness
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John The Conqueror
Get Em'
97 bpm • A# Maj • 03:27 • -8.01db
22% Popularity • 82% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
22% Popularity • 82% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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JC Brooks & The Uptown Sound
Howl
97 bpm • B min • 04:12 • -5.61db
20% Popularity • 60% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
20% Popularity • 60% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Moreland & Arbuckle
When The Lights Are Burning Low
97 bpm • F Maj • 03:05 • -8.98db
35% Popularity • 41% Danceability • 86% Energy • 30% Liveness
0% Instrumentalness • 77% Positiveness
35% Popularity • 41% Danceability • 86% Energy • 30% Liveness
0% Instrumentalness • 77% Positiveness
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T Bird and the Breaks
Space Dust
97 bpm • G Maj • 03:17 • -4.36db
22% Popularity • 75% Danceability • 83% Energy • 62% Liveness
0% Instrumentalness • 92% Positiveness
22% Popularity • 75% Danceability • 83% Energy • 62% Liveness
0% Instrumentalness • 92% Positiveness
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Dan Auerbach
Mean Monsoon
97 bpm • A min • 03:45 • -8db
42% Popularity • 58% Danceability • 78% Energy • 23% Liveness
0% Instrumentalness • 61% Positiveness
42% Popularity • 58% Danceability • 78% Energy • 23% Liveness
0% Instrumentalness • 61% Positiveness
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The Arcs
Fools Gold
78 bpm • C Maj • 04:02 • -5.85db
32% Popularity • 47% Danceability • 73% Energy • 10% Liveness
93% Instrumentalness • 56% Positiveness
32% Popularity • 47% Danceability • 73% Energy • 10% Liveness
93% Instrumentalness • 56% Positiveness
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The Bones of J.R. Jones
Know My Name
78 bpm • A Maj • 03:16 • -5.99db
38% Popularity • 60% Danceability • 53% Energy • 7% Liveness
1% Instrumentalness • 41% Positiveness
38% Popularity • 60% Danceability • 53% Energy • 7% Liveness
1% Instrumentalness • 41% Positiveness
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JC Brooks & The Uptown Sound
Rouse Yourself
98 bpm • F Maj • 04:08 • -8.34db
35% Popularity • 69% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
35% Popularity • 69% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Shinyribs
Don't Leave It a Lie
78 bpm • F Maj • 04:56 • -6.57db
26% Popularity • 53% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
26% Popularity • 53% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
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T Bird and the Breaks
Two Tone Cadillac
97 bpm • G Maj • 04:35 • -4.9db
27% Popularity • 46% Danceability • 80% Energy • 28% Liveness
0% Instrumentalness • 81% Positiveness
27% Popularity • 46% Danceability • 80% Energy • 28% Liveness
0% Instrumentalness • 81% Positiveness
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Radio Moscow
250 Miles
78 bpm • A min • 04:52 • -11.08db
44% Popularity • 46% Danceability • 42% Energy • 10% Liveness
17% Instrumentalness • 58% Positiveness
44% Popularity • 46% Danceability • 42% Energy • 10% Liveness
17% Instrumentalness • 58% Positiveness
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Dan Auerbach
Heartbroken, In Disrepair
78 bpm • F min • 03:21 • -8.43db
58% Popularity • 60% Danceability • 90% Energy • 27% Liveness
30% Instrumentalness • 92% Positiveness
58% Popularity • 60% Danceability • 90% Energy • 27% Liveness
30% Instrumentalness • 92% Positiveness
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Black Joe Lewis & The Honeybears
Bitch, I Love You
98 bpm • E Maj • 02:44 • -3.73db
45% Popularity • 51% Danceability • 78% Energy • 27% Liveness
0% Instrumentalness • 77% Positiveness
45% Popularity • 51% Danceability • 78% Energy • 27% Liveness
0% Instrumentalness • 77% Positiveness
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Pimps of Joytime
Janxta Funk!
98 bpm • G Maj • 04:16 • -6.26db
33% Popularity • 77% Danceability • 81% Energy • 57% Liveness
1% Instrumentalness • 71% Positiveness
33% Popularity • 77% Danceability • 81% Energy • 57% Liveness
1% Instrumentalness • 71% Positiveness
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Luke Winslow-King
Swing That Thing
98 bpm • A Maj • 03:17 • -7.79db
35% Popularity • 58% Danceability • 78% Energy • 8% Liveness
1% Instrumentalness • 56% Positiveness
35% Popularity • 58% Danceability • 78% Energy • 8% Liveness
1% Instrumentalness • 56% Positiveness
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Shuggie Otis
Shuggie's Boogie
77 bpm • C Maj • 05:34 • -14.35db
15% Popularity • 32% Danceability • 45% Energy • 9% Liveness
12% Instrumentalness • 69% Positiveness
15% Popularity • 32% Danceability • 45% Energy • 9% Liveness
12% Instrumentalness • 69% Positiveness
