Songs like I'm Gonna Sing 'til the Spirit Moves in My Heart by The National Lutheran Choir
Based on a tempo of (+/- 10%) and a similar genre
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The National Lutheran Choir
I'm Gonna Sing 'til the Spirit Moves in ...
138 bpm • F min • 02:29 • -22.21db
10% Popularity • 41% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
10% Popularity • 41% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Edward Elgar
As Torrents in Summer
138 bpm • D# Maj • 02:04 • -31db
16% Popularity • 20% Danceability • 4% Energy • 9% Liveness
4% Instrumentalness • 4% Positiveness
16% Popularity • 20% Danceability • 4% Energy • 9% Liveness
4% Instrumentalness • 4% Positiveness
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Sarah Quartel
Sing, my Child - SATB
138 bpm • F Maj • 04:24 • -20.99db
12% Popularity • 25% Danceability • 13% Energy • 22% Liveness
0% Instrumentalness • 5% Positiveness
12% Popularity • 25% Danceability • 13% Energy • 22% Liveness
0% Instrumentalness • 5% Positiveness
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Phoenix Chamber Choir
Why the Caged Bird Sings
137 bpm • B Maj • 08:51 • -28.9db
9% Popularity • 16% Danceability • 2% Energy • 7% Liveness
12% Instrumentalness • 3% Positiveness
9% Popularity • 16% Danceability • 2% Energy • 7% Liveness
12% Instrumentalness • 3% Positiveness
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Rollo Dilworth
Walk In Jerusalem
138 bpm • F Maj • 03:08 • -6.89db
7% Popularity • 65% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
7% Popularity • 65% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
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Paul J. Christiansen
Wondrous Love
139 bpm • G# min • 02:39 • -27.8db
20% Popularity • 24% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 6% Positiveness
20% Popularity • 24% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 6% Positiveness
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Mike Dixon
3 Love Songs: No. 1. To Love and be Belo...
139 bpm • A# Maj • 02:57 • -23.04db
11% Popularity • 21% Danceability • 10% Energy • 26% Liveness
15% Instrumentalness • 9% Positiveness
11% Popularity • 21% Danceability • 10% Energy • 26% Liveness
15% Instrumentalness • 9% Positiveness
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Jason Max Ferdinand Singers
Safe in His Arms
137 bpm • F Maj • 07:33 • -16.69db
9% Popularity • 15% Danceability • 28% Energy • 12% Liveness
27% Instrumentalness • 4% Positiveness
9% Popularity • 15% Danceability • 28% Energy • 12% Liveness
27% Instrumentalness • 4% Positiveness
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The Concordia Choir
My Soul's Been Anchored in the Lord
137 bpm • A Maj • 03:12 • -24.58db
18% Popularity • 26% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
18% Popularity • 26% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Emma Lou Diemer
Three Madrigals: III. Sigh no more, ladi...
139 bpm • G Maj • 01:22 • -23.55db
12% Popularity • 35% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
12% Popularity • 35% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Randall Thompson
Alleluia
137 bpm • D Maj • 06:20 • -29.8db
8% Popularity • 16% Danceability • 4% Energy • 14% Liveness
96% Instrumentalness • 4% Positiveness
8% Popularity • 16% Danceability • 4% Energy • 14% Liveness
96% Instrumentalness • 4% Positiveness
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Elaine Hagenberg
O Love
137 bpm • G Maj • 05:27 • -19db
28% Popularity • 16% Danceability • 9% Energy • 12% Liveness
67% Instrumentalness • 4% Positiveness
28% Popularity • 16% Danceability • 9% Energy • 12% Liveness
67% Instrumentalness • 4% Positiveness
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Gerald Finzi
Seven Poems of Robert Bridges, Op. 17: I...
136 bpm • F# min • 01:38 • -26db
10% Popularity • 22% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
10% Popularity • 22% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Cantus
M L K
136 bpm • G Maj • 03:01 • -25.79db
10% Popularity • 15% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 15% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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The Concordia Choir
Witness
140 bpm • D Maj • 02:53 • -20.99db
24% Popularity • 33% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
24% Popularity • 33% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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The Singers - Minnesota Choral Artists
Three Whitman Settings: 3. The Last Invo...
136 bpm • G min • 03:04 • -26.5db
9% Popularity • 16% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
9% Popularity • 16% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
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Giuseppe Ottavio Pitoni
Cantate Domino
140 bpm • A# Maj • 01:11 • -20.07db
24% Popularity • 20% Danceability • 16% Energy • 25% Liveness
39% Instrumentalness • 23% Positiveness
24% Popularity • 20% Danceability • 16% Energy • 25% Liveness
39% Instrumentalness • 23% Positiveness
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Kim André Arnesen
O Sacrum Convivium
140 bpm • C Maj • 05:55 • -28db
11% Popularity • 14% Danceability • 5% Energy • 14% Liveness
82% Instrumentalness • 3% Positiveness
11% Popularity • 14% Danceability • 5% Energy • 14% Liveness
82% Instrumentalness • 3% Positiveness
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Marques L.A. Garrett
My heart be brave - SATB
136 bpm • G# Maj • 04:16 • -30.03db
12% Popularity • 16% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Sergei Rachmaninoff: Bogoróditse Dévo
135 bpm • F Maj • 02:49 • -24db
23% Popularity • 18% Danceability • 11% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
23% Popularity • 18% Danceability • 11% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Richard Burchard
Sitivit anima mea (Live)
135 bpm • D# Maj • 06:08 • -29.73db
22% Popularity • 16% Danceability • 3% Energy • 69% Liveness
17% Instrumentalness • 3% Positiveness
22% Popularity • 16% Danceability • 3% Energy • 69% Liveness
17% Instrumentalness • 3% Positiveness
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The Singers - Minnesota Choral Artists
Prayer
136 bpm • A Maj • 04:48 • -22.35db
13% Popularity • 16% Danceability • 10% Energy • 10% Liveness
62% Instrumentalness • 4% Positiveness
13% Popularity • 16% Danceability • 10% Energy • 10% Liveness
62% Instrumentalness • 4% Positiveness
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Tucson Chamber Artists & Eric Holtan
Erev Shel Shoshanim
141 bpm • C min • 03:31 • -21db
11% Popularity • 18% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
11% Popularity • 18% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
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Charles Villiers Stanford
Nunc Dimittis in B-Flat
135 bpm • A# Maj • 03:21 • -29db
9% Popularity • 15% Danceability • 3% Energy • 12% Liveness
58% Instrumentalness • 5% Positiveness
9% Popularity • 15% Danceability • 3% Energy • 12% Liveness
58% Instrumentalness • 5% Positiveness
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Blackburn Cathedral Choir
Brewer: Nunc Dimittis in D
135 bpm • D Maj • 03:07 • -25db
13% Popularity • 16% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
13% Popularity • 16% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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Salt Lake Vocal Artists
O Filii Et Filiae
134 bpm • G# Maj • 03:46 • -18.09db
10% Popularity • 20% Danceability • 15% Energy • 8% Liveness
49% Instrumentalness • 7% Positiveness
10% Popularity • 20% Danceability • 15% Energy • 8% Liveness
49% Instrumentalness • 7% Positiveness
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Cincinnati Youth Choir Bel Canto Choir
Where the Light Begins - Live
134 bpm • C Maj • 03:57 • -17.93db
12% Popularity • 27% Danceability • 13% Energy • 74% Liveness
90% Instrumentalness • 10% Positiveness
12% Popularity • 27% Danceability • 13% Energy • 74% Liveness
90% Instrumentalness • 10% Positiveness
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The Singers - Minnesota Choral Artists
Nocturnes: II. Soneto De La Noche
135 bpm • F# Maj • 05:45 • -24.3db
11% Popularity • 17% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 17% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Jonathan Dove
The Passing of the Year: No. 1. Invocati...
143 bpm • G Maj • 01:31 • -21db
27% Popularity • 21% Danceability • 7% Energy • 6% Liveness
15% Instrumentalness • 9% Positiveness
27% Popularity • 21% Danceability • 7% Energy • 6% Liveness
15% Instrumentalness • 9% Positiveness
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Millikin University Choir
Wade In De Water
134 bpm • D min • 02:49 • -18.58db
21% Popularity • 34% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
21% Popularity • 34% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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The National Lutheran Choir
God So Loved the World
133 bpm • D Maj • 03:39 • -27db
14% Popularity • 17% Danceability • 5% Energy • 10% Liveness
44% Instrumentalness • 4% Positiveness
14% Popularity • 17% Danceability • 5% Energy • 10% Liveness
44% Instrumentalness • 4% Positiveness
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Jean Tisserand
O Sons and Daughters
133 bpm • F min • 02:12 • -12.83db
26% Popularity • 23% Danceability • 21% Energy • 27% Liveness
12% Instrumentalness • 16% Positiveness
26% Popularity • 23% Danceability • 21% Energy • 27% Liveness
12% Instrumentalness • 16% Positiveness
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Atlanta Master Chorale
Fare Thee Well, Love
133 bpm • F# Maj • 04:47 • -26.28db
10% Popularity • 16% Danceability • 5% Energy • 10% Liveness
5% Instrumentalness • 3% Positiveness
10% Popularity • 16% Danceability • 5% Energy • 10% Liveness
5% Instrumentalness • 3% Positiveness
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The Singers - Minnesota Choral Artists
Les Chansons Des Roses: IV. La Rose Comp...
135 bpm • C# Maj • 03:59 • -28.65db
10% Popularity • 17% Danceability • 2% Energy • 10% Liveness
26% Instrumentalness • 6% Positiveness
10% Popularity • 17% Danceability • 2% Energy • 10% Liveness
26% Instrumentalness • 6% Positiveness
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Choir of St Mary's Cathedral, Edinburgh
All Creatures Of Our God And King
143 bpm • D# Maj • 04:36 • -22.95db
27% Popularity • 16% Danceability • 8% Energy • 12% Liveness
3% Instrumentalness • 17% Positiveness
27% Popularity • 16% Danceability • 8% Energy • 12% Liveness
3% Instrumentalness • 17% Positiveness
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Jefferey L. Ames
Let Everything that Hath Breath
143 bpm • C# Maj • 04:14 • -14.11db
15% Popularity • 56% Danceability • 64% Energy • 74% Liveness
0% Instrumentalness • 51% Positiveness
15% Popularity • 56% Danceability • 64% Energy • 74% Liveness
0% Instrumentalness • 51% Positiveness
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Henry Purcell
Remember Not, Lord, Our Offences, Z. 50
133 bpm • A min • 03:16 • -24.9db
18% Popularity • 17% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
18% Popularity • 17% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Nils Lindberg
Shall I Compare Thee
143 bpm • A min • 02:50 • -22db
20% Popularity • 19% Danceability • 16% Energy • 10% Liveness
19% Instrumentalness • 4% Positiveness
20% Popularity • 19% Danceability • 16% Energy • 10% Liveness
19% Instrumentalness • 4% Positiveness
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The National Lutheran Choir
Daemon irrepit callidus
143 bpm • G min • 01:29 • -19.21db
12% Popularity • 37% Danceability • 11% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
12% Popularity • 37% Danceability • 11% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
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The Singers - Minnesota Choral Artists
O Nata Lux
143 bpm • D Maj • 05:11 • -26.75db
8% Popularity • 14% Danceability • 2% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
8% Popularity • 14% Danceability • 2% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
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Sydney Guillaume
Gagòt (Live)
133 bpm • C# Maj • 05:20 • -23.58db
8% Popularity • 23% Danceability • 12% Energy • 73% Liveness
0% Instrumentalness • 9% Positiveness
8% Popularity • 23% Danceability • 12% Energy • 73% Liveness
0% Instrumentalness • 9% Positiveness
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Felix Mendelssohn
Elijah, Op. 70, MWV A 25: Lift Thine Eye...
133 bpm • D Maj • 01:52 • -36.94db
8% Popularity • 18% Danceability • 2% Energy • 6% Liveness
96% Instrumentalness • 5% Positiveness
8% Popularity • 18% Danceability • 2% Energy • 6% Liveness
96% Instrumentalness • 5% Positiveness
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Philip Stopford
For the Beauty of the Earth (Version for...
143 bpm • G# Maj • 03:21 • -25.26db
14% Popularity • 19% Danceability • 11% Energy • 12% Liveness
43% Instrumentalness • 6% Positiveness
14% Popularity • 19% Danceability • 11% Energy • 12% Liveness
43% Instrumentalness • 6% Positiveness
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Emil RÃ¥berg
The Tyger
143 bpm • F min • 03:28 • -29.28db
10% Popularity • 18% Danceability • 3% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
10% Popularity • 18% Danceability • 3% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
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The National Lutheran Choir
When I Survey the Wondrous Cross
133 bpm • D Maj • 04:40 • -21.14db
5% Popularity • 16% Danceability • 3% Energy • 10% Liveness
97% Instrumentalness • 3% Positiveness
5% Popularity • 16% Danceability • 3% Energy • 10% Liveness
97% Instrumentalness • 3% Positiveness
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Michael John Trotta
Veni Veni Emmanuel
144 bpm • G# min • 03:02 • -15.34db
13% Popularity • 29% Danceability • 29% Energy • 40% Liveness
0% Instrumentalness • 38% Positiveness
13% Popularity • 29% Danceability • 29% Energy • 40% Liveness
0% Instrumentalness • 38% Positiveness
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Jason Max Ferdinand Singers
A Prayer
133 bpm • G Maj • 05:15 • -22.88db
19% Popularity • 17% Danceability • 14% Energy • 11% Liveness
71% Instrumentalness • 4% Positiveness
19% Popularity • 17% Danceability • 14% Energy • 11% Liveness
71% Instrumentalness • 4% Positiveness
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Thomas Weelkes
Hosanna to the Son of David
132 bpm • A# min • 02:00 • -24.11db
18% Popularity • 19% Danceability • 15% Energy • 6% Liveness
7% Instrumentalness • 14% Positiveness
18% Popularity • 19% Danceability • 15% Energy • 6% Liveness
7% Instrumentalness • 14% Positiveness
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Wells Cathedral Choir
Stanford: Psalm 150
144 bpm • G# Maj • 02:08 • -26.9db
11% Popularity • 17% Danceability • 12% Energy • 21% Liveness
68% Instrumentalness • 7% Positiveness
11% Popularity • 17% Danceability • 12% Energy • 21% Liveness
68% Instrumentalness • 7% Positiveness
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Jean Berger
The Eyes of All Wait Upon Thee
132 bpm • E min • 02:36 • -22db
24% Popularity • 20% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
24% Popularity • 20% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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Eric William Barnum
Afternoon on a Hill
132 bpm • D Maj • 04:41 • -16db
18% Popularity • 29% Danceability • 14% Energy • 13% Liveness
91% Instrumentalness • 8% Positiveness
18% Popularity • 29% Danceability • 14% Energy • 13% Liveness
91% Instrumentalness • 8% Positiveness
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Emma Lou Diemer
Three Madrigals: II. Take, oh, take thos...
132 bpm • G min • 02:17 • -35.61db
12% Popularity • 16% Danceability • 2% Energy • 11% Liveness
1% Instrumentalness • 5% Positiveness
12% Popularity • 16% Danceability • 2% Energy • 11% Liveness
1% Instrumentalness • 5% Positiveness
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Jason Max Ferdinand Singers
He's Got the Whole World in His Hands
132 bpm • G# Maj • 04:54 • -18.56db
9% Popularity • 23% Danceability • 23% Energy • 24% Liveness
7% Instrumentalness • 15% Positiveness
9% Popularity • 23% Danceability • 23% Energy • 24% Liveness
7% Instrumentalness • 15% Positiveness
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Benjamin Britten
Advance Democracy
132 bpm • D# Maj • 03:25 • -23.39db
8% Popularity • 29% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
8% Popularity • 29% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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The Schola Cantorum of St. Peter's in the Loop
Festival Canticle: Worthy Is Christ (Thi...
132 bpm • B min • 03:47 • -23.67db
17% Popularity • 16% Danceability • 16% Energy • 12% Liveness
78% Instrumentalness • 17% Positiveness
17% Popularity • 16% Danceability • 16% Energy • 12% Liveness
78% Instrumentalness • 17% Positiveness
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Philip Stopford
Missa Deus nobiscum (Version for Soprano...
132 bpm • A# Maj • 02:13 • -17.07db
9% Popularity • 38% Danceability • 19% Energy • 14% Liveness
4% Instrumentalness • 34% Positiveness
9% Popularity • 38% Danceability • 19% Energy • 14% Liveness
4% Instrumentalness • 34% Positiveness
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Alberto Ginastera
The Lamentations of Jeremiah, Op. 14: Eg...
132 bpm • D Maj • 04:40 • -38db
10% Popularity • 16% Danceability • 1% Energy • 11% Liveness
9% Instrumentalness • 3% Positiveness
10% Popularity • 16% Danceability • 1% Energy • 11% Liveness
9% Instrumentalness • 3% Positiveness
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Rivertree Singers Festival Chorus
Jubilate Deo: VI. Alleluia (Song of the ...
145 bpm • C Maj • 05:26 • -13.03db
10% Popularity • 13% Danceability • 30% Energy • 50% Liveness
93% Instrumentalness • 5% Positiveness
10% Popularity • 13% Danceability • 30% Energy • 50% Liveness
93% Instrumentalness • 5% Positiveness
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Patrick Vu
On the Hillside
131 bpm • C# Maj • 05:22 • -31.2db
9% Popularity • 18% Danceability • 1% Energy • 7% Liveness
86% Instrumentalness • 4% Positiveness
9% Popularity • 18% Danceability • 1% Energy • 7% Liveness
86% Instrumentalness • 4% Positiveness
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The Singers - Minnesota Choral Artists
Les Chansons Des Roses: I. En Une Seule ...
131 bpm • C# Maj • 02:36 • -27db
9% Popularity • 24% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 24% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Erich Kunzel
Morning Hymn
131 bpm • B min • 00:56 • -37.4db
25% Popularity • 16% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 6% Positiveness
25% Popularity • 16% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 6% Positiveness
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Michael Engelhardt
Gaudete!
146 bpm • C# min • 04:58 • -19.78db
11% Popularity • 34% Danceability • 18% Energy • 4% Liveness
0% Instrumentalness • 7% Positiveness
11% Popularity • 34% Danceability • 18% Energy • 4% Liveness
0% Instrumentalness • 7% Positiveness
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Elaine Hagenberg
The Music of Stillness - SATB
130 bpm • F# Maj • 05:37 • -24db
22% Popularity • 16% Danceability • 4% Energy • 19% Liveness
7% Instrumentalness • 4% Positiveness
22% Popularity • 16% Danceability • 4% Energy • 19% Liveness
7% Instrumentalness • 4% Positiveness
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The University Of Utah Singers
Daemon Irrepit Callidus
146 bpm • G min • 01:28 • -13.92db
26% Popularity • 39% Danceability • 24% Energy • 72% Liveness
0% Instrumentalness • 58% Positiveness
26% Popularity • 39% Danceability • 24% Energy • 72% Liveness
0% Instrumentalness • 58% Positiveness
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Phoenix Chamber Choir
Ballade to the Moon
130 bpm • E Maj • 05:25 • -30.67db
16% Popularity • 22% Danceability • 2% Energy • 5% Liveness
15% Instrumentalness • 6% Positiveness
16% Popularity • 22% Danceability • 2% Energy • 5% Liveness
15% Instrumentalness • 6% Positiveness
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The Singers - Minnesota Choral Artists
Mid-Winter Songs: II. Like Snow
146 bpm • F# Maj • 01:29 • -23db
8% Popularity • 31% Danceability • 9% Energy • 9% Liveness
56% Instrumentalness • 48% Positiveness
8% Popularity • 31% Danceability • 9% Energy • 9% Liveness
56% Instrumentalness • 48% Positiveness
► Preview
Rivertree Singers Festival Chorus
Jubilate Deo: I. Jubilate Deo...
146 bpm • D Maj • 08:38 • -14.38db
14% Popularity • 28% Danceability • 31% Energy • 12% Liveness
3% Instrumentalness • 26% Positiveness
14% Popularity • 28% Danceability • 31% Energy • 12% Liveness
3% Instrumentalness • 26% Positiveness
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Rowland H. Prichard
Hyfrydol "Alleluia! Sing to Jesus"
130 bpm • F Maj • 04:11 • -20db
17% Popularity • 19% Danceability • 11% Energy • 19% Liveness
0% Instrumentalness • 10% Positiveness
17% Popularity • 19% Danceability • 11% Energy • 19% Liveness
0% Instrumentalness • 10% Positiveness
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Jaakko Mäntyjärvi
4 Shakespeare Songs: No. 2. Lullaby
130 bpm • F# Maj • 03:01 • -27db
11% Popularity • 19% Danceability • 7% Energy • 9% Liveness
2% Instrumentalness • 6% Positiveness
11% Popularity • 19% Danceability • 7% Energy • 9% Liveness
2% Instrumentalness • 6% Positiveness
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Philip Stopford
There Is No Rose
130 bpm • A# Maj • 03:27 • -27db
13% Popularity • 22% Danceability • 5% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
13% Popularity • 22% Danceability • 5% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
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Johann Crüger
Deck Thyself, My Soul, with Gladness
130 bpm • D# Maj • 04:47 • -24.31db
8% Popularity • 20% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 20% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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A.R. Rahman
Jai Ho! (arr. E. Sperry)
147 bpm • C Maj • 04:26 • -20.62db
8% Popularity • 46% Danceability • 34% Energy • 76% Liveness
51% Instrumentalness • 43% Positiveness
8% Popularity • 46% Danceability • 34% Energy • 76% Liveness
51% Instrumentalness • 43% Positiveness
► Preview
The National Lutheran Choir
Built on a Rock
129 bpm • D min • 07:19 • -20.7db
11% Popularity • 16% Danceability • 11% Energy • 14% Liveness
89% Instrumentalness • 9% Positiveness
11% Popularity • 16% Danceability • 11% Energy • 14% Liveness
89% Instrumentalness • 9% Positiveness
► Preview
Kim André Arnesen
Infinity
129 bpm • F Maj • 07:41 • -27db
11% Popularity • 16% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
11% Popularity • 16% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
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Atlanta Master Chorale
When Memory Fades
129 bpm • G Maj • 05:02 • -32.01db
12% Popularity • 22% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
12% Popularity • 22% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Benedictines of Mary, Queen of Apostles
Let All Mortal Flesh Keep Silence
129 bpm • D min • 02:58 • -20.56db
34% Popularity • 26% Danceability • 9% Energy • 12% Liveness
44% Instrumentalness • 9% Positiveness
34% Popularity • 26% Danceability • 9% Energy • 12% Liveness
44% Instrumentalness • 9% Positiveness
► Preview
Susan LaBarr
Grace Before Sleep
129 bpm • C# Maj • 03:45 • -23db
21% Popularity • 20% Danceability • 12% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
21% Popularity • 20% Danceability • 12% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
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Joshua Shank
David's Lamentation
129 bpm • E Maj • 04:12 • -22.04db
13% Popularity • 16% Danceability • 5% Energy • 9% Liveness
50% Instrumentalness • 3% Positiveness
13% Popularity • 16% Danceability • 5% Energy • 9% Liveness
50% Instrumentalness • 3% Positiveness
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The National Lutheran Choir
We Shall Walk Through the Valley in Peac...
129 bpm • D# Maj • 03:44 • -31.27db
14% Popularity • 17% Danceability • 2% Energy • 8% Liveness
71% Instrumentalness • 6% Positiveness
14% Popularity • 17% Danceability • 2% Energy • 8% Liveness
71% Instrumentalness • 6% Positiveness
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Sydney Guillaume
Twa Tanbou
129 bpm • A min • 03:50 • -19.49db
10% Popularity • 41% Danceability • 35% Energy • 72% Liveness
0% Instrumentalness • 41% Positiveness
10% Popularity • 41% Danceability • 35% Energy • 72% Liveness
0% Instrumentalness • 41% Positiveness
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Rivertree Singers Festival Chorus
Jubilate Deo: VII. ...Omnis Terra!
148 bpm • D Maj • 06:58 • -12.53db
12% Popularity • 30% Danceability • 59% Energy • 67% Liveness
7% Instrumentalness • 24% Positiveness
12% Popularity • 30% Danceability • 59% Energy • 67% Liveness
7% Instrumentalness • 24% Positiveness
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The Festival Choir and Hosanna Chorus
Jesus Christ Is Risen Today
129 bpm • C Maj • 02:20 • -11.75db
21% Popularity • 20% Danceability • 30% Energy • 9% Liveness
17% Instrumentalness • 34% Positiveness
21% Popularity • 20% Danceability • 30% Energy • 9% Liveness
17% Instrumentalness • 34% Positiveness
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Judith Weir
Drop down, ye heavens, from above
148 bpm • D min • 01:47 • -19.47db
9% Popularity • 17% Danceability • 14% Energy • 11% Liveness
83% Instrumentalness • 6% Positiveness
9% Popularity • 17% Danceability • 14% Energy • 11% Liveness
83% Instrumentalness • 6% Positiveness
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Atlanta Master Chorale
Hark, I Hear the Harps Eternal
128 bpm • C Maj • 02:13 • -21db
21% Popularity • 27% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
21% Popularity • 27% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
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The National Lutheran Choir
You are Holy
128 bpm • F Maj • 05:09 • -21.42db
1% Popularity • 27% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
1% Popularity • 27% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
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Jake Runestad
I Will Lift Mine Eyes
128 bpm • C# Maj • 04:36 • -26db
16% Popularity • 17% Danceability • 5% Energy • 11% Liveness
81% Instrumentalness • 3% Positiveness
16% Popularity • 17% Danceability • 5% Energy • 11% Liveness
81% Instrumentalness • 3% Positiveness
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William Walton
A Litany: Drop, Drop Slow Tears
128 bpm • C Maj • 03:12 • -29.79db
8% Popularity • 17% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
8% Popularity • 17% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
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Felix Mendelssohn
Richte mich Gott (Psalm 43)
128 bpm • F Maj • 04:55 • -25.58db
20% Popularity • 24% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
20% Popularity • 24% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Hans Leo Hassler
Cantate Domino canticum novum
128 bpm • D Maj • 01:39 • -19.4db
28% Popularity • 25% Danceability • 11% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
28% Popularity • 25% Danceability • 11% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
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Sydney Guillaume
Tchaka (Live)
127 bpm • A min • 04:52 • -16db
4% Popularity • 31% Danceability • 39% Energy • 86% Liveness
0% Instrumentalness • 27% Positiveness
4% Popularity • 31% Danceability • 39% Energy • 86% Liveness
0% Instrumentalness • 27% Positiveness
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The National Lutheran Choir
I Want Jesus to Walk with Me
149 bpm • C min • 03:38 • -22.72db
7% Popularity • 28% Danceability • 6% Energy • 12% Liveness
64% Instrumentalness • 11% Positiveness
7% Popularity • 28% Danceability • 6% Energy • 12% Liveness
64% Instrumentalness • 11% Positiveness
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Tapestry Chamber Singers
Love the Lord
127 bpm • D# Maj • 01:56 • -23.38db
10% Popularity • 26% Danceability • 11% Energy • 12% Liveness
4% Instrumentalness • 24% Positiveness
10% Popularity • 26% Danceability • 11% Energy • 12% Liveness
4% Instrumentalness • 24% Positiveness
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The Wartburg Choir
Give Me Jesus
127 bpm • E Maj • 04:55 • -26.07db
10% Popularity • 17% Danceability • 3% Energy • 16% Liveness
95% Instrumentalness • 3% Positiveness
10% Popularity • 17% Danceability • 3% Energy • 16% Liveness
95% Instrumentalness • 3% Positiveness
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Portland State Chamber Choir
The Heaven's Flock
127 bpm • D# Maj • 04:28 • -20.71db
13% Popularity • 19% Danceability • 18% Energy • 20% Liveness
98% Instrumentalness • 4% Positiveness
13% Popularity • 19% Danceability • 18% Energy • 20% Liveness
98% Instrumentalness • 4% Positiveness
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Adrian Batten
O sing joyfully
128 bpm • G# Maj • 01:35 • -21.5db
17% Popularity • 28% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
17% Popularity • 28% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Alexander Ewing
Jerusalem the golden
127 bpm • C Maj • 02:53 • -23.78db
12% Popularity • 22% Danceability • 9% Energy • 11% Liveness
2% Instrumentalness • 13% Positiveness
12% Popularity • 22% Danceability • 9% Energy • 11% Liveness
2% Instrumentalness • 13% Positiveness
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The National Lutheran Choir
Standin' in the Need of Prayer
128 bpm • G Maj • 02:34 • -22.34db
7% Popularity • 36% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
7% Popularity • 36% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Peter Hurford
Psalm 117 "O Praise the Lord, All Ye Hea...
127 bpm • E Maj • 01:10 • -15db
14% Popularity • 25% Danceability • 26% Energy • 12% Liveness
16% Instrumentalness • 8% Positiveness
14% Popularity • 25% Danceability • 26% Energy • 12% Liveness
16% Instrumentalness • 8% Positiveness
