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I'm Happy You Exist
Songs like
I'm Happy You Exist
by
Angus Maude
Based on a tempo of (+/- 10%) and a similar genre
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Liza Anne
1,000 Years
126 bpm • C Maj • 03:39 • -9db
39% Popularity • 44% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Jake Etheridge
I Can Take It
126 bpm • F Maj • 03:39 • -10.72db
30% Popularity • 69% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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D.A. Wallach
Every Time You Walk Away
126 bpm • F# Maj • 03:13 • -10db
32% Popularity • 70% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Besides Daniel
Learn How to Fight (Acoustic)
126 bpm • F# Maj • 05:15 • -15db
28% Popularity • 56% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Cardinal Lane
Red Lining
126 bpm • G Maj • 04:44 • -10db
31% Popularity • 50% Danceability • 47% Energy • 42% Liveness
0% Instrumentalness • 16% Positiveness
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Angus Maude
I'm Happy You Exist
126 bpm • A# Maj • 03:05 • -10.66db
33% Popularity • 66% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Madeline The Person
As a Child
126 bpm • G Maj • 03:10 • -10.33db
43% Popularity • 51% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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John-Robert
Adeline
126 bpm • D Maj • 03:49 • -10db
42% Popularity • 39% Danceability • 40% Energy • 9% Liveness
3% Instrumentalness • 18% Positiveness
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Christian Leave
Can't Help Falling in Love
126 bpm • C Maj • 02:15 • -7.2db
55% Popularity • 61% Danceability • 27% Energy • 34% Liveness
0% Instrumentalness • 39% Positiveness
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Jon Bryant
Seattle
125 bpm • D Maj • 06:21 • -15db
23% Popularity • 49% Danceability • 20% Energy • 6% Liveness
0% Instrumentalness • 18% Positiveness
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Fins Ara
Veer
125 bpm • F Maj • 03:09 • -11.35db
29% Popularity • 40% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Isobel Knight
Up There
127 bpm • E Maj • 04:22 • -16db
24% Popularity • 51% Danceability • 14% Energy • 9% Liveness
9% Instrumentalness • 11% Positiveness
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Austin Blue
Inconsequential
127 bpm • D Maj • 04:27 • -19.94db
19% Popularity • 46% Danceability • 15% Energy • 12% Liveness
43% Instrumentalness • 6% Positiveness
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Dave Thomas Junior
When Does It Get Easier
125 bpm • C# Maj • 03:47 • -17.79db
18% Popularity • 61% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Bjéar
Sierra
125 bpm • A Maj • 05:40 • -11.26db
17% Popularity • 36% Danceability • 21% Energy • 22% Liveness
0% Instrumentalness • 6% Positiveness
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Tom McKenzie
September
127 bpm • D Maj • 02:57 • -10.29db
25% Popularity • 59% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Declan.Wav
Love Is Blind
125 bpm • F Maj • 03:53 • -4.26db
1% Popularity • 73% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
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girly.
Kids (Re-Imagined)
125 bpm • D Maj • 03:06 • -10.1db
6% Popularity • 67% Danceability • 42% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
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Mr. Carter Davis
Storms
125 bpm • D# Maj • 03:25 • -10.39db
33% Popularity • 56% Danceability • 46% Energy • 14% Liveness
4% Instrumentalness • 36% Positiveness
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Henri Bardot
94
125 bpm • A# min • 03:10 • -13.27db
32% Popularity • 41% Danceability • 29% Energy • 29% Liveness
3% Instrumentalness • 22% Positiveness
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Angus Maude
Hotmail
125 bpm • E Maj • 03:33 • -7.66db
5% Popularity • 79% Danceability • 46% Energy • 48% Liveness
0% Instrumentalness • 42% Positiveness
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Romantica
Lost in the Cosmos
127 bpm • D# Maj • 03:07 • -15db
17% Popularity • 63% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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S. Grant Parker
No Fire
127 bpm • F Maj • 03:48 • -7.42db
24% Popularity • 58% Danceability • 34% Energy • 28% Liveness
1% Instrumentalness • 28% Positiveness
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Jeff Pianki
Song About
128 bpm • B Maj • 03:39 • -11.1db
35% Popularity • 76% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Mōzi
Honey + Tea (Acoustic)
128 bpm • F Maj • 03:44 • -11.62db
36% Popularity • 65% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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ROLE MODEL
notice me - acoustic
124 bpm • G# min • 03:14 • -5.74db
50% Popularity • 64% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
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Matthew Pinder
Golden Hour
124 bpm • D Maj • 03:36 • -12.17db
34% Popularity • 49% Danceability • 27% Energy • 7% Liveness
1% Instrumentalness • 19% Positiveness
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Tigers in the Sky
Home
124 bpm • B Maj • 03:24 • -15.39db
14% Popularity • 72% Danceability • 37% Energy • 38% Liveness
0% Instrumentalness • 70% Positiveness
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Swimmingly
Fred Astaire
128 bpm • A Maj • 02:46 • -11.66db
34% Popularity • 69% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Joshua Speers
Happy Birthday You're Alone
124 bpm • C# Maj • 03:10 • -9.65db
21% Popularity • 72% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Nick Wilson
All for You
128 bpm • A Maj • 05:49 • -15.83db
24% Popularity • 56% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Duncan Covey
Come Around
128 bpm • D# Maj • 03:12 • -17.3db
19% Popularity • 58% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Corey Kilgannon
Crescent City
129 bpm • D Maj • 03:24 • -19.84db
12% Popularity • 63% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Seafret
Did We Miss the Morning?
129 bpm • D min • 02:54 • -12.98db
34% Popularity • 53% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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The Greeting Committee
Elise
123 bpm • C Maj • 04:14 • -13.16db
46% Popularity • 64% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
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Sam Alexander
Seasick
123 bpm • D# Maj • 03:45 • -15db
22% Popularity • 58% Danceability • 26% Energy • 14% Liveness
17% Instrumentalness • 5% Positiveness
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Nick Wilson
Closer
124 bpm • E Maj • 05:22 • -12.21db
32% Popularity • 59% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Christian Leave
Darling
129 bpm • C Maj • 02:45 • -7.64db
50% Popularity • 66% Danceability • 55% Energy • 21% Liveness
0% Instrumentalness • 20% Positiveness
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Jackson Wooten
Honey
123 bpm • A# Maj • 03:25 • -16.43db
11% Popularity • 50% Danceability • 19% Energy • 11% Liveness
23% Instrumentalness • 14% Positiveness
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Son of Cloud
I Love You More
130 bpm • C Maj • 01:53 • -15.82db
39% Popularity • 48% Danceability • 4% Energy • 12% Liveness
1% Instrumentalness • 22% Positiveness
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Honeywater
Wonder
130 bpm • D Maj • 04:55 • -10db
32% Popularity • 49% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Corey Kilgannon
Hospital Hymns
122 bpm • D# Maj • 05:12 • -18.24db
26% Popularity • 45% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Nick Wilson
Shadows in the Dark
130 bpm • C Maj • 04:20 • -16.23db
16% Popularity • 48% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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My Brothers And I
Fly Away
130 bpm • D Maj • 04:07 • -7.21db
28% Popularity • 63% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Paul Vinson
Came Around
130 bpm • A Maj • 03:24 • -9.71db
17% Popularity • 36% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Angus Maude
Memories We Can't Make
130 bpm • G# Maj • 02:30 • -7.77db
5% Popularity • 68% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 24% Positiveness
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FINNEAS
Luck Pusher
130 bpm • A Maj • 02:43 • -12.19db
37% Popularity • 62% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Alix Page
Stripes
130 bpm • C Maj • 03:56 • -9.66db
29% Popularity • 58% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Charlie Burg
Bookstore Girl
130 bpm • D Maj • 03:23 • -7.82db
52% Popularity • 60% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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War Is Over
You Were Everything
130 bpm • C Maj • 04:18 • -13db
17% Popularity • 58% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Joey Kidney
This is Love - Interlude
130 bpm • E Maj • 04:21 • -16.04db
41% Popularity • 61% Danceability • 38% Energy • 35% Liveness
1% Instrumentalness • 23% Positiveness
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Charlie Brennan
May Flowers
130 bpm • D# Maj • 03:30 • -14.04db
27% Popularity • 67% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Jackson Wooten
Dirt
122 bpm • C Maj • 05:25 • -16.73db
29% Popularity • 48% Danceability • 34% Energy • 10% Liveness
82% Instrumentalness • 7% Positiveness
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FINNEAS
Angel
130 bpm • F Maj • 05:11 • -12.53db
55% Popularity • 54% Danceability • 24% Energy • 30% Liveness
0% Instrumentalness • 23% Positiveness
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Oh Wonder
Don't You Worry
130 bpm • A Maj • 03:39 • -11.18db
52% Popularity • 53% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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War Is Over
Angelica's Room
130 bpm • C Maj • 04:04 • -12.62db
25% Popularity • 60% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Andy Kong
Meteor Showers
122 bpm • D# Maj • 04:14 • -10.63db
37% Popularity • 53% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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The Neighbourhood Watch
Walking on the Water
122 bpm • G# Maj • 03:53 • -10db
31% Popularity • 57% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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The Brazen Youth
Center of Gravity
130 bpm • C# min • 05:27 • -12.14db
47% Popularity • 52% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Ten Kills the Pack
You Just Want to Feel Whole Again
122 bpm • G Maj • 03:18 • -6.99db
14% Popularity • 42% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
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Edward + Jane
Please Don't Leave Me Like This
122 bpm • C# Maj • 04:49 • -8.93db
26% Popularity • 42% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Bruno Major
Home
131 bpm • B Maj • 03:20 • -7db
59% Popularity • 48% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Corey Kilgannon
Macaroni Song
122 bpm • A# Maj • 03:48 • -13db
39% Popularity • 48% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Paul Moody
Oregon
131 bpm • F# Maj • 05:00 • -16.12db
23% Popularity • 67% Danceability • 15% Energy • 12% Liveness
5% Instrumentalness • 16% Positiveness
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Rusty Clanton
Novels
131 bpm • A Maj • 05:52 • -11db
40% Popularity • 52% Danceability • 28% Energy • 9% Liveness
1% Instrumentalness • 15% Positiveness
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Isobel Knight
Home Is You
131 bpm • G Maj • 03:08 • -15.18db
19% Popularity • 50% Danceability • 7% Energy • 11% Liveness
2% Instrumentalness • 11% Positiveness
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Colouring
I Can't Make You Love Me
121 bpm • F Maj • 04:37 • -15.79db
39% Popularity • 36% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Fool Child
Dragon Blood
132 bpm • F Maj • 03:46 • -12.16db
14% Popularity • 58% Danceability • 24% Energy • 11% Liveness
17% Instrumentalness • 16% Positiveness
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Corey Kilgannon
Berlin
131 bpm • A# Maj • 03:39 • -8.99db
26% Popularity • 34% Danceability • 19% Energy • 12% Liveness
2% Instrumentalness • 19% Positiveness
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Honeywater
So Little Time
132 bpm • D Maj • 03:40 • -8.71db
30% Popularity • 44% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Young Mister
Everything Has Its Place
132 bpm • A Maj • 04:12 • -12db
45% Popularity • 39% Danceability • 25% Energy • 9% Liveness
12% Instrumentalness • 30% Positiveness
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Timid, the Brave
Time to Go
132 bpm • F# Maj • 04:30 • -15.07db
13% Popularity • 58% Danceability • 26% Energy • 8% Liveness
4% Instrumentalness • 10% Positiveness
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Vacation Manor
Hourglass
120 bpm • E Maj • 03:44 • -13db
31% Popularity • 54% Danceability • 22% Energy • 36% Liveness
2% Instrumentalness • 10% Positiveness
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Angus Maude
95 Golf
120 bpm • C Maj • 02:13 • -13.41db
3% Popularity • 46% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Corey Kilgannon
The Fighter
132 bpm • A Maj • 02:23 • -15.47db
26% Popularity • 50% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Duncan Fellows
Who You Are
120 bpm • F# Maj • 02:39 • -11.76db
21% Popularity • 43% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Garden Gloves
Lover, I
132 bpm • G Maj • 02:41 • -10.92db
28% Popularity • 48% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Common Jack
The Lake
132 bpm • G# min • 02:09 • -15.47db
28% Popularity • 55% Danceability • 38% Energy • 33% Liveness
0% Instrumentalness • 22% Positiveness
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Samuel Lim
Eleanor
120 bpm • C# Maj • 03:30 • -13.91db
38% Popularity • 60% Danceability • 35% Energy • 11% Liveness
1% Instrumentalness • 27% Positiveness
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Angus Maude
Balloon Boy
120 bpm • F# Maj • 02:42 • -10.78db
12% Popularity • 76% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Charlie Burg
Title Guide to the Talkies
120 bpm • F# Maj • 02:55 • -15db
27% Popularity • 59% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Andrew James
I Can't Keep from Loving You
120 bpm • C# Maj • 04:12 • -13.33db
33% Popularity • 67% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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August James
Indigo
120 bpm • A Maj • 04:04 • -23.81db
14% Popularity • 68% Danceability • 7% Energy • 10% Liveness
3% Instrumentalness • 16% Positiveness
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Twiceyoung
Night Drive - Deconstructed
120 bpm • F# min • 04:12 • -13db
32% Popularity • 27% Danceability • 34% Energy • 29% Liveness
33% Instrumentalness • 19% Positiveness
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Local Natives
When Am I Gonna Lose You - Acoustic
132 bpm • B Maj • 04:11 • -6.38db
32% Popularity • 45% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Angus Maude
Penny Jane
120 bpm • B Maj • 03:55 • -18db
21% Popularity • 50% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Tucker Rivera
. just in case, if that's alright .
133 bpm • A min • 02:33 • -12.37db
18% Popularity • 41% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Noah Floersch
Regarding Your Departure
133 bpm • F# Maj • 03:16 • -17.96db
20% Popularity • 50% Danceability • 16% Energy • 13% Liveness
3% Instrumentalness • 34% Positiveness
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Dave Thomas Junior
Making Mistakes & Wasting Time
120 bpm • C# Maj • 03:32 • -13.26db
23% Popularity • 64% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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The Boy from the South
Escapism
133 bpm • C Maj • 04:00 • -7.17db
29% Popularity • 48% Danceability • 39% Energy • 34% Liveness
3% Instrumentalness • 38% Positiveness
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Ethan DeRose
Paint Splattered Jeans (Acoustic)
133 bpm • B min • 02:45 • -13.96db
20% Popularity • 76% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Angus Maude
Brainrot
120 bpm • G Maj • 03:05 • -13.51db
3% Popularity • 77% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Ari Weiss
Only Girl
119 bpm • E min • 04:22 • -19.49db
22% Popularity • 53% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Rusty Clanton
I Hope It's You
134 bpm • B Maj • 03:57 • -8.96db
34% Popularity • 37% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 16% Positiveness
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Andy Leon
Zanesville, Ohio
119 bpm • G Maj • 02:47 • -14.53db
25% Popularity • 51% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Oliver Riot
We Popped the Moon
134 bpm • A Maj • 03:03 • -13db
36% Popularity • 57% Danceability • 22% Energy • 8% Liveness
1% Instrumentalness • 26% Positiveness
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Christian Leave
Shadows
134 bpm • A# Maj • 03:30 • -4.76db
30% Popularity • 41% Danceability • 48% Energy • 37% Liveness
0% Instrumentalness • 16% Positiveness
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Angus Maude
What's Wrong?
120 bpm • F Maj • 03:38 • -12.01db
2% Popularity • 66% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Andrew & Veda
About Your Eyes
134 bpm • E Maj • 02:54 • -20db
15% Popularity • 63% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Rusty Clanton
Oh, Isabella
134 bpm • E Maj • 02:55 • -8.71db
27% Popularity • 33% Danceability • 30% Energy • 85% Liveness
4% Instrumentalness • 12% Positiveness
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I'm Happy You Exist