Songs like I'm Leaving You by Bob Reed
Based on a tempo of (+/- 10%) and a similar genre
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Jimmy McCracklin
The Wobble
116 bpm • D min • 02:18 • -8.9db
7% Popularity • 73% Danceability • 94% Energy • 10% Liveness
1% Instrumentalness • 96% Positiveness
7% Popularity • 73% Danceability • 94% Energy • 10% Liveness
1% Instrumentalness • 96% Positiveness
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Bob Mattice & The Phaetons
Camel Walk
116 bpm • C Maj • 02:33 • -7.62db
7% Popularity • 65% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
7% Popularity • 65% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Willis Brothers
Gear Shiftin'
116 bpm • C Maj • 02:06 • -12.96db
9% Popularity • 60% Danceability • 66% Energy • 13% Liveness
94% Instrumentalness • 92% Positiveness
9% Popularity • 60% Danceability • 66% Energy • 13% Liveness
94% Instrumentalness • 92% Positiveness
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Louis Jordan
I've Found My Peace Of Mind
116 bpm • F Maj • 02:17 • -6.81db
10% Popularity • 66% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 77% Positiveness
10% Popularity • 66% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 77% Positiveness
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Jake Vaadeland
Until the Day I See You Dear
116 bpm • E Maj • 03:09 • -10.94db
7% Popularity • 65% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
7% Popularity • 65% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Ned Miller
Back to Strangers
116 bpm • E Maj • 02:02 • -12.6db
7% Popularity • 71% Danceability • 39% Energy • 22% Liveness
6% Instrumentalness • 73% Positiveness
7% Popularity • 71% Danceability • 39% Energy • 22% Liveness
6% Instrumentalness • 73% Positiveness
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Jimmy Dean
There Stands The Glass
115 bpm • A# Maj • 02:04 • -10.23db
9% Popularity • 37% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
9% Popularity • 37% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
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Bob Reed
I'm Leaving You
116 bpm • D min • 02:35 • -3.68db
0% Popularity • 71% Danceability • 72% Energy • 20% Liveness
1% Instrumentalness • 96% Positiveness
0% Popularity • 71% Danceability • 72% Energy • 20% Liveness
1% Instrumentalness • 96% Positiveness
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Joe Bennett & The Sparkletones
Little Turtle
117 bpm • G Maj • 02:02 • -6.46db
6% Popularity • 62% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
6% Popularity • 62% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Los Crazy Boys
Boogie de la Guitarra
115 bpm • G Maj • 02:52 • -12.83db
11% Popularity • 56% Danceability • 66% Energy • 11% Liveness
92% Instrumentalness • 93% Positiveness
11% Popularity • 56% Danceability • 66% Energy • 11% Liveness
92% Instrumentalness • 93% Positiveness
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The Coasters
Zing! Went the Strings of My Heart
115 bpm • F Maj • 02:51 • -4.25db
7% Popularity • 54% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
7% Popularity • 54% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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Mack Allen Smith
I Got My Mojo Working
117 bpm • A Maj • 02:20 • -2.55db
9% Popularity • 71% Danceability • 94% Energy • 29% Liveness
1% Instrumentalness • 81% Positiveness
9% Popularity • 71% Danceability • 94% Energy • 29% Liveness
1% Instrumentalness • 81% Positiveness
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Johnny Kidd & The Pirates
Steady Date
117 bpm • A min • 02:38 • -11.74db
10% Popularity • 59% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
10% Popularity • 59% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Bob Wills
Li'l Liza Jane
117 bpm • D Maj • 02:21 • -12.56db
8% Popularity • 69% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 98% Positiveness
8% Popularity • 69% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 98% Positiveness
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Clarence "Frogman" Henry
Why Cant You - Remastered
115 bpm • A Maj • 01:21 • -8.94db
13% Popularity • 55% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
13% Popularity • 55% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
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Charline Arthur
Burn That Candle
115 bpm • F Maj • 02:13 • -15.34db
14% Popularity • 82% Danceability • 35% Energy • 35% Liveness
0% Instrumentalness • 97% Positiveness
14% Popularity • 82% Danceability • 35% Energy • 35% Liveness
0% Instrumentalness • 97% Positiveness
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Charlie Feathers
Where's She at Tonight
117 bpm • C# min • 01:52 • -11.85db
8% Popularity • 80% Danceability • 74% Energy • 38% Liveness
0% Instrumentalness • 85% Positiveness
8% Popularity • 80% Danceability • 74% Energy • 38% Liveness
0% Instrumentalness • 85% Positiveness
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Hank Locklin
Pinball Millionaire
117 bpm • E Maj • 01:28 • -10.32db
11% Popularity • 48% Danceability • 63% Energy • 26% Liveness
0% Instrumentalness • 98% Positiveness
11% Popularity • 48% Danceability • 63% Energy • 26% Liveness
0% Instrumentalness • 98% Positiveness
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Eddie Noack
Don't Trade
115 bpm • C Maj • 02:07 • -10.78db
2% Popularity • 62% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
2% Popularity • 62% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Pat Capocci
I’ll Take Em All
118 bpm • A Maj • 02:05 • -7.26db
25% Popularity • 86% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
25% Popularity • 86% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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Risk Hapless
Describe Winner
118 bpm • D Maj • 03:41 • -10.49db
17% Popularity • 72% Danceability • 67% Energy • 33% Liveness
0% Instrumentalness • 92% Positiveness
17% Popularity • 72% Danceability • 67% Energy • 33% Liveness
0% Instrumentalness • 92% Positiveness
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Ray Anderson & The Home Folks
Sputniks & Mutniks
118 bpm • D Maj • 02:09 • -5.79db
9% Popularity • 58% Danceability • 77% Energy • 31% Liveness
0% Instrumentalness • 80% Positiveness
9% Popularity • 58% Danceability • 77% Energy • 31% Liveness
0% Instrumentalness • 80% Positiveness
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George Kent
This Is Me
114 bpm • D Maj • 02:35 • -12.99db
13% Popularity • 66% Danceability • 34% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
13% Popularity • 66% Danceability • 34% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
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Bill Haley & His Comets
Juke Box Cannon Ball
118 bpm • A Maj • 02:14 • -7.13db
13% Popularity • 76% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 98% Positiveness
13% Popularity • 76% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 98% Positiveness
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Tex Williams
Won't You Ride In My Little Red Wagon?
114 bpm • D Maj • 01:49 • -10.51db
9% Popularity • 83% Danceability • 49% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
9% Popularity • 83% Danceability • 49% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
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The Big Bopper
It's The Thruth, Ruth
118 bpm • E min • 02:16 • -9.06db
10% Popularity • 85% Danceability • 74% Energy • 33% Liveness
0% Instrumentalness • 92% Positiveness
10% Popularity • 85% Danceability • 74% Energy • 33% Liveness
0% Instrumentalness • 92% Positiveness
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Roy Orbison
You're My Baby - Alternate / Remastered ...
118 bpm • F min • 02:07 • -6db
11% Popularity • 53% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
11% Popularity • 53% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
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Roy Hall
I'm the Boss in the House
118 bpm • F Maj • 02:32 • -6.1db
11% Popularity • 69% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 69% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Wynn Stewart
School Bus Love Affair
114 bpm • C Maj • 02:00 • -14.05db
15% Popularity • 58% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
15% Popularity • 58% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Jimmy Clanton
I'm Gonna Try
114 bpm • D min • 02:40 • -4.09db
13% Popularity • 74% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
13% Popularity • 74% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Bill Haley
Tearstains on My Heart
114 bpm • E Maj • 02:54 • -20.16db
9% Popularity • 61% Danceability • 10% Energy • 26% Liveness
0% Instrumentalness • 72% Positiveness
9% Popularity • 61% Danceability • 10% Energy • 26% Liveness
0% Instrumentalness • 72% Positiveness
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Ed Bruce
Eight Wheel Driver - Alternate
119 bpm • F min • 02:37 • -11.07db
9% Popularity • 79% Danceability • 64% Energy • 6% Liveness
1% Instrumentalness • 76% Positiveness
9% Popularity • 79% Danceability • 64% Energy • 6% Liveness
1% Instrumentalness • 76% Positiveness
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Dave Dudley
I Wouldn't Wait Around
113 bpm • D# Maj • 02:13 • -7.69db
15% Popularity • 63% Danceability • 84% Energy • 43% Liveness
45% Instrumentalness • 83% Positiveness
15% Popularity • 63% Danceability • 84% Energy • 43% Liveness
45% Instrumentalness • 83% Positiveness
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Cowboy Copas
Sunny Tennessee
113 bpm • D Maj • 02:30 • -18.69db
10% Popularity • 79% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 96% Positiveness
10% Popularity • 79% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 96% Positiveness
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Little Jimmy Dickens
He Knocked Me Right out of the Box
113 bpm • D# Maj • 02:02 • -7.97db
11% Popularity • 69% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
11% Popularity • 69% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
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Mel Henke Quartet
Dream A Little Dream Of Me
113 bpm • G min • 03:41 • -15.57db
0% Popularity • 54% Danceability • 17% Energy • 10% Liveness
93% Instrumentalness • 29% Positiveness
0% Popularity • 54% Danceability • 17% Energy • 10% Liveness
93% Instrumentalness • 29% Positiveness
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Dick Dale
The Fairest Of Them All
120 bpm • C Maj • 02:10 • -13.34db
13% Popularity • 52% Danceability • 81% Energy • 39% Liveness
0% Instrumentalness • 43% Positiveness
13% Popularity • 52% Danceability • 81% Energy • 39% Liveness
0% Instrumentalness • 43% Positiveness
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Amos Milburn
My Happiness Depends on You
113 bpm • G Maj • 02:13 • -11.47db
9% Popularity • 76% Danceability • 39% Energy • 30% Liveness
0% Instrumentalness • 74% Positiveness
9% Popularity • 76% Danceability • 39% Energy • 30% Liveness
0% Instrumentalness • 74% Positiveness
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Spunyboys
Losing At Your Own Game
120 bpm • B min • 02:03 • -5.64db
24% Popularity • 68% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
24% Popularity • 68% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Sheb Wooley
Josie (Brown)
112 bpm • G min • 01:53 • -8.88db
10% Popularity • 58% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
10% Popularity • 58% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Bob Reed
They Don't Know
111 bpm • C Maj • 02:25 • -10.15db
0% Popularity • 50% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
0% Popularity • 50% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Mel Henke Quartet
The Man I Love
112 bpm • A# min • 05:49 • -16.24db
0% Popularity • 43% Danceability • 29% Energy • 8% Liveness
86% Instrumentalness • 44% Positiveness
0% Popularity • 43% Danceability • 29% Energy • 8% Liveness
86% Instrumentalness • 44% Positiveness
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Charles Sheffield
I Would Be A Sinner
111 bpm • F Maj • 02:03 • -8.64db
18% Popularity • 64% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 94% Positiveness
18% Popularity • 64% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 94% Positiveness
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Dick Dale
The Fairest Of Them All
120 bpm • C Maj • 01:55 • -10.29db
22% Popularity • 63% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
22% Popularity • 63% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
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Roger Miller
I Ain't Comin' Home Tonight
111 bpm • F Maj • 02:00 • -7.81db
12% Popularity • 65% Danceability • 77% Energy • 50% Liveness
2% Instrumentalness • 94% Positiveness
12% Popularity • 65% Danceability • 77% Energy • 50% Liveness
2% Instrumentalness • 94% Positiveness
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Eddie Noack
(When the Band Played) Paul Jones
111 bpm • D Maj • 02:15 • -16db
13% Popularity • 73% Danceability • 24% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
13% Popularity • 73% Danceability • 24% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
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Johnny Horton
(I Wished for an Angel) but the Devil Se...
121 bpm • C# Maj • 02:32 • -10.47db
9% Popularity • 75% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
9% Popularity • 75% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Jim Reeves
I Call Her Heartache - New demo
121 bpm • A Maj • 02:08 • -8.81db
9% Popularity • 66% Danceability • 53% Energy • 27% Liveness
0% Instrumentalness • 68% Positiveness
9% Popularity • 66% Danceability • 53% Energy • 27% Liveness
0% Instrumentalness • 68% Positiveness
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The Davis Sisters
You Weren't Ashamed to Kiss Me Last Nigh...
111 bpm • E Maj • 02:17 • -9.32db
15% Popularity • 73% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
15% Popularity • 73% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Roy Drusky
Before I Lose My Mind
122 bpm • D# Maj • 02:31 • -11.98db
8% Popularity • 68% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
8% Popularity • 68% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Mel Henke Quartet
Frenzied Flight
110 bpm • A# Maj • 03:04 • -13.77db
0% Popularity • 43% Danceability • 38% Energy • 35% Liveness
96% Instrumentalness • 50% Positiveness
0% Popularity • 43% Danceability • 38% Energy • 35% Liveness
96% Instrumentalness • 50% Positiveness
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John D. Loudermilk
Mister Jones
122 bpm • C Maj • 01:58 • -10.68db
10% Popularity • 73% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
10% Popularity • 73% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Ronnie Self
I Ain't Goin' Nowhere
110 bpm • F Maj • 02:42 • -10.46db
9% Popularity • 70% Danceability • 58% Energy • 33% Liveness
0% Instrumentalness • 87% Positiveness
9% Popularity • 70% Danceability • 58% Energy • 33% Liveness
0% Instrumentalness • 87% Positiveness
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Jim Reeves
Most Of The Time - New demo
122 bpm • G Maj • 01:51 • -7.79db
9% Popularity • 62% Danceability • 49% Energy • 6% Liveness
55% Instrumentalness • 68% Positiveness
9% Popularity • 62% Danceability • 49% Energy • 6% Liveness
55% Instrumentalness • 68% Positiveness
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Jack Turner
Sipping on Majesty
122 bpm • E min • 02:56 • -6db
16% Popularity • 51% Danceability • 70% Energy • 15% Liveness
92% Instrumentalness • 52% Positiveness
16% Popularity • 51% Danceability • 70% Energy • 15% Liveness
92% Instrumentalness • 52% Positiveness
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Austin John
Got You On My Mind
122 bpm • C Maj • 04:14 • -8.26db
10% Popularity • 67% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 67% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Frankie Laine
Juba-Juba-Jubalee
110 bpm • B min • 02:24 • -9.59db
9% Popularity • 71% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
9% Popularity • 71% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
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Sil Austin
Everything's Shakin'
110 bpm • F min • 02:57 • -5.68db
9% Popularity • 50% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
9% Popularity • 50% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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The Davis Sisters
Blues for Company
110 bpm • B Maj • 02:17 • -8.9db
10% Popularity • 76% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
10% Popularity • 76% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
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Sanford Clark
Lonesome for a Letter
110 bpm • G Maj • 01:49 • -7.57db
8% Popularity • 70% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
8% Popularity • 70% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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The Browns
The Trot
109 bpm • G Maj • 02:10 • -9.07db
15% Popularity • 69% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
15% Popularity • 69% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
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Lou Monte
Esto es amor
109 bpm • B Maj • 02:36 • -11.2db
13% Popularity • 66% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
13% Popularity • 66% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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Faron Young
Dance Here By Me (One More Time)
109 bpm • C# Maj • 01:52 • -17.8db
9% Popularity • 51% Danceability • 19% Energy • 20% Liveness
18% Instrumentalness • 75% Positiveness
9% Popularity • 51% Danceability • 19% Energy • 20% Liveness
18% Instrumentalness • 75% Positiveness
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Sil Austin
Train Whistle
110 bpm • G min • 02:22 • -5.2db
9% Popularity • 53% Danceability • 94% Energy • 6% Liveness
6% Instrumentalness • 80% Positiveness
9% Popularity • 53% Danceability • 94% Energy • 6% Liveness
6% Instrumentalness • 80% Positiveness
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Tom Brumley And The Buckaroos
Runnin' Short
109 bpm • B Maj • 01:24 • -8.46db
18% Popularity • 76% Danceability • 75% Energy • 14% Liveness
66% Instrumentalness • 98% Positiveness
18% Popularity • 76% Danceability • 75% Energy • 14% Liveness
66% Instrumentalness • 98% Positiveness
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Rex Rinehart
Going Back to My Baby
109 bpm • E Maj • 02:00 • -7.86db
16% Popularity • 65% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
16% Popularity • 65% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
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Ray Conniff
Three-Way Love
124 bpm • C# Maj • 02:38 • -15.3db
10% Popularity • 53% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
10% Popularity • 53% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
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Charlie Rich
Just A Little Bit Sweet - Remastered 202...
124 bpm • C Maj • 02:22 • -4.59db
9% Popularity • 66% Danceability • 67% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
9% Popularity • 66% Danceability • 67% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
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Sugar Pie DeSanto
One Two Let's Rock and Roll
108 bpm • C# Maj • 02:12 • -6.85db
14% Popularity • 58% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
14% Popularity • 58% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
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Kay Adams
Terrible Tangled Web
125 bpm • D# Maj • 02:05 • -8.11db
13% Popularity • 68% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
13% Popularity • 68% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
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Sanford Clark
That's the Way I Feel
108 bpm • D Maj • 02:00 • -9.29db
19% Popularity • 80% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
19% Popularity • 80% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Norville Dollar
What Makes Me Feel so Blue
109 bpm • G Maj • 02:09 • -15.24db
8% Popularity • 41% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
8% Popularity • 41% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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Rex Rinehart
More Than Me
124 bpm • C Maj • 02:58 • -11.1db
5% Popularity • 49% Danceability • 31% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
5% Popularity • 49% Danceability • 31% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
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Slim Whitman
At the End of Nowhere (Digitally Remaste...
108 bpm • C Maj • 02:53 • -7.48db
9% Popularity • 62% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 41% Positiveness
9% Popularity • 62% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 41% Positiveness
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Dick Curless
Cupid's Arrow
108 bpm • E Maj • 01:34 • -9.27db
12% Popularity • 68% Danceability • 69% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
12% Popularity • 68% Danceability • 69% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
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Charlie Rich
Dance Of Love
125 bpm • C Maj • 02:11 • -7.68db
10% Popularity • 72% Danceability • 89% Energy • 6% Liveness
6% Instrumentalness • 98% Positiveness
10% Popularity • 72% Danceability • 89% Energy • 6% Liveness
6% Instrumentalness • 98% Positiveness
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Tex Williams
My Confession
108 bpm • D Maj • 01:55 • -11.4db
10% Popularity • 76% Danceability • 41% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
10% Popularity • 76% Danceability • 41% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
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Eddie Noack
I Can't Run Away
107 bpm • E Maj • 02:42 • -8.57db
9% Popularity • 75% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 91% Positiveness
9% Popularity • 75% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 91% Positiveness
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Bob Reed
Then You Came Back
125 bpm • C Maj • 02:26 • -9.81db
0% Popularity • 62% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
0% Popularity • 62% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
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The Davis Sisters
Sorrow and Pain
125 bpm • A Maj • 02:55 • -9.9db
16% Popularity • 60% Danceability • 20% Energy • 28% Liveness
0% Instrumentalness • 52% Positiveness
16% Popularity • 60% Danceability • 20% Energy • 28% Liveness
0% Instrumentalness • 52% Positiveness
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Sonny James
Cold, Cold, Colder
107 bpm • C# Maj • 02:32 • -9.93db
12% Popularity • 55% Danceability • 21% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
12% Popularity • 55% Danceability • 21% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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The Honkytonk Wranglers
My Time Is Yours
126 bpm • E Maj • 02:17 • -10.6db
32% Popularity • 78% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
32% Popularity • 78% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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King Curtis
C. C. Rider
107 bpm • C min • 02:14 • -5.03db
14% Popularity • 61% Danceability • 81% Energy • 30% Liveness
0% Instrumentalness • 74% Positiveness
14% Popularity • 61% Danceability • 81% Energy • 30% Liveness
0% Instrumentalness • 74% Positiveness
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Sam The Sham & The Pharaohs
Go-Go-Girls
107 bpm • G Maj • 02:16 • -11.08db
15% Popularity • 81% Danceability • 71% Energy • 9% Liveness
2% Instrumentalness • 96% Positiveness
15% Popularity • 81% Danceability • 71% Energy • 9% Liveness
2% Instrumentalness • 96% Positiveness
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Bob Reed
Where The Streets Have No Name
126 bpm • D Maj • 05:15 • -10.83db
0% Popularity • 54% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
0% Popularity • 54% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Sanford Clark
Every Minute of the Day
126 bpm • G Maj • 02:00 • -4.57db
10% Popularity • 70% Danceability • 74% Energy • 24% Liveness
0% Instrumentalness • 97% Positiveness
10% Popularity • 70% Danceability • 74% Energy • 24% Liveness
0% Instrumentalness • 97% Positiveness
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Sonny James
Are You Mine
107 bpm • G# Maj • 02:08 • -7.56db
11% Popularity • 75% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
11% Popularity • 75% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
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Snooks Eaglin
Would You
106 bpm • D Maj • 02:10 • -7.98db
20% Popularity • 72% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 90% Positiveness
20% Popularity • 72% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 90% Positiveness
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Ace Cannon
Honky Tonk
106 bpm • A# Maj • 02:20 • -11.36db
10% Popularity • 83% Danceability • 43% Energy • 56% Liveness
85% Instrumentalness • 83% Positiveness
10% Popularity • 83% Danceability • 43% Energy • 56% Liveness
85% Instrumentalness • 83% Positiveness
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Huey "Piano" Smith
Blow Wind Blow
106 bpm • G# Maj • 02:16 • -6.19db
10% Popularity • 51% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
10% Popularity • 51% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Ritchie Valens
Rhythm Song
106 bpm • C# Maj • 01:06 • -8.42db
12% Popularity • 64% Danceability • 80% Energy • 27% Liveness
75% Instrumentalness • 72% Positiveness
12% Popularity • 64% Danceability • 80% Energy • 27% Liveness
75% Instrumentalness • 72% Positiveness
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David Price
Hot Guitar
127 bpm • A min • 02:37 • -12.05db
15% Popularity • 71% Danceability • 45% Energy • 11% Liveness
1% Instrumentalness • 68% Positiveness
15% Popularity • 71% Danceability • 45% Energy • 11% Liveness
1% Instrumentalness • 68% Positiveness
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The Browns
Hi de Ank Tum - Remastered
127 bpm • E Maj • 01:46 • -11.75db
27% Popularity • 76% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
27% Popularity • 76% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Relate Fishing
Maintain
106 bpm • B Maj • 02:45 • -8.37db
18% Popularity • 56% Danceability • 86% Energy • 33% Liveness
0% Instrumentalness • 71% Positiveness
18% Popularity • 56% Danceability • 86% Energy • 33% Liveness
0% Instrumentalness • 71% Positiveness
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Jimmy Bryant
Blue Bonnet Rag
106 bpm • G Maj • 02:32 • -9.51db
14% Popularity • 75% Danceability • 48% Energy • 12% Liveness
26% Instrumentalness • 96% Positiveness
14% Popularity • 75% Danceability • 48% Energy • 12% Liveness
26% Instrumentalness • 96% Positiveness
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Flat Duo Jets
Party Kiss
127 bpm • A Maj • 02:10 • -9.73db
10% Popularity • 42% Danceability • 66% Energy • 43% Liveness
0% Instrumentalness • 74% Positiveness
10% Popularity • 42% Danceability • 66% Energy • 43% Liveness
0% Instrumentalness • 74% Positiveness
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The Coasters
Charlie Brown
127 bpm • D# Maj • 02:19 • -9.75db
12% Popularity • 65% Danceability • 55% Energy • 1% Liveness
0% Instrumentalness • 92% Positiveness
12% Popularity • 65% Danceability • 55% Energy • 1% Liveness
0% Instrumentalness • 92% Positiveness
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Billy Fury
Phone Call
128 bpm • E Maj • 03:32 • -12.21db
11% Popularity • 53% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
11% Popularity • 53% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
