Songs like I’m Not Your Mother, I’m Not Your Bitch by Courtney Barnett
Based on a tempo of (+/- 10%) and a similar genre
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Sharon Van Etten
Seventeen
127 bpm • F Maj • 04:25 • -7db
60% Popularity • 54% Danceability • 77% Energy • 7% Liveness
26% Instrumentalness • 25% Positiveness
60% Popularity • 54% Danceability • 77% Energy • 7% Liveness
26% Instrumentalness • 25% Positiveness
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Dehd
Flying
127 bpm • G# Maj • 03:46 • -6.73db
39% Popularity • 40% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
39% Popularity • 40% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Tim Darcy
Still Waking Up
127 bpm • E Maj • 02:24 • -4.1db
19% Popularity • 50% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
19% Popularity • 50% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Purple Mountains
Margaritas At The Mall
127 bpm • A min • 03:54 • -7db
16% Popularity • 48% Danceability • 74% Energy • 28% Liveness
2% Instrumentalness • 63% Positiveness
16% Popularity • 48% Danceability • 74% Energy • 28% Liveness
2% Instrumentalness • 63% Positiveness
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Foxygen
Shuggie
127 bpm • C# min • 03:21 • -8db
53% Popularity • 47% Danceability • 64% Energy • 14% Liveness
1% Instrumentalness • 71% Positiveness
53% Popularity • 47% Danceability • 64% Energy • 14% Liveness
1% Instrumentalness • 71% Positiveness
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Parquet Courts
Outside
126 bpm • G# Maj • 01:45 • -6db
43% Popularity • 45% Danceability • 76% Energy • 34% Liveness
10% Instrumentalness • 71% Positiveness
43% Popularity • 45% Danceability • 76% Energy • 34% Liveness
10% Instrumentalness • 71% Positiveness
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Pavement
Gold Soundz
126 bpm • A Maj • 02:39 • -9.36db
52% Popularity • 45% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
52% Popularity • 45% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Wilco
A Shot in the Arm
126 bpm • D Maj • 04:19 • -5db
41% Popularity • 56% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
41% Popularity • 56% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Snail Mail
Pristine
126 bpm • C Maj • 04:55 • -5.51db
53% Popularity • 48% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
53% Popularity • 48% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Silver Jews
Suffering Jukebox
128 bpm • G Maj • 04:21 • -10.86db
43% Popularity • 48% Danceability • 50% Energy • 9% Liveness
48% Instrumentalness • 31% Positiveness
43% Popularity • 48% Danceability • 50% Energy • 9% Liveness
48% Instrumentalness • 31% Positiveness
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M. Ward
Vincent O'Brien
126 bpm • D Maj • 02:38 • -7.1db
13% Popularity • 63% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
13% Popularity • 63% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Wet Leg
Being In Love
126 bpm • A min • 02:02 • -4.94db
59% Popularity • 72% Danceability • 69% Energy • 12% Liveness
11% Instrumentalness • 34% Positiveness
59% Popularity • 72% Danceability • 69% Energy • 12% Liveness
11% Instrumentalness • 34% Positiveness
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Courtney Barnett
Three Packs a Day
126 bpm • C Maj • 02:50 • -4.87db
28% Popularity • 56% Danceability • 91% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
28% Popularity • 56% Danceability • 91% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
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Grizzly Bear
Mourning Sound
128 bpm • G Maj • 04:22 • -6db
46% Popularity • 51% Danceability • 74% Energy • 12% Liveness
16% Instrumentalness • 44% Positiveness
46% Popularity • 51% Danceability • 74% Energy • 12% Liveness
16% Instrumentalness • 44% Positiveness
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Widowspeak
All Yours
128 bpm • G Maj • 03:42 • -8db
40% Popularity • 59% Danceability • 51% Energy • 19% Liveness
73% Instrumentalness • 51% Positiveness
40% Popularity • 59% Danceability • 51% Energy • 19% Liveness
73% Instrumentalness • 51% Positiveness
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Hurray For The Riff Raff
Living In The City
126 bpm • C# Maj • 03:16 • -4.94db
34% Popularity • 61% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
34% Popularity • 61% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
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The Clean
Anything Could Happen
126 bpm • E Maj • 02:37 • -13db
50% Popularity • 62% Danceability • 54% Energy • 21% Liveness
84% Instrumentalness • 96% Positiveness
50% Popularity • 62% Danceability • 54% Energy • 21% Liveness
84% Instrumentalness • 96% Positiveness
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Jen Cloher
Analysis Paralysis
126 bpm • C Maj • 07:45 • -10db
15% Popularity • 59% Danceability • 68% Energy • 11% Liveness
77% Instrumentalness • 93% Positiveness
15% Popularity • 59% Danceability • 68% Energy • 11% Liveness
77% Instrumentalness • 93% Positiveness
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Silver Jews
Punks In The Beerlight
126 bpm • A min • 03:30 • -6db
41% Popularity • 46% Danceability • 83% Energy • 21% Liveness
8% Instrumentalness • 66% Positiveness
41% Popularity • 46% Danceability • 83% Energy • 21% Liveness
8% Instrumentalness • 66% Positiveness
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LCD Soundsystem
Never as Tired as When I'm Waking Up
126 bpm • D Maj • 04:49 • -6.63db
46% Popularity • 65% Danceability • 48% Energy • 20% Liveness
2% Instrumentalness • 36% Positiveness
46% Popularity • 65% Danceability • 48% Energy • 20% Liveness
2% Instrumentalness • 36% Positiveness
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Grandaddy
Now It's On
128 bpm • A Maj • 04:08 • -8.85db
35% Popularity • 62% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
35% Popularity • 62% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Real Estate
Had To Hear
126 bpm • G Maj • 04:50 • -7db
45% Popularity • 56% Danceability • 76% Energy • 15% Liveness
73% Instrumentalness • 50% Positiveness
45% Popularity • 56% Danceability • 76% Energy • 15% Liveness
73% Instrumentalness • 50% Positiveness
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Snail Mail
Speaking Terms
125 bpm • E Maj • 03:53 • -7.03db
46% Popularity • 56% Danceability • 71% Energy • 12% Liveness
35% Instrumentalness • 41% Positiveness
46% Popularity • 56% Danceability • 71% Energy • 12% Liveness
35% Instrumentalness • 41% Positiveness
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Foxygen
Cosmic Vibrations
125 bpm • D Maj • 05:01 • -8db
30% Popularity • 31% Danceability • 64% Energy • 39% Liveness
1% Instrumentalness • 46% Positiveness
30% Popularity • 31% Danceability • 64% Energy • 39% Liveness
1% Instrumentalness • 46% Positiveness
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Silver Jews
We Could Be Looking For The Same Thing
129 bpm • D Maj • 03:35 • -11.53db
40% Popularity • 64% Danceability • 53% Energy • 13% Liveness
1% Instrumentalness • 55% Positiveness
40% Popularity • 64% Danceability • 53% Energy • 13% Liveness
1% Instrumentalness • 55% Positiveness
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Yo La Tengo
My Heart's Not In It
125 bpm • A Maj • 02:48 • -9.8db
42% Popularity • 61% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
42% Popularity • 61% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Pip Blom
Babies Are a Lie
130 bpm • D Maj • 03:04 • -6db
47% Popularity • 48% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
47% Popularity • 48% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Beck
Think I'm In Love
130 bpm • A# Maj • 03:19 • -6.34db
56% Popularity • 87% Danceability • 61% Energy • 10% Liveness
58% Instrumentalness • 86% Positiveness
56% Popularity • 87% Danceability • 61% Energy • 10% Liveness
58% Instrumentalness • 86% Positiveness
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King Tuff
Sun Medallion
124 bpm • F min • 02:30 • -5.13db
51% Popularity • 62% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
51% Popularity • 62% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Black Belt Eagle Scout
Soft Stud
124 bpm • D Maj • 06:08 • -7.09db
41% Popularity • 55% Danceability • 73% Energy • 12% Liveness
44% Instrumentalness • 33% Positiveness
41% Popularity • 55% Danceability • 73% Energy • 12% Liveness
44% Instrumentalness • 33% Positiveness
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Kacy & Clayton
The Light Of Day
124 bpm • E min • 02:52 • -7.13db
36% Popularity • 57% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
36% Popularity • 57% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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A. Savage
Thawing Dawn
124 bpm • C# min • 05:05 • -10db
39% Popularity • 45% Danceability • 50% Energy • 10% Liveness
21% Instrumentalness • 69% Positiveness
39% Popularity • 45% Danceability • 50% Energy • 10% Liveness
21% Instrumentalness • 69% Positiveness
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Snail Mail
Heat Wave
124 bpm • A Maj • 05:08 • -5.7db
50% Popularity • 50% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
50% Popularity • 50% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
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Unknown Mortal Orchestra
Swim and Sleep (Like a Shark)
124 bpm • G# Maj • 02:45 • -10.01db
55% Popularity • 77% Danceability • 81% Energy • 12% Liveness
17% Instrumentalness • 76% Positiveness
55% Popularity • 77% Danceability • 81% Energy • 12% Liveness
17% Instrumentalness • 76% Positiveness
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Amen Dunes
Miki Dora
124 bpm • A# Maj • 05:03 • -12db
26% Popularity • 83% Danceability • 50% Energy • 9% Liveness
20% Instrumentalness • 56% Positiveness
26% Popularity • 83% Danceability • 50% Energy • 9% Liveness
20% Instrumentalness • 56% Positiveness
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Dehd
Lucky
131 bpm • G Maj • 02:33 • -4db
51% Popularity • 64% Danceability • 72% Energy • 7% Liveness
6% Instrumentalness • 30% Positiveness
51% Popularity • 64% Danceability • 72% Energy • 7% Liveness
6% Instrumentalness • 30% Positiveness
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Destroyer
Painter in Your Pocket
123 bpm • F# min • 04:10 • -8.83db
40% Popularity • 57% Danceability • 51% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
40% Popularity • 57% Danceability • 51% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
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Sleater-Kinney
Modern Girl
131 bpm • B Maj • 03:01 • -5.08db
48% Popularity • 54% Danceability • 65% Energy • 10% Liveness
13% Instrumentalness • 20% Positiveness
48% Popularity • 54% Danceability • 65% Energy • 10% Liveness
13% Instrumentalness • 20% Positiveness
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Broken Social Scene
Hug Of Thunder
131 bpm • B Maj • 04:54 • -8.46db
36% Popularity • 70% Danceability • 43% Energy • 16% Liveness
28% Instrumentalness • 49% Positiveness
36% Popularity • 70% Danceability • 43% Energy • 16% Liveness
28% Instrumentalness • 49% Positiveness
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Shannon & The Clams
Ozma
123 bpm • G Maj • 03:27 • -5.93db
46% Popularity • 49% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
46% Popularity • 49% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
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Cass McCombs
Name Written in Water
131 bpm • C Maj • 02:52 • -14.83db
31% Popularity • 82% Danceability • 42% Energy • 12% Liveness
2% Instrumentalness • 96% Positiveness
31% Popularity • 82% Danceability • 42% Energy • 12% Liveness
2% Instrumentalness • 96% Positiveness
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Big Thief
Shark Smile - Edit
131 bpm • F# min • 03:14 • -9.31db
69% Popularity • 69% Danceability • 74% Energy • 11% Liveness
63% Instrumentalness • 67% Positiveness
69% Popularity • 69% Danceability • 74% Energy • 11% Liveness
63% Instrumentalness • 67% Positiveness
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Spoon
Everything Hits At Once
123 bpm • A Maj • 04:04 • -8.11db
42% Popularity • 78% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
42% Popularity • 78% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Clap Your Hands Say Yeah
Let the Cool Goddess Rust Away
131 bpm • D Maj • 03:24 • -6.46db
37% Popularity • 44% Danceability • 84% Energy • 8% Liveness
80% Instrumentalness • 45% Positiveness
37% Popularity • 44% Danceability • 84% Energy • 8% Liveness
80% Instrumentalness • 45% Positiveness
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Camera Obscura
Let's Get Out Of This Country
131 bpm • C# Maj • 03:21 • -3.98db
42% Popularity • 38% Danceability • 88% Energy • 32% Liveness
1% Instrumentalness • 66% Positiveness
42% Popularity • 38% Danceability • 88% Energy • 32% Liveness
1% Instrumentalness • 66% Positiveness
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Neko Case
Best Kept Secret
131 bpm • B min • 03:17 • -7db
35% Popularity • 48% Danceability • 84% Energy • 18% Liveness
1% Instrumentalness • 64% Positiveness
35% Popularity • 48% Danceability • 84% Energy • 18% Liveness
1% Instrumentalness • 64% Positiveness
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Purple Mountains
That's Just The Way That I Feel
123 bpm • C Maj • 03:23 • -6.53db
17% Popularity • 57% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
17% Popularity • 57% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
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The Magnetic Fields
Strange Powers
132 bpm • C Maj • 02:41 • -8.15db
53% Popularity • 67% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
53% Popularity • 67% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Cass McCombs
Sleeping Volcanoes
122 bpm • B Maj • 04:27 • -9.11db
27% Popularity • 60% Danceability • 46% Energy • 12% Liveness
74% Instrumentalness • 40% Positiveness
27% Popularity • 60% Danceability • 46% Energy • 12% Liveness
74% Instrumentalness • 40% Positiveness
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Wet Leg
Angelica
132 bpm • C Maj • 03:52 • -5db
54% Popularity • 49% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 31% Positiveness
54% Popularity • 49% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 31% Positiveness
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Jackie Cohen
Darlin'
132 bpm • C Maj • 03:07 • -6.62db
18% Popularity • 65% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
18% Popularity • 65% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Yeah Yeah Yeahs
Hysteric
132 bpm • A# Maj • 03:50 • -7db
43% Popularity • 57% Danceability • 67% Energy • 10% Liveness
17% Instrumentalness • 38% Positiveness
43% Popularity • 57% Danceability • 67% Energy • 10% Liveness
17% Instrumentalness • 38% Positiveness
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Vagabon
Reason to Believe
132 bpm • G Maj • 02:29 • -11db
30% Popularity • 56% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
30% Popularity • 56% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Parquet Courts
Wide Awake
122 bpm • G# Maj • 02:38 • -3.97db
46% Popularity • 85% Danceability • 93% Energy • 7% Liveness
47% Instrumentalness • 90% Positiveness
46% Popularity • 85% Danceability • 93% Energy • 7% Liveness
47% Instrumentalness • 90% Positiveness
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Caroline Rose
Getting To Me
122 bpm • B Maj • 03:33 • -6.29db
33% Popularity • 73% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
33% Popularity • 73% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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of Montreal
Wraith Pinned to the Mist and Other Game...
122 bpm • F Maj • 04:15 • -10db
58% Popularity • 87% Danceability • 60% Energy • 15% Liveness
10% Instrumentalness • 74% Positiveness
58% Popularity • 87% Danceability • 60% Energy • 15% Liveness
10% Instrumentalness • 74% Positiveness
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Snail Mail
Thinning
132 bpm • E Maj • 03:23 • -4.33db
44% Popularity • 40% Danceability • 96% Energy • 10% Liveness
78% Instrumentalness • 73% Positiveness
44% Popularity • 40% Danceability • 96% Energy • 10% Liveness
78% Instrumentalness • 73% Positiveness
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Neko Case
This Tornado Loves You
133 bpm • G Maj • 03:19 • -5db
43% Popularity • 48% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
43% Popularity • 48% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Real Estate
Darling
133 bpm • C Maj • 04:20 • -5.41db
52% Popularity • 60% Danceability • 89% Energy • 10% Liveness
1% Instrumentalness • 57% Positiveness
52% Popularity • 60% Danceability • 89% Energy • 10% Liveness
1% Instrumentalness • 57% Positiveness
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Ultimate Painting
(I've Got The) Sanctioned Blues
133 bpm • A# Maj • 03:12 • -6db
24% Popularity • 67% Danceability • 88% Energy • 11% Liveness
10% Instrumentalness • 86% Positiveness
24% Popularity • 67% Danceability • 88% Energy • 11% Liveness
10% Instrumentalness • 86% Positiveness
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Smog
Cold Blooded Old Times
121 bpm • B Maj • 04:14 • -10db
44% Popularity • 66% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
44% Popularity • 66% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Fruit Bats
When U Love Somebody
121 bpm • G Maj • 04:31 • -6.37db
58% Popularity • 72% Danceability • 76% Energy • 34% Liveness
1% Instrumentalness • 59% Positiveness
58% Popularity • 72% Danceability • 76% Energy • 34% Liveness
1% Instrumentalness • 59% Positiveness
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The Breeders
Drivin' on 9
121 bpm • G Maj • 03:22 • -13.65db
48% Popularity • 63% Danceability • 39% Energy • 26% Liveness
53% Instrumentalness • 54% Positiveness
48% Popularity • 63% Danceability • 39% Energy • 26% Liveness
53% Instrumentalness • 54% Positiveness
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Wilco
If I Ever Was a Child
134 bpm • G# Maj • 02:55 • -11.82db
54% Popularity • 68% Danceability • 55% Energy • 11% Liveness
61% Instrumentalness • 78% Positiveness
54% Popularity • 68% Danceability • 55% Energy • 11% Liveness
61% Instrumentalness • 78% Positiveness
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Hand Habits
placeholder
134 bpm • F# min • 03:50 • -9.37db
34% Popularity • 49% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
34% Popularity • 49% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Ultimate Painting
Ultimate Painting
121 bpm • G Maj • 03:39 • -8db
43% Popularity • 79% Danceability • 70% Energy • 11% Liveness
81% Instrumentalness • 71% Positiveness
43% Popularity • 79% Danceability • 70% Energy • 11% Liveness
81% Instrumentalness • 71% Positiveness
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Woods
Sun City Creeps
120 bpm • A min • 05:58 • -6db
36% Popularity • 67% Danceability • 63% Energy • 22% Liveness
3% Instrumentalness • 52% Positiveness
36% Popularity • 67% Danceability • 63% Energy • 22% Liveness
3% Instrumentalness • 52% Positiveness
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The Magnetic Fields
I Don't Want to Get Over You
120 bpm • G Maj • 02:22 • -8.02db
54% Popularity • 47% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
54% Popularity • 47% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Jen Cloher
Waiting In The Wings
120 bpm • B Maj • 05:01 • -9.24db
7% Popularity • 45% Danceability • 42% Energy • 10% Liveness
34% Instrumentalness • 16% Positiveness
7% Popularity • 45% Danceability • 42% Energy • 10% Liveness
34% Instrumentalness • 16% Positiveness
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Wilco
Heavy Metal Drummer - 2022 Remaster
121 bpm • G Maj • 03:09 • -7.52db
50% Popularity • 66% Danceability • 69% Energy • 37% Liveness
1% Instrumentalness • 82% Positiveness
50% Popularity • 66% Danceability • 69% Energy • 37% Liveness
1% Instrumentalness • 82% Positiveness
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Porridge Radio
Give/Take
120 bpm • F min • 03:53 • -6.31db
30% Popularity • 57% Danceability • 81% Energy • 11% Liveness
48% Instrumentalness • 54% Positiveness
30% Popularity • 57% Danceability • 81% Energy • 11% Liveness
48% Instrumentalness • 54% Positiveness
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Parquet Courts
Freebird II
120 bpm • F# Maj • 02:55 • -3.54db
45% Popularity • 54% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
45% Popularity • 54% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Sharon Van Etten
Comeback Kid
120 bpm • C Maj • 03:02 • -5.21db
42% Popularity • 54% Danceability • 93% Energy • 3% Liveness
57% Instrumentalness • 36% Positiveness
42% Popularity • 54% Danceability • 93% Energy • 3% Liveness
57% Instrumentalness • 36% Positiveness
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Widowspeak
Gun Shy
120 bpm • E Maj • 03:53 • -8.49db
33% Popularity • 63% Danceability • 66% Energy • 14% Liveness
1% Instrumentalness • 41% Positiveness
33% Popularity • 63% Danceability • 66% Energy • 14% Liveness
1% Instrumentalness • 41% Positiveness
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Matt Berry
Take My Hand
120 bpm • C Maj • 03:10 • -6.36db
46% Popularity • 57% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
46% Popularity • 57% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Japanese Breakfast
Diving Woman
120 bpm • E Maj • 06:32 • -7db
47% Popularity • 46% Danceability • 75% Energy • 12% Liveness
63% Instrumentalness • 26% Positiveness
47% Popularity • 46% Danceability • 75% Energy • 12% Liveness
63% Instrumentalness • 26% Positiveness
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Bully
Trying
120 bpm • A Maj • 03:53 • -7db
33% Popularity • 75% Danceability • 60% Energy • 24% Liveness
0% Instrumentalness • 73% Positiveness
33% Popularity • 75% Danceability • 60% Energy • 24% Liveness
0% Instrumentalness • 73% Positiveness
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Rubblebucket
Came Out of a Lady
120 bpm • B Maj • 04:20 • -6.62db
35% Popularity • 81% Danceability • 73% Energy • 8% Liveness
4% Instrumentalness • 61% Positiveness
35% Popularity • 81% Danceability • 73% Energy • 8% Liveness
4% Instrumentalness • 61% Positiveness
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Sharon Van Etten
One Day
120 bpm • E Maj • 04:43 • -7db
45% Popularity • 60% Danceability • 52% Energy • 35% Liveness
0% Instrumentalness • 47% Positiveness
45% Popularity • 60% Danceability • 52% Energy • 35% Liveness
0% Instrumentalness • 47% Positiveness
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Widowspeak
Plum
120 bpm • G Maj • 04:24 • -8.34db
44% Popularity • 64% Danceability • 76% Energy • 15% Liveness
16% Instrumentalness • 80% Positiveness
44% Popularity • 64% Danceability • 76% Energy • 15% Liveness
16% Instrumentalness • 80% Positiveness
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Cloud Nothings
Hey Cool Kid
120 bpm • C# min • 03:14 • -5.59db
43% Popularity • 42% Danceability • 78% Energy • 35% Liveness
56% Instrumentalness • 69% Positiveness
43% Popularity • 42% Danceability • 78% Energy • 35% Liveness
56% Instrumentalness • 69% Positiveness
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Cut Worms
Don't Want to Say Good-bye
120 bpm • C Maj • 02:51 • -3db
35% Popularity • 76% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
35% Popularity • 76% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Foxygen
On Blue Mountain
135 bpm • F Maj • 05:50 • -7db
37% Popularity • 32% Danceability • 86% Energy • 10% Liveness
3% Instrumentalness • 39% Positiveness
37% Popularity • 32% Danceability • 86% Energy • 10% Liveness
3% Instrumentalness • 39% Positiveness
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This Is The Kit
This Is What You Did
135 bpm • G Maj • 03:12 • -9db
36% Popularity • 62% Danceability • 81% Energy • 10% Liveness
53% Instrumentalness • 43% Positiveness
36% Popularity • 62% Danceability • 81% Energy • 10% Liveness
53% Instrumentalness • 43% Positiveness
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Fruit Bats
Flamingo
120 bpm • E Maj • 04:01 • -7.52db
37% Popularity • 62% Danceability • 55% Energy • 14% Liveness
79% Instrumentalness • 38% Positiveness
37% Popularity • 62% Danceability • 55% Energy • 14% Liveness
79% Instrumentalness • 38% Positiveness
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Bill Callahan
Sycamore
120 bpm • B Maj • 05:35 • -6.07db
42% Popularity • 66% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
42% Popularity • 66% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Lucy Dacus
I Don't Wanna Be Funny Anymore
135 bpm • G# Maj • 02:43 • -8.03db
56% Popularity • 60% Danceability • 77% Energy • 22% Liveness
92% Instrumentalness • 33% Positiveness
56% Popularity • 60% Danceability • 77% Energy • 22% Liveness
92% Instrumentalness • 33% Positiveness
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The Shins
The Past and Pending - 2021 Remaster
120 bpm • A Maj • 05:25 • -11.37db
47% Popularity • 59% Danceability • 34% Energy • 9% Liveness
6% Instrumentalness • 14% Positiveness
47% Popularity • 59% Danceability • 34% Energy • 9% Liveness
6% Instrumentalness • 14% Positiveness
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Foxygen
How Can You Really
120 bpm • C Maj • 03:33 • -6.43db
39% Popularity • 41% Danceability • 67% Energy • 58% Liveness
0% Instrumentalness • 75% Positiveness
39% Popularity • 41% Danceability • 67% Energy • 58% Liveness
0% Instrumentalness • 75% Positiveness
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Neko Case
Hold On, Hold On
119 bpm • F min • 02:46 • -5.02db
49% Popularity • 47% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
49% Popularity • 47% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
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Blake Mills
It'll All Work Out
119 bpm • A Maj • 04:28 • -8db
38% Popularity • 76% Danceability • 44% Energy • 11% Liveness
15% Instrumentalness • 57% Positiveness
38% Popularity • 76% Danceability • 44% Energy • 11% Liveness
15% Instrumentalness • 57% Positiveness
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Bnny
Time Walk
119 bpm • D Maj • 01:33 • -9.05db
50% Popularity • 62% Danceability • 52% Energy • 8% Liveness
78% Instrumentalness • 92% Positiveness
50% Popularity • 62% Danceability • 52% Energy • 8% Liveness
78% Instrumentalness • 92% Positiveness
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Dick Diver
Calendar Days
119 bpm • C Maj • 02:55 • -5.62db
23% Popularity • 43% Danceability • 70% Energy • 13% Liveness
50% Instrumentalness • 41% Positiveness
23% Popularity • 43% Danceability • 70% Energy • 13% Liveness
50% Instrumentalness • 41% Positiveness
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Grizzly Bear
Yet Again
136 bpm • E min • 05:18 • -5db
48% Popularity • 47% Danceability • 88% Energy • 13% Liveness
1% Instrumentalness • 46% Positiveness
48% Popularity • 47% Danceability • 88% Energy • 13% Liveness
1% Instrumentalness • 46% Positiveness
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Kyle Craft
Lady of the Ark
119 bpm • B Maj • 05:06 • -4.15db
27% Popularity • 59% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
27% Popularity • 59% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Shannon & The Clams
Year Of The Spider
136 bpm • E Maj • 02:30 • -3.26db
39% Popularity • 47% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
39% Popularity • 47% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Marika Hackman
Time's Been Reckless
118 bpm • D Maj • 03:54 • -7.64db
26% Popularity • 65% Danceability • 38% Energy • 19% Liveness
0% Instrumentalness • 42% Positiveness
26% Popularity • 65% Danceability • 38% Energy • 19% Liveness
0% Instrumentalness • 42% Positiveness
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Palehound
Cinnamon
136 bpm • G min • 03:34 • -8db
42% Popularity • 40% Danceability • 70% Energy • 10% Liveness
44% Instrumentalness • 35% Positiveness
42% Popularity • 40% Danceability • 70% Energy • 10% Liveness
44% Instrumentalness • 35% Positiveness