Songs like Im Rauch by Bohren & Der Club Of Gore
Based on a tempo of (+/- 10%) and a similar genre
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Deaf Center
Far Between
118 bpm • D# min • 03:13 • -30.19db
13% Popularity • 40% Danceability • 1% Energy • 9% Liveness
83% Instrumentalness • 24% Positiveness
13% Popularity • 40% Danceability • 1% Energy • 9% Liveness
83% Instrumentalness • 24% Positiveness
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Junkyard Shaman
Watching The Glaciers Melt In Slow-Motio...
118 bpm • D min • 04:08 • -15.31db
22% Popularity • 25% Danceability • 24% Energy • 26% Liveness
1% Instrumentalness • 3% Positiveness
22% Popularity • 25% Danceability • 24% Energy • 26% Liveness
1% Instrumentalness • 3% Positiveness
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Bad Angels
Black Background V
118 bpm • D min • 06:40 • -12.94db
17% Popularity • 23% Danceability • 37% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
17% Popularity • 23% Danceability • 37% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Trigg & Gusset
Vanishing Gold
117 bpm • D# Maj • 03:40 • -15.11db
15% Popularity • 35% Danceability • 14% Energy • 6% Liveness
90% Instrumentalness • 4% Positiveness
15% Popularity • 35% Danceability • 14% Energy • 6% Liveness
90% Instrumentalness • 4% Positiveness
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William Basinski
dlp 2.1
117 bpm • F min • 10:50 • -24.31db
28% Popularity • 22% Danceability • 27% Energy • 7% Liveness
84% Instrumentalness • 17% Positiveness
28% Popularity • 22% Danceability • 27% Energy • 7% Liveness
84% Instrumentalness • 17% Positiveness
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Daniel Diaz
The Secret
117 bpm • A Maj • 02:47 • -22db
12% Popularity • 74% Danceability • 21% Energy • 35% Liveness
92% Instrumentalness • 74% Positiveness
12% Popularity • 74% Danceability • 21% Energy • 35% Liveness
92% Instrumentalness • 74% Positiveness
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Susumu Yokota
I Imagine
117 bpm • C Maj • 02:34 • -20.59db
41% Popularity • 35% Danceability • 10% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
41% Popularity • 35% Danceability • 10% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
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Black Chamber
While My Guitar Gently Weeps
117 bpm • G Maj • 04:39 • -10.29db
24% Popularity • 58% Danceability • 35% Energy • 11% Liveness
43% Instrumentalness • 16% Positiveness
24% Popularity • 58% Danceability • 35% Energy • 11% Liveness
43% Instrumentalness • 16% Positiveness
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The Bug
City of Fallen Angels
117 bpm • F# Maj • 06:14 • -16.94db
22% Popularity • 17% Danceability • 6% Energy • 30% Liveness
80% Instrumentalness • 4% Positiveness
22% Popularity • 17% Danceability • 6% Energy • 30% Liveness
80% Instrumentalness • 4% Positiveness
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Trigg & Gusset
Sea And Wind
117 bpm • E Maj • 05:32 • -15.25db
13% Popularity • 23% Danceability • 16% Energy • 20% Liveness
86% Instrumentalness • 3% Positiveness
13% Popularity • 23% Danceability • 16% Energy • 20% Liveness
86% Instrumentalness • 3% Positiveness
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Bohren & Der Club Of Gore
Verwirrung am Strand
119 bpm • D# Maj • 05:14 • -14.2db
23% Popularity • 31% Danceability • 6% Energy • 18% Liveness
89% Instrumentalness • 17% Positiveness
23% Popularity • 31% Danceability • 6% Energy • 18% Liveness
89% Instrumentalness • 17% Positiveness
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Jozef Van Wissem
In Templum Dei
119 bpm • F# min • 02:56 • -11db
34% Popularity • 29% Danceability • 20% Energy • 17% Liveness
68% Instrumentalness • 3% Positiveness
34% Popularity • 29% Danceability • 20% Energy • 17% Liveness
68% Instrumentalness • 3% Positiveness
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Deru
Addictive Yearning
117 bpm • A min • 03:45 • -16.21db
27% Popularity • 18% Danceability • 29% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
27% Popularity • 18% Danceability • 29% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
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Bebopovsky And The Orkestry Podyezdov
Necro Ophelia
120 bpm • A# Maj • 05:25 • -13.16db
11% Popularity • 30% Danceability • 17% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
11% Popularity • 30% Danceability • 17% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
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Wordclock
Where Mercy Lives
116 bpm • C# min • 03:31 • -16.57db
16% Popularity • 28% Danceability • 30% Energy • 30% Liveness
86% Instrumentalness • 20% Positiveness
16% Popularity • 28% Danceability • 30% Energy • 30% Liveness
86% Instrumentalness • 20% Positiveness
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Joel Fausto & Illusion Orchestra
Drawn For The End
120 bpm • A min • 05:51 • -14.28db
8% Popularity • 30% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
8% Popularity • 30% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Bohren & Der Club Of Gore
Deine Kusine
120 bpm • E Maj • 03:14 • -12.95db
25% Popularity • 33% Danceability • 7% Energy • 9% Liveness
64% Instrumentalness • 7% Positiveness
25% Popularity • 33% Danceability • 7% Energy • 9% Liveness
64% Instrumentalness • 7% Positiveness
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Aging
Beneath Heaven
120 bpm • F# min • 07:50 • -18.55db
10% Popularity • 58% Danceability • 29% Energy • 10% Liveness
83% Instrumentalness • 26% Positiveness
10% Popularity • 58% Danceability • 29% Energy • 10% Liveness
83% Instrumentalness • 26% Positiveness
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The Kilimanjaro Darkjazz Ensemble
Embers
120 bpm • E min • 04:24 • -19db
31% Popularity • 43% Danceability • 21% Energy • 6% Liveness
44% Instrumentalness • 5% Positiveness
31% Popularity • 43% Danceability • 21% Energy • 6% Liveness
44% Instrumentalness • 5% Positiveness
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![Funebre Macabre [Musicorum] cover art](https://i.scdn.co/image/ab67616d00001e02d6ebb706c6e90eaa33a0a25d)
The Lovecraft Sextet
Funebre Macabre [Musicorum]
120 bpm • C min • 05:37 • -17.23db
11% Popularity • 24% Danceability • 16% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
11% Popularity • 24% Danceability • 16% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Black Chamber
Difference Engine
120 bpm • D min • 05:13 • -11db
20% Popularity • 44% Danceability • 42% Energy • 8% Liveness
52% Instrumentalness • 11% Positiveness
20% Popularity • 44% Danceability • 42% Energy • 8% Liveness
52% Instrumentalness • 11% Positiveness
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Somnambulist
Misanthropy
120 bpm • E Maj • 04:56 • -17.15db
11% Popularity • 40% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
11% Popularity • 40% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Trigg & Gusset
Coloroid
120 bpm • D# Maj • 04:43 • -15.49db
15% Popularity • 50% Danceability • 20% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
15% Popularity • 50% Danceability • 20% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
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Radare
The Queue
120 bpm • E min • 04:21 • -15db
13% Popularity • 67% Danceability • 13% Energy • 10% Liveness
66% Instrumentalness • 7% Positiveness
13% Popularity • 67% Danceability • 13% Energy • 10% Liveness
66% Instrumentalness • 7% Positiveness
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The Kilimanjaro Darkjazz Ensemble
Shadows
120 bpm • E min • 04:20 • -25db
16% Popularity • 57% Danceability • 25% Energy • 8% Liveness
86% Instrumentalness • 6% Positiveness
16% Popularity • 57% Danceability • 25% Energy • 8% Liveness
86% Instrumentalness • 6% Positiveness
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Nils Petter Molvær
Alone in the Bathtub
120 bpm • G# Maj • 08:35 • -12.14db
9% Popularity • 64% Danceability • 43% Energy • 10% Liveness
92% Instrumentalness • 21% Positiveness
9% Popularity • 64% Danceability • 43% Energy • 10% Liveness
92% Instrumentalness • 21% Positiveness
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Joel Fausto & Illusion Orchestra
Wicked White Dress
120 bpm • B min • 05:23 • -13db
19% Popularity • 55% Danceability • 39% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
19% Popularity • 55% Danceability • 39% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
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Aphex Twin
Jynweythek
120 bpm • D# min • 02:23 • -20db
49% Popularity • 72% Danceability • 25% Energy • 10% Liveness
89% Instrumentalness • 12% Positiveness
49% Popularity • 72% Danceability • 25% Energy • 10% Liveness
89% Instrumentalness • 12% Positiveness
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Earth
Mirage
120 bpm • G Maj • 01:45 • -40.82db
35% Popularity • 44% Danceability • 2% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
35% Popularity • 44% Danceability • 2% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
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Angelo Badalamenti
The Kidnap
120 bpm • D min • 01:01 • -17.21db
29% Popularity • 72% Danceability • 26% Energy • 22% Liveness
88% Instrumentalness • 15% Positiveness
29% Popularity • 72% Danceability • 26% Energy • 22% Liveness
88% Instrumentalness • 15% Positiveness
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The Kilimanjaro Darkjazz Ensemble
Parallel Corners
120 bpm • F Maj • 03:36 • -18.04db
24% Popularity • 57% Danceability • 38% Energy • 11% Liveness
91% Instrumentalness • 16% Positiveness
24% Popularity • 57% Danceability • 38% Energy • 11% Liveness
91% Instrumentalness • 16% Positiveness
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Erik Truffaz
The Eye
116 bpm • D Maj • 04:00 • -14.1db
24% Popularity • 22% Danceability • 29% Energy • 9% Liveness
72% Instrumentalness • 3% Positiveness
24% Popularity • 22% Danceability • 29% Energy • 9% Liveness
72% Instrumentalness • 3% Positiveness
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Joel Fausto & Illusion Orchestra
Hearing Weird Noises In The Back Room
120 bpm • A# min • 05:25 • -11.39db
23% Popularity • 59% Danceability • 49% Energy • 35% Liveness
88% Instrumentalness • 29% Positiveness
23% Popularity • 59% Danceability • 49% Energy • 35% Liveness
88% Instrumentalness • 29% Positiveness
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Kammerflimmer Kollektief
"There's a Weight on You, but You Can't ...
120 bpm • G# Maj • 01:30 • -12.82db
13% Popularity • 42% Danceability • 40% Energy • 41% Liveness
10% Instrumentalness • 19% Positiveness
13% Popularity • 42% Danceability • 40% Energy • 41% Liveness
10% Instrumentalness • 19% Positiveness
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Black Chamber
Sidewinder
121 bpm • A# Maj • 05:12 • -6.47db
18% Popularity • 23% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
18% Popularity • 23% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Fennesz
Rivers of Sand
115 bpm • D Maj • 04:42 • -14.34db
28% Popularity • 19% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
28% Popularity • 19% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Dictaphone
La Chute
115 bpm • G# min • 02:49 • -20.35db
17% Popularity • 42% Danceability • 26% Energy • 9% Liveness
92% Instrumentalness • 23% Positiveness
17% Popularity • 42% Danceability • 26% Energy • 9% Liveness
92% Instrumentalness • 23% Positiveness
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Alain Goraguer
Déshominisation (I)
121 bpm • F# min • 03:50 • -11.1db
33% Popularity • 58% Danceability • 62% Energy • 8% Liveness
95% Instrumentalness • 46% Positiveness
33% Popularity • 58% Danceability • 62% Energy • 8% Liveness
95% Instrumentalness • 46% Positiveness
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autoisolation
Nevermore
115 bpm • G# Maj • 04:32 • -16.57db
10% Popularity • 29% Danceability • 21% Energy • 14% Liveness
87% Instrumentalness • 33% Positiveness
10% Popularity • 29% Danceability • 21% Energy • 14% Liveness
87% Instrumentalness • 33% Positiveness
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Jimmy Scott
Sycamore Trees
121 bpm • G# min • 03:54 • -19.74db
37% Popularity • 36% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
37% Popularity • 36% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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The Dale Cooper Quartet
Oribus Sustente Lingue
115 bpm • F# min • 00:55 • -34.09db
26% Popularity • 22% Danceability • 5% Energy • 11% Liveness
99% Instrumentalness • 48% Positiveness
26% Popularity • 22% Danceability • 5% Energy • 11% Liveness
99% Instrumentalness • 48% Positiveness
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André Charlier
Devil Heart, Pt. 3
122 bpm • D Maj • 02:25 • -16.66db
16% Popularity • 52% Danceability • 31% Energy • 30% Liveness
92% Instrumentalness • 42% Positiveness
16% Popularity • 52% Danceability • 31% Energy • 30% Liveness
92% Instrumentalness • 42% Positiveness
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Arve Henriksen
Groundswell
122 bpm • F min • 05:36 • -18.34db
23% Popularity • 32% Danceability • 17% Energy • 10% Liveness
91% Instrumentalness • 22% Positiveness
23% Popularity • 32% Danceability • 17% Energy • 10% Liveness
91% Instrumentalness • 22% Positiveness
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Tim Hecker
Into the void
122 bpm • C# min • 04:48 • -20.19db
24% Popularity • 20% Danceability • 18% Energy • 12% Liveness
86% Instrumentalness • 5% Positiveness
24% Popularity • 20% Danceability • 18% Energy • 12% Liveness
86% Instrumentalness • 5% Positiveness
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Junkyard Shaman
Through The Halls Of Red
122 bpm • A# min • 09:22 • -23.67db
16% Popularity • 23% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
16% Popularity • 23% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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Wordclock
Meant
122 bpm • F min • 04:53 • -12.2db
16% Popularity • 41% Danceability • 37% Energy • 9% Liveness
91% Instrumentalness • 10% Positiveness
16% Popularity • 41% Danceability • 37% Energy • 9% Liveness
91% Instrumentalness • 10% Positiveness
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Bebopovsky And The Orkestry Podyezdov
Black Heart
122 bpm • F min • 06:13 • -20.32db
12% Popularity • 18% Danceability • 14% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
12% Popularity • 18% Danceability • 14% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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André Charlier
Devil Heart, Pt. 2
121 bpm • B min • 01:40 • -15.8db
23% Popularity • 53% Danceability • 41% Energy • 11% Liveness
90% Instrumentalness • 34% Positiveness
23% Popularity • 53% Danceability • 41% Energy • 11% Liveness
90% Instrumentalness • 34% Positiveness
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Shadowdream
The Sunsettler's Theme
122 bpm • C min • 05:02 • -12.35db
12% Popularity • 26% Danceability • 28% Energy • 13% Liveness
90% Instrumentalness • 5% Positiveness
12% Popularity • 26% Danceability • 28% Energy • 13% Liveness
90% Instrumentalness • 5% Positiveness
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Eberhard Weber
Granada
114 bpm • C min • 02:57 • -27db
22% Popularity • 40% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 11% Positiveness
22% Popularity • 40% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 11% Positiveness
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Cluster
Ho Renomo
114 bpm • D Maj • 05:11 • -17.29db
35% Popularity • 47% Danceability • 18% Energy • 6% Liveness
86% Instrumentalness • 6% Positiveness
35% Popularity • 47% Danceability • 18% Energy • 6% Liveness
86% Instrumentalness • 6% Positiveness
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Jon Hassell
Courtrais - Live
123 bpm • F Maj • 05:44 • -31.81db
18% Popularity • 22% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 8% Positiveness
18% Popularity • 22% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 8% Positiveness
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Black Chamber
Teleology
113 bpm • D min • 04:25 • -12.11db
31% Popularity • 39% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
31% Popularity • 39% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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André Charlier
Devil Heart
122 bpm • G Maj • 02:25 • -13.51db
26% Popularity • 53% Danceability • 34% Energy • 20% Liveness
74% Instrumentalness • 58% Positiveness
26% Popularity • 53% Danceability • 34% Energy • 20% Liveness
74% Instrumentalness • 58% Positiveness
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Oiseaux-Tempête
Aslan Sütü - Santé, Vieux-Monde!
114 bpm • E min • 04:33 • -17.2db
19% Popularity • 22% Danceability • 23% Energy • 29% Liveness
88% Instrumentalness • 4% Positiveness
19% Popularity • 22% Danceability • 23% Energy • 29% Liveness
88% Instrumentalness • 4% Positiveness
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Fire! Orchestra
Blue Crystal Fire
113 bpm • C# min • 07:29 • -15.97db
22% Popularity • 26% Danceability • 9% Energy • 37% Liveness
52% Instrumentalness • 4% Positiveness
22% Popularity • 26% Danceability • 9% Energy • 37% Liveness
52% Instrumentalness • 4% Positiveness
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Trigg & Gusset
Madagascar
113 bpm • C# min • 04:03 • -11.48db
14% Popularity • 28% Danceability • 27% Energy • 12% Liveness
96% Instrumentalness • 19% Positiveness
14% Popularity • 28% Danceability • 27% Energy • 12% Liveness
96% Instrumentalness • 19% Positiveness
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Terje Rypdal
Avskjed
113 bpm • G min • 05:42 • -21.24db
18% Popularity • 20% Danceability • 4% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
18% Popularity • 20% Danceability • 4% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
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Deaf Center
The Day I Would Never Have
113 bpm • B Maj • 10:42 • -16.96db
18% Popularity • 19% Danceability • 15% Energy • 39% Liveness
95% Instrumentalness • 4% Positiveness
18% Popularity • 19% Danceability • 15% Energy • 39% Liveness
95% Instrumentalness • 4% Positiveness
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Mark Isham
No Other Way
112 bpm • C min • 02:07 • -18.39db
29% Popularity • 17% Danceability • 10% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
29% Popularity • 17% Danceability • 10% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
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Angelo Badalamenti
Night Life in Twin Peaks - Instrumental
124 bpm • F Maj • 03:27 • -25.85db
36% Popularity • 22% Danceability • 12% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
36% Popularity • 22% Danceability • 12% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
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The Gentleman Losers
Silver Water Ripples
112 bpm • C min • 02:47 • -21db
29% Popularity • 56% Danceability • 23% Energy • 16% Liveness
88% Instrumentalness • 29% Positiveness
29% Popularity • 56% Danceability • 23% Energy • 16% Liveness
88% Instrumentalness • 29% Positiveness
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Joel Fausto & Illusion Orchestra
Negrume
112 bpm • F# min • 06:54 • -19.69db
15% Popularity • 33% Danceability • 6% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
15% Popularity • 33% Danceability • 6% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
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The Dale Cooper Quartet
Ma Dressing
112 bpm • G Maj • 07:35 • -29.37db
11% Popularity • 16% Danceability • 1% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 1% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
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Barn Owl
Pale Star
112 bpm • C Maj • 04:24 • -13.76db
18% Popularity • 17% Danceability • 19% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
18% Popularity • 17% Danceability • 19% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Dean Hurley
Night Electricity Theme
125 bpm • B Maj • 02:51 • -30.48db
22% Popularity • 17% Danceability • 0% Energy • 11% Liveness
74% Instrumentalness • 4% Positiveness
22% Popularity • 17% Danceability • 0% Energy • 11% Liveness
74% Instrumentalness • 4% Positiveness
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Somewhere Off Jazz Street
Don't Give It All Away
111 bpm • D# min • 05:41 • -18.8db
8% Popularity • 50% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 23% Positiveness
8% Popularity • 50% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 23% Positiveness
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Wordclock
Bell Ringing I
111 bpm • F# min • 05:26 • -18db
23% Popularity • 20% Danceability • 18% Energy • 10% Liveness
88% Instrumentalness • 7% Positiveness
23% Popularity • 20% Danceability • 18% Energy • 10% Liveness
88% Instrumentalness • 7% Positiveness
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Nils Petter Molvær
Gilimanuk
112 bpm • F min • 03:48 • -19.63db
27% Popularity • 64% Danceability • 16% Energy • 12% Liveness
90% Instrumentalness • 36% Positiveness
27% Popularity • 64% Danceability • 16% Energy • 12% Liveness
90% Instrumentalness • 36% Positiveness
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Matthew Halsall
Samatha - Special Edition
111 bpm • G min • 09:16 • -18.98db
31% Popularity • 44% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 9% Positiveness
31% Popularity • 44% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 9% Positiveness
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Harold Budd
Emboldened/My Dreams Perish.
125 bpm • A min • 02:21 • -33.41db
15% Popularity • 59% Danceability • 6% Energy • 30% Liveness
11% Instrumentalness • 50% Positiveness
15% Popularity • 59% Danceability • 6% Energy • 30% Liveness
11% Instrumentalness • 50% Positiveness
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Barn Owl
Cavern Hymn
125 bpm • F Maj • 01:58 • -11.51db
20% Popularity • 25% Danceability • 16% Energy • 14% Liveness
64% Instrumentalness • 7% Positiveness
20% Popularity • 25% Danceability • 16% Energy • 14% Liveness
64% Instrumentalness • 7% Positiveness
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Bookhouse
Audrey's Dance, Prologue
125 bpm • C Maj • 02:47 • -13.63db
10% Popularity • 47% Danceability • 20% Energy • 13% Liveness
77% Instrumentalness • 12% Positiveness
10% Popularity • 47% Danceability • 20% Energy • 13% Liveness
77% Instrumentalness • 12% Positiveness
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Musica Cthulhiana
The Unnamable
111 bpm • C Maj • 06:31 • -17db
27% Popularity • 31% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
27% Popularity • 31% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
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The Kilimanjaro Darkjazz Ensemble
Adaptation of the Koto Song
111 bpm • A# min • 03:58 • -22db
32% Popularity • 63% Danceability • 27% Energy • 11% Liveness
81% Instrumentalness • 22% Positiveness
32% Popularity • 63% Danceability • 27% Energy • 11% Liveness
81% Instrumentalness • 22% Positiveness
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Bohren & Der Club Of Gore
Sag mir,wie lang
111 bpm • C min • 07:39 • -18.02db
19% Popularity • 20% Danceability • 8% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
19% Popularity • 20% Danceability • 8% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
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Gerald Clayton
Bond: The Release
126 bpm • C# min • 03:45 • -19.86db
25% Popularity • 35% Danceability • 7% Energy • 10% Liveness
88% Instrumentalness • 7% Positiveness
25% Popularity • 35% Danceability • 7% Energy • 10% Liveness
88% Instrumentalness • 7% Positiveness
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Oiseaux-Tempête
Bab Sharqi
111 bpm • G# Maj • 05:53 • -9db
21% Popularity • 23% Danceability • 44% Energy • 14% Liveness
90% Instrumentalness • 14% Positiveness
21% Popularity • 23% Danceability • 44% Energy • 14% Liveness
90% Instrumentalness • 14% Positiveness
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Roger Doyle
Coat-Hanger Kisses
111 bpm • G min • 10:00 • -16db
26% Popularity • 44% Danceability • 28% Energy • 11% Liveness
79% Instrumentalness • 7% Positiveness
26% Popularity • 44% Danceability • 28% Energy • 11% Liveness
79% Instrumentalness • 7% Positiveness
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Vincent Gallo
A Falling Down Billy Brown
110 bpm • D# min • 02:04 • -19.48db
29% Popularity • 49% Danceability • 7% Energy • 12% Liveness
92% Instrumentalness • 7% Positiveness
29% Popularity • 49% Danceability • 7% Energy • 12% Liveness
92% Instrumentalness • 7% Positiveness
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Arve Henriksen
Bird's-Eye-View
110 bpm • C Maj • 04:07 • -14.69db
13% Popularity • 57% Danceability • 34% Energy • 54% Liveness
91% Instrumentalness • 30% Positiveness
13% Popularity • 57% Danceability • 34% Energy • 54% Liveness
91% Instrumentalness • 30% Positiveness
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The Dave Brubeck Quartet
Koto Song
110 bpm • A# min • 03:01 • -19.35db
44% Popularity • 47% Danceability • 10% Energy • 10% Liveness
56% Instrumentalness • 32% Positiveness
44% Popularity • 47% Danceability • 10% Energy • 10% Liveness
56% Instrumentalness • 32% Positiveness
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Ulver
Lyckantropen Theme 1
126 bpm • F min • 01:21 • -15.83db
29% Popularity • 37% Danceability • 32% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
29% Popularity • 37% Danceability • 32% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Oiseaux-Tempête
He Is Afraid and so Am I
111 bpm • C Maj • 09:13 • -8.31db
16% Popularity • 22% Danceability • 71% Energy • 14% Liveness
1% Instrumentalness • 14% Positiveness
16% Popularity • 22% Danceability • 71% Energy • 14% Liveness
1% Instrumentalness • 14% Positiveness
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Radare
Who Put the Fear in You
110 bpm • C min • 02:34 • -12.1db
18% Popularity • 67% Danceability • 52% Energy • 26% Liveness
95% Instrumentalness • 47% Positiveness
18% Popularity • 67% Danceability • 52% Energy • 26% Liveness
95% Instrumentalness • 47% Positiveness
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Bohren & Der Club Of Gore
Midnight Black Earth
110 bpm • G# Maj • 08:48 • -22.55db
28% Popularity • 24% Danceability • 5% Energy • 13% Liveness
96% Instrumentalness • 3% Positiveness
28% Popularity • 24% Danceability • 5% Energy • 13% Liveness
96% Instrumentalness • 3% Positiveness
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Jon Hassell
Blue Period
110 bpm • D min • 07:58 • -28db
24% Popularity • 17% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
24% Popularity • 17% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Joel Fausto & Illusion Orchestra
Gin & Tonic
110 bpm • G# Maj • 05:38 • -11db
17% Popularity • 80% Danceability • 39% Energy • 11% Liveness
92% Instrumentalness • 50% Positiveness
17% Popularity • 80% Danceability • 39% Energy • 11% Liveness
92% Instrumentalness • 50% Positiveness
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Heroin And Your Veins
The Trigger
110 bpm • F Maj • 02:57 • -9db
13% Popularity • 54% Danceability • 71% Energy • 30% Liveness
88% Instrumentalness • 40% Positiveness
13% Popularity • 54% Danceability • 71% Energy • 30% Liveness
88% Instrumentalness • 40% Positiveness
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Manet
Huldra's Dance
110 bpm • G# Maj • 06:45 • -26.66db
10% Popularity • 34% Danceability • 12% Energy • 11% Liveness
78% Instrumentalness • 6% Positiveness
10% Popularity • 34% Danceability • 12% Energy • 11% Liveness
78% Instrumentalness • 6% Positiveness
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Supersilent
6.2
110 bpm • C min • 09:57 • -17.47db
13% Popularity • 29% Danceability • 19% Energy • 11% Liveness
83% Instrumentalness • 13% Positiveness
13% Popularity • 29% Danceability • 19% Energy • 11% Liveness
83% Instrumentalness • 13% Positiveness
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Somnambulist
Dead Air
110 bpm • A# Maj • 03:41 • -11.73db
14% Popularity • 47% Danceability • 28% Energy • 4% Liveness
90% Instrumentalness • 3% Positiveness
14% Popularity • 47% Danceability • 28% Energy • 4% Liveness
90% Instrumentalness • 3% Positiveness
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Swami LatePlate
Frank and the Girl
110 bpm • G Maj • 09:42 • -16.14db
8% Popularity • 46% Danceability • 26% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
8% Popularity • 46% Danceability • 26% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Joel Fausto & Illusion Orchestra
Someone Sang And Slowly Danced
110 bpm • A Maj • 06:14 • -16db
31% Popularity • 49% Danceability • 18% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
31% Popularity • 49% Danceability • 18% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Popol Vuh
Kyrie
110 bpm • A# Maj • 05:23 • -14.74db
25% Popularity • 25% Danceability • 24% Energy • 9% Liveness
75% Instrumentalness • 6% Positiveness
25% Popularity • 25% Danceability • 24% Energy • 9% Liveness
75% Instrumentalness • 6% Positiveness
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Trigg & Gusset
Oliver's Pact
127 bpm • E min • 05:35 • -16.68db
17% Popularity • 64% Danceability • 19% Energy • 9% Liveness
93% Instrumentalness • 8% Positiveness
17% Popularity • 64% Danceability • 19% Energy • 9% Liveness
93% Instrumentalness • 8% Positiveness
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Angelo Badalamenti
Dance of the Dream Man - Instrumental
110 bpm • F min • 03:41 • -16.92db
42% Popularity • 71% Danceability • 24% Energy • 9% Liveness
64% Instrumentalness • 21% Positiveness
42% Popularity • 71% Danceability • 24% Energy • 9% Liveness
64% Instrumentalness • 21% Positiveness
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Dictaphone
Lofi Opium
127 bpm • F# min • 04:28 • -21db
21% Popularity • 31% Danceability • 25% Energy • 38% Liveness
94% Instrumentalness • 8% Positiveness
21% Popularity • 31% Danceability • 25% Energy • 38% Liveness
94% Instrumentalness • 8% Positiveness
