Songs like I'm Shipping Up To Boston by Dropkick Murphys
Based on a tempo of (+/- 10%) and a similar genre
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Norman Greenbaum
Spirit In The Sky - Deluxe Edition
129 bpm • A Maj • 04:02 • -7.09db
74% Popularity • 61% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
74% Popularity • 61% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Dropkick Murphys
I'm Shipping Up To Boston
129 bpm • D Maj • 02:33 • -3.13db
72% Popularity • 45% Danceability • 93% Energy • 23% Liveness
0% Instrumentalness • 60% Positiveness
72% Popularity • 45% Danceability • 93% Energy • 23% Liveness
0% Instrumentalness • 60% Positiveness
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Lenny Kravitz
Are You Gonna Go My Way
129 bpm • B min • 03:31 • -10.32db
74% Popularity • 62% Danceability • 67% Energy • 33% Liveness
1% Instrumentalness • 78% Positiveness
74% Popularity • 62% Danceability • 67% Energy • 33% Liveness
1% Instrumentalness • 78% Positiveness
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The Bouncing Souls
Ole
128 bpm • G Maj • 03:04 • -6.51db
40% Popularity • 33% Danceability • 83% Energy • 69% Liveness
0% Instrumentalness • 55% Positiveness
40% Popularity • 33% Danceability • 83% Energy • 69% Liveness
0% Instrumentalness • 55% Positiveness
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The Darkness
I Believe in a Thing Called Love
128 bpm • E Maj • 03:36 • -5.21db
69% Popularity • 44% Danceability • 85% Energy • 28% Liveness
0% Instrumentalness • 62% Positiveness
69% Popularity • 44% Danceability • 85% Energy • 28% Liveness
0% Instrumentalness • 62% Positiveness
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Van Halen
Jump - 2015 Remaster
130 bpm • C Maj • 04:01 • -6.22db
77% Popularity • 57% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
77% Popularity • 57% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Green Day
Know Your Enemy
130 bpm • B Maj • 03:10 • -3.25db
64% Popularity • 56% Danceability • 96% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
64% Popularity • 56% Danceability • 96% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Muse
Uprising
128 bpm • D Maj • 05:04 • -4.05db
76% Popularity • 60% Danceability • 90% Energy • 12% Liveness
6% Instrumentalness • 41% Positiveness
76% Popularity • 60% Danceability • 90% Energy • 12% Liveness
6% Instrumentalness • 41% Positiveness
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Alestorm
Mexico
128 bpm • C# Maj • 03:10 • -3.78db
52% Popularity • 57% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 86% Positiveness
52% Popularity • 57% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 86% Positiveness
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Blur
Song 2 - 2012 Remaster
130 bpm • G# Maj • 02:01 • -6.9db
80% Popularity • 67% Danceability • 79% Energy • 8% Liveness
1% Instrumentalness • 92% Positiveness
80% Popularity • 67% Danceability • 79% Energy • 8% Liveness
1% Instrumentalness • 92% Positiveness
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The Black Keys
Gold on the Ceiling
130 bpm • C Maj • 03:44 • -4.63db
76% Popularity • 50% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
76% Popularity • 50% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Dropkick Murphys
Broken Hymns
128 bpm • D Maj • 05:03 • -4.73db
10% Popularity • 58% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
10% Popularity • 58% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Seether
Remedy
128 bpm • G# Maj • 03:27 • -4.66db
70% Popularity • 55% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
70% Popularity • 55% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
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Foo Fighters
Best of You
130 bpm • C# min • 04:15 • -5.12db
76% Popularity • 37% Danceability • 94% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
76% Popularity • 37% Danceability • 94% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
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AC/DC
You Shook Me All Night Long
127 bpm • G Maj • 03:30 • -5.51db
84% Popularity • 53% Danceability • 77% Energy • 39% Liveness
0% Instrumentalness • 76% Positiveness
84% Popularity • 53% Danceability • 77% Energy • 39% Liveness
0% Instrumentalness • 76% Positiveness
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Tenacious D
Beelzeboss (The Final Showdown)
131 bpm • D Maj • 05:35 • -3.74db
58% Popularity • 47% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 43% Positiveness
58% Popularity • 47% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 43% Positiveness
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System Of A Down
Chop Suey!
127 bpm • G min • 03:30 • -3.91db
85% Popularity • 42% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
85% Popularity • 42% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Dropkick Murphys
The Spicy McHaggis Jig
131 bpm • D# Maj • 03:27 • -3.78db
41% Popularity • 25% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
41% Popularity • 25% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Drowning Pool
Bodies
131 bpm • E min • 03:21 • -3.41db
76% Popularity • 66% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
76% Popularity • 66% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Rage Against The Machine
Sleep Now In the Fire
127 bpm • D Maj • 03:25 • -6.73db
67% Popularity • 43% Danceability • 93% Energy • 8% Liveness
10% Instrumentalness • 54% Positiveness
67% Popularity • 43% Danceability • 93% Energy • 8% Liveness
10% Instrumentalness • 54% Positiveness
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Sabaton
To Hell and Back
127 bpm • C Maj • 03:26 • -4.7db
68% Popularity • 54% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
68% Popularity • 54% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Tenacious D
Kickapoo
131 bpm • C Maj • 04:14 • -4.6db
60% Popularity • 50% Danceability • 80% Energy • 54% Liveness
0% Instrumentalness • 58% Positiveness
60% Popularity • 50% Danceability • 80% Energy • 54% Liveness
0% Instrumentalness • 58% Positiveness
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Alien Ant Farm
Smooth Criminal
127 bpm • A min • 03:29 • -4.26db
76% Popularity • 65% Danceability • 96% Energy • 14% Liveness
1% Instrumentalness • 87% Positiveness
76% Popularity • 65% Danceability • 96% Energy • 14% Liveness
1% Instrumentalness • 87% Positiveness
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Dropkick Murphys
I'm Shipping Up To Boston
127 bpm • A Maj • 02:18 • -2.34db
23% Popularity • 28% Danceability • 98% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
23% Popularity • 28% Danceability • 98% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Kansas
Carry on Wayward Son
127 bpm • G Maj • 05:23 • -5.74db
77% Popularity • 48% Danceability • 79% Energy • 45% Liveness
0% Instrumentalness • 79% Positiveness
77% Popularity • 48% Danceability • 79% Energy • 45% Liveness
0% Instrumentalness • 79% Positiveness
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Mumford & Sons
I Will Wait
131 bpm • C# Maj • 04:36 • -5.14db
72% Popularity • 49% Danceability • 77% Energy • 20% Liveness
1% Instrumentalness • 39% Positiveness
72% Popularity • 49% Danceability • 77% Energy • 20% Liveness
1% Instrumentalness • 39% Positiveness
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The Dandy Warhols
Bohemian Like You
131 bpm • B min • 03:31 • -6.16db
67% Popularity • 58% Danceability • 93% Energy • 13% Liveness
77% Instrumentalness • 70% Positiveness
67% Popularity • 58% Danceability • 93% Energy • 13% Liveness
77% Instrumentalness • 70% Positiveness
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AC/DC
T.N.T.
126 bpm • A Maj • 03:34 • -5.22db
79% Popularity • 75% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
79% Popularity • 75% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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The Proclaimers
I'm Gonna Be (500 Miles)
132 bpm • E Maj • 03:39 • -5.18db
76% Popularity • 85% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
76% Popularity • 85% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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The Offspring
You're Gonna Go Far, Kid
126 bpm • C Maj • 02:57 • -3.16db
81% Popularity • 55% Danceability • 92% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
81% Popularity • 55% Danceability • 92% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
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The High Kings
Irish Pub Song
126 bpm • C Maj • 03:00 • -6.48db
63% Popularity • 74% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 97% Positiveness
63% Popularity • 74% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 97% Positiveness
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Dropkick Murphys
For Boston
132 bpm • G# Maj • 01:33 • -4.41db
39% Popularity • 20% Danceability • 97% Energy • 52% Liveness
0% Instrumentalness • 29% Positiveness
39% Popularity • 20% Danceability • 97% Energy • 52% Liveness
0% Instrumentalness • 29% Positiveness
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Nickelback
Burn It to the Ground
132 bpm • B Maj • 03:32 • -3.47db
76% Popularity • 62% Danceability • 92% Energy • 36% Liveness
39% Instrumentalness • 60% Positiveness
76% Popularity • 62% Danceability • 92% Energy • 36% Liveness
39% Instrumentalness • 60% Positiveness
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Seether
Fake It
132 bpm • G# Maj • 03:13 • -3.51db
75% Popularity • 61% Danceability • 95% Energy • 5% Liveness
0% Instrumentalness • 61% Positiveness
75% Popularity • 61% Danceability • 95% Energy • 5% Liveness
0% Instrumentalness • 61% Positiveness
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Guns N' Roses
Knockin' On Heaven's Door
132 bpm • F# Maj • 05:36 • -7.19db
79% Popularity • 50% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
79% Popularity • 50% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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The Offspring
Hit That
132 bpm • E Maj • 02:49 • -3.05db
65% Popularity • 70% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
65% Popularity • 70% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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The O'Reillys and the Paddyhats
Irish Way
132 bpm • C# min • 03:13 • -3db
49% Popularity • 73% Danceability • 90% Energy • 2% Liveness
0% Instrumentalness • 85% Positiveness
49% Popularity • 73% Danceability • 90% Energy • 2% Liveness
0% Instrumentalness • 85% Positiveness
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R.E.M.
Losing My Religion
126 bpm • A min • 04:28 • -5.05db
83% Popularity • 67% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
83% Popularity • 67% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Me First and the Gimme Gimmes
Country Roads
133 bpm • A Maj • 02:10 • -6db
49% Popularity • 43% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 59% Positiveness
49% Popularity • 43% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 59% Positiveness
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Creedence Clearwater Revival
Fortunate Son
133 bpm • C Maj • 02:20 • -7.52db
86% Popularity • 64% Danceability • 66% Energy • 15% Liveness
1% Instrumentalness • 66% Positiveness
86% Popularity • 64% Danceability • 66% Energy • 15% Liveness
1% Instrumentalness • 66% Positiveness
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Guns N' Roses
Sweet Child O' Mine
125 bpm • F# Maj • 05:56 • -5.32db
86% Popularity • 45% Danceability • 95% Energy • 11% Liveness
9% Instrumentalness • 62% Positiveness
86% Popularity • 45% Danceability • 95% Energy • 11% Liveness
9% Instrumentalness • 62% Positiveness
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The Offspring
Gotta Get Away
133 bpm • E min • 03:52 • -8db
62% Popularity • 57% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
62% Popularity • 57% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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ZZ Top
Sharp Dressed Man (2008 Remaster)
125 bpm • F Maj • 04:18 • -5.26db
74% Popularity • 60% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
74% Popularity • 60% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Metallica
Whiskey In The Jar
133 bpm • A# Maj • 05:04 • -3.72db
73% Popularity • 51% Danceability • 97% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
73% Popularity • 51% Danceability • 97% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
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The O'Reillys and the Paddyhats
Barrels of Whiskey
133 bpm • C Maj • 03:56 • -3db
51% Popularity • 65% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 82% Positiveness
51% Popularity • 65% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 82% Positiveness
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Rob Zombie
Dragula
125 bpm • C min • 03:42 • -6.49db
78% Popularity • 59% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
78% Popularity • 59% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Wind Rose
Diggy Diggy Hole
125 bpm • G# Maj • 05:15 • -5.18db
66% Popularity • 31% Danceability • 94% Energy • 16% Liveness
24% Instrumentalness • 65% Positiveness
66% Popularity • 31% Danceability • 94% Energy • 16% Liveness
24% Instrumentalness • 65% Positiveness
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AC/DC
Thunderstruck
134 bpm • E Maj • 04:52 • -5.18db
85% Popularity • 50% Danceability • 89% Energy • 22% Liveness
1% Instrumentalness • 26% Positiveness
85% Popularity • 50% Danceability • 89% Energy • 22% Liveness
1% Instrumentalness • 26% Positiveness
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Beastie Boys
Fight For Your Right
134 bpm • G# Maj • 03:28 • -6.3db
71% Popularity • 50% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
71% Popularity • 50% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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The Clash
London Calling - Remastered
134 bpm • C Maj • 03:20 • -7.34db
71% Popularity • 65% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
71% Popularity • 65% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Bad Religion
21st Century (Digital Boy)
134 bpm • F Maj • 02:49 • -4db
57% Popularity • 45% Danceability • 98% Energy • 32% Liveness
0% Instrumentalness • 63% Positiveness
57% Popularity • 45% Danceability • 98% Energy • 32% Liveness
0% Instrumentalness • 63% Positiveness
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The O'Reillys and the Paddyhats
Yesterday's Rebel
134 bpm • D min • 02:54 • -3db
48% Popularity • 65% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 89% Positiveness
48% Popularity • 65% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 89% Positiveness
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Caesars
Jerk It Out
134 bpm • G# min • 03:15 • -2.6db
68% Popularity • 58% Danceability • 98% Energy • 39% Liveness
0% Instrumentalness • 86% Positiveness
68% Popularity • 58% Danceability • 98% Energy • 39% Liveness
0% Instrumentalness • 86% Positiveness
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Bloodhound Gang
The Ballad Of Chasey Lain
134 bpm • A Maj • 02:21 • -5.95db
59% Popularity • 79% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 98% Positiveness
59% Popularity • 79% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 98% Positiveness
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Bob Seger
Old Time Rock & Roll
124 bpm • F# Maj • 03:14 • -2.95db
75% Popularity • 71% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
75% Popularity • 71% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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AC/DC
For Those About to Rock (We Salute You)
134 bpm • E Maj • 05:44 • -5.72db
66% Popularity • 37% Danceability • 92% Energy • 49% Liveness
42% Instrumentalness • 47% Positiveness
66% Popularity • 37% Danceability • 92% Energy • 49% Liveness
42% Instrumentalness • 47% Positiveness
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Sex Pistols
Anarchy In The UK
134 bpm • C Maj • 03:32 • -7.65db
59% Popularity • 36% Danceability • 95% Energy • 24% Liveness
0% Instrumentalness • 21% Positiveness
59% Popularity • 36% Danceability • 95% Energy • 24% Liveness
0% Instrumentalness • 21% Positiveness
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The Police
Roxanne
134 bpm • C Maj • 03:11 • -8.91db
79% Popularity • 62% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
79% Popularity • 62% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
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Spiderbait
Black Betty - Edit
124 bpm • G min • 03:25 • -6.48db
67% Popularity • 56% Danceability • 86% Energy • 22% Liveness
59% Instrumentalness • 35% Positiveness
67% Popularity • 56% Danceability • 86% Energy • 22% Liveness
59% Instrumentalness • 35% Positiveness
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Greta Van Fleet
Highway Tune
124 bpm • E Maj • 03:00 • -3.04db
71% Popularity • 58% Danceability • 96% Energy • 28% Liveness
13% Instrumentalness • 51% Positiveness
71% Popularity • 58% Danceability • 96% Energy • 28% Liveness
13% Instrumentalness • 51% Positiveness
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Dire Straits
Money For Nothing
134 bpm • D min • 08:24 • -6.82db
71% Popularity • 64% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
71% Popularity • 64% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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Rage Against The Machine
Renegades Of Funk
124 bpm • D Maj • 04:34 • -4.02db
65% Popularity • 65% Danceability • 91% Energy • 38% Liveness
0% Instrumentalness • 77% Positiveness
65% Popularity • 65% Danceability • 91% Energy • 38% Liveness
0% Instrumentalness • 77% Positiveness
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Stealers Wheel
Stuck In The Middle With You
124 bpm • G Maj • 03:28 • -9.14db
80% Popularity • 82% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
80% Popularity • 82% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Alice Cooper
School's Out
134 bpm • F Maj • 03:30 • -9.14db
68% Popularity • 29% Danceability • 74% Energy • 68% Liveness
12% Instrumentalness • 35% Positiveness
68% Popularity • 29% Danceability • 74% Energy • 68% Liveness
12% Instrumentalness • 35% Positiveness
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The White Stripes
Seven Nation Army
124 bpm • E min • 03:52 • -7.81db
85% Popularity • 74% Danceability • 45% Energy • 34% Liveness
12% Instrumentalness • 28% Positiveness
85% Popularity • 74% Danceability • 45% Energy • 34% Liveness
12% Instrumentalness • 28% Positiveness
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Guns N' Roses
Welcome To The Jungle
124 bpm • G# Maj • 04:33 • -4.49db
82% Popularity • 45% Danceability • 99% Energy • 27% Liveness
28% Instrumentalness • 32% Positiveness
82% Popularity • 45% Danceability • 99% Energy • 27% Liveness
28% Instrumentalness • 32% Positiveness
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Slipknot
Before I Forget
135 bpm • F# min • 04:38 • -3db
78% Popularity • 29% Danceability • 97% Energy • 89% Liveness
0% Instrumentalness • 35% Positiveness
78% Popularity • 29% Danceability • 97% Energy • 89% Liveness
0% Instrumentalness • 35% Positiveness
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Rise Against
Satellite
135 bpm • F min • 03:58 • -4.16db
68% Popularity • 39% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
68% Popularity • 39% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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The Pogues
Dirty Old Town
123 bpm • G Maj • 03:45 • -11db
63% Popularity • 51% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
63% Popularity • 51% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Alestorm
Hangover (Taio Cruz Cover)
135 bpm • F# Maj • 03:41 • -4.64db
49% Popularity • 63% Danceability • 92% Energy • 30% Liveness
0% Instrumentalness • 75% Positiveness
49% Popularity • 63% Danceability • 92% Energy • 30% Liveness
0% Instrumentalness • 75% Positiveness
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Metallica
Enter Sandman
123 bpm • F# min • 05:31 • -8.69db
81% Popularity • 58% Danceability • 83% Energy • 6% Liveness
1% Instrumentalness • 60% Positiveness
81% Popularity • 58% Danceability • 83% Energy • 6% Liveness
1% Instrumentalness • 60% Positiveness
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The Hives
Tick Tick Boom
135 bpm • C Maj • 03:25 • -3.12db
58% Popularity • 56% Danceability • 83% Energy • 27% Liveness
0% Instrumentalness • 48% Positiveness
58% Popularity • 56% Danceability • 83% Energy • 27% Liveness
0% Instrumentalness • 48% Positiveness
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Red Hot Chili Peppers
Otherside
123 bpm • C Maj • 04:15 • -3.27db
81% Popularity • 46% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
81% Popularity • 46% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Linkin Park
Faint
135 bpm • E Maj • 02:42 • -3.55db
82% Popularity • 55% Danceability • 98% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
82% Popularity • 55% Danceability • 98% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
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Talking Heads
Psycho Killer - 2005 Remaster
123 bpm • D Maj • 04:21 • -8.12db
75% Popularity • 72% Danceability • 52% Energy • 13% Liveness
1% Instrumentalness • 94% Positiveness
75% Popularity • 72% Danceability • 52% Energy • 13% Liveness
1% Instrumentalness • 94% Positiveness
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Billy Talent
Fallen Leaves
123 bpm • D# Maj • 03:19 • -4.08db
65% Popularity • 71% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
65% Popularity • 71% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Bloodhound Gang
The Bad Touch
123 bpm • C min • 04:20 • -6.25db
72% Popularity • 83% Danceability • 74% Energy • 12% Liveness
2% Instrumentalness • 97% Positiveness
72% Popularity • 83% Danceability • 74% Energy • 12% Liveness
2% Instrumentalness • 97% Positiveness
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Bon Jovi
You Give Love A Bad Name
123 bpm • C min • 03:42 • -2.95db
83% Popularity • 54% Danceability • 96% Energy • 34% Liveness
0% Instrumentalness • 81% Positiveness
83% Popularity • 54% Danceability • 96% Energy • 34% Liveness
0% Instrumentalness • 81% Positiveness
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Social Distortion
Reach For The Sky
123 bpm • C# Maj • 03:31 • -3.05db
53% Popularity • 44% Danceability • 98% Energy • 30% Liveness
0% Instrumentalness • 41% Positiveness
53% Popularity • 44% Danceability • 98% Energy • 30% Liveness
0% Instrumentalness • 41% Positiveness
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AC/DC
Dirty Deeds Done Dirt Cheap
136 bpm • B min • 03:51 • -4.88db
74% Popularity • 67% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
74% Popularity • 67% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Red Hot Chili Peppers
By the Way
122 bpm • C Maj • 03:36 • -4.94db
75% Popularity • 45% Danceability • 97% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
75% Popularity • 45% Danceability • 97% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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The Rolling Stones
Start Me Up - Remastered 2009
122 bpm • F Maj • 03:33 • -4.14db
80% Popularity • 63% Danceability • 93% Energy • 9% Liveness
14% Instrumentalness • 97% Positiveness
80% Popularity • 63% Danceability • 93% Energy • 9% Liveness
14% Instrumentalness • 97% Positiveness
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Foo Fighters
Learn to Fly
136 bpm • E Maj • 03:55 • -4.03db
77% Popularity • 46% Danceability • 92% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
77% Popularity • 46% Danceability • 92% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
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Bon Jovi
Livin' On A Prayer
123 bpm • C Maj • 04:09 • -3.76db
86% Popularity • 53% Danceability • 89% Energy • 29% Liveness
0% Instrumentalness • 80% Positiveness
86% Popularity • 53% Danceability • 89% Energy • 29% Liveness
0% Instrumentalness • 80% Positiveness
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U2
Beautiful Day
136 bpm • B min • 04:08 • -6.49db
75% Popularity • 54% Danceability • 93% Energy • 20% Liveness
0% Instrumentalness • 39% Positiveness
75% Popularity • 54% Danceability • 93% Energy • 20% Liveness
0% Instrumentalness • 39% Positiveness
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AC/DC
It's a Long Way to the Top (If You Wanna...
136 bpm • D# Maj • 05:01 • -3.55db
72% Popularity • 46% Danceability • 86% Energy • 6% Liveness
5% Instrumentalness • 53% Positiveness
72% Popularity • 46% Danceability • 86% Energy • 6% Liveness
5% Instrumentalness • 53% Positiveness
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Darude
Sandstorm
136 bpm • B min • 03:45 • -7.98db
69% Popularity • 53% Danceability • 97% Energy • 12% Liveness
98% Instrumentalness • 59% Positiveness
69% Popularity • 53% Danceability • 97% Energy • 12% Liveness
98% Instrumentalness • 59% Positiveness
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The Rolling Stones
(I Can't Get No) Satisfaction - Mono Ver...
136 bpm • D Maj • 03:42 • -7.89db
78% Popularity • 72% Danceability • 86% Energy • 13% Liveness
3% Instrumentalness • 93% Positiveness
78% Popularity • 72% Danceability • 86% Energy • 13% Liveness
3% Instrumentalness • 93% Positiveness
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Bruce Springsteen
Born in the U.S.A.
122 bpm • E Maj • 04:38 • -6.04db
73% Popularity • 40% Danceability • 95% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
73% Popularity • 40% Danceability • 95% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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The Smashing Pumpkins
Bullet With Butterfly Wings - Remastered...
122 bpm • A# min • 04:18 • -9.18db
73% Popularity • 40% Danceability • 72% Energy • 5% Liveness
84% Instrumentalness • 48% Positiveness
73% Popularity • 40% Danceability • 72% Energy • 5% Liveness
84% Instrumentalness • 48% Positiveness
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Dropkick Murphys
I'm Shipping Up To Boston
137 bpm • D Maj • 02:25 • -2.62db
22% Popularity • 22% Danceability • 99% Energy • 33% Liveness
16% Instrumentalness • 30% Positiveness
22% Popularity • 22% Danceability • 99% Energy • 33% Liveness
16% Instrumentalness • 30% Positiveness
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Bloodhound Gang
Foxtrot Uniform Charlie Kilo
137 bpm • A# min • 02:51 • -5.18db
63% Popularity • 77% Danceability • 60% Energy • 7% Liveness
4% Instrumentalness • 79% Positiveness
63% Popularity • 77% Danceability • 60% Energy • 7% Liveness
4% Instrumentalness • 79% Positiveness
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The Irish Rovers
Drunken Sailor
122 bpm • D Maj • 02:56 • -5.14db
62% Popularity • 67% Danceability • 90% Energy • 9% Liveness
23% Instrumentalness • 96% Positiveness
62% Popularity • 67% Danceability • 90% Energy • 9% Liveness
23% Instrumentalness • 96% Positiveness
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Foo Fighters
Walk
137 bpm • A Maj • 04:15 • -5.13db
68% Popularity • 23% Danceability • 86% Energy • 29% Liveness
0% Instrumentalness • 19% Positiveness
68% Popularity • 23% Danceability • 86% Energy • 29% Liveness
0% Instrumentalness • 19% Positiveness
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Ozzy Osbourne
Crazy Train
138 bpm • A Maj • 04:53 • -4.01db
79% Popularity • 45% Danceability • 91% Energy • 25% Liveness
0% Instrumentalness • 52% Positiveness
79% Popularity • 45% Danceability • 91% Energy • 25% Liveness
0% Instrumentalness • 52% Positiveness
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Heart
Barracuda
137 bpm • E min • 04:21 • -13.55db
75% Popularity • 55% Danceability • 69% Energy • 14% Liveness
11% Instrumentalness • 67% Positiveness
75% Popularity • 55% Danceability • 69% Energy • 14% Liveness
11% Instrumentalness • 67% Positiveness
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Green Day
Minority
138 bpm • C Maj • 02:48 • -3db
60% Popularity • 55% Danceability • 96% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
60% Popularity • 55% Danceability • 96% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
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The Killers
Somebody Told Me
138 bpm • A# min • 03:17 • -4.85db
82% Popularity • 50% Danceability • 97% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
82% Popularity • 50% Danceability • 97% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
