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I'm Sorry For Myself
Songs like
I'm Sorry For Myself
by
Gösta Törner
Based on a tempo of (+/- 10%) and a similar genre
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Les Brown & His Orchestra
Flip Lid
186 bpm • D# Maj • 02:30 • -13.74db
11% Popularity • 53% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Jimmy Coe
Fast Blues
184 bpm • F min • 02:31 • -13.47db
12% Popularity • 55% Danceability • 32% Energy • 11% Liveness
76% Instrumentalness • 82% Positiveness
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Cab Calloway
Strictly Cullud Affair
184 bpm • A# Maj • 03:05 • -12.02db
11% Popularity • 71% Danceability • 31% Energy • 26% Liveness
4% Instrumentalness • 76% Positiveness
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Ed Polcer & The Eddie Condon All-Stars
In a Shanty in Old Shanty Town
186 bpm • C Maj • 08:09 • -10.78db
9% Popularity • 45% Danceability • 52% Energy • 80% Liveness
1% Instrumentalness • 76% Positiveness
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Roy Eldridge
Wabash Stomp
186 bpm • D# Maj • 03:09 • -7.71db
8% Popularity • 60% Danceability • 34% Energy • 12% Liveness
92% Instrumentalness • 93% Positiveness
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Wilbur De Paris
Bouqets
187 bpm • C# Maj • 04:39 • -15.59db
12% Popularity • 55% Danceability • 21% Energy • 8% Liveness
1% Instrumentalness • 80% Positiveness
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Paul Bascomb
More Blues - More Beat - Alternate
183 bpm • G min • 02:39 • -10.06db
3% Popularity • 46% Danceability • 50% Energy • 26% Liveness
19% Instrumentalness • 88% Positiveness
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Tuba Skinny
Bouncing Around
183 bpm • A# Maj • 04:51 • -4.02db
9% Popularity • 39% Danceability • 73% Energy • 30% Liveness
97% Instrumentalness • 82% Positiveness
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Cab Calloway
Old Yazoo
183 bpm • C# min • 03:02 • -12.04db
10% Popularity • 69% Danceability • 40% Energy • 8% Liveness
2% Instrumentalness • 91% Positiveness
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Jerry Mengo & Le Jazz de Paris
Hôtel de la Gare
183 bpm • A Maj • 02:23 • -12.04db
14% Popularity • 48% Danceability • 40% Energy • 32% Liveness
87% Instrumentalness • 93% Positiveness
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George Bruns
Come Back Sweet Papa
188 bpm • F Maj • 03:16 • -12.26db
8% Popularity • 61% Danceability • 44% Energy • 7% Liveness
43% Instrumentalness • 96% Positiveness
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John Barry
Cookie's Speakeasy
188 bpm • F Maj • 02:32 • -12.3db
11% Popularity • 36% Danceability • 38% Energy • 15% Liveness
65% Instrumentalness • 41% Positiveness
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Brian Carrick
Put on Your Old Grey Bonnet
188 bpm • D min • 04:12 • -9.39db
9% Popularity • 57% Danceability • 64% Energy • 9% Liveness
8% Instrumentalness • 88% Positiveness
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Bobby Hackett And His Orchestra
When a Woman Loves a Man
188 bpm • D# Maj • 02:27 • -10.38db
13% Popularity • 54% Danceability • 56% Energy • 31% Liveness
35% Instrumentalness • 96% Positiveness
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Cab Calloway
Git Along - Take 1
182 bpm • C Maj • 02:45 • -12.37db
8% Popularity • 50% Danceability • 33% Energy • 31% Liveness
0% Instrumentalness • 54% Positiveness
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Aime Barelli
Ils sont zazous
188 bpm • F Maj • 02:55 • -10.13db
9% Popularity • 46% Danceability • 57% Energy • 36% Liveness
85% Instrumentalness • 92% Positiveness
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Charlie Barnet
The Right Idea
182 bpm • A# Maj • 03:20 • -11.91db
1% Popularity • 48% Danceability • 47% Energy • 9% Liveness
91% Instrumentalness • 88% Positiveness
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Bourbon Street Jazzband
Japanese Sandman
188 bpm • F Maj • 04:57 • -14.52db
8% Popularity • 52% Danceability • 34% Energy • 7% Liveness
80% Instrumentalness • 88% Positiveness
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Paul Barbarin & His New Orleans Jazz Band
Bugle Boy March
189 bpm • A# Maj • 05:15 • -11db
9% Popularity • 41% Danceability • 55% Energy • 10% Liveness
63% Instrumentalness • 90% Positiveness
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Ben Pollack & His Orchestra
Peckin'
181 bpm • F min • 03:28 • -10db
16% Popularity • 53% Danceability • 42% Energy • 5% Liveness
93% Instrumentalness • 86% Positiveness
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Wilbur De Paris
Milneberg Joys
181 bpm • C# Maj • 07:16 • -10db
7% Popularity • 57% Danceability • 48% Energy • 6% Liveness
3% Instrumentalness • 93% Positiveness
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Bunk Johnson
You Always Hurt the One You Love
181 bpm • F min • 02:53 • -4.46db
12% Popularity • 43% Danceability • 76% Energy • 4% Liveness
89% Instrumentalness • 75% Positiveness
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Gerry Mulligan
Night on the Turntable
181 bpm • G Maj • 04:36 • -11.77db
9% Popularity • 57% Danceability • 27% Energy • 7% Liveness
94% Instrumentalness • 78% Positiveness
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Eddie Condon
Balling The Jack
189 bpm • C min • 02:13 • -19db
17% Popularity • 60% Danceability • 44% Energy • 31% Liveness
92% Instrumentalness • 90% Positiveness
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Isham Jones And His Orchestra
Down a Long, Long Road
181 bpm • D# Maj • 02:41 • -15.65db
9% Popularity • 50% Danceability • 30% Energy • 12% Liveness
85% Instrumentalness • 61% Positiveness
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Bob Crosby & The Bob Cats
A Precious Memory
190 bpm • D# Maj • 02:30 • -11.49db
18% Popularity • 55% Danceability • 36% Energy • 6% Liveness
26% Instrumentalness • 96% Positiveness
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ricca
Morning Coffee
180 bpm • G Maj • 01:30 • -17.82db
16% Popularity • 77% Danceability • 30% Energy • 10% Liveness
45% Instrumentalness • 97% Positiveness
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Bea Wain
The One Rose (That's Left In My Heart)
180 bpm • G# Maj • 02:43 • -22.57db
10% Popularity • 58% Danceability • 14% Energy • 23% Liveness
2% Instrumentalness • 64% Positiveness
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Peter Mintun
Nifties of 1923: Nashville Nightingale
180 bpm • F Maj • 04:07 • -16.5db
9% Popularity • 49% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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Marco Bianchi Vibes 4tet
Swingin'Up
180 bpm • C Maj • 02:13 • -7.52db
21% Popularity • 66% Danceability • 53% Energy • 12% Liveness
12% Instrumentalness • 57% Positiveness
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カフェジャズ
思い出(カフェムード)
179 bpm • C Maj • 01:41 • -15.23db
21% Popularity • 54% Danceability • 28% Energy • 12% Liveness
74% Instrumentalness • 88% Positiveness
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Raymond Scott
At An Arabian House Party - 1939 Alterna...
179 bpm • G min • 03:36 • -11.44db
12% Popularity • 45% Danceability • 50% Energy • 35% Liveness
70% Instrumentalness • 56% Positiveness
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Don Redman
Hot and Anxious (06-30-32)
191 bpm • A# Maj • 02:45 • -12.39db
7% Popularity • 64% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Benny Carter
Black Bottom
192 bpm • A# Maj • 03:05 • -11.89db
8% Popularity • 60% Danceability • 48% Energy • 28% Liveness
92% Instrumentalness • 92% Positiveness
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Charlie Fardella
Sing You Sinners
178 bpm • F Maj • 03:39 • -12.53db
9% Popularity • 54% Danceability • 44% Energy • 7% Liveness
4% Instrumentalness • 88% Positiveness
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Cab Calloway
Lamar's Boogie - Live
177 bpm • F min • 03:31 • -10.53db
8% Popularity • 51% Danceability • 46% Energy • 55% Liveness
16% Instrumentalness • 86% Positiveness
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Eddie Condon
Eccentric
177 bpm • C Maj • 03:27 • -14.48db
12% Popularity • 54% Danceability • 32% Energy • 51% Liveness
87% Instrumentalness • 96% Positiveness
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The 1930s Jazz Recording Band
Hop, Skip And Jump
177 bpm • D min • 03:43 • -14.73db
8% Popularity • 56% Danceability • 30% Energy • 8% Liveness
91% Instrumentalness • 80% Positiveness
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Earl Hines & His Orchestra
Riff Medley
177 bpm • G# Maj • 02:48 • -9.69db
8% Popularity • 61% Danceability • 45% Energy • 26% Liveness
86% Instrumentalness • 78% Positiveness
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George Girard
Roses of Picardy
176 bpm • A# Maj • 02:59 • -7.36db
8% Popularity • 47% Danceability • 56% Energy • 13% Liveness
52% Instrumentalness • 90% Positiveness
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Giorgio Cuscito
The Pink Room
175 bpm • C# Maj • 02:36 • -7.79db
21% Popularity • 69% Danceability • 38% Energy • 6% Liveness
72% Instrumentalness • 52% Positiveness
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Red Prysock
Jump For George
175 bpm • F Maj • 02:32 • -13db
7% Popularity • 52% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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The Big Aces
Cherry
175 bpm • C min • 03:12 • -10.38db
9% Popularity • 54% Danceability • 33% Energy • 14% Liveness
16% Instrumentalness • 60% Positiveness
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Members Of The Glenn Miller Orchestra
Habanera
174 bpm • C Maj • 01:57 • -15.56db
18% Popularity • 34% Danceability • 31% Energy • 9% Liveness
9% Instrumentalness • 83% Positiveness
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Mezz Mezzrow Swing Band
Swingin' for Mezz (Careless Love)
196 bpm • F Maj • 03:10 • -10.44db
7% Popularity • 57% Danceability • 30% Energy • 20% Liveness
93% Instrumentalness • 92% Positiveness
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French Preservation New Orleans Jazz Band
Algiers Strut
196 bpm • D min • 07:20 • -9.54db
7% Popularity • 40% Danceability • 49% Energy • 69% Liveness
87% Instrumentalness • 78% Positiveness
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Lionel Hampton & His Sextet
Central Avenue Breakdown
173 bpm • D# Maj • 03:08 • -9.56db
7% Popularity • 39% Danceability • 64% Energy • 18% Liveness
11% Instrumentalness • 67% Positiveness
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Stockholm Swing All Stars
Shirley Steps Out
173 bpm • G# Maj • 02:41 • -14.48db
10% Popularity • 57% Danceability • 16% Energy • 10% Liveness
60% Instrumentalness • 46% Positiveness
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Candy Jacket Jazz Band
Rise and Shine
173 bpm • D# Maj • 03:17 • -11.82db
10% Popularity • 50% Danceability • 42% Energy • 10% Liveness
21% Instrumentalness • 93% Positiveness
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Hudson Delange Orchestra
The Maid's Night Off
172 bpm • A# min • 02:53 • -13.12db
12% Popularity • 44% Danceability • 34% Energy • 29% Liveness
87% Instrumentalness • 77% Positiveness
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Illinois Jacquet
Illinois Goes To Chicago
173 bpm • C# Maj • 03:01 • -14.73db
11% Popularity • 63% Danceability • 20% Energy • 9% Liveness
93% Instrumentalness • 79% Positiveness
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Frank Harling
One Way Passage
172 bpm • G# Maj • 02:15 • -9.28db
8% Popularity • 39% Danceability • 53% Energy • 8% Liveness
62% Instrumentalness • 72% Positiveness
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Marco Bianchi Vibes 4tet
Don't Worry
199 bpm • C Maj • 02:35 • -7.7db
19% Popularity • 49% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Ambrose & His Orchestra
Top hat, White Tie and Tails
199 bpm • G Maj • 02:39 • -10.23db
9% Popularity • 65% Danceability • 36% Energy • 19% Liveness
64% Instrumentalness • 77% Positiveness
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Giorgio Cuscito
Fireworks
199 bpm • G# Maj • 02:16 • -6.66db
22% Popularity • 47% Danceability • 46% Energy • 6% Liveness
90% Instrumentalness • 80% Positiveness
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Clive Erard
Happy Feet
172 bpm • G min • 02:36 • -10.89db
9% Popularity • 38% Danceability • 28% Energy • 8% Liveness
79% Instrumentalness • 82% Positiveness
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楽しいジャズ
気分(クロワッサン)
172 bpm • C Maj • 01:46 • -13.73db
13% Popularity • 71% Danceability • 33% Energy • 12% Liveness
75% Instrumentalness • 90% Positiveness
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Arne Domnérus
What a Kick
171 bpm • G# Maj • 03:13 • -13.68db
13% Popularity • 41% Danceability • 41% Energy • 36% Liveness
72% Instrumentalness • 74% Positiveness
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Marco Bianchi Vibes 4tet
Dancer Mouse
200 bpm • G Maj • 02:24 • -7.4db
19% Popularity • 46% Danceability • 58% Energy • 21% Liveness
67% Instrumentalness • 46% Positiveness
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Bunk Johnson
Gloryland
200 bpm • C min • 03:02 • -9.61db
8% Popularity • 44% Danceability • 67% Energy • 12% Liveness
90% Instrumentalness • 52% Positiveness
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Giorgio Cuscito
Mardi Gras In New Orleans
200 bpm • F Maj • 02:07 • -5.77db
23% Popularity • 60% Danceability • 49% Energy • 8% Liveness
76% Instrumentalness • 96% Positiveness
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Kid Ory
Spanish Shawl
170 bpm • G# Maj • 08:41 • -17.49db
8% Popularity • 55% Danceability • 23% Energy • 19% Liveness
8% Instrumentalness • 68% Positiveness
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Ken Colyer's Jazzmen
Moose March - alternate version
201 bpm • G# Maj • 02:54 • -10.28db
7% Popularity • 33% Danceability • 68% Energy • 32% Liveness
94% Instrumentalness • 92% Positiveness
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Swing Shouters
Bottom's Up
201 bpm • A# min • 02:38 • -12.79db
18% Popularity • 63% Danceability • 51% Energy • 10% Liveness
90% Instrumentalness • 95% Positiveness
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Jon-Erik Kellso
Vignette
201 bpm • C Maj • 08:39 • -7.64db
7% Popularity • 56% Danceability • 45% Energy • 25% Liveness
82% Instrumentalness • 50% Positiveness
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Larry Clinton
Chris and His Gang
170 bpm • D# Maj • 02:41 • -10.59db
11% Popularity • 50% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
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Topsy Chapman and The Pro's
Just a Little While to Stay Here
201 bpm • G# Maj • 04:40 • -12.45db
8% Popularity • 53% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Johnny Hodges & His Orchestra
Globe Trotter
170 bpm • A# Maj • 03:02 • -12.9db
14% Popularity • 60% Danceability • 41% Energy • 28% Liveness
61% Instrumentalness • 87% Positiveness
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Pete Jacobs & His Wartime Radio Revue
The Minor Goes A Muggin'
170 bpm • D min • 04:09 • -5.83db
8% Popularity • 50% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Charlie Barnet
Leapin' at the Lincoln
202 bpm • G Maj • 02:47 • -9.03db
22% Popularity • 58% Danceability • 55% Energy • 12% Liveness
93% Instrumentalness • 96% Positiveness
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Lelio Luttazzi
Storie del bosco viennese
170 bpm • C# min • 03:41 • -8.58db
21% Popularity • 53% Danceability • 33% Energy • 22% Liveness
43% Instrumentalness • 77% Positiveness
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Luca Velotti
Hot Swing
202 bpm • F min • 02:40 • -11.94db
15% Popularity • 44% Danceability • 40% Energy • 11% Liveness
53% Instrumentalness • 78% Positiveness
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Anita Harris
Suddenly (In Walked Bud)
202 bpm • C min • 02:15 • -6.67db
9% Popularity • 51% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Glenn Miller y su orquesta
Kalamazoo
169 bpm • G# Maj • 02:41 • -15db
13% Popularity • 43% Danceability • 34% Energy • 23% Liveness
79% Instrumentalness • 74% Positiveness
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Cab Calloway
I'm Now Prepared To Tell The World It's ...
169 bpm • A# Maj • 02:57 • -11.7db
9% Popularity • 45% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Bobby Gordon
Woo-Hoo
203 bpm • D min • 03:31 • -7.54db
8% Popularity • 48% Danceability • 54% Energy • 8% Liveness
52% Instrumentalness • 88% Positiveness
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Lelio Luttazzi
In un mercato persiano
168 bpm • F# Maj • 03:14 • -8.24db
18% Popularity • 47% Danceability • 44% Energy • 5% Liveness
34% Instrumentalness • 59% Positiveness
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Harry James Orchestra
Sharp as a Tack
167 bpm • D# Maj • 01:54 • -14.65db
6% Popularity • 54% Danceability • 38% Energy • 7% Liveness
65% Instrumentalness • 94% Positiveness
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Aimé Barelli & son Orchestre
Riviera
205 bpm • D# Maj • 02:48 • -12.97db
8% Popularity • 49% Danceability • 56% Energy • 17% Liveness
68% Instrumentalness • 65% Positiveness
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Silvia Manco
Dixie Cake
206 bpm • C# Maj • 03:12 • -13.45db
15% Popularity • 47% Danceability • 37% Energy • 11% Liveness
89% Instrumentalness • 66% Positiveness
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George Bruns
Wedding Bells Are Breaking Up That Old G...
206 bpm • G min • 02:39 • -10.48db
8% Popularity • 60% Danceability • 35% Energy • 35% Liveness
54% Instrumentalness • 97% Positiveness
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Ben Bernie and His Hotel Roosevelt Orchestra
He's the Last Word
206 bpm • D min • 02:29 • -16.61db
7% Popularity • 57% Danceability • 19% Energy • 16% Liveness
63% Instrumentalness • 81% Positiveness
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Django Reinhardt
Tel Quel
206 bpm • G# Maj • 03:09 • -12.75db
23% Popularity • 44% Danceability • 42% Energy • 12% Liveness
93% Instrumentalness • 87% Positiveness
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Claude Luter and His Orchestra
Stratford Hunch
207 bpm • F min • 03:06 • -8.38db
10% Popularity • 46% Danceability • 83% Energy • 22% Liveness
82% Instrumentalness • 80% Positiveness
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Umlaut Big Band
Mary's Idea
166 bpm • A# min • 03:51 • -10.98db
8% Popularity • 57% Danceability • 29% Energy • 12% Liveness
57% Instrumentalness • 75% Positiveness
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Lester Lanin
Mountain Greenery
207 bpm • D min • 01:24 • -12.92db
18% Popularity • 63% Danceability • 33% Energy • 32% Liveness
0% Instrumentalness • 98% Positiveness
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Noël Chiboust & son Orchestre
Goût du Jour
165 bpm • G# Maj • 02:55 • -12.93db
9% Popularity • 41% Danceability • 20% Energy • 11% Liveness
90% Instrumentalness • 74% Positiveness
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Bobby Gordon
There Ain'T No Sweet Man
165 bpm • F Maj • 03:04 • -16.59db
10% Popularity • 60% Danceability • 18% Energy • 4% Liveness
60% Instrumentalness • 83% Positiveness
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Django Reinhardt
Sérénade D'Hiver
206 bpm • D# Maj • 02:38 • -14.5db
25% Popularity • 40% Danceability • 33% Energy • 9% Liveness
93% Instrumentalness • 92% Positiveness
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Moses Macadam
Train
165 bpm • C Maj • 03:39 • -9.6db
30% Popularity • 51% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Kenny Ball & His Jazzmen
Walk Right In
164 bpm • D Maj • 02:06 • -11.91db
17% Popularity • 61% Danceability • 55% Energy • 7% Liveness
64% Instrumentalness • 96% Positiveness
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Jimmy Dorsey
THEM THERE EYES - PAT O'CONNOR
164 bpm • A# Maj • 02:47 • -11.21db
13% Popularity • 54% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
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The Jonah Jones Quartet
Baubles, Bangles and Beads
164 bpm • G# Maj • 02:13 • -10db
14% Popularity • 64% Danceability • 48% Energy • 11% Liveness
15% Instrumentalness • 86% Positiveness
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The Big 18
Ton O'Rock Bump
165 bpm • G# Maj • 05:29 • -12.45db
10% Popularity • 50% Danceability • 44% Energy • 14% Liveness
1% Instrumentalness • 70% Positiveness
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James P. Johnson
The Dream
163 bpm • C min • 02:16 • -13.48db
10% Popularity • 49% Danceability • 44% Energy • 11% Liveness
90% Instrumentalness • 78% Positiveness
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Art Tatum
Murder at the Vanities: Cocktails for Tw...
163 bpm • C Maj • 02:39 • -17.19db
11% Popularity • 46% Danceability • 19% Energy • 14% Liveness
89% Instrumentalness • 46% Positiveness
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Chris Barber
Can't Afford to Do It
163 bpm • G min • 02:28 • -12.43db
8% Popularity • 60% Danceability • 33% Energy • 6% Liveness
56% Instrumentalness • 76% Positiveness
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Mills Blue Rhythm Band
There's Rhythm in Harlem
211 bpm • A# Maj • 03:11 • -8.96db
8% Popularity • 57% Danceability • 44% Energy • 6% Liveness
94% Instrumentalness • 80% Positiveness
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Les Brown & His Orchestra
Mutiny On The Bandstand
212 bpm • C min • 02:43 • -19.05db
9% Popularity • 56% Danceability • 23% Energy • 14% Liveness
86% Instrumentalness • 85% Positiveness
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Leo Mathisens orkester
Hot Spot Blues - 1988 Remaster
161 bpm • F Maj • 03:07 • -10.38db
11% Popularity • 66% Danceability • 31% Energy • 12% Liveness
18% Instrumentalness • 81% Positiveness
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I'm Sorry For Myself