Songs like I'm the One by Les McCann
Based on a tempo of (+/- 10%) and a similar genre
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Chico Hamilton
Abdullah And Abraham
98 bpm • G Maj • 04:16 • -12db
21% Popularity • 47% Danceability • 58% Energy • 11% Liveness
91% Instrumentalness • 26% Positiveness
21% Popularity • 47% Danceability • 58% Energy • 11% Liveness
91% Instrumentalness • 26% Positiveness
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Herbie Hancock
Mimosa
98 bpm • F min • 08:38 • -17db
19% Popularity • 70% Danceability • 31% Energy • 10% Liveness
92% Instrumentalness • 38% Positiveness
19% Popularity • 70% Danceability • 31% Energy • 10% Liveness
92% Instrumentalness • 38% Positiveness
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Idris Muhammad
Soulful Drums
98 bpm • D min • 04:41 • -15.94db
17% Popularity • 65% Danceability • 39% Energy • 10% Liveness
81% Instrumentalness • 54% Positiveness
17% Popularity • 65% Danceability • 39% Energy • 10% Liveness
81% Instrumentalness • 54% Positiveness
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Charles Kynard
Little Ghetto Boy
98 bpm • F min • 03:06 • -8.5db
18% Popularity • 68% Danceability • 63% Energy • 21% Liveness
68% Instrumentalness • 96% Positiveness
18% Popularity • 68% Danceability • 63% Energy • 21% Liveness
68% Instrumentalness • 96% Positiveness
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Bob James
One Mint Julep
98 bpm • A# Maj • 09:07 • -8db
19% Popularity • 66% Danceability • 68% Energy • 22% Liveness
53% Instrumentalness • 93% Positiveness
19% Popularity • 66% Danceability • 68% Energy • 22% Liveness
53% Instrumentalness • 93% Positiveness
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Vince Guaraldi
Misirlou
98 bpm • G Maj • 04:29 • -15.75db
21% Popularity • 38% Danceability • 33% Energy • 12% Liveness
1% Instrumentalness • 32% Positiveness
21% Popularity • 38% Danceability • 33% Energy • 12% Liveness
1% Instrumentalness • 32% Positiveness
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Les McCann
Goin' Out Of My Head
98 bpm • C Maj • 02:57 • -15.13db
8% Popularity • 50% Danceability • 30% Energy • 77% Liveness
57% Instrumentalness • 36% Positiveness
8% Popularity • 50% Danceability • 30% Energy • 77% Liveness
57% Instrumentalness • 36% Positiveness
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Art Blakey
Cubano Chant (Art Blakey & the Jazz Mess...
98 bpm • A# min • 04:00 • -13.89db
16% Popularity • 59% Danceability • 60% Energy • 7% Liveness
9% Instrumentalness • 96% Positiveness
16% Popularity • 59% Danceability • 60% Energy • 7% Liveness
9% Instrumentalness • 96% Positiveness
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Billy Butler
The Twang Thang
98 bpm • A# Maj • 05:13 • -17.75db
21% Popularity • 69% Danceability • 25% Energy • 10% Liveness
74% Instrumentalness • 76% Positiveness
21% Popularity • 69% Danceability • 25% Energy • 10% Liveness
74% Instrumentalness • 76% Positiveness
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Gary Bartz
Macaroni - Remastered
97 bpm • A# min • 06:42 • -6.81db
9% Popularity • 49% Danceability • 76% Energy • 28% Liveness
42% Instrumentalness • 39% Positiveness
9% Popularity • 49% Danceability • 76% Energy • 28% Liveness
42% Instrumentalness • 39% Positiveness
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Bob James
Nautilus
98 bpm • A min • 05:05 • -14.18db
40% Popularity • 50% Danceability • 53% Energy • 15% Liveness
1% Instrumentalness • 76% Positiveness
40% Popularity • 50% Danceability • 53% Energy • 15% Liveness
1% Instrumentalness • 76% Positiveness
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Furacão 2000
Street Dance
98 bpm • F Maj • 08:05 • -10.53db
1% Popularity • 62% Danceability • 76% Energy • 44% Liveness
41% Instrumentalness • 93% Positiveness
1% Popularity • 62% Danceability • 76% Energy • 44% Liveness
41% Instrumentalness • 93% Positiveness
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Johnny "Hammond" Smith
Dirty Apple
99 bpm • C Maj • 05:00 • -15db
17% Popularity • 62% Danceability • 28% Energy • 11% Liveness
67% Instrumentalness • 78% Positiveness
17% Popularity • 62% Danceability • 28% Energy • 11% Liveness
67% Instrumentalness • 78% Positiveness
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Herbie Hancock
The Thief
97 bpm • D min • 03:13 • -16.16db
20% Popularity • 58% Danceability • 49% Energy • 15% Liveness
95% Instrumentalness • 65% Positiveness
20% Popularity • 58% Danceability • 49% Energy • 15% Liveness
95% Instrumentalness • 65% Positiveness
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Ronnie Foster
On The Avenue
99 bpm • B min • 06:14 • -11db
30% Popularity • 59% Danceability • 67% Energy • 10% Liveness
83% Instrumentalness • 53% Positiveness
30% Popularity • 59% Danceability • 67% Energy • 10% Liveness
83% Instrumentalness • 53% Positiveness
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Max Roach
Garvey's Ghost
97 bpm • G# Maj • 07:51 • -9db
18% Popularity • 54% Danceability • 78% Energy • 12% Liveness
64% Instrumentalness • 72% Positiveness
18% Popularity • 54% Danceability • 78% Energy • 12% Liveness
64% Instrumentalness • 72% Positiveness
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Joe Zawinul
A Soul of a Village, Pt. II
97 bpm • F# Maj • 04:15 • -11.4db
8% Popularity • 45% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
8% Popularity • 45% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Bobby Timmons
This Here
97 bpm • A# Maj • 03:25 • -15db
20% Popularity • 60% Danceability • 50% Energy • 10% Liveness
86% Instrumentalness • 73% Positiveness
20% Popularity • 60% Danceability • 50% Energy • 10% Liveness
86% Instrumentalness • 73% Positiveness
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Les McCann
Harlem Buck Dance Strut
97 bpm • C Maj • 05:55 • -14.22db
28% Popularity • 68% Danceability • 49% Energy • 55% Liveness
6% Instrumentalness • 63% Positiveness
28% Popularity • 68% Danceability • 49% Energy • 55% Liveness
6% Instrumentalness • 63% Positiveness
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Deodato
September 13
99 bpm • G Maj • 05:56 • -15.83db
17% Popularity • 55% Danceability • 58% Energy • 10% Liveness
86% Instrumentalness • 95% Positiveness
17% Popularity • 55% Danceability • 58% Energy • 10% Liveness
86% Instrumentalness • 95% Positiveness
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Herlin Riley
Tootie Ma
97 bpm • G# Maj • 04:34 • -7.15db
12% Popularity • 76% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
12% Popularity • 76% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Ornette Coleman
Ramblin'
99 bpm • D Maj • 06:36 • -16db
23% Popularity • 52% Danceability • 19% Energy • 26% Liveness
80% Instrumentalness • 26% Positiveness
23% Popularity • 52% Danceability • 19% Energy • 26% Liveness
80% Instrumentalness • 26% Positiveness
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Michael Naura Quartet
Take Us Down to the River
96 bpm • F Maj • 03:58 • -16.84db
14% Popularity • 53% Danceability • 41% Energy • 14% Liveness
20% Instrumentalness • 54% Positiveness
14% Popularity • 53% Danceability • 41% Energy • 14% Liveness
20% Instrumentalness • 54% Positiveness
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Herbie Hancock
Fat Albert Rotunda
100 bpm • A# min • 06:29 • -11.15db
25% Popularity • 66% Danceability • 73% Energy • 32% Liveness
0% Instrumentalness • 93% Positiveness
25% Popularity • 66% Danceability • 73% Energy • 32% Liveness
0% Instrumentalness • 93% Positiveness
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Gary Burton
Las Vegas Tango
96 bpm • E min • 06:30 • -12.25db
25% Popularity • 37% Danceability • 48% Energy • 11% Liveness
67% Instrumentalness • 28% Positiveness
25% Popularity • 37% Danceability • 48% Energy • 11% Liveness
67% Instrumentalness • 28% Positiveness
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Leon Thomas
The Creator Has a Master Plan
100 bpm • D# Maj • 04:25 • -17.58db
29% Popularity • 55% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
29% Popularity • 55% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Eddie "Lockjaw" Davis Big Band
The Stolen Moment
100 bpm • G min • 07:54 • -12.17db
5% Popularity • 42% Danceability • 33% Energy • 22% Liveness
16% Instrumentalness • 36% Positiveness
5% Popularity • 42% Danceability • 33% Energy • 22% Liveness
16% Instrumentalness • 36% Positiveness
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Ray Bryant
Cubano Chant
96 bpm • D# min • 04:09 • -8.64db
27% Popularity • 62% Danceability • 66% Energy • 18% Liveness
63% Instrumentalness • 86% Positiveness
27% Popularity • 62% Danceability • 66% Energy • 18% Liveness
63% Instrumentalness • 86% Positiveness
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Thelonious Monk
Caravan
96 bpm • A# min • 05:56 • -20.39db
35% Popularity • 55% Danceability • 16% Energy • 8% Liveness
93% Instrumentalness • 38% Positiveness
35% Popularity • 55% Danceability • 16% Energy • 8% Liveness
93% Instrumentalness • 38% Positiveness
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Herbie Hancock
Oh! Oh! Here He Comes
96 bpm • A Maj • 04:08 • -11db
34% Popularity • 62% Danceability • 68% Energy • 13% Liveness
95% Instrumentalness • 96% Positiveness
34% Popularity • 62% Danceability • 68% Energy • 13% Liveness
95% Instrumentalness • 96% Positiveness
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The Jazz Crusaders
Why Do You Laugh At Me?
96 bpm • C Maj • 02:35 • -12.46db
27% Popularity • 48% Danceability • 34% Energy • 10% Liveness
96% Instrumentalness • 37% Positiveness
27% Popularity • 48% Danceability • 34% Energy • 10% Liveness
96% Instrumentalness • 37% Positiveness
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Ronnie Laws
Tidal Wave
96 bpm • A# Maj • 04:12 • -12.6db
37% Popularity • 36% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
37% Popularity • 36% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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John Scofield
Busted
100 bpm • G Maj • 06:31 • -10db
14% Popularity • 72% Danceability • 48% Energy • 10% Liveness
81% Instrumentalness • 73% Positiveness
14% Popularity • 72% Danceability • 48% Energy • 10% Liveness
81% Instrumentalness • 73% Positiveness
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Dave Pike
Why Not
101 bpm • D Maj • 06:44 • -10.38db
8% Popularity • 59% Danceability • 48% Energy • 23% Liveness
0% Instrumentalness • 51% Positiveness
8% Popularity • 59% Danceability • 48% Energy • 23% Liveness
0% Instrumentalness • 51% Positiveness
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Thelonious Monk
Black And Tan Fantasy
96 bpm • G# Maj • 03:28 • -17.29db
27% Popularity • 54% Danceability • 15% Energy • 11% Liveness
74% Instrumentalness • 31% Positiveness
27% Popularity • 54% Danceability • 15% Energy • 11% Liveness
74% Instrumentalness • 31% Positiveness
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Herbie Hancock
Succotash
95 bpm • F# Maj • 07:40 • -12.85db
22% Popularity • 49% Danceability • 67% Energy • 9% Liveness
15% Instrumentalness • 86% Positiveness
22% Popularity • 49% Danceability • 67% Energy • 9% Liveness
15% Instrumentalness • 86% Positiveness
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Donny Hathaway
Valdez in the Country
101 bpm • C Maj • 03:30 • -10.75db
33% Popularity • 56% Danceability • 68% Energy • 39% Liveness
62% Instrumentalness • 70% Positiveness
33% Popularity • 56% Danceability • 68% Energy • 39% Liveness
62% Instrumentalness • 70% Positiveness
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Gene Harris & The Three Sounds
Sugar Hill
95 bpm • G Maj • 02:46 • -9.22db
22% Popularity • 57% Danceability • 45% Energy • 31% Liveness
0% Instrumentalness • 78% Positiveness
22% Popularity • 57% Danceability • 45% Energy • 31% Liveness
0% Instrumentalness • 78% Positiveness
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Chico Hamilton
The Dealer
95 bpm • A# min • 06:21 • -11.82db
15% Popularity • 48% Danceability • 65% Energy • 12% Liveness
1% Instrumentalness • 70% Positiveness
15% Popularity • 48% Danceability • 65% Energy • 12% Liveness
1% Instrumentalness • 70% Positiveness
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Michel Sardaby
Welcome New Warmth
101 bpm • A# min • 04:16 • -15db
31% Popularity • 52% Danceability • 48% Energy • 10% Liveness
93% Instrumentalness • 78% Positiveness
31% Popularity • 52% Danceability • 48% Energy • 10% Liveness
93% Instrumentalness • 78% Positiveness
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Les McCann
Dunbar High School Marching Band
101 bpm • C Maj • 06:06 • -11.23db
14% Popularity • 49% Danceability • 74% Energy • 14% Liveness
3% Instrumentalness • 66% Positiveness
14% Popularity • 49% Danceability • 74% Energy • 14% Liveness
3% Instrumentalness • 66% Positiveness
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Teddy Edwards
Our Love Is Here To Stay
95 bpm • F min • 05:21 • -12.17db
21% Popularity • 73% Danceability • 23% Energy • 7% Liveness
83% Instrumentalness • 42% Positiveness
21% Popularity • 73% Danceability • 23% Energy • 7% Liveness
83% Instrumentalness • 42% Positiveness
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The Howard Roberts Quartet
Florence Of Arabia
95 bpm • F Maj • 01:44 • -15.31db
37% Popularity • 68% Danceability • 48% Energy • 6% Liveness
84% Instrumentalness • 83% Positiveness
37% Popularity • 68% Danceability • 48% Energy • 6% Liveness
84% Instrumentalness • 83% Positiveness
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Jeremy Steig
Alias
95 bpm • C# Maj • 04:20 • -14.83db
10% Popularity • 58% Danceability • 57% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
10% Popularity • 58% Danceability • 57% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
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Chico Hamilton
Got My Mojo Working (But It Just Won't W...
101 bpm • C Maj • 03:06 • -7db
19% Popularity • 50% Danceability • 77% Energy • 41% Liveness
0% Instrumentalness • 69% Positiveness
19% Popularity • 50% Danceability • 77% Energy • 41% Liveness
0% Instrumentalness • 69% Positiveness
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Big John Patton
Bermuda Clay House
95 bpm • G min • 05:57 • -12.35db
15% Popularity • 70% Danceability • 35% Energy • 10% Liveness
4% Instrumentalness • 73% Positiveness
15% Popularity • 70% Danceability • 35% Energy • 10% Liveness
4% Instrumentalness • 73% Positiveness
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Richard "Groove" Holmes
Somethin' Special
101 bpm • C Maj • 09:12 • -8.83db
1% Popularity • 56% Danceability • 58% Energy • 10% Liveness
1% Instrumentalness • 54% Positiveness
1% Popularity • 56% Danceability • 58% Energy • 10% Liveness
1% Instrumentalness • 54% Positiveness
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Harold Vick
Our Miss Brooks
102 bpm • C Maj • 07:29 • -12db
13% Popularity • 48% Danceability • 32% Energy • 13% Liveness
6% Instrumentalness • 30% Positiveness
13% Popularity • 48% Danceability • 32% Energy • 13% Liveness
6% Instrumentalness • 30% Positiveness
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Charles Kynard
Hot Sauce
102 bpm • G Maj • 04:36 • -10.95db
13% Popularity • 68% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
13% Popularity • 68% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Charles Earland
Letha
102 bpm • D Maj • 07:23 • -10.66db
14% Popularity • 56% Danceability • 79% Energy • 29% Liveness
77% Instrumentalness • 61% Positiveness
14% Popularity • 56% Danceability • 79% Energy • 29% Liveness
77% Instrumentalness • 61% Positiveness
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Les McCann
Anticipation
102 bpm • A# Maj • 00:52 • -37.15db
22% Popularity • 36% Danceability • 0% Energy • 12% Liveness
90% Instrumentalness • 10% Positiveness
22% Popularity • 36% Danceability • 0% Energy • 12% Liveness
90% Instrumentalness • 10% Positiveness
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Chip Wickham
Sling Shot
102 bpm • F min • 06:31 • -8.29db
19% Popularity • 60% Danceability • 48% Energy • 11% Liveness
84% Instrumentalness • 68% Positiveness
19% Popularity • 60% Danceability • 48% Energy • 11% Liveness
84% Instrumentalness • 68% Positiveness
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Jimmy Heath
Big P
94 bpm • D min • 03:56 • -16.29db
28% Popularity • 50% Danceability • 28% Energy • 10% Liveness
11% Instrumentalness • 52% Positiveness
28% Popularity • 50% Danceability • 28% Energy • 10% Liveness
11% Instrumentalness • 52% Positiveness
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Joja Wendt
Little Blue Volkswagen
94 bpm • C Maj • 02:39 • -11.51db
2% Popularity • 59% Danceability • 42% Energy • 32% Liveness
8% Instrumentalness • 72% Positiveness
2% Popularity • 59% Danceability • 42% Energy • 32% Liveness
8% Instrumentalness • 72% Positiveness
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Tom Scott And The L.A. Express
Sneakin' In The Back
94 bpm • G# Maj • 04:46 • -13.02db
30% Popularity • 75% Danceability • 37% Energy • 6% Liveness
82% Instrumentalness • 53% Positiveness
30% Popularity • 75% Danceability • 37% Energy • 6% Liveness
82% Instrumentalness • 53% Positiveness
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Sahib Shihab
Seeds
103 bpm • F# Maj • 04:13 • -22db
22% Popularity • 67% Danceability • 38% Energy • 10% Liveness
4% Instrumentalness • 89% Positiveness
22% Popularity • 67% Danceability • 38% Energy • 10% Liveness
4% Instrumentalness • 89% Positiveness
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Ralph Thomas
Muscavado
103 bpm • F min • 04:01 • -13.68db
8% Popularity • 50% Danceability • 58% Energy • 13% Liveness
34% Instrumentalness • 80% Positiveness
8% Popularity • 50% Danceability • 58% Energy • 13% Liveness
34% Instrumentalness • 80% Positiveness
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Gene Harris
Higga-Boom
103 bpm • A# Maj • 06:00 • -14.14db
11% Popularity • 52% Danceability • 84% Energy • 32% Liveness
90% Instrumentalness • 93% Positiveness
11% Popularity • 52% Danceability • 84% Energy • 32% Liveness
90% Instrumentalness • 93% Positiveness
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Charles Kynard
El Toro Poo Poo
94 bpm • F Maj • 03:14 • -9.14db
18% Popularity • 55% Danceability • 81% Energy • 7% Liveness
94% Instrumentalness • 87% Positiveness
18% Popularity • 55% Danceability • 81% Energy • 7% Liveness
94% Instrumentalness • 87% Positiveness
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Joja Wendt
Pacifique
102 bpm • A# Maj • 02:39 • -21.02db
1% Popularity • 53% Danceability • 9% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
1% Popularity • 53% Danceability • 9% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
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Ray Bryant
The Blue Scimitar
103 bpm • G# Maj • 04:19 • -9db
14% Popularity • 46% Danceability • 62% Energy • 22% Liveness
81% Instrumentalness • 62% Positiveness
14% Popularity • 46% Danceability • 62% Energy • 22% Liveness
81% Instrumentalness • 62% Positiveness
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Big John Patton
Latona
103 bpm • E Maj • 07:23 • -9db
17% Popularity • 43% Danceability • 76% Energy • 12% Liveness
2% Instrumentalness • 67% Positiveness
17% Popularity • 43% Danceability • 76% Energy • 12% Liveness
2% Instrumentalness • 67% Positiveness
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Hank Mobley
Recado Bossa Nova - Remastered 2005/Rudy...
103 bpm • C min • 08:11 • -7.86db
45% Popularity • 65% Danceability • 67% Energy • 24% Liveness
0% Instrumentalness • 83% Positiveness
45% Popularity • 65% Danceability • 67% Energy • 24% Liveness
0% Instrumentalness • 83% Positiveness
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Gene Harris
Higga-Boom
103 bpm • A# Maj • 06:00 • -11.09db
19% Popularity • 55% Danceability • 87% Energy • 30% Liveness
92% Instrumentalness • 93% Positiveness
19% Popularity • 55% Danceability • 87% Energy • 30% Liveness
92% Instrumentalness • 93% Positiveness
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Freddie Roach
Brown Sugar
93 bpm • A# Maj • 04:20 • -9.48db
18% Popularity • 60% Danceability • 52% Energy • 18% Liveness
61% Instrumentalness • 76% Positiveness
18% Popularity • 60% Danceability • 52% Energy • 18% Liveness
61% Instrumentalness • 76% Positiveness
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Richard "Groove" Holmes
St. James Infirmary
93 bpm • D Maj • 04:43 • -6.64db
1% Popularity • 38% Danceability • 55% Energy • 46% Liveness
0% Instrumentalness • 38% Positiveness
1% Popularity • 38% Danceability • 55% Energy • 46% Liveness
0% Instrumentalness • 38% Positiveness
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Eddie Henderson
The Kumquat Kids
93 bpm • A min • 04:30 • -8db
22% Popularity • 65% Danceability • 75% Energy • 4% Liveness
7% Instrumentalness • 89% Positiveness
22% Popularity • 65% Danceability • 75% Energy • 4% Liveness
7% Instrumentalness • 89% Positiveness
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Big John Patton
The Shadow Of Your Smile
103 bpm • B min • 06:55 • -14db
13% Popularity • 66% Danceability • 29% Energy • 11% Liveness
49% Instrumentalness • 30% Positiveness
13% Popularity • 66% Danceability • 29% Energy • 11% Liveness
49% Instrumentalness • 30% Positiveness
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Bob James
Night Crawler
93 bpm • F min • 06:20 • -13.53db
24% Popularity • 62% Danceability • 42% Energy • 5% Liveness
56% Instrumentalness • 81% Positiveness
24% Popularity • 62% Danceability • 42% Energy • 5% Liveness
56% Instrumentalness • 81% Positiveness
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Lee Morgan
Mr. Kenyatta - Remastered 2000/Rudy Van ...
103 bpm • F min • 08:43 • -9.56db
24% Popularity • 60% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
24% Popularity • 60% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Bobby Timmons Trio
From The Bottom
93 bpm • C# Maj • 04:59 • -13.54db
27% Popularity • 56% Danceability • 60% Energy • 35% Liveness
56% Instrumentalness • 79% Positiveness
27% Popularity • 56% Danceability • 60% Energy • 35% Liveness
56% Instrumentalness • 79% Positiveness
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Les McCann
This Here
103 bpm • C Maj • 03:05 • -16.49db
13% Popularity • 44% Danceability • 35% Energy • 12% Liveness
87% Instrumentalness • 62% Positiveness
13% Popularity • 44% Danceability • 35% Energy • 12% Liveness
87% Instrumentalness • 62% Positiveness
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Charles Earland
Sing A Simple Song
104 bpm • E Maj • 05:44 • -11.86db
9% Popularity • 59% Danceability • 90% Energy • 16% Liveness
40% Instrumentalness • 57% Positiveness
9% Popularity • 59% Danceability • 90% Energy • 16% Liveness
40% Instrumentalness • 57% Positiveness
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Ronnie Laws
Always There
104 bpm • C# Maj • 04:54 • -12db
36% Popularity • 61% Danceability • 91% Energy • 11% Liveness
84% Instrumentalness • 71% Positiveness
36% Popularity • 61% Danceability • 91% Energy • 11% Liveness
84% Instrumentalness • 71% Positiveness
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Horace Silver
Acid, Pot Or Pills
93 bpm • G# Maj • 04:28 • -6.54db
19% Popularity • 66% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
19% Popularity • 66% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Dexter Gordon
Soy Califa - 2005 Digital Remaster
104 bpm • D# Maj • 06:27 • -6.61db
29% Popularity • 60% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
29% Popularity • 60% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Mose Allison
It Didn't Turn out That Way
104 bpm • A# Maj • 02:43 • -21db
20% Popularity • 72% Danceability • 20% Energy • 20% Liveness
1% Instrumentalness • 70% Positiveness
20% Popularity • 72% Danceability • 20% Energy • 20% Liveness
1% Instrumentalness • 70% Positiveness
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Les McCann
Sunny
104 bpm • D min • 07:19 • -16.76db
7% Popularity • 45% Danceability • 9% Energy • 8% Liveness
72% Instrumentalness • 12% Positiveness
7% Popularity • 45% Danceability • 9% Energy • 8% Liveness
72% Instrumentalness • 12% Positiveness
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Herbie Hancock
Fat Mama
104 bpm • E Maj • 03:49 • -13.52db
38% Popularity • 63% Danceability • 71% Energy • 9% Liveness
62% Instrumentalness • 68% Positiveness
38% Popularity • 63% Danceability • 71% Energy • 9% Liveness
62% Instrumentalness • 68% Positiveness
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Horace Silver Quintet
Nobody Knows
92 bpm • A min • 04:12 • -11.77db
8% Popularity • 69% Danceability • 20% Energy • 10% Liveness
2% Instrumentalness • 27% Positiveness
8% Popularity • 69% Danceability • 20% Energy • 10% Liveness
2% Instrumentalness • 27% Positiveness
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David "Fathead" Newman
The Thirteenth Floor
92 bpm • A# min • 05:56 • -14.99db
9% Popularity • 40% Danceability • 52% Energy • 10% Liveness
4% Instrumentalness • 52% Positiveness
9% Popularity • 40% Danceability • 52% Energy • 10% Liveness
4% Instrumentalness • 52% Positiveness
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Eddie Henderson
Time And Space
92 bpm • G Maj • 05:19 • -10.69db
12% Popularity • 35% Danceability • 55% Energy • 19% Liveness
90% Instrumentalness • 47% Positiveness
12% Popularity • 35% Danceability • 55% Energy • 19% Liveness
90% Instrumentalness • 47% Positiveness
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Gene Harris & The Three Sounds
Funky Pullett - Live At The It Club, Los...
92 bpm • C Maj • 07:45 • -16.95db
11% Popularity • 64% Danceability • 39% Energy • 8% Liveness
97% Instrumentalness • 69% Positiveness
11% Popularity • 64% Danceability • 39% Energy • 8% Liveness
97% Instrumentalness • 69% Positiveness
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Ike Quebec
Easy, Don't Hurt - Rudy Van Gelder Editi...
92 bpm • C min • 06:03 • -11.16db
14% Popularity • 56% Danceability • 21% Energy • 11% Liveness
4% Instrumentalness • 36% Positiveness
14% Popularity • 56% Danceability • 21% Energy • 11% Liveness
4% Instrumentalness • 36% Positiveness
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Horace Silver
Kathy - Rudy Van Gelder 24-Bit Mastering...
92 bpm • A# min • 04:17 • -10.91db
29% Popularity • 48% Danceability • 49% Energy • 10% Liveness
85% Instrumentalness • 47% Positiveness
29% Popularity • 48% Danceability • 49% Energy • 10% Liveness
85% Instrumentalness • 47% Positiveness
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Joe Henderson
Mode For Joe - Remastered
92 bpm • F min • 08:00 • -14.8db
25% Popularity • 56% Danceability • 32% Energy • 13% Liveness
3% Instrumentalness • 44% Positiveness
25% Popularity • 56% Danceability • 32% Energy • 13% Liveness
3% Instrumentalness • 44% Positiveness
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Ronnie Laws
Nothing To Lose
105 bpm • E min • 04:56 • -14.23db
22% Popularity • 46% Danceability • 79% Energy • 7% Liveness
82% Instrumentalness • 56% Positiveness
22% Popularity • 46% Danceability • 79% Energy • 7% Liveness
82% Instrumentalness • 56% Positiveness
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Oscar Peterson Quartet
Solar Winds
92 bpm • F min • 06:50 • -25.45db
17% Popularity • 34% Danceability • 16% Energy • 11% Liveness
90% Instrumentalness • 21% Positiveness
17% Popularity • 34% Danceability • 16% Energy • 11% Liveness
90% Instrumentalness • 21% Positiveness
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Idris Muhammad
Express Yourself
92 bpm • G# Maj • 05:25 • -15.32db
23% Popularity • 68% Danceability • 54% Energy • 28% Liveness
5% Instrumentalness • 96% Positiveness
23% Popularity • 68% Danceability • 54% Energy • 28% Liveness
5% Instrumentalness • 96% Positiveness
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Dave Pike Set
Big Schlepp
105 bpm • G min • 04:05 • -15.19db
30% Popularity • 55% Danceability • 36% Energy • 10% Liveness
73% Instrumentalness • 78% Positiveness
30% Popularity • 55% Danceability • 36% Energy • 10% Liveness
73% Instrumentalness • 78% Positiveness
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Gene Harris & The Three Sounds
I'm Still Sad - Live At The It Club, Los...
105 bpm • C Maj • 08:48 • -18.44db
9% Popularity • 47% Danceability • 37% Energy • 78% Liveness
97% Instrumentalness • 69% Positiveness
9% Popularity • 47% Danceability • 37% Energy • 78% Liveness
97% Instrumentalness • 69% Positiveness
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Art Blakey
A Chant For Bu
105 bpm • A# min • 08:35 • -10.97db
21% Popularity • 44% Danceability • 71% Energy • 9% Liveness
38% Instrumentalness • 65% Positiveness
21% Popularity • 44% Danceability • 71% Energy • 9% Liveness
38% Instrumentalness • 65% Positiveness
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King Curtis
Sweet Inspiration
91 bpm • F Maj • 02:55 • -15.33db
22% Popularity • 73% Danceability • 27% Energy • 10% Liveness
31% Instrumentalness • 80% Positiveness
22% Popularity • 73% Danceability • 27% Energy • 10% Liveness
31% Instrumentalness • 80% Positiveness
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James Moody
You Follow Me
91 bpm • A# min • 06:12 • -14.99db
13% Popularity • 82% Danceability • 38% Energy • 15% Liveness
1% Instrumentalness • 96% Positiveness
13% Popularity • 82% Danceability • 38% Energy • 15% Liveness
1% Instrumentalness • 96% Positiveness
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Charles Lloyd
Majorca
91 bpm • F Maj • 06:11 • -18db
12% Popularity • 48% Danceability • 25% Energy • 9% Liveness
92% Instrumentalness • 49% Positiveness
12% Popularity • 48% Danceability • 25% Energy • 9% Liveness
92% Instrumentalness • 49% Positiveness
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Herbie Hancock
Oliloqui Valley - Remastered
91 bpm • E min • 08:30 • -9.73db
30% Popularity • 46% Danceability • 50% Energy • 10% Liveness
6% Instrumentalness • 34% Positiveness
30% Popularity • 46% Danceability • 50% Energy • 10% Liveness
6% Instrumentalness • 34% Positiveness
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Gene Harris & The Three Sounds
Book Of Slim
91 bpm • D min • 03:23 • -9.07db
42% Popularity • 68% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
42% Popularity • 68% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
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Lalo Schifrin
Tabu
91 bpm • F min • 04:32 • -17db
13% Popularity • 56% Danceability • 42% Energy • 10% Liveness
88% Instrumentalness • 58% Positiveness
13% Popularity • 56% Danceability • 42% Energy • 10% Liveness
88% Instrumentalness • 58% Positiveness
