Songs like Image Of God by We Are Messengers
Based on a tempo of (+/- 10%) and a similar genre
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Colton Dixon
Through All Of It - Acoustic
80 bpm • C Maj • 03:04 • -8.76db
38% Popularity • 55% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
38% Popularity • 55% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Casting Crowns
Anything But Easy
80 bpm • F# Maj • 03:43 • -7.83db
38% Popularity • 50% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
38% Popularity • 50% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Danny Gokey
More Than You Think I Am
80 bpm • C# Maj • 04:04 • -4.84db
45% Popularity • 55% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
45% Popularity • 55% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Unspoken
Bury the Workmen
80 bpm • E Maj • 03:21 • -5.73db
36% Popularity • 63% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
36% Popularity • 63% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Ross King
Walk in the Valley
80 bpm • E min • 03:17 • -9.45db
22% Popularity • 62% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
22% Popularity • 62% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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We Are Messengers
Image Of God
80 bpm • C Maj • 03:22 • -5.56db
20% Popularity • 59% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
20% Popularity • 59% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Colton Dixon
More Of You
80 bpm • A# Maj • 04:06 • -5db
53% Popularity • 42% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
53% Popularity • 42% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Orphan No More Co
Grateful Response
80 bpm • F Maj • 04:26 • -12db
31% Popularity • 53% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
31% Popularity • 53% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Cochren & Co.
Who Can
80 bpm • G Maj • 02:53 • -5.95db
63% Popularity • 68% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
63% Popularity • 68% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Brandon Heath
Minute By Minute
80 bpm • G# min • 03:36 • -7.59db
41% Popularity • 51% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
41% Popularity • 51% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Morgan Harper Nichols
A Prayer for Grace
80 bpm • D# Maj • 04:13 • -11.89db
34% Popularity • 31% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
34% Popularity • 31% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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We Are Messengers
My Victory
80 bpm • D# Maj • 04:00 • -7.05db
26% Popularity • 43% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
26% Popularity • 43% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Tenth Avenue North
Suddenly
81 bpm • G Maj • 02:39 • -5.88db
43% Popularity • 55% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 30% Positiveness
43% Popularity • 55% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 30% Positiveness
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Nashville Life Music
I've Got A Reason
79 bpm • F Maj • 04:16 • -4db
23% Popularity • 61% Danceability • 80% Energy • 75% Liveness
0% Instrumentalness • 84% Positiveness
23% Popularity • 61% Danceability • 80% Energy • 75% Liveness
0% Instrumentalness • 84% Positiveness
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Cochren & Co.
One Day
80 bpm • C Maj • 03:25 • -8db
67% Popularity • 29% Danceability • 45% Energy • 24% Liveness
0% Instrumentalness • 33% Positiveness
67% Popularity • 29% Danceability • 45% Energy • 24% Liveness
0% Instrumentalness • 33% Positiveness
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Sidewalk Prophets
Come To the Table
81 bpm • C Maj • 04:15 • -6.1db
54% Popularity • 44% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
54% Popularity • 44% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Anne Wilson
Living Water
79 bpm • F Maj • 03:11 • -4.3db
60% Popularity • 46% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
60% Popularity • 46% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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We Are Messengers
Always You
81 bpm • A Maj • 03:47 • -6.71db
17% Popularity • 43% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
17% Popularity • 43% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Terrian
Forever Holy
82 bpm • A# Maj • 03:30 • -6.74db
43% Popularity • 43% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
43% Popularity • 43% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Nashville Life Music
Worthy One - Live
79 bpm • E Maj • 05:21 • -5.15db
20% Popularity • 38% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
20% Popularity • 38% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Vince Gill
What Choice Will You Make
82 bpm • F# Maj • 04:13 • -13.19db
20% Popularity • 49% Danceability • 39% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
20% Popularity • 49% Danceability • 39% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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Patrick Mayberry
Easy To Praise
78 bpm • F# Maj • 03:28 • -6.26db
47% Popularity • 47% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
47% Popularity • 47% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Tasha Layton
Brave Heart (Dear Daughter)
78 bpm • G Maj • 04:26 • -7db
27% Popularity • 58% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
27% Popularity • 58% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Casting Crowns
2nd Opinions
82 bpm • G Maj • 04:22 • -8.27db
30% Popularity • 69% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
30% Popularity • 69% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Brandon Heath
Scars
82 bpm • A Maj • 03:22 • -8.37db
48% Popularity • 57% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
48% Popularity • 57% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Andrew Ripp
God Knows (Must Be Love) - Radio Edit
78 bpm • F Maj • 03:56 • -4.62db
47% Popularity • 57% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
47% Popularity • 57% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Unspoken
Start a Fire
82 bpm • C# Maj • 03:04 • -5db
56% Popularity • 51% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
56% Popularity • 51% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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Tommy Fleming
Wonderful World
78 bpm • G# Maj • 03:45 • -12.65db
2% Popularity • 57% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
2% Popularity • 57% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Tasha Layton
Into the Sea (It's Gonna Be Ok)
82 bpm • G Maj • 03:02 • -7db
54% Popularity • 26% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
54% Popularity • 26% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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We Are Messengers
Never Stop Singing
82 bpm • C Maj • 03:46 • -4.9db
21% Popularity • 51% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
21% Popularity • 51% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Vince Gill
The Red Words
82 bpm • F Maj • 04:48 • -10.61db
30% Popularity • 61% Danceability • 54% Energy • 13% Liveness
4% Instrumentalness • 55% Positiveness
30% Popularity • 61% Danceability • 54% Energy • 13% Liveness
4% Instrumentalness • 55% Positiveness
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Audrey Assad
Shiloh
82 bpm • F Maj • 04:28 • -11.7db
45% Popularity • 46% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
45% Popularity • 46% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Anne Wilson
Seventh Of June
82 bpm • C Maj • 03:57 • -6.58db
44% Popularity • 44% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
44% Popularity • 44% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Olivia Lane
Wherever You Are
78 bpm • D Maj • 03:35 • -5db
33% Popularity • 49% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
33% Popularity • 49% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Jon Reddick
You Keep Hope Alive
78 bpm • D# Maj • 03:51 • -7.93db
65% Popularity • 53% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
65% Popularity • 53% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Cochren & Co.
Don't Lose Hope
82 bpm • G Maj • 03:18 • -5.27db
50% Popularity • 60% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
50% Popularity • 60% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Tasha Layton
I Got You
78 bpm • G# Maj • 03:01 • -8db
34% Popularity • 74% Danceability • 46% Energy • 32% Liveness
0% Instrumentalness • 49% Positiveness
34% Popularity • 74% Danceability • 46% Energy • 32% Liveness
0% Instrumentalness • 49% Positiveness
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Colton Dixon
The Other Side
82 bpm • F# min • 03:56 • -7.27db
40% Popularity • 33% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
40% Popularity • 33% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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We Are Messengers
Knock Me Down
78 bpm • F min • 03:02 • -4.5db
30% Popularity • 56% Danceability • 74% Energy • 34% Liveness
0% Instrumentalness • 40% Positiveness
30% Popularity • 56% Danceability • 74% Energy • 34% Liveness
0% Instrumentalness • 40% Positiveness
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John Waller
What My Father Does
78 bpm • G# Maj • 04:05 • -6.09db
17% Popularity • 39% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
17% Popularity • 39% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Mack Brock
Into Dust
78 bpm • D# Maj • 04:31 • -9db
39% Popularity • 39% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
39% Popularity • 39% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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The Color
Better Way - Radio Version
82 bpm • A# Maj • 03:40 • -6.07db
29% Popularity • 47% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
29% Popularity • 47% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Life.Church Worship
God So Good
77 bpm • B Maj • 04:46 • -6.96db
32% Popularity • 52% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
32% Popularity • 52% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Colton Dixon
Through All Of It
78 bpm • C Maj • 03:25 • -8db
56% Popularity • 44% Danceability • 38% Energy • 25% Liveness
0% Instrumentalness • 23% Positiveness
56% Popularity • 44% Danceability • 38% Energy • 25% Liveness
0% Instrumentalness • 23% Positiveness
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Benjamin William Hastings
That's The Thing About Praise - Radio Ve...
77 bpm • C# Maj • 03:56 • -5db
43% Popularity • 45% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
43% Popularity • 45% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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CAIN
People Need People
77 bpm • G Maj • 03:34 • -5.85db
39% Popularity • 55% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
39% Popularity • 55% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Tasha Layton
I Belong to You
83 bpm • C min • 03:21 • -5.33db
35% Popularity • 42% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
35% Popularity • 42% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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7eventh Time Down
Questions
83 bpm • C Maj • 03:25 • -5.15db
29% Popularity • 23% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
29% Popularity • 23% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Anne Wilson
Closer To God
83 bpm • F# Maj • 03:33 • -6.08db
47% Popularity • 38% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
47% Popularity • 38% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Colton Dixon
Limitless
83 bpm • C min • 03:55 • -7db
33% Popularity • 17% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
33% Popularity • 17% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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We Are Messengers
Never Change Your Mind
77 bpm • A Maj • 03:31 • -4.79db
22% Popularity • 59% Danceability • 76% Energy • 33% Liveness
0% Instrumentalness • 47% Positiveness
22% Popularity • 59% Danceability • 76% Energy • 33% Liveness
0% Instrumentalness • 47% Positiveness
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Andrew Ripp
Fill My Cup
83 bpm • F Maj • 03:27 • -5.16db
54% Popularity • 34% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
54% Popularity • 34% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
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CAIN
Revival
77 bpm • D# Maj • 03:55 • -5.85db
48% Popularity • 47% Danceability • 83% Energy • 29% Liveness
0% Instrumentalness • 51% Positiveness
48% Popularity • 47% Danceability • 83% Energy • 29% Liveness
0% Instrumentalness • 51% Positiveness
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Mandisa
You Keep Hope Alive
77 bpm • D# Maj • 04:11 • -6.02db
53% Popularity • 47% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
53% Popularity • 47% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Mark Schultz
Follow (Radio)
77 bpm • C Maj • 03:35 • -5.85db
31% Popularity • 52% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
31% Popularity • 52% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Erik Nieder
Jesus, The Treasure
77 bpm • G# Maj • 03:41 • -8db
42% Popularity • 54% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
42% Popularity • 54% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Vince Gill
Love Changes Everything
77 bpm • F Maj • 04:54 • -8.5db
32% Popularity • 46% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
32% Popularity • 46% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Andrew Ripp
Helpless Without You
84 bpm • A# Maj • 03:34 • -5.86db
36% Popularity • 47% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
36% Popularity • 47% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Apollo LTD
Living Proof
84 bpm • C# Maj • 02:49 • -6.31db
29% Popularity • 52% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
29% Popularity • 52% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
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Influence Music
Rebels
84 bpm • G Maj • 03:46 • -6db
44% Popularity • 46% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
44% Popularity • 46% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Alive City
Only Ever
84 bpm • E Maj • 03:21 • -6.23db
56% Popularity • 34% Danceability • 60% Energy • 25% Liveness
0% Instrumentalness • 39% Positiveness
56% Popularity • 34% Danceability • 60% Energy • 25% Liveness
0% Instrumentalness • 39% Positiveness
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Blessing Offor
Little Bird
84 bpm • F Maj • 03:08 • -8.75db
34% Popularity • 52% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
34% Popularity • 52% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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RICHLIN
Good Mood
76 bpm • B Maj • 03:11 • -7db
47% Popularity • 63% Danceability • 79% Energy • 39% Liveness
0% Instrumentalness • 65% Positiveness
47% Popularity • 63% Danceability • 79% Energy • 39% Liveness
0% Instrumentalness • 65% Positiveness
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Nashville Life Music
Sing a Song
76 bpm • E Maj • 04:02 • -5.64db
24% Popularity • 66% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
24% Popularity • 66% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
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Tasha Layton
Good Things
76 bpm • F Maj • 03:22 • -4.76db
30% Popularity • 55% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
30% Popularity • 55% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Vince Gill
It Is Well
84 bpm • D Maj • 05:47 • -11.85db
35% Popularity • 48% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
35% Popularity • 48% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Cochren & Co.
Whole World
76 bpm • C# Maj • 03:10 • -6.57db
42% Popularity • 66% Danceability • 64% Energy • 33% Liveness
0% Instrumentalness • 45% Positiveness
42% Popularity • 66% Danceability • 64% Energy • 33% Liveness
0% Instrumentalness • 45% Positiveness
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We Are Messengers
God Be The Glory
85 bpm • C Maj • 03:35 • -5.68db
39% Popularity • 56% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 25% Positiveness
39% Popularity • 56% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 25% Positiveness
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Dan Bremnes
At Your Feet (Surrender)
75 bpm • D Maj • 03:50 • -7.61db
34% Popularity • 38% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
34% Popularity • 38% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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Nashville Life Music
Sing A Song (Part 2)
76 bpm • F Maj • 04:29 • -4.86db
21% Popularity • 48% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
21% Popularity • 48% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Elle Limebear
What Love Looks Like - Single Version
75 bpm • A Maj • 03:31 • -6.9db
27% Popularity • 40% Danceability • 61% Energy • 28% Liveness
0% Instrumentalness • 30% Positiveness
27% Popularity • 40% Danceability • 61% Energy • 28% Liveness
0% Instrumentalness • 30% Positiveness
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Anne Wilson
Something About That Name
75 bpm • D Maj • 03:32 • -6db
58% Popularity • 46% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
58% Popularity • 46% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Love & The Outcome
Moving On
75 bpm • G Maj • 03:49 • -7.26db
15% Popularity • 45% Danceability • 51% Energy • 54% Liveness
0% Instrumentalness • 26% Positiveness
15% Popularity • 45% Danceability • 51% Energy • 54% Liveness
0% Instrumentalness • 26% Positiveness
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Jonny Diaz
Define Me
75 bpm • A Maj • 03:26 • -8db
37% Popularity • 64% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
37% Popularity • 64% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Sidewalk Prophets
I Believe It Now
75 bpm • A# Maj • 03:41 • -7db
34% Popularity • 52% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
34% Popularity • 52% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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We Are Messengers
A Thousand Times
75 bpm • B Maj • 03:39 • -5.76db
38% Popularity • 57% Danceability • 81% Energy • 29% Liveness
0% Instrumentalness • 45% Positiveness
38% Popularity • 57% Danceability • 81% Energy • 29% Liveness
0% Instrumentalness • 45% Positiveness
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Erik Nieder
Thank You (Famine Or Feast)
75 bpm • G# Maj • 03:23 • -8db
46% Popularity • 48% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
46% Popularity • 48% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Anne Wilson
This House
75 bpm • D min • 03:38 • -6db
48% Popularity • 55% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
48% Popularity • 55% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
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Josiah Queen
Use Me
75 bpm • C Maj • 03:30 • -4.8db
58% Popularity • 56% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
58% Popularity • 56% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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CAIN
The Commission (Go Tell The World)
75 bpm • F Maj • 04:05 • -8.71db
50% Popularity • 29% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
50% Popularity • 29% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Life.Church Worship
Free (This Joy)
86 bpm • F# min • 03:33 • -3.77db
26% Popularity • 45% Danceability • 92% Energy • 43% Liveness
0% Instrumentalness • 22% Positiveness
26% Popularity • 45% Danceability • 92% Energy • 43% Liveness
0% Instrumentalness • 22% Positiveness
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We Are Messengers
Holding On
75 bpm • C Maj • 03:37 • -9db
22% Popularity • 63% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
22% Popularity • 63% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Francesca Battistelli
Defender (Neon Feather Remix)
74 bpm • G Maj • 03:12 • -5.88db
29% Popularity • 29% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
29% Popularity • 29% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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The War Within
Lord I Need You
74 bpm • B Maj • 03:17 • -11.5db
33% Popularity • 46% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
33% Popularity • 46% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Sandra McCracken
Trinity Song
86 bpm • C# Maj • 02:50 • -12.03db
35% Popularity • 45% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
35% Popularity • 45% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Unspoken
If We Only Knew
74 bpm • B min • 03:50 • -7.82db
41% Popularity • 47% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
41% Popularity • 47% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Ben Fuller
He Found Me
86 bpm • G# Maj • 03:30 • -5.86db
36% Popularity • 48% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
36% Popularity • 48% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
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Jimmy Fortune
Amazing Grace
74 bpm • G# Maj • 03:30 • -12db
15% Popularity • 54% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
15% Popularity • 54% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Katy Nichole
Turn To Jesus
74 bpm • A# Maj • 03:58 • -8db
37% Popularity • 38% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
37% Popularity • 38% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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CAIN
Rise Up (Lazarus)
87 bpm • F Maj • 03:26 • -5.44db
62% Popularity • 49% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
62% Popularity • 49% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Young Oceans
Come Holy One
87 bpm • D# Maj • 04:25 • -7db
35% Popularity • 46% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
35% Popularity • 46% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
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Jordan St. Cyr
Let Go, Let God
73 bpm • F# Maj • 03:30 • -8.63db
28% Popularity • 45% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
28% Popularity • 45% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Blessing Offor
Believe
73 bpm • F Maj • 03:13 • -7.45db
59% Popularity • 45% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
59% Popularity • 45% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Rachel Wammack
When I Say Amen
73 bpm • G Maj • 03:28 • -6.12db
36% Popularity • 56% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
36% Popularity • 56% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Mack Brock
Even The Impossible - Live
73 bpm • A Maj • 04:50 • -7db
41% Popularity • 45% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
41% Popularity • 45% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Cade Thompson
Every Step of the Way
88 bpm • F Maj • 03:15 • -6db
45% Popularity • 68% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
45% Popularity • 68% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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We Are Messengers
I Look Up
88 bpm • F min • 03:43 • -4.82db
30% Popularity • 66% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
30% Popularity • 66% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Brandon Heath
Don't Be Afraid
88 bpm • D Maj • 03:36 • -5.51db
31% Popularity • 55% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
31% Popularity • 55% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
