Songs like Improvisation: Gli Uccelli Di Carpi (The Birds Of Carpi) by David Lanz
Based on a tempo of (+/- 10%) and a similar genre
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Spencer Brewer
Quintessence (Full Orch)
96 bpm • F# min • 03:57 • -17.23db
26% Popularity • 16% Danceability • 16% Energy • 17% Liveness
96% Instrumentalness • 9% Positiveness
26% Popularity • 16% Danceability • 16% Energy • 17% Liveness
96% Instrumentalness • 9% Positiveness
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Michelle Qureshi
Each Good Rain
96 bpm • E Maj • 03:48 • -22db
38% Popularity • 53% Danceability • 12% Energy • 10% Liveness
88% Instrumentalness • 15% Positiveness
38% Popularity • 53% Danceability • 12% Energy • 10% Liveness
88% Instrumentalness • 15% Positiveness
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Jane Leslie
Cherished Times
96 bpm • F# min • 03:08 • -24.68db
43% Popularity • 36% Danceability • 3% Energy • 12% Liveness
91% Instrumentalness • 19% Positiveness
43% Popularity • 36% Danceability • 3% Energy • 12% Liveness
91% Instrumentalness • 19% Positiveness
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Stanton Lanier
Prelude in C
96 bpm • C Maj • 03:12 • -23.14db
22% Popularity • 36% Danceability • 15% Energy • 14% Liveness
84% Instrumentalness • 18% Positiveness
22% Popularity • 36% Danceability • 15% Energy • 14% Liveness
84% Instrumentalness • 18% Positiveness
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David Lanz
Love's Return
96 bpm • G Maj • 04:08 • -14.8db
15% Popularity • 55% Danceability • 23% Energy • 12% Liveness
91% Instrumentalness • 11% Positiveness
15% Popularity • 55% Danceability • 23% Energy • 12% Liveness
91% Instrumentalness • 11% Positiveness
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Laura Sullivan
Moonlight Romance
95 bpm • A Maj • 04:21 • -16.57db
19% Popularity • 29% Danceability • 14% Energy • 11% Liveness
67% Instrumentalness • 11% Positiveness
19% Popularity • 29% Danceability • 14% Energy • 11% Liveness
67% Instrumentalness • 11% Positiveness
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Scott Cossu
Gwenlaise
97 bpm • C Maj • 04:38 • -28.58db
24% Popularity • 30% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
24% Popularity • 30% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
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Michael Dulin
Bedtime For Little John
97 bpm • D Maj • 05:11 • -17.12db
14% Popularity • 60% Danceability • 18% Energy • 11% Liveness
93% Instrumentalness • 22% Positiveness
14% Popularity • 60% Danceability • 18% Energy • 11% Liveness
93% Instrumentalness • 22% Positiveness
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John R. Burr
For the Asking
95 bpm • A Maj • 03:50 • -20.55db
19% Popularity • 45% Danceability • 15% Energy • 12% Liveness
86% Instrumentalness • 18% Positiveness
19% Popularity • 45% Danceability • 15% Energy • 12% Liveness
86% Instrumentalness • 18% Positiveness
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Janie Becker
Castles In The Air
97 bpm • B Maj • 02:40 • -23.51db
46% Popularity • 37% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 18% Positiveness
46% Popularity • 37% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 18% Positiveness
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David Lanz
Before The Last Leaf Falls
96 bpm • D Maj • 03:28 • -23.23db
36% Popularity • 57% Danceability • 8% Energy • 6% Liveness
85% Instrumentalness • 12% Positiveness
36% Popularity • 57% Danceability • 8% Energy • 6% Liveness
85% Instrumentalness • 12% Positiveness
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Joe Bongiorno
Melancholy Morning
95 bpm • D min • 06:23 • -22.81db
31% Popularity • 31% Danceability • 6% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
31% Popularity • 31% Danceability • 6% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Yanni
Before I Go
95 bpm • D# Maj • 04:30 • -20.48db
45% Popularity • 30% Danceability • 11% Energy • 23% Liveness
97% Instrumentalness • 10% Positiveness
45% Popularity • 30% Danceability • 11% Energy • 23% Liveness
97% Instrumentalness • 10% Positiveness
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Nightnoise
Hugh
95 bpm • D min • 03:42 • -14.74db
28% Popularity • 35% Danceability • 25% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
28% Popularity • 35% Danceability • 25% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
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David Hicken
Lakshmi
97 bpm • D Maj • 04:58 • -21.31db
13% Popularity • 36% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 17% Positiveness
13% Popularity • 36% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 17% Positiveness
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Stanton Lanier
Awaken the Dawn
97 bpm • G# Maj • 04:51 • -20.72db
25% Popularity • 24% Danceability • 14% Energy • 15% Liveness
92% Instrumentalness • 34% Positiveness
25% Popularity • 24% Danceability • 14% Energy • 15% Liveness
92% Instrumentalness • 34% Positiveness
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David Lanz
Improvisation: Gli Uccelli Di Carpi (The...
96 bpm • D Maj • 02:39 • -28.12db
40% Popularity • 35% Danceability • 2% Energy • 16% Liveness
82% Instrumentalness • 41% Positiveness
40% Popularity • 35% Danceability • 2% Energy • 16% Liveness
82% Instrumentalness • 41% Positiveness
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Will Ackerman
Unconditional
97 bpm • G Maj • 02:22 • -19.45db
36% Popularity • 32% Danceability • 16% Energy • 12% Liveness
90% Instrumentalness • 12% Positiveness
36% Popularity • 32% Danceability • 16% Energy • 12% Liveness
90% Instrumentalness • 12% Positiveness
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Bernward Koch
The Enchanted Path
97 bpm • C Maj • 04:16 • -13.82db
42% Popularity • 25% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
42% Popularity • 25% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Spencer Brewer
Quintessence
97 bpm • F# min • 03:36 • -18.06db
26% Popularity • 35% Danceability • 12% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
26% Popularity • 35% Danceability • 12% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
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Anne Trenning
Beautiful Song
98 bpm • D Maj • 03:16 • -12.22db
32% Popularity • 29% Danceability • 28% Energy • 12% Liveness
89% Instrumentalness • 20% Positiveness
32% Popularity • 29% Danceability • 28% Energy • 12% Liveness
89% Instrumentalness • 20% Positiveness
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Stanton Lanier
Awaken the Dawn
95 bpm • G# Maj • 04:58 • -17.18db
35% Popularity • 24% Danceability • 11% Energy • 14% Liveness
92% Instrumentalness • 14% Positiveness
35% Popularity • 24% Danceability • 11% Energy • 14% Liveness
92% Instrumentalness • 14% Positiveness
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John Tesh
Halcyon Days
94 bpm • A min • 02:44 • -23.07db
33% Popularity • 34% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 13% Positiveness
33% Popularity • 34% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 13% Positiveness
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David Lanz
Courage Of The Wind
97 bpm • D min • 07:33 • -23.78db
8% Popularity • 45% Danceability • 7% Energy • 7% Liveness
82% Instrumentalness • 19% Positiveness
8% Popularity • 45% Danceability • 7% Energy • 7% Liveness
82% Instrumentalness • 19% Positiveness
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Marshall Styler
Jericho
98 bpm • D Maj • 05:46 • -14.15db
31% Popularity • 24% Danceability • 14% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
31% Popularity • 24% Danceability • 14% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
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David Hicken
Celeste
98 bpm • D Maj • 04:30 • -23db
21% Popularity • 47% Danceability • 5% Energy • 6% Liveness
90% Instrumentalness • 10% Positiveness
21% Popularity • 47% Danceability • 5% Energy • 6% Liveness
90% Instrumentalness • 10% Positiveness
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Denis Turbide
Journey Home
98 bpm • E Maj • 02:24 • -17.9db
33% Popularity • 67% Danceability • 27% Energy • 10% Liveness
91% Instrumentalness • 48% Positiveness
33% Popularity • 67% Danceability • 27% Energy • 10% Liveness
91% Instrumentalness • 48% Positiveness
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Janie Becker
The Dance
98 bpm • D Maj • 03:14 • -20db
50% Popularity • 42% Danceability • 20% Energy • 11% Liveness
94% Instrumentalness • 31% Positiveness
50% Popularity • 42% Danceability • 20% Energy • 11% Liveness
94% Instrumentalness • 31% Positiveness
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Brad Jacobsen
Autumn Walk
98 bpm • D# Maj • 03:44 • -23.42db
30% Popularity • 40% Danceability • 15% Energy • 12% Liveness
91% Instrumentalness • 10% Positiveness
30% Popularity • 40% Danceability • 15% Energy • 12% Liveness
91% Instrumentalness • 10% Positiveness
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David Lanz
Painting the Sun
94 bpm • A# Maj • 05:24 • -17db
28% Popularity • 43% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 8% Positiveness
28% Popularity • 43% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 8% Positiveness
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Yiruma
The Scenery Begins
94 bpm • A min • 04:11 • -21.78db
26% Popularity • 46% Danceability • 9% Energy • 11% Liveness
90% Instrumentalness • 13% Positiveness
26% Popularity • 46% Danceability • 9% Energy • 11% Liveness
90% Instrumentalness • 13% Positiveness
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Anne Trenning
And I'll Fly Away
94 bpm • C Maj • 04:22 • -19db
24% Popularity • 50% Danceability • 24% Energy • 5% Liveness
82% Instrumentalness • 12% Positiveness
24% Popularity • 50% Danceability • 24% Energy • 5% Liveness
82% Instrumentalness • 12% Positiveness
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Stanton Lanier
Wildflowers
98 bpm • D Maj • 07:02 • -21.73db
19% Popularity • 31% Danceability • 15% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
19% Popularity • 31% Danceability • 15% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
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Will Ackerman
In a Region of Clouds
93 bpm • G# Maj • 04:22 • -19.65db
30% Popularity • 25% Danceability • 10% Energy • 10% Liveness
62% Instrumentalness • 4% Positiveness
30% Popularity • 25% Danceability • 10% Energy • 10% Liveness
62% Instrumentalness • 4% Positiveness
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Laura Sullivan
Sunrise on Cloud Place
99 bpm • C# Maj • 05:43 • -16.86db
20% Popularity • 46% Danceability • 19% Energy • 12% Liveness
91% Instrumentalness • 22% Positiveness
20% Popularity • 46% Danceability • 19% Energy • 12% Liveness
91% Instrumentalness • 22% Positiveness
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David Lanz
Madrona
94 bpm • D# Maj • 03:43 • -21.92db
26% Popularity • 54% Danceability • 6% Energy • 15% Liveness
97% Instrumentalness • 21% Positiveness
26% Popularity • 54% Danceability • 6% Energy • 15% Liveness
97% Instrumentalness • 21% Positiveness
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James Todd
New Day
93 bpm • C Maj • 07:11 • -13.98db
14% Popularity • 21% Danceability • 19% Energy • 8% Liveness
86% Instrumentalness • 17% Positiveness
14% Popularity • 21% Danceability • 19% Energy • 8% Liveness
86% Instrumentalness • 17% Positiveness
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Spencer Brewer
Where We Used To Play
93 bpm • B min • 04:05 • -29db
28% Popularity • 33% Danceability • 5% Energy • 9% Liveness
93% Instrumentalness • 14% Positiveness
28% Popularity • 33% Danceability • 5% Energy • 9% Liveness
93% Instrumentalness • 14% Positiveness
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Karen FitzGerald
Winter's Flight
99 bpm • D Maj • 06:14 • -20.62db
14% Popularity • 34% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 13% Positiveness
14% Popularity • 34% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 13% Positiveness
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Hilary Stagg
Pachelbel's Canon in D
100 bpm • C Maj • 02:49 • -24.44db
48% Popularity • 55% Danceability • 6% Energy • 10% Liveness
83% Instrumentalness • 24% Positiveness
48% Popularity • 55% Danceability • 6% Energy • 10% Liveness
83% Instrumentalness • 24% Positiveness
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Janie Becker
Evening Whispers
100 bpm • F Maj • 02:09 • -22.53db
53% Popularity • 45% Danceability • 20% Energy • 11% Liveness
95% Instrumentalness • 30% Positiveness
53% Popularity • 45% Danceability • 20% Energy • 11% Liveness
95% Instrumentalness • 30% Positiveness
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Kevin Kern
Safe in Your Embrace
93 bpm • C Maj • 03:47 • -15.8db
41% Popularity • 41% Danceability • 11% Energy • 14% Liveness
92% Instrumentalness • 18% Positiveness
41% Popularity • 41% Danceability • 11% Energy • 14% Liveness
92% Instrumentalness • 18% Positiveness
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David Lanz
Return To The Heart
92 bpm • A Maj • 03:20 • -21db
41% Popularity • 47% Danceability • 9% Energy • 6% Liveness
92% Instrumentalness • 14% Positiveness
41% Popularity • 47% Danceability • 9% Energy • 6% Liveness
92% Instrumentalness • 14% Positiveness
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Doug Hammer
The Dance
92 bpm • F Maj • 05:15 • -24db
23% Popularity • 35% Danceability • 8% Energy • 9% Liveness
88% Instrumentalness • 8% Positiveness
23% Popularity • 35% Danceability • 8% Energy • 9% Liveness
88% Instrumentalness • 8% Positiveness
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VioDance
Forrest Gump: Feather Theme (Piano & Vio...
100 bpm • F Maj • 02:49 • -8.84db
38% Popularity • 45% Danceability • 32% Energy • 16% Liveness
86% Instrumentalness • 10% Positiveness
38% Popularity • 45% Danceability • 32% Energy • 16% Liveness
86% Instrumentalness • 10% Positiveness
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Louis Landon
Seattle Morning
100 bpm • D Maj • 03:44 • -23.69db
39% Popularity • 40% Danceability • 21% Energy • 8% Liveness
83% Instrumentalness • 40% Positiveness
39% Popularity • 40% Danceability • 21% Energy • 8% Liveness
83% Instrumentalness • 40% Positiveness
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Neil Patton
Water of Life
92 bpm • D min • 06:04 • -18db
21% Popularity • 23% Danceability • 21% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
21% Popularity • 23% Danceability • 21% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Kevin Kern
Water Lillies
92 bpm • D# Maj • 04:17 • -23.79db
41% Popularity • 48% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 46% Positiveness
41% Popularity • 48% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 46% Positiveness
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Liz Story
Captain April
92 bpm • B Maj • 04:21 • -24.93db
14% Popularity • 35% Danceability • 11% Energy • 13% Liveness
92% Instrumentalness • 32% Positiveness
14% Popularity • 35% Danceability • 11% Energy • 13% Liveness
92% Instrumentalness • 32% Positiveness
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James Todd
Mistique
92 bpm • G min • 07:27 • -14db
7% Popularity • 20% Danceability • 19% Energy • 12% Liveness
85% Instrumentalness • 16% Positiveness
7% Popularity • 20% Danceability • 19% Energy • 12% Liveness
85% Instrumentalness • 16% Positiveness
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Sarah Modene
Crossing the Trail
91 bpm • D min • 04:38 • -24db
13% Popularity • 22% Danceability • 10% Energy • 11% Liveness
89% Instrumentalness • 9% Positiveness
13% Popularity • 22% Danceability • 10% Energy • 11% Liveness
89% Instrumentalness • 9% Positiveness
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David Lanz
Summer's Child - Remastered
91 bpm • F Maj • 06:14 • -13db
23% Popularity • 58% Danceability • 31% Energy • 10% Liveness
94% Instrumentalness • 27% Positiveness
23% Popularity • 58% Danceability • 31% Energy • 10% Liveness
94% Instrumentalness • 27% Positiveness
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Joseph Akins
Finding Grace
91 bpm • C Maj • 08:35 • -18.46db
20% Popularity • 41% Danceability • 10% Energy • 27% Liveness
92% Instrumentalness • 8% Positiveness
20% Popularity • 41% Danceability • 10% Energy • 27% Liveness
92% Instrumentalness • 8% Positiveness
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Kevin Kern
Sundial Dreams
100 bpm • F# Maj • 04:45 • -18.02db
48% Popularity • 59% Danceability • 17% Energy • 12% Liveness
87% Instrumentalness • 45% Positiveness
48% Popularity • 59% Danceability • 17% Energy • 12% Liveness
87% Instrumentalness • 45% Positiveness
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Steven Cravis
The Shining Star
101 bpm • E Maj • 03:16 • -17.63db
20% Popularity • 38% Danceability • 22% Energy • 13% Liveness
92% Instrumentalness • 21% Positiveness
20% Popularity • 38% Danceability • 22% Energy • 13% Liveness
92% Instrumentalness • 21% Positiveness
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Allen & Bright
The Story - Instrumental
91 bpm • A Maj • 02:07 • -8.94db
48% Popularity • 58% Danceability • 22% Energy • 22% Liveness
85% Instrumentalness • 33% Positiveness
48% Popularity • 58% Danceability • 22% Energy • 22% Liveness
85% Instrumentalness • 33% Positiveness
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Nikola Zolkiewska
Theme From Schindler's List
91 bpm • G min • 03:07 • -15.63db
28% Popularity • 20% Danceability • 21% Energy • 12% Liveness
93% Instrumentalness • 7% Positiveness
28% Popularity • 20% Danceability • 21% Energy • 12% Liveness
93% Instrumentalness • 7% Positiveness
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David Lanz
I Hear You in a Song
101 bpm • G Maj • 03:48 • -19.95db
10% Popularity • 42% Danceability • 7% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
10% Popularity • 42% Danceability • 7% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Sarah Modene
On the Edge
91 bpm • G Maj • 04:35 • -24db
34% Popularity • 22% Danceability • 10% Energy • 12% Liveness
90% Instrumentalness • 6% Positiveness
34% Popularity • 22% Danceability • 10% Energy • 12% Liveness
90% Instrumentalness • 6% Positiveness
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![Mother's Prayer (With Vocals) [feat. Desiree Goyette] cover art](https://i.scdn.co/image/ab67616d00001e023876d8aa5f9eb09e4d1265be)
Karen Marie Garrett
Mother's Prayer (With Vocals)
101 bpm • F# min • 04:11 • -20.49db
19% Popularity • 27% Danceability • 10% Energy • 8% Liveness
80% Instrumentalness • 9% Positiveness
19% Popularity • 27% Danceability • 10% Energy • 8% Liveness
80% Instrumentalness • 9% Positiveness
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Peter Jennison
Solitary Peace (For Will Ackerman)
102 bpm • F Maj • 03:45 • -22.32db
14% Popularity • 29% Danceability • 3% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
14% Popularity • 29% Danceability • 3% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
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Janie Becker
When I Dream Of You
91 bpm • A# Maj • 02:26 • -20db
51% Popularity • 47% Danceability • 13% Energy • 10% Liveness
94% Instrumentalness • 32% Positiveness
51% Popularity • 47% Danceability • 13% Energy • 10% Liveness
94% Instrumentalness • 32% Positiveness
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Bernward Koch
The Blue Light
91 bpm • F# Maj • 05:05 • -17.15db
34% Popularity • 19% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
34% Popularity • 19% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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The Piano Guys
Just the Way You Are
91 bpm • E Maj • 04:22 • -18.62db
53% Popularity • 38% Danceability • 7% Energy • 8% Liveness
92% Instrumentalness • 19% Positiveness
53% Popularity • 38% Danceability • 7% Energy • 8% Liveness
92% Instrumentalness • 19% Positiveness
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Sarah Modene
Forgetting Yesterday
90 bpm • D# Maj • 03:28 • -25.04db
24% Popularity • 21% Danceability • 10% Energy • 12% Liveness
90% Instrumentalness • 18% Positiveness
24% Popularity • 21% Danceability • 10% Energy • 12% Liveness
90% Instrumentalness • 18% Positiveness
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Karen Marie Garrett
Abbie Marie (Cello and Piano)
90 bpm • G# Maj • 03:28 • -22.04db
27% Popularity • 17% Danceability • 6% Energy • 11% Liveness
95% Instrumentalness • 13% Positiveness
27% Popularity • 17% Danceability • 6% Energy • 11% Liveness
95% Instrumentalness • 13% Positiveness
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Joseph Akins
Joy of Being
103 bpm • D# Maj • 05:23 • -17.97db
26% Popularity • 40% Danceability • 18% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
26% Popularity • 40% Danceability • 18% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
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Danny Wright
Keys to the Heart
89 bpm • C Maj • 03:09 • -19.16db
16% Popularity • 29% Danceability • 6% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
16% Popularity • 29% Danceability • 6% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
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Anne Trenning
The Welcome Song
104 bpm • D Maj • 03:35 • -15.49db
37% Popularity • 37% Danceability • 20% Energy • 17% Liveness
93% Instrumentalness • 13% Positiveness
37% Popularity • 37% Danceability • 20% Energy • 17% Liveness
93% Instrumentalness • 13% Positiveness
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Jennifer Thomas
The Red Aspens
104 bpm • C Maj • 03:56 • -18.92db
21% Popularity • 32% Danceability • 11% Energy • 8% Liveness
92% Instrumentalness • 10% Positiveness
21% Popularity • 32% Danceability • 11% Energy • 8% Liveness
92% Instrumentalness • 10% Positiveness
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James Todd
Quiet Beauty
89 bpm • G Maj • 06:25 • -15.96db
30% Popularity • 14% Danceability • 16% Energy • 13% Liveness
86% Instrumentalness • 17% Positiveness
30% Popularity • 14% Danceability • 16% Energy • 13% Liveness
86% Instrumentalness • 17% Positiveness
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Walter Mazzaccaro
Oceans
104 bpm • E Maj • 02:52 • -16.57db
42% Popularity • 45% Danceability • 21% Energy • 11% Liveness
94% Instrumentalness • 29% Positiveness
42% Popularity • 45% Danceability • 21% Energy • 11% Liveness
94% Instrumentalness • 29% Positiveness
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Amy Lauren
Bed of Stars
105 bpm • G# Maj • 02:41 • -26.57db
42% Popularity • 48% Danceability • 6% Energy • 13% Liveness
96% Instrumentalness • 21% Positiveness
42% Popularity • 48% Danceability • 6% Energy • 13% Liveness
96% Instrumentalness • 21% Positiveness
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Danny Wright
Somewhere In Time
89 bpm • C Maj • 04:45 • -18.99db
36% Popularity • 34% Danceability • 8% Energy • 10% Liveness
77% Instrumentalness • 9% Positiveness
36% Popularity • 34% Danceability • 8% Energy • 10% Liveness
77% Instrumentalness • 9% Positiveness
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Liz Story
Blessings
105 bpm • G Maj • 03:54 • -22.2db
17% Popularity • 35% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
17% Popularity • 35% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Joe Bongiorno
I'll See You Again
88 bpm • A Maj • 04:29 • -17.59db
21% Popularity • 40% Danceability • 10% Energy • 9% Liveness
92% Instrumentalness • 11% Positiveness
21% Popularity • 40% Danceability • 10% Energy • 9% Liveness
92% Instrumentalness • 11% Positiveness
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Michael Gettel
Waiting
105 bpm • F Maj • 02:14 • -29.08db
40% Popularity • 34% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 20% Positiveness
40% Popularity • 34% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 20% Positiveness
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Doug Hammer
Sunrise
88 bpm • G Maj • 05:27 • -22.33db
37% Popularity • 49% Danceability • 7% Energy • 9% Liveness
87% Instrumentalness • 13% Positiveness
37% Popularity • 49% Danceability • 7% Energy • 9% Liveness
87% Instrumentalness • 13% Positiveness
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Yanni
In The Morning Light
105 bpm • A Maj • 03:48 • -20.51db
52% Popularity • 34% Danceability • 13% Energy • 7% Liveness
90% Instrumentalness • 18% Positiveness
52% Popularity • 34% Danceability • 13% Energy • 7% Liveness
90% Instrumentalness • 18% Positiveness
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Danny Wright
Hayden's Spirit
89 bpm • F Maj • 04:13 • -15.1db
28% Popularity • 34% Danceability • 16% Energy • 10% Liveness
95% Instrumentalness • 15% Positiveness
28% Popularity • 34% Danceability • 16% Energy • 10% Liveness
95% Instrumentalness • 15% Positiveness
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Aaron Flemming
Before I Disappear
88 bpm • A Maj • 01:49 • -13.66db
40% Popularity • 60% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 28% Positiveness
40% Popularity • 60% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 28% Positiveness
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Sarah Modene
In the Distance
88 bpm • A min • 03:58 • -23.6db
13% Popularity • 17% Danceability • 15% Energy • 8% Liveness
93% Instrumentalness • 17% Positiveness
13% Popularity • 17% Danceability • 15% Energy • 8% Liveness
93% Instrumentalness • 17% Positiveness
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Spencer Brewer
Tomorrow's Child
105 bpm • D Maj • 03:46 • -18.33db
29% Popularity • 47% Danceability • 15% Energy • 13% Liveness
88% Instrumentalness • 16% Positiveness
29% Popularity • 47% Danceability • 15% Energy • 13% Liveness
88% Instrumentalness • 16% Positiveness
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Steven Sharp Nelson
Gabriel's Oboe
87 bpm • D Maj • 02:27 • -6.22db
37% Popularity • 14% Danceability • 41% Energy • 11% Liveness
71% Instrumentalness • 23% Positiveness
37% Popularity • 14% Danceability • 41% Energy • 11% Liveness
71% Instrumentalness • 23% Positiveness
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Steven Cravis
Radiant Love
87 bpm • G Maj • 02:57 • -16.09db
22% Popularity • 38% Danceability • 25% Energy • 13% Liveness
90% Instrumentalness • 30% Positiveness
22% Popularity • 38% Danceability • 25% Energy • 13% Liveness
90% Instrumentalness • 30% Positiveness
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Danny Wright
Clair De Lune
88 bpm • C# Maj • 04:41 • -24.4db
26% Popularity • 34% Danceability • 6% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
26% Popularity • 34% Danceability • 6% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
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Peter Jennison
Hold Me in Your Heart (For My Son)
106 bpm • C Maj • 03:51 • -16db
17% Popularity • 44% Danceability • 12% Energy • 16% Liveness
94% Instrumentalness • 8% Positiveness
17% Popularity • 44% Danceability • 12% Energy • 16% Liveness
94% Instrumentalness • 8% Positiveness
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Chad Lawson
I Wandered Lonely as a Cloud
106 bpm • G min • 04:24 • -25.77db
26% Popularity • 26% Danceability • 9% Energy • 19% Liveness
94% Instrumentalness • 7% Positiveness
26% Popularity • 26% Danceability • 9% Energy • 19% Liveness
94% Instrumentalness • 7% Positiveness
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Spencer Brewer
Tomorrow's Child
105 bpm • D Maj • 04:52 • -12.62db
26% Popularity • 45% Danceability • 22% Energy • 12% Liveness
80% Instrumentalness • 19% Positiveness
26% Popularity • 45% Danceability • 22% Energy • 12% Liveness
80% Instrumentalness • 19% Positiveness
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Joseph Akins
Watertank Hill
106 bpm • G Maj • 04:43 • -18db
32% Popularity • 47% Danceability • 28% Energy • 10% Liveness
95% Instrumentalness • 14% Positiveness
32% Popularity • 47% Danceability • 28% Energy • 10% Liveness
95% Instrumentalness • 14% Positiveness
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Brad Jacobsen
Autumn Walk - Orchestrated
87 bpm • D# Maj • 04:12 • -17.39db
17% Popularity • 22% Danceability • 13% Energy • 19% Liveness
83% Instrumentalness • 15% Positiveness
17% Popularity • 22% Danceability • 13% Energy • 19% Liveness
83% Instrumentalness • 15% Positiveness
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Louis Landon
Walking the Plains
87 bpm • C min • 04:49 • -20.56db
29% Popularity • 34% Danceability • 10% Energy • 12% Liveness
93% Instrumentalness • 8% Positiveness
29% Popularity • 34% Danceability • 10% Energy • 12% Liveness
93% Instrumentalness • 8% Positiveness
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Lisa Lynne
Majestica
87 bpm • C Maj • 05:26 • -16.55db
27% Popularity • 68% Danceability • 22% Energy • 29% Liveness
87% Instrumentalness • 20% Positiveness
27% Popularity • 68% Danceability • 22% Energy • 29% Liveness
87% Instrumentalness • 20% Positiveness
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Bernward Koch
A Little Ode
87 bpm • A min • 02:42 • -16.86db
41% Popularity • 25% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
41% Popularity • 25% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Lynn Yew Evers
The Dancing Doll
87 bpm • D min • 03:17 • -18.86db
19% Popularity • 35% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 29% Positiveness
19% Popularity • 35% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 29% Positiveness
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Janie Becker
Sea Of Dreams
86 bpm • C min • 02:48 • -21.94db
40% Popularity • 46% Danceability • 12% Energy • 8% Liveness
93% Instrumentalness • 31% Positiveness
40% Popularity • 46% Danceability • 12% Energy • 8% Liveness
93% Instrumentalness • 31% Positiveness
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Sarah Modene
Searching
86 bpm • G min • 02:59 • -24db
27% Popularity • 23% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 10% Positiveness
27% Popularity • 23% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 10% Positiveness
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Tim Janis
Angelic Evening
86 bpm • G Maj • 03:27 • -10.97db
38% Popularity • 23% Danceability • 39% Energy • 8% Liveness
91% Instrumentalness • 8% Positiveness
38% Popularity • 23% Danceability • 39% Energy • 8% Liveness
91% Instrumentalness • 8% Positiveness
