Songs like Improvised Symphony for Organ: V. Final - Aug. 1978 by Pierre Cochereau
Based on a tempo of (+/- 10%) and a similar genre
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Charles-Marie Widor
Orgelsymfoni nr. 5 i F, Op. 42, nr. 1; V...
108 bpm • F Maj • 06:06 • -16db
15% Popularity • 17% Danceability • 28% Energy • 7% Liveness
90% Instrumentalness • 5% Positiveness
15% Popularity • 17% Danceability • 28% Energy • 7% Liveness
90% Instrumentalness • 5% Positiveness
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Maurice Duruflé
Notre Pere, Op. 14
109 bpm • E Maj • 01:34 • -31db
20% Popularity • 23% Danceability • 4% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
20% Popularity • 23% Danceability • 4% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
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Antonio Lotti
Miserere
109 bpm • G# min • 01:30 • -19db
38% Popularity • 18% Danceability • 17% Energy • 11% Liveness
34% Instrumentalness • 4% Positiveness
38% Popularity • 18% Danceability • 17% Energy • 11% Liveness
34% Instrumentalness • 4% Positiveness
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Robert Lucas Pearsall
Sing we and chaunt it
107 bpm • C# min • 01:56 • -25db
34% Popularity • 26% Danceability • 19% Energy • 12% Liveness
18% Instrumentalness • 22% Positiveness
34% Popularity • 26% Danceability • 19% Energy • 12% Liveness
18% Instrumentalness • 22% Positiveness
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Johann Pachelbel
Christ lag in Todesbanden: Versus I
109 bpm • D min • 02:19 • -15.19db
18% Popularity • 26% Danceability • 26% Energy • 13% Liveness
9% Instrumentalness • 21% Positiveness
18% Popularity • 26% Danceability • 26% Energy • 13% Liveness
9% Instrumentalness • 21% Positiveness
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Louis Vierne
Symphony for Organ No. 2 in E Minor, Op....
107 bpm • G# Maj • 07:05 • -17.42db
1% Popularity • 15% Danceability • 6% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
1% Popularity • 15% Danceability • 6% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Léonce de Saint-Martin
Mass for 4 mixed voices, 2 organs and br...
106 bpm • G Maj • 02:14 • -40.1db
0% Popularity • 15% Danceability • 1% Energy • 10% Liveness
97% Instrumentalness • 10% Positiveness
0% Popularity • 15% Danceability • 1% Energy • 10% Liveness
97% Instrumentalness • 10% Positiveness
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Maurice Duruflé
Requiem, Op. 9: III. Domine Jesu Christe
110 bpm • C# min • 08:02 • -21.09db
11% Popularity • 16% Danceability • 5% Energy • 13% Liveness
33% Instrumentalness • 3% Positiveness
11% Popularity • 16% Danceability • 5% Energy • 13% Liveness
33% Instrumentalness • 3% Positiveness
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Camille Saint-Saëns
2 Choeurs, Op. 68: No. 2. Les fleurs et ...
106 bpm • E Maj • 01:43 • -19.4db
11% Popularity • 24% Danceability • 16% Energy • 11% Liveness
76% Instrumentalness • 5% Positiveness
11% Popularity • 24% Danceability • 16% Energy • 11% Liveness
76% Instrumentalness • 5% Positiveness
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Peter Maxwell Davies
O magnum mysterium: I. O magnum mysteriu...
110 bpm • F# Maj • 01:43 • -23.46db
20% Popularity • 26% Danceability • 12% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
20% Popularity • 26% Danceability • 12% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
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Gioachino Rossini
Petite messe solennelle: Kyrie I
110 bpm • C Maj • 02:48 • -21db
8% Popularity • 24% Danceability • 14% Energy • 13% Liveness
92% Instrumentalness • 7% Positiveness
8% Popularity • 24% Danceability • 14% Energy • 13% Liveness
92% Instrumentalness • 7% Positiveness
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William Harris
Flourish for an Occasion
106 bpm • D# Maj • 05:33 • -21.83db
8% Popularity • 15% Danceability • 6% Energy • 5% Liveness
91% Instrumentalness • 6% Positiveness
8% Popularity • 15% Danceability • 6% Energy • 5% Liveness
91% Instrumentalness • 6% Positiveness
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Kim André Arnesen
Holy Spirit Mass: The Spirit's Work: Ame...
111 bpm • C min • 00:57 • -11.15db
16% Popularity • 22% Danceability • 39% Energy • 23% Liveness
72% Instrumentalness • 35% Positiveness
16% Popularity • 22% Danceability • 39% Energy • 23% Liveness
72% Instrumentalness • 35% Positiveness
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Pierre Cochereau
Mass No. 3: IV. Sortie
111 bpm • D Maj • 06:14 • -10.28db
8% Popularity • 16% Danceability • 43% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
8% Popularity • 16% Danceability • 43% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Louis Vierne
Symphony for Organ No. 1 in D Minor, Op....
105 bpm • A Maj • 05:35 • -15.41db
2% Popularity • 15% Danceability • 30% Energy • 36% Liveness
93% Instrumentalness • 8% Positiveness
2% Popularity • 15% Danceability • 30% Energy • 36% Liveness
93% Instrumentalness • 8% Positiveness
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Camille Saint-Saëns
Symphony No. 3 In C Minor, Op. 78 "Organ...
105 bpm • G# Maj • 07:02 • -22.82db
5% Popularity • 31% Danceability • 18% Energy • 11% Liveness
87% Instrumentalness • 31% Positiveness
5% Popularity • 31% Danceability • 18% Energy • 11% Liveness
87% Instrumentalness • 31% Positiveness
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Luigi Cherubini
Requiem in C Minor: II. Graduale
105 bpm • G min • 01:42 • -24.55db
34% Popularity • 16% Danceability • 8% Energy • 11% Liveness
6% Instrumentalness • 4% Positiveness
34% Popularity • 16% Danceability • 8% Energy • 11% Liveness
6% Instrumentalness • 4% Positiveness
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Percy Fletcher
Festival Toccata
111 bpm • C Maj • 06:34 • -22db
15% Popularity • 17% Danceability • 9% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
15% Popularity • 17% Danceability • 9% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
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Arturo Sacchetti
Fanfare (Lemmens)
104 bpm • D Maj • 02:53 • -15db
11% Popularity • 34% Danceability • 33% Energy • 22% Liveness
90% Instrumentalness • 60% Positiveness
11% Popularity • 34% Danceability • 33% Energy • 22% Liveness
90% Instrumentalness • 60% Positiveness
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Pierre Cochereau
Improvised Symphony in 4 Movements: II. ...
111 bpm • G Maj • 03:22 • -15.08db
1% Popularity • 26% Danceability • 27% Energy • 11% Liveness
24% Instrumentalness • 8% Positiveness
1% Popularity • 26% Danceability • 27% Energy • 11% Liveness
24% Instrumentalness • 8% Positiveness
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Giulio Caccini
All'imperio d'Amore: 5. Ineffabile ardor...
113 bpm • A# Maj • 01:00 • -17db
37% Popularity • 17% Danceability • 25% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
37% Popularity • 17% Danceability • 25% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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John Ireland
Communion Service in C Major: Kyrie
113 bpm • C Maj • 01:04 • -32db
37% Popularity • 17% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
37% Popularity • 17% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Anonymous
Prose of Easter (Victimae Paschali Laude...
113 bpm • G min • 03:27 • -15.49db
18% Popularity • 17% Danceability • 32% Energy • 24% Liveness
55% Instrumentalness • 14% Positiveness
18% Popularity • 17% Danceability • 32% Energy • 24% Liveness
55% Instrumentalness • 14% Positiveness
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Antonio Lotti
Lotti: Crucifixus a 8 voci
103 bpm • C min • 03:44 • -25.69db
13% Popularity • 16% Danceability • 6% Energy • 10% Liveness
60% Instrumentalness • 3% Positiveness
13% Popularity • 16% Danceability • 6% Energy • 10% Liveness
60% Instrumentalness • 3% Positiveness
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Johann Pachelbel
Magnificat Fugue Primi Toni XXIII, P279
113 bpm • A Maj • 01:46 • -16.43db
8% Popularity • 19% Danceability • 16% Energy • 5% Liveness
87% Instrumentalness • 40% Positiveness
8% Popularity • 19% Danceability • 16% Energy • 5% Liveness
87% Instrumentalness • 40% Positiveness
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Pierre Cochereau
Mass No. 1: I. Entrée
105 bpm • A Maj • 01:52 • -6.98db
1% Popularity • 17% Danceability • 51% Energy • 10% Liveness
98% Instrumentalness • 12% Positiveness
1% Popularity • 17% Danceability • 51% Energy • 10% Liveness
98% Instrumentalness • 12% Positiveness
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Orchestrate the Universe
Give Me Faith
103 bpm • C Maj • 01:20 • -28.65db
16% Popularity • 23% Danceability • 6% Energy • 11% Liveness
79% Instrumentalness • 4% Positiveness
16% Popularity • 23% Danceability • 6% Energy • 11% Liveness
79% Instrumentalness • 4% Positiveness
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Jan Dismas Zelenka
Missa Sancti Josephi, ZWV 14: No. 3 Et i...
114 bpm • A# min • 02:50 • -27.32db
20% Popularity • 28% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
20% Popularity • 28% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Giovanni Pierluigi da Palestrina
Sicut Cervus
113 bpm • G# Maj • 06:27 • -22db
8% Popularity • 18% Danceability • 23% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
8% Popularity • 18% Danceability • 23% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
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William Ralph Driffill
Toccata in F Minor
102 bpm • F min • 05:16 • -12db
13% Popularity • 17% Danceability • 44% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
13% Popularity • 17% Danceability • 44% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
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Jules Grison
Toccata In F Major
102 bpm • F Maj • 06:19 • -15.72db
21% Popularity • 18% Danceability • 31% Energy • 16% Liveness
95% Instrumentalness • 27% Positiveness
21% Popularity • 18% Danceability • 31% Energy • 16% Liveness
95% Instrumentalness • 27% Positiveness
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Pierre Cochereau
Sortie
111 bpm • F Maj • 03:33 • -18.47db
1% Popularity • 18% Danceability • 47% Energy • 36% Liveness
96% Instrumentalness • 18% Positiveness
1% Popularity • 18% Danceability • 47% Energy • 36% Liveness
96% Instrumentalness • 18% Positiveness
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George de La Hèle
Missa Praeter rerum seriem: IV. Sanctus
115 bpm • G# min • 03:39 • -19.83db
10% Popularity • 18% Danceability • 18% Energy • 10% Liveness
58% Instrumentalness • 12% Positiveness
10% Popularity • 18% Danceability • 18% Energy • 10% Liveness
58% Instrumentalness • 12% Positiveness
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Louis Vierne
High Mass for 4 Voices and 2 Organs in C...
115 bpm • C# min • 05:44 • -16db
2% Popularity • 17% Danceability • 32% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
2% Popularity • 17% Danceability • 32% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Alexandre Guilmant
Interlude, Op. 19
101 bpm • F Maj • 01:55 • -48.38db
13% Popularity • 23% Danceability • 0% Energy • 11% Liveness
98% Instrumentalness • 17% Positiveness
13% Popularity • 23% Danceability • 0% Energy • 11% Liveness
98% Instrumentalness • 17% Positiveness
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Camille Saint-Saëns
Symphony No. 3 In C Minor, Op. 78 "Organ...
117 bpm • G# Maj • 10:38 • -22db
6% Popularity • 22% Danceability • 10% Energy • 9% Liveness
82% Instrumentalness • 8% Positiveness
6% Popularity • 22% Danceability • 10% Energy • 9% Liveness
82% Instrumentalness • 8% Positiveness
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Samuel Scheidt
Ich ruf zu dir, Herr Jesu Christ, SSWV 2...
99 bpm • D min • 01:18 • -31.91db
24% Popularity • 18% Danceability • 2% Energy • 11% Liveness
85% Instrumentalness • 21% Positiveness
24% Popularity • 18% Danceability • 2% Energy • 11% Liveness
85% Instrumentalness • 21% Positiveness
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Pierre Cochereau
Choral & Variation I
114 bpm • D min • 02:23 • -19db
1% Popularity • 17% Danceability • 34% Energy • 47% Liveness
96% Instrumentalness • 16% Positiveness
1% Popularity • 17% Danceability • 34% Energy • 47% Liveness
96% Instrumentalness • 16% Positiveness
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Léon Boëllmann
Suite gothique, Op. 25: IV. Toccata
99 bpm • F min • 03:52 • -14.53db
17% Popularity • 13% Danceability • 16% Energy • 9% Liveness
94% Instrumentalness • 7% Positiveness
17% Popularity • 13% Danceability • 16% Energy • 9% Liveness
94% Instrumentalness • 7% Positiveness
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Charles Racquet
Boléro sur un thème de Charles Racquet
118 bpm • D Maj • 13:16 • -18.17db
0% Popularity • 19% Danceability • 26% Energy • 30% Liveness
94% Instrumentalness • 5% Positiveness
0% Popularity • 19% Danceability • 26% Energy • 30% Liveness
94% Instrumentalness • 5% Positiveness
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Anonymous
Bells of the Northern Tower
99 bpm • C min • 01:03 • -17.96db
9% Popularity • 60% Danceability • 40% Energy • 37% Liveness
84% Instrumentalness • 4% Positiveness
9% Popularity • 60% Danceability • 40% Energy • 37% Liveness
84% Instrumentalness • 4% Positiveness
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Eugène Gigout
10 Pièces pour orgue: No. 4, Toccata
118 bpm • F# Maj • 03:51 • -19.82db
18% Popularity • 18% Danceability • 17% Energy • 16% Liveness
97% Instrumentalness • 6% Positiveness
18% Popularity • 18% Danceability • 17% Energy • 16% Liveness
97% Instrumentalness • 6% Positiveness
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KNOXVILLETRACKZ
HFTEP4
120 bpm • D min • 01:04 • -45.3db
12% Popularity • 22% Danceability • 0% Energy • 14% Liveness
97% Instrumentalness • 8% Positiveness
12% Popularity • 22% Danceability • 0% Energy • 14% Liveness
97% Instrumentalness • 8% Positiveness
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Pierre Cochereau
Sortie improvisée sur "La Marseillaise"
114 bpm • A# min • 07:49 • -15db
2% Popularity • 17% Danceability • 25% Energy • 13% Liveness
86% Instrumentalness • 3% Positiveness
2% Popularity • 17% Danceability • 25% Energy • 13% Liveness
86% Instrumentalness • 3% Positiveness
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Smooth Moment
Maria jumping mountains
120 bpm • C Maj • 03:26 • -19.47db
9% Popularity • 20% Danceability • 18% Energy • 17% Liveness
88% Instrumentalness • 8% Positiveness
9% Popularity • 20% Danceability • 18% Energy • 17% Liveness
88% Instrumentalness • 8% Positiveness
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Johann Christian Bach
Magnificat, W. E22: Et misericordia eius...
120 bpm • B min • 01:10 • -22db
31% Popularity • 18% Danceability • 7% Energy • 14% Liveness
93% Instrumentalness • 6% Positiveness
31% Popularity • 18% Danceability • 7% Energy • 14% Liveness
93% Instrumentalness • 6% Positiveness
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Maurice Duruflé
Notre Père, Op. 14
97 bpm • F Maj • 01:38 • -29.85db
17% Popularity • 16% Danceability • 3% Energy • 7% Liveness
10% Instrumentalness • 6% Positiveness
17% Popularity • 16% Danceability • 3% Energy • 7% Liveness
10% Instrumentalness • 6% Positiveness
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Georgy Sviridov
Pesnopeniya i molitvi (Canticles and Pra...
97 bpm • B Maj • 03:59 • -24.37db
8% Popularity • 13% Danceability • 3% Energy • 8% Liveness
1% Instrumentalness • 3% Positiveness
8% Popularity • 13% Danceability • 3% Energy • 8% Liveness
1% Instrumentalness • 3% Positiveness
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George Frideric Handel
Water Music: Suite No. 1 in F Major, HWV...
97 bpm • F Maj • 02:15 • -43.2db
8% Popularity • 19% Danceability • 0% Energy • 12% Liveness
96% Instrumentalness • 34% Positiveness
8% Popularity • 19% Danceability • 0% Energy • 12% Liveness
96% Instrumentalness • 34% Positiveness
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Pierre Cochereau
Mass No. 4: IV. Sortie
115 bpm • A min • 06:53 • -11db
8% Popularity • 17% Danceability • 61% Energy • 36% Liveness
92% Instrumentalness • 10% Positiveness
8% Popularity • 17% Danceability • 61% Energy • 36% Liveness
92% Instrumentalness • 10% Positiveness
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Marcel Dupré
III.
101 bpm • C Maj • 06:26 • -15.96db
1% Popularity • 20% Danceability • 37% Energy • 28% Liveness
95% Instrumentalness • 11% Positiveness
1% Popularity • 20% Danceability • 37% Energy • 28% Liveness
95% Instrumentalness • 11% Positiveness
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Martin Baker
O filii et filiæ (Sung in English)
97 bpm • D min • 04:32 • -18.04db
11% Popularity • 16% Danceability • 30% Energy • 19% Liveness
81% Instrumentalness • 10% Positiveness
11% Popularity • 16% Danceability • 30% Energy • 19% Liveness
81% Instrumentalness • 10% Positiveness
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Johann Stadlmayr
Missa Jubilate Deo: Agnus Die
121 bpm • G min • 01:43 • -22.43db
23% Popularity • 18% Danceability • 9% Energy • 10% Liveness
69% Instrumentalness • 4% Positiveness
23% Popularity • 18% Danceability • 9% Energy • 10% Liveness
69% Instrumentalness • 4% Positiveness
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Joseph Meunier d’Haudimont
Prose of the Consecration (Jerusalem et ...
96 bpm • E min • 05:18 • -15.77db
16% Popularity • 12% Danceability • 35% Energy • 31% Liveness
92% Instrumentalness • 14% Positiveness
16% Popularity • 12% Danceability • 35% Energy • 31% Liveness
92% Instrumentalness • 14% Positiveness
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Camille Saint-Saëns
Symphony No. 3 In C Minor, Op. 78 "Organ...
96 bpm • C Maj • 08:31 • -15.22db
9% Popularity • 19% Danceability • 30% Energy • 8% Liveness
91% Instrumentalness • 15% Positiveness
9% Popularity • 19% Danceability • 30% Energy • 8% Liveness
91% Instrumentalness • 15% Positiveness
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Francesco Soriano
Nihil tibi
96 bpm • E Maj • 01:10 • -26db
48% Popularity • 30% Danceability • 4% Energy • 6% Liveness
99% Instrumentalness • 7% Positiveness
48% Popularity • 30% Danceability • 4% Energy • 6% Liveness
99% Instrumentalness • 7% Positiveness
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Pierre Cochereau
Sortie
116 bpm • D min • 03:08 • -15.06db
1% Popularity • 24% Danceability • 42% Energy • 31% Liveness
98% Instrumentalness • 34% Positiveness
1% Popularity • 24% Danceability • 42% Energy • 31% Liveness
98% Instrumentalness • 34% Positiveness
► Preview
Mikko Finneman
Incipit Of New Work
96 bpm • D# Maj • 00:59 • -13.04db
12% Popularity • 28% Danceability • 26% Energy • 25% Liveness
88% Instrumentalness • 80% Positiveness
12% Popularity • 28% Danceability • 26% Energy • 25% Liveness
88% Instrumentalness • 80% Positiveness
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Johann Gottlob Schneider
Thema mit Variationen: Var. 1
123 bpm • A Maj • 01:08 • -36db
11% Popularity • 22% Danceability • 1% Energy • 20% Liveness
86% Instrumentalness • 21% Positiveness
11% Popularity • 22% Danceability • 1% Energy • 20% Liveness
86% Instrumentalness • 21% Positiveness
► Preview
Orazio Benevoli
Missa si Deus pro nobis, a 16 voci: I. K...
94 bpm • C Maj • 04:44 • -19.22db
17% Popularity • 11% Danceability • 13% Energy • 18% Liveness
89% Instrumentalness • 6% Positiveness
17% Popularity • 11% Danceability • 13% Energy • 18% Liveness
89% Instrumentalness • 6% Positiveness
► Preview
Anton Bruckner
Christus factus est, WAB 11
124 bpm • D min • 05:09 • -24db
9% Popularity • 18% Danceability • 4% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
9% Popularity • 18% Danceability • 4% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
► Preview
Dmitry Bortniansky
Sacred Concerto No. 15, "Priidite, vospo...
94 bpm • D# min • 02:02 • -34db
27% Popularity • 24% Danceability • 2% Energy • 11% Liveness
52% Instrumentalness • 3% Positiveness
27% Popularity • 24% Danceability • 2% Energy • 11% Liveness
52% Instrumentalness • 3% Positiveness
► Preview
Pierre Cochereau
Communion
98 bpm • D Maj • 05:32 • -26.39db
0% Popularity • 13% Danceability • 6% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
0% Popularity • 13% Danceability • 6% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
► Preview
Paul Fey
Prelude & Harmonizations on "Jesus Chris...
94 bpm • C Maj • 03:16 • -16.04db
8% Popularity • 11% Danceability • 8% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
8% Popularity • 11% Danceability • 8% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
► Preview
Alexander Sheremetiev
Nine sili nebesniye
125 bpm • C# min • 03:45 • -23.13db
11% Popularity • 17% Danceability • 4% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
11% Popularity • 17% Danceability • 4% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
► Preview
Antonio Vivaldi
Vivaldi: Laetatus Sum, RV 607
125 bpm • F Maj • 03:37 • -15.39db
14% Popularity • 32% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
14% Popularity • 32% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
► Preview
Alfred Schnittke
Three Sacred Hymns: II. Herr Jesus, Sohn...
125 bpm • C min • 01:34 • -17.89db
12% Popularity • 20% Danceability • 18% Energy • 7% Liveness
15% Instrumentalness • 3% Positiveness
12% Popularity • 20% Danceability • 18% Energy • 7% Liveness
15% Instrumentalness • 3% Positiveness
► Preview
Jean-Baptiste Lully
Thésée, LWV 51: Marche royale
93 bpm • C Maj • 02:27 • -13.56db
2% Popularity • 43% Danceability • 22% Energy • 11% Liveness
82% Instrumentalness • 17% Positiveness
2% Popularity • 43% Danceability • 22% Energy • 11% Liveness
82% Instrumentalness • 17% Positiveness
► Preview
Pierre Cochereau
Mass No. 4: I. Entrée
94 bpm • G Maj • 02:37 • -11.42db
0% Popularity • 11% Danceability • 30% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
0% Popularity • 11% Danceability • 30% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Maurice Duruflé
Requiem, Op. 9 (1961 version): Agnus Dei
126 bpm • C Maj • 03:59 • -26db
10% Popularity • 17% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
10% Popularity • 17% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Johannes Brahms
Der 13. Psalm, Op. 27
93 bpm • G Maj • 05:08 • -22.07db
14% Popularity • 16% Danceability • 11% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
14% Popularity • 16% Danceability • 11% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Jacques-Nicolas Lemmens
École d'orgue, Pt. 2: No. 27, Fanfare
92 bpm • D Maj • 03:24 • -19.61db
16% Popularity • 25% Danceability • 23% Energy • 15% Liveness
89% Instrumentalness • 42% Positiveness
16% Popularity • 25% Danceability • 23% Energy • 15% Liveness
89% Instrumentalness • 42% Positiveness
► Preview
Herbert Howells
Requiem: Requiem aeternam I
126 bpm • E min • 03:47 • -35db
21% Popularity • 17% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
21% Popularity • 17% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
► Preview
Heinrich Kaminski
Psalm 130: Ich Harre auf den Herren
92 bpm • A# Maj • 01:08 • -27.74db
36% Popularity • 25% Danceability • 5% Energy • 9% Liveness
17% Instrumentalness • 6% Positiveness
36% Popularity • 25% Danceability • 5% Energy • 9% Liveness
17% Instrumentalness • 6% Positiveness
► Preview
Pierre Cochereau
Verset II
93 bpm • C Maj • 01:03 • -23.39db
1% Popularity • 16% Danceability • 22% Energy • 12% Liveness
76% Instrumentalness • 4% Positiveness
1% Popularity • 16% Danceability • 22% Energy • 12% Liveness
76% Instrumentalness • 4% Positiveness
► Preview
Mikko Finneman
Morocco Wife
92 bpm • D Maj • 01:51 • -13.42db
8% Popularity • 17% Danceability • 22% Energy • 38% Liveness
91% Instrumentalness • 43% Positiveness
8% Popularity • 17% Danceability • 22% Energy • 38% Liveness
91% Instrumentalness • 43% Positiveness
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Jehan Revert - Pierre Cochereau
Jehan Revert, Pierre Cochereau: Victimae...
126 bpm • F min • 02:09 • -18.22db
1% Popularity • 17% Danceability • 15% Energy • 9% Liveness
97% Instrumentalness • 17% Positiveness
1% Popularity • 17% Danceability • 15% Energy • 9% Liveness
97% Instrumentalness • 17% Positiveness
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Ugis Praulins
Missa rigensis (2002): Kyrie eleison
127 bpm • G min • 03:28 • -22db
8% Popularity • 17% Danceability • 5% Energy • 31% Liveness
16% Instrumentalness • 4% Positiveness
8% Popularity • 17% Danceability • 5% Energy • 31% Liveness
16% Instrumentalness • 4% Positiveness
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Marie Glacier
Durazzo Harbour
92 bpm • A Maj • 01:11 • -20.35db
10% Popularity • 13% Danceability • 8% Energy • 32% Liveness
2% Instrumentalness • 18% Positiveness
10% Popularity • 13% Danceability • 8% Energy • 32% Liveness
2% Instrumentalness • 18% Positiveness
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Jakob van Berchem
O Jesu Christe
127 bpm • D Maj • 03:16 • -28db
9% Popularity • 17% Danceability • 4% Energy • 11% Liveness
24% Instrumentalness • 3% Positiveness
9% Popularity • 17% Danceability • 4% Energy • 11% Liveness
24% Instrumentalness • 3% Positiveness
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Pierre Cochereau
IV. O Filii et Filiae: Introd., Choral &...
126 bpm • C min • 05:13 • -18.4db
2% Popularity • 17% Danceability • 18% Energy • 15% Liveness
93% Instrumentalness • 17% Positiveness
2% Popularity • 17% Danceability • 18% Energy • 15% Liveness
93% Instrumentalness • 17% Positiveness
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The Monteverdi Choir
Missa Orbis factor: I. Kyrie eleison
127 bpm • G Maj • 01:16 • -32.48db
33% Popularity • 17% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
33% Popularity • 17% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Giacomo Carissimi
Jephte: Plorate, filii Israel
127 bpm • F# Maj • 05:00 • -24db
27% Popularity • 21% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
27% Popularity • 21% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Antonio Lotti
Crucifixus
127 bpm • C min • 03:29 • -25.68db
22% Popularity • 18% Danceability • 10% Energy • 8% Liveness
45% Instrumentalness • 3% Positiveness
22% Popularity • 18% Danceability • 10% Energy • 8% Liveness
45% Instrumentalness • 3% Positiveness
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Henry Purcell
Motet for five Voices: Psalm 3: Jehova, ...
127 bpm • G# min • 06:16 • -23.61db
8% Popularity • 27% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
8% Popularity • 27% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Giovanni Croce
Croce: Cantate Domino
127 bpm • C min • 02:12 • -19.91db
15% Popularity • 24% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
15% Popularity • 24% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Pierre Cochereau
Scherzo symphonique
126 bpm • D Maj • 07:22 • -16.85db
1% Popularity • 22% Danceability • 20% Energy • 12% Liveness
77% Instrumentalness • 4% Positiveness
1% Popularity • 22% Danceability • 20% Energy • 12% Liveness
77% Instrumentalness • 4% Positiveness
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Nikolay Kedrov
Otche Nash (Our Father)
127 bpm • C Maj • 03:04 • -37db
15% Popularity • 17% Danceability • 3% Energy • 8% Liveness
35% Instrumentalness • 4% Positiveness
15% Popularity • 17% Danceability • 3% Energy • 8% Liveness
35% Instrumentalness • 4% Positiveness
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Hans Leo Hassler
Cantate Domino canticum novum
128 bpm • D Maj • 01:39 • -19.4db
28% Popularity • 25% Danceability • 11% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
28% Popularity • 25% Danceability • 11% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
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Maurice Duruflé
Requiem, Op. 9: IX. In Paradisum
128 bpm • F# Maj • 02:54 • -40.45db
11% Popularity • 16% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Oulun kamariorkesteri
Alkukuoro, Vuorten Ylle Aurinko on Nouss...
128 bpm • G Maj • 04:27 • -23.6db
15% Popularity • 17% Danceability • 10% Energy • 10% Liveness
79% Instrumentalness • 4% Positiveness
15% Popularity • 17% Danceability • 10% Energy • 10% Liveness
79% Instrumentalness • 4% Positiveness
► Preview
Léon Boëllmann
Suite gothique, Op. 25: IV. Toccata
128 bpm • F min • 04:11 • -20db
14% Popularity • 17% Danceability • 13% Energy • 14% Liveness
88% Instrumentalness • 5% Positiveness
14% Popularity • 17% Danceability • 13% Energy • 14% Liveness
88% Instrumentalness • 5% Positiveness
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Pierre Cochereau
Communion
92 bpm • G Maj • 07:02 • -37.96db
1% Popularity • 10% Danceability • 0% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
1% Popularity • 10% Danceability • 0% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
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Urmas Sisask
Sisask : Gloria Patri... 24 Hymns for Mi...
128 bpm • D Maj • 03:21 • -24.76db
13% Popularity • 20% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 20% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Alexander Arkhangelsky
Ehtooveisu
128 bpm • F# Maj • 02:05 • -24.37db
11% Popularity • 21% Danceability • 8% Energy • 13% Liveness
3% Instrumentalness • 8% Positiveness
11% Popularity • 21% Danceability • 8% Energy • 13% Liveness
3% Instrumentalness • 8% Positiveness
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John Tavener
Mother of God, Here I Stand
129 bpm • G Maj • 03:15 • -33.14db
10% Popularity • 17% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
10% Popularity • 17% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Nadia Boulanger
3 Pièces for Organ: No. 2. Petit Canon
129 bpm • A min • 01:50 • -33db
13% Popularity • 16% Danceability • 0% Energy • 9% Liveness
94% Instrumentalness • 7% Positiveness
13% Popularity • 16% Danceability • 0% Energy • 9% Liveness
94% Instrumentalness • 7% Positiveness
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Mikko Finneman
Toccatatiamo
129 bpm • C min • 01:40 • -13.94db
9% Popularity • 18% Danceability • 32% Energy • 20% Liveness
93% Instrumentalness • 48% Positiveness
9% Popularity • 18% Danceability • 32% Energy • 20% Liveness
93% Instrumentalness • 48% Positiveness
