Songs like In Absentia by The Mars Volta
Based on a tempo of (+/- 10%) and a similar genre
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Omar RodrÃguez-López
Vanishing Tide
119 bpm • E min • 03:19 • -7.88db
17% Popularity • 62% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
17% Popularity • 62% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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A Perfect Circle
Crimes
119 bpm • F# min • 02:34 • -17.23db
41% Popularity • 74% Danceability • 72% Energy • 11% Liveness
7% Instrumentalness • 15% Positiveness
41% Popularity • 74% Danceability • 72% Energy • 11% Liveness
7% Instrumentalness • 15% Positiveness
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The Mars Volta
In Absentia
119 bpm • G min • 07:26 • -2.54db
25% Popularity • 25% Danceability • 90% Energy • 33% Liveness
0% Instrumentalness • 13% Positiveness
25% Popularity • 25% Danceability • 90% Energy • 33% Liveness
0% Instrumentalness • 13% Positiveness
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The Sound Of Animals Fighting
Another Leather Lung
119 bpm • C# Maj • 05:14 • -6.71db
24% Popularity • 33% Danceability • 94% Energy • 6% Liveness
9% Instrumentalness • 79% Positiveness
24% Popularity • 33% Danceability • 94% Energy • 6% Liveness
9% Instrumentalness • 79% Positiveness
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Red Sparowes
Our Happiest Days Slowly Began To Turn I...
120 bpm • E Maj • 05:40 • -6.11db
11% Popularity • 23% Danceability • 72% Energy • 7% Liveness
85% Instrumentalness • 45% Positiveness
11% Popularity • 23% Danceability • 72% Energy • 7% Liveness
85% Instrumentalness • 45% Positiveness
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Maserati
This is a Sight We Had One Day forom the...
118 bpm • A Maj • 02:54 • -10.55db
0% Popularity • 42% Danceability • 90% Energy • 35% Liveness
76% Instrumentalness • 9% Positiveness
0% Popularity • 42% Danceability • 90% Energy • 35% Liveness
76% Instrumentalness • 9% Positiveness
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The Dillinger Escape Plan
Parasitic Twins
120 bpm • G# min • 04:39 • -7.2db
22% Popularity • 52% Danceability • 75% Energy • 24% Liveness
7% Instrumentalness • 6% Positiveness
22% Popularity • 52% Danceability • 75% Energy • 24% Liveness
7% Instrumentalness • 6% Positiveness
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A Perfect Circle
Vanishing
120 bpm • G# min • 04:51 • -11.77db
44% Popularity • 63% Danceability • 58% Energy • 12% Liveness
36% Instrumentalness • 16% Positiveness
44% Popularity • 63% Danceability • 58% Energy • 12% Liveness
36% Instrumentalness • 16% Positiveness
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...And You Will Know Us by the Trail of Dead
Fall of the Empire
118 bpm • A Maj • 02:27 • -7.4db
12% Popularity • 30% Danceability • 50% Energy • 45% Liveness
79% Instrumentalness • 5% Positiveness
12% Popularity • 30% Danceability • 50% Energy • 45% Liveness
79% Instrumentalness • 5% Positiveness
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Crippled Black Phoenix
The Heart Of Every Country
118 bpm • E min • 10:04 • -8.89db
11% Popularity • 43% Danceability • 42% Energy • 62% Liveness
13% Instrumentalness • 6% Positiveness
11% Popularity • 43% Danceability • 42% Energy • 62% Liveness
13% Instrumentalness • 6% Positiveness
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Oceansize
New Pin
118 bpm • G Maj • 05:11 • -8.78db
20% Popularity • 56% Danceability • 71% Energy • 38% Liveness
52% Instrumentalness • 59% Positiveness
20% Popularity • 56% Danceability • 71% Energy • 38% Liveness
52% Instrumentalness • 59% Positiveness
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Chroma Key
Astronaut Down
120 bpm • D min • 04:56 • -8.27db
18% Popularity • 66% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
18% Popularity • 66% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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The Dillinger Escape Plan
Mouth Of Ghosts
120 bpm • C# Maj • 06:49 • -7.05db
30% Popularity • 28% Danceability • 90% Energy • 37% Liveness
12% Instrumentalness • 27% Positiveness
30% Popularity • 28% Danceability • 90% Energy • 37% Liveness
12% Instrumentalness • 27% Positiveness
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A Perfect Circle
Hollow - Constantly Consuming Mix
120 bpm • C# Maj • 03:40 • -8.08db
24% Popularity • 55% Danceability • 47% Energy • 15% Liveness
2% Instrumentalness • 29% Positiveness
24% Popularity • 55% Danceability • 47% Energy • 15% Liveness
2% Instrumentalness • 29% Positiveness
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Puscifer
Tiny Monster
120 bpm • A min • 05:34 • -8.28db
33% Popularity • 52% Danceability • 46% Energy • 7% Liveness
55% Instrumentalness • 22% Positiveness
33% Popularity • 52% Danceability • 46% Energy • 7% Liveness
55% Instrumentalness • 22% Positiveness
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The Pineapple Thief
Nothing At Best
120 bpm • A min • 04:08 • -8.05db
23% Popularity • 61% Danceability • 79% Energy • 8% Liveness
13% Instrumentalness • 48% Positiveness
23% Popularity • 61% Danceability • 79% Energy • 8% Liveness
13% Instrumentalness • 48% Positiveness
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Them Crooked Vultures
Caligulove
120 bpm • D Maj • 04:55 • -4.27db
45% Popularity • 41% Danceability • 86% Energy • 45% Liveness
1% Instrumentalness • 46% Positiveness
45% Popularity • 41% Danceability • 86% Energy • 45% Liveness
1% Instrumentalness • 46% Positiveness
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From Monument To Masses
Checksum
120 bpm • G min • 06:26 • -8.24db
17% Popularity • 60% Danceability • 89% Energy • 25% Liveness
49% Instrumentalness • 47% Positiveness
17% Popularity • 60% Danceability • 89% Energy • 25% Liveness
49% Instrumentalness • 47% Positiveness
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Pure Reason Revolution
Apogee / Requiem For The Lovers
118 bpm • F# min • 05:22 • -7.44db
12% Popularity • 32% Danceability • 85% Energy • 30% Liveness
0% Instrumentalness • 24% Positiveness
12% Popularity • 32% Danceability • 85% Energy • 30% Liveness
0% Instrumentalness • 24% Positiveness
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ISIS
Low Tide
118 bpm • F# min • 09:29 • -9.37db
31% Popularity • 64% Danceability • 58% Energy • 11% Liveness
83% Instrumentalness • 25% Positiveness
31% Popularity • 64% Danceability • 58% Energy • 11% Liveness
83% Instrumentalness • 25% Positiveness
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Puscifer
Galileo
120 bpm • D min • 05:17 • -7.74db
37% Popularity • 76% Danceability • 44% Energy • 10% Liveness
38% Instrumentalness • 26% Positiveness
37% Popularity • 76% Danceability • 44% Energy • 10% Liveness
38% Instrumentalness • 26% Positiveness
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Adebisi Shank
Snakehips
118 bpm • C# min • 02:37 • -9.12db
12% Popularity • 45% Danceability • 94% Energy • 13% Liveness
80% Instrumentalness • 30% Positiveness
12% Popularity • 45% Danceability • 94% Energy • 13% Liveness
80% Instrumentalness • 30% Positiveness
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...And You Will Know Us by the Trail of Dead
Cover the Days Like a Tidal Wave
121 bpm • E Maj • 02:51 • -7db
14% Popularity • 30% Danceability • 84% Energy • 63% Liveness
62% Instrumentalness • 7% Positiveness
14% Popularity • 30% Danceability • 84% Energy • 63% Liveness
62% Instrumentalness • 7% Positiveness
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The Dead Weather
3 Birds
117 bpm • D Maj • 03:44 • -7.88db
24% Popularity • 47% Danceability • 83% Energy • 34% Liveness
79% Instrumentalness • 48% Positiveness
24% Popularity • 47% Danceability • 83% Energy • 34% Liveness
79% Instrumentalness • 48% Positiveness
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Omar RodrÃguez-López
To Kill A Chi Chi
122 bpm • C# min • 03:19 • -6.29db
9% Popularity • 65% Danceability • 95% Energy • 7% Liveness
70% Instrumentalness • 78% Positiveness
9% Popularity • 65% Danceability • 95% Energy • 7% Liveness
70% Instrumentalness • 78% Positiveness
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The Mars Volta
Televators
122 bpm • B min • 06:18 • -8.2db
42% Popularity • 31% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
42% Popularity • 31% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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The Beta Machine
Pictures
121 bpm • D Maj • 05:08 • -6.97db
24% Popularity • 56% Danceability • 61% Energy • 13% Liveness
49% Instrumentalness • 10% Positiveness
24% Popularity • 56% Danceability • 61% Energy • 13% Liveness
49% Instrumentalness • 10% Positiveness
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Porcupine Tree
My Ashes
116 bpm • D min • 05:09 • -16.16db
42% Popularity • 59% Danceability • 27% Energy • 12% Liveness
31% Instrumentalness • 7% Positiveness
42% Popularity • 59% Danceability • 27% Energy • 12% Liveness
31% Instrumentalness • 7% Positiveness
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These Arms Are Snakes
Lucifer
116 bpm • A min • 02:36 • -4.84db
12% Popularity • 65% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
12% Popularity • 65% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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The Dead Weather
Old Mary
121 bpm • D Maj • 02:52 • -5.02db
23% Popularity • 52% Danceability • 86% Energy • 32% Liveness
4% Instrumentalness • 36% Positiveness
23% Popularity • 52% Danceability • 86% Energy • 32% Liveness
4% Instrumentalness • 36% Positiveness
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El Grupo Nuevo De Omar Rodriguez Lopez
Noir
116 bpm • D Maj • 03:45 • -7.95db
10% Popularity • 37% Danceability • 90% Energy • 37% Liveness
35% Instrumentalness • 7% Positiveness
10% Popularity • 37% Danceability • 90% Energy • 37% Liveness
35% Instrumentalness • 7% Positiveness
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Rx Bandits
Hope Is A Butterfly, No Net Its Captor�...
122 bpm • E min • 04:23 • -5.65db
23% Popularity • 34% Danceability • 88% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
23% Popularity • 34% Danceability • 88% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
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The Mars Volta
Drunkship Of Lanterns
116 bpm • A Maj • 07:05 • -2.73db
42% Popularity • 31% Danceability • 99% Energy • 69% Liveness
4% Instrumentalness • 11% Positiveness
42% Popularity • 31% Danceability • 99% Energy • 69% Liveness
4% Instrumentalness • 11% Positiveness
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Torche
Letting Go
123 bpm • A Maj • 02:03 • -4db
25% Popularity • 32% Danceability • 92% Energy • 12% Liveness
90% Instrumentalness • 24% Positiveness
25% Popularity • 32% Danceability • 92% Energy • 12% Liveness
90% Instrumentalness • 24% Positiveness
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Oceansize
Women Who Love Men Who Love Drugs - Rema...
116 bpm • F Maj • 08:32 • -8.26db
21% Popularity • 40% Danceability • 72% Energy • 12% Liveness
50% Instrumentalness • 4% Positiveness
21% Popularity • 40% Danceability • 72% Energy • 12% Liveness
50% Instrumentalness • 4% Positiveness
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The Flaming Lips
Convinced of the Hex
123 bpm • D Maj • 03:54 • -3.33db
15% Popularity • 48% Danceability • 98% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
15% Popularity • 48% Danceability • 98% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
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Desert Sessions
Dead In Love
123 bpm • D min • 04:42 • -4.17db
24% Popularity • 20% Danceability • 81% Energy • 35% Liveness
2% Instrumentalness • 10% Positiveness
24% Popularity • 20% Danceability • 81% Energy • 35% Liveness
2% Instrumentalness • 10% Positiveness
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Ataxia
Dust
123 bpm • A Maj • 08:56 • -5.11db
23% Popularity • 30% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
23% Popularity • 30% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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The Sound Of Animals Fighting
Act III: Modulate Back To The Tonic
115 bpm • B min • 04:50 • -3.48db
21% Popularity • 36% Danceability • 90% Energy • 59% Liveness
0% Instrumentalness • 57% Positiveness
21% Popularity • 36% Danceability • 90% Energy • 59% Liveness
0% Instrumentalness • 57% Positiveness
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Anywhere
Anywhere
115 bpm • E min • 05:52 • -8.31db
11% Popularity • 32% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
11% Popularity • 32% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Silversun Pickups
The Fuzz
115 bpm • E min • 05:54 • -7.35db
22% Popularity • 28% Danceability • 76% Energy • 30% Liveness
11% Instrumentalness • 46% Positiveness
22% Popularity • 28% Danceability • 76% Energy • 30% Liveness
11% Instrumentalness • 46% Positiveness
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...And You Will Know Us by the Trail of Dead
The Fairlight Pendant
115 bpm • D Maj • 05:43 • -6.6db
9% Popularity • 22% Danceability • 89% Energy • 12% Liveness
73% Instrumentalness • 35% Positiveness
9% Popularity • 22% Danceability • 89% Energy • 12% Liveness
73% Instrumentalness • 35% Positiveness
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Dot Hacker
Discotheque
123 bpm • D min • 05:11 • -10.68db
12% Popularity • 53% Danceability • 80% Energy • 15% Liveness
40% Instrumentalness • 42% Positiveness
12% Popularity • 53% Danceability • 80% Energy • 15% Liveness
40% Instrumentalness • 42% Positiveness
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Mogwai
The Precipice
115 bpm • D Maj • 06:41 • -10.72db
6% Popularity • 24% Danceability • 46% Energy • 17% Liveness
85% Instrumentalness • 5% Positiveness
6% Popularity • 24% Danceability • 46% Energy • 17% Liveness
85% Instrumentalness • 5% Positiveness
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The Sound Of Animals Fighting
This Heat
123 bpm • C Maj • 10:35 • -6.7db
12% Popularity • 37% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 16% Positiveness
12% Popularity • 37% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 16% Positiveness
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At the Drive-In
Invalid Litter Dept.
123 bpm • G Maj • 06:05 • -3.83db
23% Popularity • 37% Danceability • 92% Energy • 26% Liveness
0% Instrumentalness • 46% Positiveness
23% Popularity • 37% Danceability • 92% Energy • 26% Liveness
0% Instrumentalness • 46% Positiveness
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Maserati
Show me the Season
124 bpm • B Maj • 09:23 • -8.37db
0% Popularity • 25% Danceability • 91% Energy • 9% Liveness
75% Instrumentalness • 16% Positiveness
0% Popularity • 25% Danceability • 91% Energy • 9% Liveness
75% Instrumentalness • 16% Positiveness
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Them Crooked Vultures
Bandoliers
124 bpm • C Maj • 05:42 • -4db
47% Popularity • 38% Danceability • 98% Energy • 16% Liveness
2% Instrumentalness • 46% Positiveness
47% Popularity • 38% Danceability • 98% Energy • 16% Liveness
2% Instrumentalness • 46% Positiveness
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Dot Hacker
First in Forever
123 bpm • F Maj • 06:07 • -7.29db
11% Popularity • 59% Danceability • 89% Energy • 11% Liveness
84% Instrumentalness • 61% Positiveness
11% Popularity • 59% Danceability • 89% Energy • 11% Liveness
84% Instrumentalness • 61% Positiveness
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And So I Watch You from Afar
A Little bit of Solidarity goes a Long W...
115 bpm • C min • 03:25 • -6.23db
30% Popularity • 29% Danceability • 78% Energy • 9% Liveness
76% Instrumentalness • 38% Positiveness
30% Popularity • 29% Danceability • 78% Energy • 9% Liveness
76% Instrumentalness • 38% Positiveness
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The Sound Of Animals Fighting
I, The Swan
115 bpm • F min • 04:13 • -7.07db
26% Popularity • 36% Danceability • 78% Energy • 23% Liveness
1% Instrumentalness • 68% Positiveness
26% Popularity • 36% Danceability • 78% Energy • 23% Liveness
1% Instrumentalness • 68% Positiveness
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The Mars Volta
Cassandra Gemini
124 bpm • E min • 04:45 • -3.06db
38% Popularity • 37% Danceability • 98% Energy • 68% Liveness
0% Instrumentalness • 27% Positiveness
38% Popularity • 37% Danceability • 98% Energy • 68% Liveness
0% Instrumentalness • 27% Positiveness
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Desert Sessions
Powdered Wig Machine
124 bpm • E min • 02:40 • -5.22db
27% Popularity • 57% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
27% Popularity • 57% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Dredg
Traversing Through the Arctic Cold We Se...
124 bpm • E min • 06:37 • -10.43db
14% Popularity • 46% Danceability • 69% Energy • 10% Liveness
20% Instrumentalness • 27% Positiveness
14% Popularity • 46% Danceability • 69% Energy • 10% Liveness
20% Instrumentalness • 27% Positiveness
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A Perfect Circle
The Package
124 bpm • A Maj • 07:40 • -10.54db
50% Popularity • 76% Danceability • 40% Energy • 12% Liveness
72% Instrumentalness • 15% Positiveness
50% Popularity • 76% Danceability • 40% Energy • 12% Liveness
72% Instrumentalness • 15% Positiveness
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Oceansize
Mine Host
124 bpm • G# Maj • 04:10 • -13.18db
17% Popularity • 20% Danceability • 37% Energy • 66% Liveness
92% Instrumentalness • 4% Positiveness
17% Popularity • 20% Danceability • 37% Energy • 66% Liveness
92% Instrumentalness • 4% Positiveness
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The Sound Of Animals Fighting
Uzbekistan
115 bpm • C Maj • 07:27 • -6.73db
14% Popularity • 31% Danceability • 95% Energy • 68% Liveness
33% Instrumentalness • 31% Positiveness
14% Popularity • 31% Danceability • 95% Energy • 68% Liveness
33% Instrumentalness • 31% Positiveness
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Omar RodrÃguez-López
Tunnel Riot
124 bpm • E min • 03:18 • -5.48db
9% Popularity • 57% Danceability • 84% Energy • 12% Liveness
10% Instrumentalness • 42% Positiveness
9% Popularity • 57% Danceability • 84% Energy • 12% Liveness
10% Instrumentalness • 42% Positiveness
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Steven Wilson
Salvaging
124 bpm • B Maj • 08:17 • -11.92db
22% Popularity • 48% Danceability • 49% Energy • 23% Liveness
88% Instrumentalness • 4% Positiveness
22% Popularity • 48% Danceability • 49% Energy • 23% Liveness
88% Instrumentalness • 4% Positiveness
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Bent Knee
Way Too Long
124 bpm • D Maj • 04:59 • -7.42db
16% Popularity • 38% Danceability • 64% Energy • 29% Liveness
1% Instrumentalness • 23% Positiveness
16% Popularity • 38% Danceability • 64% Energy • 29% Liveness
1% Instrumentalness • 23% Positiveness
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Amplifier
Minion's Song
114 bpm • A min • 05:51 • -9.04db
8% Popularity • 31% Danceability • 41% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
8% Popularity • 31% Danceability • 41% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
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Mr. Bungle
Golem II: The Bionic Vapour Boy
125 bpm • C# Maj • 03:34 • -10.22db
33% Popularity • 64% Danceability • 55% Energy • 19% Liveness
67% Instrumentalness • 58% Positiveness
33% Popularity • 64% Danceability • 55% Energy • 19% Liveness
67% Instrumentalness • 58% Positiveness
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The GOASTT (The Ghost Of A Saber Tooth Tiger)
Moth to a Flame
125 bpm • G min • 06:44 • -4.83db
15% Popularity • 30% Danceability • 78% Energy • 11% Liveness
47% Instrumentalness • 16% Positiveness
15% Popularity • 30% Danceability • 78% Energy • 11% Liveness
47% Instrumentalness • 16% Positiveness
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Omar RodrÃguez-López
The Palpitations Form A Limit
125 bpm • E min • 03:22 • -4.65db
10% Popularity • 55% Danceability • 88% Energy • 6% Liveness
5% Instrumentalness • 77% Positiveness
10% Popularity • 55% Danceability • 88% Energy • 6% Liveness
5% Instrumentalness • 77% Positiveness
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The Mars Volta
This Apparatus Must Be Unearthed
124 bpm • B min • 04:57 • -3db
37% Popularity • 26% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
37% Popularity • 26% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Intronaut
Blood From A Stone
125 bpm • B min • 03:07 • -12.15db
13% Popularity • 40% Danceability • 39% Energy • 9% Liveness
82% Instrumentalness • 8% Positiveness
13% Popularity • 40% Danceability • 39% Energy • 9% Liveness
82% Instrumentalness • 8% Positiveness
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Puscifer
Agostina
125 bpm • G min • 04:24 • -10.32db
42% Popularity • 75% Danceability • 32% Energy • 10% Liveness
5% Instrumentalness • 45% Positiveness
42% Popularity • 75% Danceability • 32% Energy • 10% Liveness
5% Instrumentalness • 45% Positiveness
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Bosnian Rainbows
Turtle Neck
113 bpm • G# min • 06:25 • -6.98db
28% Popularity • 28% Danceability • 72% Energy • 38% Liveness
1% Instrumentalness • 43% Positiveness
28% Popularity • 28% Danceability • 72% Energy • 38% Liveness
1% Instrumentalness • 43% Positiveness
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Oceansize
Long Forgotten - Remastered
113 bpm • E min • 09:00 • -9.72db
16% Popularity • 39% Danceability • 57% Energy • 12% Liveness
55% Instrumentalness • 8% Positiveness
16% Popularity • 39% Danceability • 57% Energy • 12% Liveness
55% Instrumentalness • 8% Positiveness
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Mr. Bungle
Goodbye Sober Day
125 bpm • F# Maj • 04:29 • -7db
36% Popularity • 36% Danceability • 90% Energy • 24% Liveness
30% Instrumentalness • 18% Positiveness
36% Popularity • 36% Danceability • 90% Energy • 24% Liveness
30% Instrumentalness • 18% Positiveness
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Omar RodrÃguez-López
Un Buitre Amable Me Pico
113 bpm • B min • 03:08 • -4.92db
23% Popularity • 38% Danceability • 92% Energy • 41% Liveness
14% Instrumentalness • 47% Positiveness
23% Popularity • 38% Danceability • 92% Energy • 41% Liveness
14% Instrumentalness • 47% Positiveness
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Crippled Black Phoenix
Get Down And Live With It
113 bpm • F Maj • 07:11 • -5.52db
8% Popularity • 42% Danceability • 86% Energy • 24% Liveness
85% Instrumentalness • 16% Positiveness
8% Popularity • 42% Danceability • 86% Energy • 24% Liveness
85% Instrumentalness • 16% Positiveness
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Them Crooked Vultures
Spinning in Daffodils
113 bpm • G Maj • 07:28 • -5db
43% Popularity • 28% Danceability • 89% Energy • 10% Liveness
57% Instrumentalness • 15% Positiveness
43% Popularity • 28% Danceability • 89% Energy • 10% Liveness
57% Instrumentalness • 15% Positiveness
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At the Drive-In
Metronome Arthritis
126 bpm • A min • 04:00 • -7db
32% Popularity • 49% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
32% Popularity • 49% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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...And You Will Know Us by the Trail of Dead
The Doomsday Book
126 bpm • D Maj • 03:32 • -7.47db
12% Popularity • 22% Danceability • 87% Energy • 60% Liveness
62% Instrumentalness • 44% Positiveness
12% Popularity • 22% Danceability • 87% Energy • 60% Liveness
62% Instrumentalness • 44% Positiveness
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Earl Greyhound
Eyes of Cassandra (Part I)
126 bpm • F# Maj • 02:07 • -11.13db
15% Popularity • 44% Danceability • 43% Energy • 60% Liveness
70% Instrumentalness • 8% Positiveness
15% Popularity • 44% Danceability • 43% Energy • 60% Liveness
70% Instrumentalness • 8% Positiveness
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Carina Round
Shoot
126 bpm • A# min • 04:46 • -5.45db
15% Popularity • 37% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
15% Popularity • 37% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Dismemberment Plan
Time Bomb
126 bpm • C Maj • 04:24 • -5db
26% Popularity • 54% Danceability • 90% Energy • 45% Liveness
0% Instrumentalness • 27% Positiveness
26% Popularity • 54% Danceability • 90% Energy • 45% Liveness
0% Instrumentalness • 27% Positiveness
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Pinback
Barnes
112 bpm • D min • 04:16 • -7.15db
28% Popularity • 47% Danceability • 78% Energy • 23% Liveness
50% Instrumentalness • 94% Positiveness
28% Popularity • 47% Danceability • 78% Energy • 23% Liveness
50% Instrumentalness • 94% Positiveness
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At the Drive-In
Rascuache
112 bpm • E min • 03:21 • -6.98db
34% Popularity • 48% Danceability • 68% Energy • 27% Liveness
0% Instrumentalness • 35% Positiveness
34% Popularity • 48% Danceability • 68% Energy • 27% Liveness
0% Instrumentalness • 35% Positiveness
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Dredg
Jamais Vu
126 bpm • F min • 04:56 • -5.44db
28% Popularity • 35% Danceability • 64% Energy • 14% Liveness
2% Instrumentalness • 10% Positiveness
28% Popularity • 35% Danceability • 64% Energy • 14% Liveness
2% Instrumentalness • 10% Positiveness
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Mr. Bungle
Sweet Charity
112 bpm • E min • 05:05 • -8.89db
40% Popularity • 38% Danceability • 62% Energy • 39% Liveness
60% Instrumentalness • 14% Positiveness
40% Popularity • 38% Danceability • 62% Energy • 39% Liveness
60% Instrumentalness • 14% Positiveness
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And So I Watch You from Afar
Ka Ba Ta Bo Da Ka
127 bpm • C Maj • 04:00 • -9.83db
15% Popularity • 70% Danceability • 53% Energy • 16% Liveness
45% Instrumentalness • 7% Positiveness
15% Popularity • 70% Danceability • 53% Energy • 16% Liveness
45% Instrumentalness • 7% Positiveness
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The Mars Volta
Vermicide
127 bpm • E min • 04:15 • -3.51db
35% Popularity • 37% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 45% Positiveness
35% Popularity • 37% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 45% Positiveness
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Maserati
The World Outside
111 bpm • F min • 05:39 • -8.7db
0% Popularity • 50% Danceability • 83% Energy • 15% Liveness
84% Instrumentalness • 54% Positiveness
0% Popularity • 50% Danceability • 83% Energy • 15% Liveness
84% Instrumentalness • 54% Positiveness
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Don Caballero
Mmmmm Acting, I Love Me Some Good Acting
128 bpm • D Maj • 05:52 • -6.48db
13% Popularity • 30% Danceability • 91% Energy • 7% Liveness
81% Instrumentalness • 13% Positiveness
13% Popularity • 30% Danceability • 91% Energy • 7% Liveness
81% Instrumentalness • 13% Positiveness
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Mew
Chinaberry Tree
128 bpm • C Maj • 03:33 • -6.65db
24% Popularity • 42% Danceability • 70% Energy • 18% Liveness
34% Instrumentalness • 5% Positiveness
24% Popularity • 42% Danceability • 70% Energy • 18% Liveness
34% Instrumentalness • 5% Positiveness
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Omar RodrÃguez-López
Poincaré
111 bpm • E min • 02:23 • -9.47db
26% Popularity • 42% Danceability • 24% Energy • 31% Liveness
7% Instrumentalness • 24% Positiveness
26% Popularity • 42% Danceability • 24% Energy • 31% Liveness
7% Instrumentalness • 24% Positiveness
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And So I Watch You from Afar
The Stay Golden
127 bpm • F Maj • 03:25 • -7.18db
17% Popularity • 69% Danceability • 94% Energy • 66% Liveness
86% Instrumentalness • 18% Positiveness
17% Popularity • 69% Danceability • 94% Energy • 66% Liveness
86% Instrumentalness • 18% Positiveness
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The Mars Volta
Vedamalady
128 bpm • D min • 03:51 • -2.08db
27% Popularity • 42% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
27% Popularity • 42% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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At the Drive-In
Helitrope
110 bpm • E min • 03:12 • -4.15db
32% Popularity • 40% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
32% Popularity • 40% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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El Grupo Nuevo De Omar Rodriguez Lopez
Shake Is For 8th Graders
129 bpm • G Maj • 02:12 • -4.46db
13% Popularity • 24% Danceability • 98% Energy • 44% Liveness
0% Instrumentalness • 16% Positiveness
13% Popularity • 24% Danceability • 98% Energy • 44% Liveness
0% Instrumentalness • 16% Positiveness
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The Dillinger Escape Plan
Sick On Sunday
110 bpm • F min • 02:10 • -8.32db
25% Popularity • 57% Danceability • 95% Energy • 32% Liveness
62% Instrumentalness • 23% Positiveness
25% Popularity • 57% Danceability • 95% Energy • 32% Liveness
62% Instrumentalness • 23% Positiveness
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Brontide
Arioso
110 bpm • G min • 07:58 • -8.28db
13% Popularity • 37% Danceability • 78% Energy • 14% Liveness
80% Instrumentalness • 11% Positiveness
13% Popularity • 37% Danceability • 78% Energy • 14% Liveness
80% Instrumentalness • 11% Positiveness
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And So I Watch You from Afar
Run Home
129 bpm • D Maj • 04:33 • -7.42db
17% Popularity • 20% Danceability • 94% Energy • 14% Liveness
77% Instrumentalness • 4% Positiveness
17% Popularity • 20% Danceability • 94% Energy • 14% Liveness
77% Instrumentalness • 4% Positiveness
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Porcupine Tree
Bonnie the Cat
110 bpm • E min • 05:45 • -11db
27% Popularity • 59% Danceability • 76% Energy • 14% Liveness
84% Instrumentalness • 51% Positiveness
27% Popularity • 59% Danceability • 76% Energy • 14% Liveness
84% Instrumentalness • 51% Positiveness
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At the Drive-In
Arcarsenal
129 bpm • D Maj • 02:54 • -3db
25% Popularity • 35% Danceability • 99% Energy • 37% Liveness
0% Instrumentalness • 23% Positiveness
25% Popularity • 35% Danceability • 99% Energy • 37% Liveness
0% Instrumentalness • 23% Positiveness
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A Perfect Circle
A Stranger
110 bpm • C# min • 03:12 • -12.76db
44% Popularity • 54% Danceability • 37% Energy • 9% Liveness
3% Instrumentalness • 9% Positiveness
44% Popularity • 54% Danceability • 37% Energy • 9% Liveness
3% Instrumentalness • 9% Positiveness
