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In Between Tears
Songs like
In Between Tears
by
Irma Thomas
Based on a tempo of (+/- 10%) and a similar genre
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Willie West
Fairchild
92 bpm • D Maj • 03:24 • -8.77db
16% Popularity • 72% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Irma Thomas
In Between Tears
92 bpm • F Maj • 02:36 • -5.95db
37% Popularity • 62% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Candi Staton
The Best Thing You Ever Had
92 bpm • A# min • 02:26 • -8.17db
13% Popularity • 66% Danceability • 69% Energy • 27% Liveness
0% Instrumentalness • 67% Positiveness
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Allen Toussaint
Sweet Touch Of Love
92 bpm • C# Maj • 03:16 • -12.8db
35% Popularity • 73% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Otis Clay
You Can't Keep Running From My Love
92 bpm • D# Maj • 02:51 • -6.7db
1% Popularity • 63% Danceability • 48% Energy • 32% Liveness
49% Instrumentalness • 62% Positiveness
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Clarence Reid
Masterpiece
92 bpm • D# Maj • 02:52 • -2.36db
33% Popularity • 52% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Elvin Spencer
Lift This Hurt
92 bpm • F min • 02:41 • -9db
24% Popularity • 51% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Irma Thomas
In Between Tears
92 bpm • F Maj • 02:33 • -10.59db
16% Popularity • 60% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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Lulu
Feelin' Alright - 2007 Remastered Versio...
93 bpm • C min • 03:00 • -9db
26% Popularity • 51% Danceability • 64% Energy • 54% Liveness
0% Instrumentalness • 88% Positiveness
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Rufus Thomas
Funky Way
93 bpm • G# Maj • 02:58 • -10.93db
19% Popularity • 73% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
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Candi Staton
Heart on a String
91 bpm • A# Maj • 03:04 • -16.23db
15% Popularity • 60% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 94% Positiveness
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Eddie Bo
Lover and a Friend
93 bpm • A# min • 02:29 • -14.72db
20% Popularity • 72% Danceability • 56% Energy • 6% Liveness
13% Instrumentalness • 97% Positiveness
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The Mad Lads
Get Out of My Life
93 bpm • G Maj • 03:06 • -14db
18% Popularity • 73% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Ohio Players
Here Today And Gone Tomorrow
93 bpm • C Maj • 03:32 • -11.11db
26% Popularity • 38% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
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Arthur Conley
Love Comes and Goes
93 bpm • E Maj • 02:20 • -17.08db
16% Popularity • 54% Danceability • 28% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
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Irma Thomas
Some Things You Never Get Used To
93 bpm • C min • 02:45 • -11.78db
27% Popularity • 54% Danceability • 41% Energy • 42% Liveness
0% Instrumentalness • 65% Positiveness
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Baby Huey
Mighty Mighty
91 bpm • E Maj • 02:49 • -6db
27% Popularity • 44% Danceability • 90% Energy • 47% Liveness
1% Instrumentalness • 82% Positiveness
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The Ikettes
I'm Just Not Ready For Love - Remastered
91 bpm • D Maj • 02:15 • -6.78db
15% Popularity • 68% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Curly Moore
Get Low Down
93 bpm • F Maj • 02:29 • -6.66db
22% Popularity • 71% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
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Lee Dorsey
A Lover Was Born
93 bpm • A# min • 02:54 • -8.47db
21% Popularity • 77% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
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Allen Toussaint
All I Want Is You - Remastered
93 bpm • G Maj • 02:11 • -4.58db
26% Popularity • 66% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Sugar Pie DeSanto
I Still Care
93 bpm • G min • 02:24 • -8.2db
27% Popularity • 66% Danceability • 38% Energy • 41% Liveness
0% Instrumentalness • 88% Positiveness
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Mitty Collier
Let Them Talk
94 bpm • G# Maj • 02:39 • -4.04db
12% Popularity • 42% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Rufus Thomas
Funky Mississippi
93 bpm • A Maj • 02:58 • -8.13db
14% Popularity • 63% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 77% Positiveness
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Jimmy Hughes
Midnight Affair
90 bpm • C# Maj • 02:30 • -8.02db
18% Popularity • 62% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Irma Thomas
Ruler Of My Heart
94 bpm • A Maj • 02:39 • -14.18db
51% Popularity • 61% Danceability • 28% Energy • 15% Liveness
28% Instrumentalness • 47% Positiveness
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Clarence Reid
Till I Get My Share
90 bpm • A# min • 02:27 • -4.63db
32% Popularity • 70% Danceability • 83% Energy • 6% Liveness
1% Instrumentalness • 96% Positiveness
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Sugar Pie DeSanto
Git Back
90 bpm • G# Maj • 03:01 • -8db
24% Popularity • 72% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Johnny Jones and The King Casuals
Chip Off The Old Block
94 bpm • B Maj • 02:02 • -7.57db
18% Popularity • 64% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 86% Positiveness
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Darondo
Do You Really Love Me
94 bpm • G min • 02:58 • -7.65db
30% Popularity • 61% Danceability • 62% Energy • 2% Liveness
0% Instrumentalness • 78% Positiveness
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Little Beaver
Everbody Has Some Dues To Pay
94 bpm • A Maj • 02:20 • -2.52db
29% Popularity • 66% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
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Irma Thomas
What's so Wrong with You Loving Me
94 bpm • C Maj • 02:18 • -11.28db
14% Popularity • 53% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Bobby Patterson
How Do You Spell Love
90 bpm • A# min • 02:20 • -10.61db
32% Popularity • 75% Danceability • 66% Energy • 11% Liveness
5% Instrumentalness • 96% Positiveness
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Arthur Conley
I Can't Stop (No, No, No)
90 bpm • G Maj • 02:29 • -8.23db
14% Popularity • 52% Danceability • 57% Energy • 39% Liveness
0% Instrumentalness • 63% Positiveness
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Lee Dorsey
Get out of My Life Woman
90 bpm • F# Maj • 02:26 • -11db
46% Popularity • 84% Danceability • 38% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
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Candi Staton
Someone You Use
95 bpm • C# Maj • 02:35 • -17.24db
18% Popularity • 60% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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Alvin Robinson
Tuned in, Turned On
89 bpm • F min • 02:52 • -9db
12% Popularity • 69% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Clarence Reid
Nobody but You Babe
95 bpm • A# Maj • 02:49 • -8.57db
31% Popularity • 67% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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James Carr
Gonna Send You Back to Georgia
89 bpm • G# Maj • 02:17 • -5.89db
19% Popularity • 69% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
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Otis Clay
Too Many Hands
95 bpm • E Maj • 02:50 • -6.58db
1% Popularity • 86% Danceability • 47% Energy • 11% Liveness
58% Instrumentalness • 83% Positiveness
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Howard Tate
Where Did My Baby Go
89 bpm • G# Maj • 02:31 • -6.08db
22% Popularity • 66% Danceability • 74% Energy • 18% Liveness
13% Instrumentalness • 86% Positiveness
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Allen Toussaint
Victim of the Darkness - Remastered Vers...
95 bpm • C Maj • 03:30 • -8db
18% Popularity • 78% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Swamp Dogg
Synthetic World
89 bpm • A# Maj • 03:25 • -16db
37% Popularity • 79% Danceability • 34% Energy • 13% Liveness
1% Instrumentalness • 88% Positiveness
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Jean Knight
You Think You're Hot Stuff
89 bpm • G# Maj • 02:29 • -13.2db
30% Popularity • 81% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Sam & Dave
I Take What I Want - Mono
89 bpm • D Maj • 02:34 • -12.06db
32% Popularity • 74% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
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Anna King
If Somebody Told You
96 bpm • C Maj • 02:57 • -17.57db
14% Popularity • 73% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Willie & Allen
I Don't Need No One
88 bpm • A Maj • 02:20 • -9.54db
13% Popularity • 71% Danceability • 46% Energy • 23% Liveness
1% Instrumentalness • 93% Positiveness
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Allen Toussaint
I've Got to Convince Myself - Remastered...
95 bpm • C Maj • 02:43 • -9.49db
15% Popularity • 65% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
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Barbara & The Browns
In My Heart
96 bpm • E min • 02:49 • -10.94db
18% Popularity • 63% Danceability • 34% Energy • 7% Liveness
1% Instrumentalness • 57% Positiveness
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Sugar Pie DeSanto
Soulful Dress
88 bpm • G min • 02:49 • -9.78db
50% Popularity • 77% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
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Irma Thomas
The Hurt's All Gone
88 bpm • E min • 02:23 • -6.75db
23% Popularity • 60% Danceability • 73% Energy • 65% Liveness
0% Instrumentalness • 81% Positiveness
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Willie Hutch
Keep on Doin' What You Do
96 bpm • C# Maj • 02:20 • -6.23db
13% Popularity • 59% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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The Charmels
Lovin' Feeling
96 bpm • G# Maj • 02:52 • -10.01db
18% Popularity • 67% Danceability • 45% Energy • 7% Liveness
8% Instrumentalness • 64% Positiveness
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James Carr
You've Got My Mind Messed Up
96 bpm • F min • 02:25 • -7.93db
37% Popularity • 58% Danceability • 63% Energy • 53% Liveness
0% Instrumentalness • 78% Positiveness
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Little Ann
Possession
96 bpm • F Maj • 03:11 • -6db
17% Popularity • 72% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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Snooks Eaglin
Groove Me
96 bpm • F min • 04:26 • -8.19db
9% Popularity • 82% Danceability • 45% Energy • 75% Liveness
1% Instrumentalness • 80% Positiveness
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Irma Thomas
Time Is On My Side
96 bpm • C Maj • 02:52 • -9db
51% Popularity • 52% Danceability • 62% Energy • 51% Liveness
1% Instrumentalness • 60% Positiveness
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Otis Clay
Too Much Mystery
96 bpm • C Maj • 02:23 • -11.81db
18% Popularity • 67% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Charlie Whitehead
Between the Lines
97 bpm • C# Maj • 02:11 • -8.22db
28% Popularity • 68% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Jean Knight
You City Slicker
88 bpm • G# Maj • 02:52 • -12.31db
22% Popularity • 77% Danceability • 33% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
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Swamp Dogg
Wife Sitter
88 bpm • F Maj • 03:26 • -8.89db
9% Popularity • 68% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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Erma Franklin
Son Of A Preacher Man
97 bpm • A# Maj • 02:38 • -7.43db
20% Popularity • 53% Danceability • 72% Energy • 37% Liveness
0% Instrumentalness • 84% Positiveness
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Willie Hutch
I Can't Get Enough
97 bpm • A Maj • 02:52 • -5db
17% Popularity • 56% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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Mitty Collier
I'm Satisfied
97 bpm • C# Maj • 02:00 • -9.29db
32% Popularity • 68% Danceability • 52% Energy • 46% Liveness
0% Instrumentalness • 78% Positiveness
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Barbara Lynn
Can't Buy My Love
97 bpm • G Maj • 01:55 • -7.02db
18% Popularity • 68% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Bobbie Gentry
Touch 'Em With Love
97 bpm • A Maj • 02:05 • -11.55db
28% Popularity • 60% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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Jeanne & The Darlings
Soul Girl
97 bpm • C# Maj • 02:28 • -11.21db
28% Popularity • 74% Danceability • 49% Energy • 63% Liveness
0% Instrumentalness • 94% Positiveness
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James Carr
She's Better Than You
97 bpm • A# Maj • 02:22 • -6.84db
27% Popularity • 62% Danceability • 53% Energy • 11% Liveness
7% Instrumentalness • 64% Positiveness
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Candi Staton
Never In Public
97 bpm • C Maj • 02:25 • -15.28db
10% Popularity • 62% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Chuck Jackson
I Keep Forgettin'
97 bpm • F# min • 02:45 • -12.07db
19% Popularity • 82% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Irma Thomas
I Did My Part
87 bpm • G# Maj • 02:35 • -7.1db
13% Popularity • 69% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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James Brown & The Famous Flames
I Don't Mind
97 bpm • C Maj • 02:43 • -17.55db
31% Popularity • 72% Danceability • 20% Energy • 14% Liveness
23% Instrumentalness • 68% Positiveness
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Doris Duke
Feet Start Walking
97 bpm • F Maj • 02:27 • -11.88db
10% Popularity • 54% Danceability • 38% Energy • 43% Liveness
0% Instrumentalness • 78% Positiveness
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The Marvelettes
Here I Am Baby
97 bpm • C Maj • 02:49 • -8.32db
32% Popularity • 66% Danceability • 65% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
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Bessie Banks
Go Now
98 bpm • F min • 02:36 • -10.96db
31% Popularity • 52% Danceability • 32% Energy • 41% Liveness
0% Instrumentalness • 38% Positiveness
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King Floyd
Hard to Handle
98 bpm • D# Maj • 02:25 • -8db
30% Popularity • 73% Danceability • 69% Energy • 47% Liveness
0% Instrumentalness • 96% Positiveness
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Irma Thomas
Fancy
97 bpm • C# Maj • 04:44 • -5.66db
15% Popularity • 64% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Lee Dorsey
Can You Hear Me
98 bpm • G# Maj • 02:13 • -9.69db
25% Popularity • 84% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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Johnny Adams
Georgia Morning Dew
87 bpm • D Maj • 03:17 • -11.17db
34% Popularity • 53% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
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Don Covay
The Usual Place
98 bpm • A Maj • 02:08 • -10.22db
21% Popularity • 48% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Allen Toussaint
Worldwide - Remastered Version
98 bpm • A min • 02:42 • -9.95db
36% Popularity • 81% Danceability • 52% Energy • 9% Liveness
4% Instrumentalness • 96% Positiveness
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Arthur Conley
Take a Step
98 bpm • F# min • 02:14 • -9.21db
19% Popularity • 71% Danceability • 41% Energy • 37% Liveness
0% Instrumentalness • 73% Positiveness
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Maxine Brown
Oh No Not My Baby
99 bpm • G# Maj • 02:37 • -12.52db
37% Popularity • 58% Danceability • 34% Energy • 51% Liveness
0% Instrumentalness • 74% Positiveness
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Irma Thomas
Sufferin' With The Blues
99 bpm • F Maj • 02:20 • -14.01db
26% Popularity • 60% Danceability • 39% Energy • 29% Liveness
0% Instrumentalness • 52% Positiveness
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Johnny Adams
Real Live Living Hurtin' Man
86 bpm • E Maj • 03:09 • -12.01db
16% Popularity • 59% Danceability • 50% Energy • 30% Liveness
3% Instrumentalness • 75% Positiveness
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Baby Washington
That's How Heartaches Are Made
99 bpm • C# min • 02:41 • -11.22db
32% Popularity • 54% Danceability • 43% Energy • 26% Liveness
0% Instrumentalness • 48% Positiveness
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Allen Toussaint
Here Comes The Girls - Remastered
99 bpm • C# Maj • 03:10 • -7.71db
36% Popularity • 79% Danceability • 63% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Jean Knight
Carry On
99 bpm • D min • 02:53 • -11.56db
20% Popularity • 78% Danceability • 65% Energy • 14% Liveness
4% Instrumentalness • 92% Positiveness
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Eddie Bo
The Hook & Sling - Vocal Mix
99 bpm • G# Maj • 03:40 • -10.76db
25% Popularity • 76% Danceability • 85% Energy • 19% Liveness
1% Instrumentalness • 96% Positiveness
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The Rollers
Knockin' at the Wrong Door
85 bpm • F min • 02:12 • -8db
24% Popularity • 68% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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Johnny Adams
A Losing Battle
86 bpm • A# Maj • 02:50 • -13db
14% Popularity • 54% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Little Ann
One Way Street
99 bpm • D min • 02:26 • -9.38db
18% Popularity • 65% Danceability • 65% Energy • 36% Liveness
0% Instrumentalness • 80% Positiveness
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Lee Dorsey
Get out of My Life, Woman
85 bpm • B Maj • 03:10 • -13db
29% Popularity • 71% Danceability • 43% Energy • 9% Liveness
5% Instrumentalness • 70% Positiveness
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Mary Love
Born to Live with Heartache
99 bpm • G min • 03:02 • -5db
12% Popularity • 61% Danceability • 59% Energy • 65% Liveness
1% Instrumentalness • 68% Positiveness
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James Carr
Loveable Girl
99 bpm • G min • 02:23 • -8.05db
24% Popularity • 56% Danceability • 51% Energy • 25% Liveness
0% Instrumentalness • 62% Positiveness
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Eddie Floyd
Raise Your Hand
100 bpm • A Maj • 02:23 • -16.75db
22% Popularity • 71% Danceability • 25% Energy • 24% Liveness
0% Instrumentalness • 93% Positiveness
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Barbara & The Browns
Can't Find No Happiness
85 bpm • C min • 02:17 • -9.85db
14% Popularity • 51% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Marlena Shaw
Stormy Monday
100 bpm • F Maj • 03:02 • -13.37db
28% Popularity • 57% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Willie Mitchell
Prayer Meetin'
100 bpm • F# Maj • 02:14 • -8.52db
31% Popularity • 74% Danceability • 51% Energy • 9% Liveness
86% Instrumentalness • 79% Positiveness
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Maxine Brown
Hold on I'm Coming
100 bpm • F Maj • 02:49 • -11.49db
29% Popularity • 58% Danceability • 49% Energy • 48% Liveness
0% Instrumentalness • 70% Positiveness
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In Between Tears