Songs like In Her Heart - From "Brave"/Score by Patrick Doyle
Based on a tempo of (+/- 10%) and a similar genre
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Patrick Doyle
In Her Heart
123 bpm • A# Maj • 02:36 • -26.73db
32% Popularity • 26% Danceability • 3% Energy • 9% Liveness
24% Instrumentalness • 4% Positiveness
32% Popularity • 26% Danceability • 3% Energy • 9% Liveness
24% Instrumentalness • 4% Positiveness
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John Powell
See You Tomorrow
123 bpm • G Maj • 03:53 • -10db
50% Popularity • 43% Danceability • 58% Energy • 12% Liveness
85% Instrumentalness • 22% Positiveness
50% Popularity • 43% Danceability • 58% Energy • 12% Liveness
85% Instrumentalness • 22% Positiveness
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Zbigniew Preisner
Entering The Garden
124 bpm • F Maj • 01:00 • -19db
38% Popularity • 40% Danceability • 5% Energy • 12% Liveness
90% Instrumentalness • 20% Positiveness
38% Popularity • 40% Danceability • 5% Energy • 12% Liveness
90% Instrumentalness • 20% Positiveness
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William Ross
We'll Be #1
122 bpm • A# Maj • 01:52 • -22db
38% Popularity • 34% Danceability • 8% Energy • 13% Liveness
91% Instrumentalness • 6% Positiveness
38% Popularity • 34% Danceability • 8% Energy • 13% Liveness
91% Instrumentalness • 6% Positiveness
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John Debney
Mia Invites Lilly To The Ball - Score
122 bpm • A Maj • 01:08 • -32db
49% Popularity • 25% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
49% Popularity • 25% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
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Christian Henson
Maria's Room
122 bpm • B Maj • 01:30 • -21.13db
50% Popularity • 17% Danceability • 20% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
50% Popularity • 17% Danceability • 20% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Henry Mancini
The Great Mouse Detective
122 bpm • F Maj • 03:32 • -21db
27% Popularity • 48% Danceability • 13% Energy • 6% Liveness
85% Instrumentalness • 18% Positiveness
27% Popularity • 48% Danceability • 13% Energy • 6% Liveness
85% Instrumentalness • 18% Positiveness
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George Bruns
Magical House Cleaning / Blue or Pink
122 bpm • F min • 02:47 • -15db
42% Popularity • 48% Danceability • 29% Energy • 18% Liveness
40% Instrumentalness • 42% Positiveness
42% Popularity • 48% Danceability • 29% Energy • 18% Liveness
40% Instrumentalness • 42% Positiveness
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Patrick Doyle
The Story Continues
124 bpm • C Maj • 01:29 • -16.32db
44% Popularity • 23% Danceability • 29% Energy • 49% Liveness
93% Instrumentalness • 12% Positiveness
44% Popularity • 23% Danceability • 29% Energy • 49% Liveness
93% Instrumentalness • 12% Positiveness
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Rupert Gregson-Williams
The Sunny Vista Motel - Score
125 bpm • C Maj • 04:15 • -17.94db
15% Popularity • 27% Danceability • 18% Energy • 34% Liveness
78% Instrumentalness • 6% Positiveness
15% Popularity • 27% Danceability • 18% Energy • 34% Liveness
78% Instrumentalness • 6% Positiveness
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Daniel Pemberton
The Game Is Afoot
125 bpm • D Maj • 01:52 • -16.72db
29% Popularity • 56% Danceability • 37% Energy • 9% Liveness
96% Instrumentalness • 78% Positiveness
29% Popularity • 56% Danceability • 37% Energy • 9% Liveness
96% Instrumentalness • 78% Positiveness
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Christopher Willis
Adventures of a London Gentleman
125 bpm • E Maj • 03:49 • -12.79db
32% Popularity • 27% Danceability • 27% Energy • 20% Liveness
82% Instrumentalness • 15% Positiveness
32% Popularity • 27% Danceability • 27% Energy • 20% Liveness
82% Instrumentalness • 15% Positiveness
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Emma Thompson
Noble Maiden Fair (A Mhaighdean Bhan Uas...
125 bpm • B min • 02:36 • -23.9db
52% Popularity • 29% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
52% Popularity • 29% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
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William Ross
Main Title / Prologue
126 bpm • E min • 02:38 • -22db
23% Popularity • 49% Danceability • 14% Energy • 7% Liveness
83% Instrumentalness • 35% Positiveness
23% Popularity • 49% Danceability • 14% Energy • 7% Liveness
83% Instrumentalness • 35% Positiveness
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Patrick Doyle
Midnight Tiptoe
121 bpm • C# Maj • 01:13 • -27.84db
13% Popularity • 72% Danceability • 6% Energy • 14% Liveness
88% Instrumentalness • 22% Positiveness
13% Popularity • 72% Danceability • 6% Energy • 14% Liveness
88% Instrumentalness • 22% Positiveness
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Isobel Waller-Bridge
Frank Churchill Arrives At Hartfield
126 bpm • A# Maj • 01:42 • -19.88db
33% Popularity • 41% Danceability • 11% Energy • 17% Liveness
86% Instrumentalness • 25% Positiveness
33% Popularity • 41% Danceability • 11% Energy • 17% Liveness
86% Instrumentalness • 25% Positiveness
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George Bruns
Forbidden Mountain
126 bpm • F Maj • 02:51 • -16.53db
18% Popularity • 40% Danceability • 20% Energy • 15% Liveness
86% Instrumentalness • 8% Positiveness
18% Popularity • 40% Danceability • 20% Energy • 15% Liveness
86% Instrumentalness • 8% Positiveness
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Samuel Sim
The Ship's Cook
120 bpm • G min • 02:26 • -16.98db
25% Popularity • 72% Danceability • 26% Energy • 17% Liveness
58% Instrumentalness • 44% Positiveness
25% Popularity • 72% Danceability • 26% Energy • 17% Liveness
58% Instrumentalness • 44% Positiveness
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Trevor Rabin
Page 47
120 bpm • D min • 02:39 • -11.81db
46% Popularity • 23% Danceability • 34% Energy • 33% Liveness
36% Instrumentalness • 7% Positiveness
46% Popularity • 23% Danceability • 34% Energy • 33% Liveness
36% Instrumentalness • 7% Positiveness
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Germaine Franco
Abre Los Ojos
120 bpm • C min • 03:16 • -16.38db
52% Popularity • 24% Danceability • 11% Energy • 13% Liveness
93% Instrumentalness • 6% Positiveness
52% Popularity • 24% Danceability • 11% Energy • 13% Liveness
93% Instrumentalness • 6% Positiveness
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Patrick Doyle
Song Of Mor'du
121 bpm • G Maj • 02:17 • -8.79db
27% Popularity • 56% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
27% Popularity • 56% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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Guy Farley
Family
120 bpm • A min • 01:47 • -17.68db
49% Popularity • 40% Danceability • 15% Energy • 7% Liveness
94% Instrumentalness • 5% Positiveness
49% Popularity • 40% Danceability • 15% Energy • 7% Liveness
94% Instrumentalness • 5% Positiveness
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George Bruns
The Archery Affair
120 bpm • G Maj • 01:53 • -9db
42% Popularity • 74% Danceability • 39% Energy • 18% Liveness
87% Instrumentalness • 64% Positiveness
42% Popularity • 74% Danceability • 39% Energy • 18% Liveness
87% Instrumentalness • 64% Positiveness
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Klaus Badelt
Where The Ghosts Are
126 bpm • G min • 01:37 • -27db
28% Popularity • 17% Danceability • 10% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
28% Popularity • 17% Danceability • 10% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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The Cast of 101 Dalmatians
Puppies Everywhere - Original
120 bpm • D# Maj • 02:02 • -12db
25% Popularity • 56% Danceability • 34% Energy • 10% Liveness
12% Instrumentalness • 43% Positiveness
25% Popularity • 56% Danceability • 34% Energy • 10% Liveness
12% Instrumentalness • 43% Positiveness
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Ofra Haza
Cry
120 bpm • D# min • 03:50 • -30.72db
38% Popularity • 17% Danceability • 2% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
38% Popularity • 17% Danceability • 2% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
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Patrick Doyle
Bees And Cakes
126 bpm • G# Maj • 03:45 • -11db
15% Popularity • 41% Danceability • 35% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
15% Popularity • 41% Danceability • 35% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Samuel Sim
Cliff Tops
127 bpm • F Maj • 01:43 • -17.14db
24% Popularity • 27% Danceability • 16% Energy • 12% Liveness
93% Instrumentalness • 10% Positiveness
24% Popularity • 27% Danceability • 16% Energy • 12% Liveness
93% Instrumentalness • 10% Positiveness
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George Bruns
A Cottage in the Woods
120 bpm • G# Maj • 03:27 • -20db
33% Popularity • 57% Danceability • 7% Energy • 14% Liveness
60% Instrumentalness • 20% Positiveness
33% Popularity • 57% Danceability • 7% Energy • 14% Liveness
60% Instrumentalness • 20% Positiveness
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Mychael Danna
Run With the Herd
120 bpm • D Maj • 03:51 • -13.9db
27% Popularity • 24% Danceability • 30% Energy • 8% Liveness
87% Instrumentalness • 17% Positiveness
27% Popularity • 24% Danceability • 30% Energy • 8% Liveness
87% Instrumentalness • 17% Positiveness
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Joel McNeely
Fairy Dusted Festival
119 bpm • D# Maj • 02:59 • -7db
32% Popularity • 24% Danceability • 43% Energy • 19% Liveness
94% Instrumentalness • 9% Positiveness
32% Popularity • 24% Danceability • 43% Energy • 19% Liveness
94% Instrumentalness • 9% Positiveness
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Peter Breiner
Miss Stacey's Jig
119 bpm • D Maj • 01:29 • -13.52db
20% Popularity • 42% Danceability • 7% Energy • 10% Liveness
71% Instrumentalness • 36% Positiveness
20% Popularity • 42% Danceability • 7% Energy • 10% Liveness
71% Instrumentalness • 36% Positiveness
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David Newman
Giving Back The Baby
119 bpm • E min • 06:26 • -14db
32% Popularity • 22% Danceability • 18% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
32% Popularity • 22% Danceability • 18% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Trevor Rabin
Bunnies
119 bpm • E min • 02:02 • -13.78db
17% Popularity • 72% Danceability • 47% Energy • 9% Liveness
68% Instrumentalness • 73% Positiveness
17% Popularity • 72% Danceability • 47% Energy • 9% Liveness
68% Instrumentalness • 73% Positiveness
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Patrick Doyle
The Witch's Cottage
119 bpm • C# min • 04:26 • -20.93db
30% Popularity • 27% Danceability • 9% Energy • 7% Liveness
77% Instrumentalness • 3% Positiveness
30% Popularity • 27% Danceability • 9% Energy • 7% Liveness
77% Instrumentalness • 3% Positiveness
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Rob Lane
Lancelot's Heroism
127 bpm • D min • 03:04 • -14.88db
23% Popularity • 18% Danceability • 35% Energy • 18% Liveness
82% Instrumentalness • 4% Positiveness
23% Popularity • 18% Danceability • 35% Energy • 18% Liveness
82% Instrumentalness • 4% Positiveness
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Rohan Stevenson
Merlin and Morgana Duel
119 bpm • C# min • 03:09 • -16.06db
13% Popularity • 26% Danceability • 43% Energy • 36% Liveness
82% Instrumentalness • 7% Positiveness
13% Popularity • 26% Danceability • 43% Energy • 36% Liveness
82% Instrumentalness • 7% Positiveness
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Joseph Trapanese
Welcome to the Family
128 bpm • C Maj • 02:58 • -24db
22% Popularity • 18% Danceability • 7% Energy • 8% Liveness
46% Instrumentalness • 4% Positiveness
22% Popularity • 18% Danceability • 7% Energy • 8% Liveness
46% Instrumentalness • 4% Positiveness
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Christian Henson
Into the Book
128 bpm • D# Maj • 03:45 • -21.11db
27% Popularity • 17% Danceability • 12% Energy • 6% Liveness
73% Instrumentalness • 4% Positiveness
27% Popularity • 17% Danceability • 12% Energy • 6% Liveness
73% Instrumentalness • 4% Positiveness
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Trevor Rabin
Ben
119 bpm • C Maj • 04:03 • -18.05db
42% Popularity • 17% Danceability • 15% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
42% Popularity • 17% Danceability • 15% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
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Patrick Doyle
The Games
128 bpm • G Maj • 01:53 • -10.41db
39% Popularity • 43% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
39% Popularity • 43% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
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Isobel Waller-Bridge
Emma Suite
119 bpm • C Maj • 06:07 • -14.99db
45% Popularity • 32% Danceability • 19% Energy • 9% Liveness
58% Instrumentalness • 14% Positiveness
45% Popularity • 32% Danceability • 19% Energy • 9% Liveness
58% Instrumentalness • 14% Positiveness
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Samuel Sim
Emma Woodhouse Was Born
128 bpm • G min • 03:33 • -18.78db
27% Popularity • 30% Danceability • 13% Energy • 15% Liveness
90% Instrumentalness • 6% Positiveness
27% Popularity • 30% Danceability • 13% Energy • 15% Liveness
90% Instrumentalness • 6% Positiveness
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David Newman
Baby Walks
118 bpm • G Maj • 01:34 • -14db
38% Popularity • 20% Danceability • 30% Energy • 11% Liveness
45% Instrumentalness • 9% Positiveness
38% Popularity • 20% Danceability • 30% Energy • 11% Liveness
45% Instrumentalness • 9% Positiveness
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Klaus Badelt
Godspeed
118 bpm • A min • 05:19 • -14db
43% Popularity • 22% Danceability • 14% Energy • 8% Liveness
31% Instrumentalness • 12% Positiveness
43% Popularity • 22% Danceability • 14% Energy • 8% Liveness
31% Instrumentalness • 12% Positiveness
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Trevor Rabin
City of Gold
118 bpm • G Maj • 02:13 • -11db
33% Popularity • 18% Danceability • 30% Energy • 19% Liveness
95% Instrumentalness • 4% Positiveness
33% Popularity • 18% Danceability • 30% Energy • 19% Liveness
95% Instrumentalness • 4% Positiveness
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Mark Mancina
The Gorillas
117 bpm • C# Maj • 04:28 • -10.45db
30% Popularity • 30% Danceability • 41% Energy • 10% Liveness
72% Instrumentalness • 4% Positiveness
30% Popularity • 30% Danceability • 41% Energy • 10% Liveness
72% Instrumentalness • 4% Positiveness
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Trevor Jones
Dinotopia Main Theme
116 bpm • D Maj • 03:25 • -16db
35% Popularity • 17% Danceability • 22% Energy • 15% Liveness
95% Instrumentalness • 4% Positiveness
35% Popularity • 17% Danceability • 22% Energy • 15% Liveness
95% Instrumentalness • 4% Positiveness
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Jerry Goldsmith
Giza Port
130 bpm • C# Maj • 01:58 • -31.08db
37% Popularity • 31% Danceability • 7% Energy • 11% Liveness
59% Instrumentalness • 9% Positiveness
37% Popularity • 31% Danceability • 7% Energy • 11% Liveness
59% Instrumentalness • 9% Positiveness
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David Newman
Tigers Going For Baby
130 bpm • G Maj • 03:12 • -10.4db
31% Popularity • 45% Danceability • 53% Energy • 12% Liveness
14% Instrumentalness • 12% Positiveness
31% Popularity • 45% Danceability • 53% Energy • 12% Liveness
14% Instrumentalness • 12% Positiveness
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Henry Jackman
A Big Strong Man in Need of Rescuing
131 bpm • C# Maj • 01:54 • -12db
24% Popularity • 25% Danceability • 28% Energy • 15% Liveness
80% Instrumentalness • 9% Positiveness
24% Popularity • 25% Danceability • 28% Energy • 15% Liveness
80% Instrumentalness • 9% Positiveness
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Anne Dudley
Daring to Hope
116 bpm • C# min • 01:38 • -18.26db
31% Popularity • 22% Danceability • 18% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
31% Popularity • 22% Danceability • 18% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
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Mychael Danna
Critter Problem
131 bpm • C# Maj • 01:04 • -19.58db
37% Popularity • 68% Danceability • 18% Energy • 9% Liveness
93% Instrumentalness • 49% Positiveness
37% Popularity • 68% Danceability • 18% Energy • 9% Liveness
93% Instrumentalness • 49% Positiveness
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Christian Henson
The Two Moon Princesses
115 bpm • F# min • 01:35 • -21db
40% Popularity • 21% Danceability • 5% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
40% Popularity • 21% Danceability • 5% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Jerry Goldsmith
A Useful Servant
116 bpm • E min • 01:18 • -20.58db
39% Popularity • 18% Danceability • 7% Energy • 15% Liveness
88% Instrumentalness • 3% Positiveness
39% Popularity • 18% Danceability • 7% Energy • 15% Liveness
88% Instrumentalness • 3% Positiveness
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Michael Giacchino
One Year Later
115 bpm • F Maj • 01:00 • -16.42db
38% Popularity • 50% Danceability • 10% Energy • 11% Liveness
84% Instrumentalness • 26% Positiveness
38% Popularity • 50% Danceability • 10% Energy • 11% Liveness
84% Instrumentalness • 26% Positiveness
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David Hirschfelder
Flight Home (The Guardian Theme)
115 bpm • C min • 03:51 • -11.47db
26% Popularity • 24% Danceability • 24% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
26% Popularity • 24% Danceability • 24% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
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John Powell
Dragon Battle
131 bpm • D Maj • 01:55 • -7.69db
47% Popularity • 29% Danceability • 53% Energy • 12% Liveness
89% Instrumentalness • 32% Positiveness
47% Popularity • 29% Danceability • 53% Energy • 12% Liveness
89% Instrumentalness • 32% Positiveness
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Mark Mancina
Te Fiti Restored
132 bpm • F# min • 01:03 • -8.78db
43% Popularity • 35% Danceability • 84% Energy • 8% Liveness
96% Instrumentalness • 8% Positiveness
43% Popularity • 35% Danceability • 84% Energy • 8% Liveness
96% Instrumentalness • 8% Positiveness
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Anders Soldh
Mulan (arr. A. Soldh): Mulan: I'll Make ...
115 bpm • G Maj • 03:03 • -17db
35% Popularity • 56% Danceability • 34% Energy • 12% Liveness
94% Instrumentalness • 44% Positiveness
35% Popularity • 56% Danceability • 34% Energy • 12% Liveness
94% Instrumentalness • 44% Positiveness
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John Debney
A New Hope
132 bpm • D# Maj • 01:46 • -25.95db
40% Popularity • 16% Danceability • 5% Energy • 8% Liveness
87% Instrumentalness • 9% Positiveness
40% Popularity • 16% Danceability • 5% Energy • 8% Liveness
87% Instrumentalness • 9% Positiveness
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Nicholas Hooper
Dumbledore's Foreboding
132 bpm • G# Maj • 01:18 • -35.14db
44% Popularity • 16% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 6% Positiveness
44% Popularity • 16% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 6% Positiveness
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BBC Scottish Symphony Orchestra
Mary Queen Of Scots
132 bpm • B min • 01:25 • -14.61db
50% Popularity • 16% Danceability • 18% Energy • 13% Liveness
81% Instrumentalness • 4% Positiveness
50% Popularity • 16% Danceability • 18% Energy • 13% Liveness
81% Instrumentalness • 4% Positiveness
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John Powell
Wounded
115 bpm • G Maj • 01:25 • -25.07db
43% Popularity • 17% Danceability • 15% Energy • 11% Liveness
79% Instrumentalness • 4% Positiveness
43% Popularity • 17% Danceability • 15% Energy • 11% Liveness
79% Instrumentalness • 4% Positiveness
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Mark Isham
Dolphin Dance
114 bpm • F Maj • 03:01 • -17.27db
11% Popularity • 22% Danceability • 24% Energy • 11% Liveness
97% Instrumentalness • 12% Positiveness
11% Popularity • 22% Danceability • 24% Energy • 11% Liveness
97% Instrumentalness • 12% Positiveness
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Joel McNeely
What If There Was Pink?
132 bpm • F Maj • 01:34 • -14.2db
35% Popularity • 25% Danceability • 20% Energy • 26% Liveness
70% Instrumentalness • 15% Positiveness
35% Popularity • 25% Danceability • 20% Energy • 26% Liveness
70% Instrumentalness • 15% Positiveness
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Patrick Doyle
Merida Rides Away
114 bpm • G min • 04:07 • -16.51db
33% Popularity • 17% Danceability • 19% Energy • 9% Liveness
79% Instrumentalness • 4% Positiveness
33% Popularity • 17% Danceability • 19% Energy • 9% Liveness
79% Instrumentalness • 4% Positiveness
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Lex de Azevedo, Larry Bastian, David Zippel, Larry Schwartz
Odette Flies/Derek Gallops
133 bpm • C# Maj • 01:44 • -22.19db
28% Popularity • 18% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
28% Popularity • 18% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Murray Gold
Little Amy
113 bpm • G Maj • 01:44 • -30.94db
31% Popularity • 21% Danceability • 3% Energy • 8% Liveness
43% Instrumentalness • 4% Positiveness
31% Popularity • 21% Danceability • 3% Energy • 8% Liveness
43% Instrumentalness • 4% Positiveness
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Thomas Newman
Finding Nemo
113 bpm • F Maj • 01:19 • -22.79db
53% Popularity • 20% Danceability • 9% Energy • 17% Liveness
98% Instrumentalness • 4% Positiveness
53% Popularity • 20% Danceability • 9% Energy • 17% Liveness
98% Instrumentalness • 4% Positiveness
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George Bruns
The Butler Sneak
113 bpm • A# Maj • 01:31 • -20db
38% Popularity • 57% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
38% Popularity • 57% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Joel McNeely
Zarina Visits Tink
114 bpm • F# min • 01:29 • -16.88db
35% Popularity • 30% Danceability • 19% Energy • 39% Liveness
43% Instrumentalness • 26% Positiveness
35% Popularity • 30% Danceability • 19% Energy • 39% Liveness
43% Instrumentalness • 26% Positiveness
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Rob Lane
Arthur Asked to Lead
134 bpm • G Maj • 01:26 • -21.24db
42% Popularity • 16% Danceability • 10% Energy • 15% Liveness
90% Instrumentalness • 3% Positiveness
42% Popularity • 16% Danceability • 10% Energy • 15% Liveness
90% Instrumentalness • 3% Positiveness
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Patrick Doyle
The Escape
114 bpm • G min • 02:58 • -15.71db
12% Popularity • 26% Danceability • 32% Energy • 10% Liveness
71% Instrumentalness • 12% Positiveness
12% Popularity • 26% Danceability • 32% Energy • 10% Liveness
71% Instrumentalness • 12% Positiveness
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Zbigniew Preisner
Colin Loves Mary
135 bpm • F# Maj • 00:55 • -21.03db
28% Popularity • 28% Danceability • 8% Energy • 35% Liveness
0% Instrumentalness • 6% Positiveness
28% Popularity • 28% Danceability • 8% Energy • 35% Liveness
0% Instrumentalness • 6% Positiveness
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Alan Menken
Transformation
113 bpm • F Maj • 05:49 • -17.07db
43% Popularity • 21% Danceability • 20% Energy • 7% Liveness
31% Instrumentalness • 7% Positiveness
43% Popularity • 21% Danceability • 20% Energy • 7% Liveness
31% Instrumentalness • 7% Positiveness
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Christian Henson
All's Well That End's Well
135 bpm • B Maj • 04:13 • -20.47db
24% Popularity • 20% Danceability • 9% Energy • 10% Liveness
71% Instrumentalness • 4% Positiveness
24% Popularity • 20% Danceability • 9% Energy • 10% Liveness
71% Instrumentalness • 4% Positiveness
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Howard Shore
There And Back Again
135 bpm • D Maj • 04:20 • -20.53db
36% Popularity • 21% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
36% Popularity • 21% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Regency Players
Sense and Sensibility [BBC 2008 Adaptat...
112 bpm • D Maj • 01:38 • -9.46db
24% Popularity • 22% Danceability • 46% Energy • 20% Liveness
94% Instrumentalness • 6% Positiveness
24% Popularity • 22% Danceability • 46% Energy • 20% Liveness
94% Instrumentalness • 6% Positiveness
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Patrick Doyle
I Am Merida
112 bpm • F Maj • 02:23 • -25.03db
36% Popularity • 28% Danceability • 3% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
36% Popularity • 28% Danceability • 3% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Anne Dudley
Kissing Town
135 bpm • F Maj • 02:16 • -24db
37% Popularity • 31% Danceability • 12% Energy • 12% Liveness
82% Instrumentalness • 20% Positiveness
37% Popularity • 31% Danceability • 12% Energy • 12% Liveness
82% Instrumentalness • 20% Positiveness
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Phil Collins
Tarzan (arr. A. Soldh): Tarzan: 2 Worlds...
111 bpm • D# Maj • 03:08 • -16.15db
33% Popularity • 56% Danceability • 45% Energy • 8% Liveness
95% Instrumentalness • 23% Positiveness
33% Popularity • 56% Danceability • 45% Energy • 8% Liveness
95% Instrumentalness • 23% Positiveness
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Christian Henson
The Moonacre Curse
136 bpm • D Maj • 03:08 • -19.6db
19% Popularity • 19% Danceability • 11% Energy • 10% Liveness
78% Instrumentalness • 8% Positiveness
19% Popularity • 19% Danceability • 11% Energy • 10% Liveness
78% Instrumentalness • 8% Positiveness
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Harald Kloser
Burning Books
111 bpm • E min • 01:42 • -27db
46% Popularity • 22% Danceability • 5% Energy • 11% Liveness
98% Instrumentalness • 3% Positiveness
46% Popularity • 22% Danceability • 5% Energy • 11% Liveness
98% Instrumentalness • 3% Positiveness
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The Chamber Orchestra Of London
Fashion
136 bpm • D Maj • 01:20 • -13.65db
43% Popularity • 17% Danceability • 30% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
43% Popularity • 17% Danceability • 30% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
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Howard Shore
An Unexpected Party - Extended Version
111 bpm • A min • 04:09 • -21.03db
41% Popularity • 37% Danceability • 3% Energy • 10% Liveness
68% Instrumentalness • 13% Positiveness
41% Popularity • 37% Danceability • 3% Energy • 10% Liveness
68% Instrumentalness • 13% Positiveness
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Michael Giacchino
Nomanisone Island/National Movers
111 bpm • G Maj • 04:20 • -13db
37% Popularity • 47% Danceability • 35% Energy • 11% Liveness
75% Instrumentalness • 32% Positiveness
37% Popularity • 47% Danceability • 35% Energy • 11% Liveness
75% Instrumentalness • 32% Positiveness
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Phil Collins
Brother Bear: On My Way (arr. for orches...
111 bpm • G Maj • 02:51 • -17.24db
37% Popularity • 52% Danceability • 31% Energy • 7% Liveness
82% Instrumentalness • 43% Positiveness
37% Popularity • 52% Danceability • 31% Energy • 7% Liveness
82% Instrumentalness • 43% Positiveness
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Nicholas Hooper
Ginny
111 bpm • E min • 01:30 • -27.74db
47% Popularity • 22% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
47% Popularity • 22% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
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William Ross
Dad's Advice
137 bpm • C# Maj • 01:57 • -27.71db
39% Popularity • 15% Danceability • 5% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
39% Popularity • 15% Danceability • 5% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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John Debney
The Princess Diaries Waltz - Score
137 bpm • A Maj • 02:09 • -18.08db
49% Popularity • 25% Danceability • 15% Energy • 12% Liveness
91% Instrumentalness • 15% Positiveness
49% Popularity • 25% Danceability • 15% Energy • 12% Liveness
91% Instrumentalness • 15% Positiveness
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Christian Henson
Opening Titles
137 bpm • G# Maj • 02:30 • -18.55db
35% Popularity • 16% Danceability • 20% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 20% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Michael Giacchino
Bundle of Joy
137 bpm • A min • 02:48 • -20.32db
64% Popularity • 31% Danceability • 8% Energy • 6% Liveness
49% Instrumentalness • 5% Positiveness
64% Popularity • 31% Danceability • 8% Energy • 6% Liveness
49% Instrumentalness • 5% Positiveness
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Trevor Rabin
So!
110 bpm • G Maj • 01:46 • -12.76db
26% Popularity • 44% Danceability • 32% Energy • 28% Liveness
75% Instrumentalness • 40% Positiveness
26% Popularity • 44% Danceability • 32% Energy • 28% Liveness
75% Instrumentalness • 40% Positiveness
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Nicholas Hooper
The Weasley Stomp
110 bpm • C Maj • 02:49 • -17.86db
42% Popularity • 53% Danceability • 30% Energy • 8% Liveness
92% Instrumentalness • 55% Positiveness
42% Popularity • 53% Danceability • 30% Energy • 8% Liveness
92% Instrumentalness • 55% Positiveness
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George Bruns
Battle with the Forces of Evil
137 bpm • F min • 05:11 • -11db
21% Popularity • 40% Danceability • 51% Energy • 18% Liveness
69% Instrumentalness • 17% Positiveness
21% Popularity • 40% Danceability • 51% Energy • 18% Liveness
69% Instrumentalness • 17% Positiveness
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Joel McNeely
Zarina the Alchemist
110 bpm • C Maj • 01:26 • -16.51db
31% Popularity • 41% Danceability • 18% Energy • 9% Liveness
49% Instrumentalness • 14% Positiveness
31% Popularity • 41% Danceability • 18% Energy • 9% Liveness
49% Instrumentalness • 14% Positiveness
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Patrick Doyle
Papa!
110 bpm • D Maj • 02:32 • -12.1db
18% Popularity • 26% Danceability • 23% Energy • 29% Liveness
94% Instrumentalness • 11% Positiveness
18% Popularity • 26% Danceability • 23% Energy • 29% Liveness
94% Instrumentalness • 11% Positiveness
