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In It
Songs like
In It
by
Jake Owen
Based on a tempo of (+/- 10%) and a similar genre
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Brett Young
The Ship And The Bottle
110 bpm • D# Maj • 04:29 • -8.78db
34% Popularity • 62% Danceability • 61% Energy • 12% Liveness
1% Instrumentalness • 34% Positiveness
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Eli Young Band
Where Were You
110 bpm • D Maj • 03:10 • -5db
37% Popularity • 60% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Jake Owen
In It
110 bpm • D Maj • 03:09 • -7.32db
33% Popularity • 60% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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The Washboard Union
She Gets Me
110 bpm • A Maj • 03:25 • -6db
31% Popularity • 72% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 61% Positiveness
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Alex Hall
Half Past You
110 bpm • G# Maj • 02:51 • -4db
28% Popularity • 66% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Randy Houser
No Good Place to Cry
110 bpm • A# Maj • 04:30 • -8.69db
23% Popularity • 62% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Brett Young
Reason To Stay
110 bpm • G# Maj • 03:10 • -5.65db
50% Popularity • 70% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Kameron Marlowe
Take You Up On It
111 bpm • D Maj • 03:32 • -3.14db
43% Popularity • 59% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
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Jake Owen
Alone With You
109 bpm • G Maj • 03:30 • -3.99db
51% Popularity • 65% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Granger Smith
You're In It (Acoustic)
112 bpm • G# min • 02:43 • -7.62db
23% Popularity • 85% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
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Jameson Rodgers
Girls That Smoke
112 bpm • D Maj • 03:36 • -4.68db
42% Popularity • 68% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
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James Barker Band
Slow Down Town
112 bpm • C# Maj • 03:26 • -5db
33% Popularity • 57% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 21% Positiveness
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Ryan Beaver
When This World Ends
112 bpm • D# min • 03:14 • -4.17db
31% Popularity • 64% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Brandon Lay
Still Rock & Roll
108 bpm • G# Maj • 03:47 • -5.09db
28% Popularity • 69% Danceability • 82% Energy • 29% Liveness
0% Instrumentalness • 65% Positiveness
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Jon Langston
When It Comes To Loving You
112 bpm • G Maj • 03:31 • -6.33db
47% Popularity • 69% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Granger Smith
You’re In It
112 bpm • B Maj • 03:16 • -5.45db
43% Popularity • 58% Danceability • 88% Energy • 38% Liveness
0% Instrumentalness • 59% Positiveness
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John King
Heat Wave
108 bpm • G Maj • 03:10 • -5.73db
19% Popularity • 60% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Old Dominion
Some People Do
113 bpm • A Maj • 03:16 • -9.46db
52% Popularity • 63% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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James Barker Band
Good Together
113 bpm • F Maj • 03:21 • -5.73db
42% Popularity • 64% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Dillon Carmichael
I Do For You
113 bpm • D Maj • 02:54 • -5.19db
36% Popularity • 66% Danceability • 66% Energy • 9% Liveness
2% Instrumentalness • 68% Positiveness
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LANCO
Old Camaro
113 bpm • B Maj • 03:07 • -4.58db
32% Popularity • 58% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Jameson Rodgers
Missing One
107 bpm • D Maj • 03:22 • -5db
35% Popularity • 59% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Jake Owen
Friends Don’t Let Friends
113 bpm • A# Maj • 02:53 • -5.34db
34% Popularity • 57% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Randy Houser
No Stone Unturned
107 bpm • B Maj • 04:21 • -6.01db
38% Popularity • 68% Danceability • 78% Energy • 12% Liveness
10% Instrumentalness • 37% Positiveness
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Chris Young
Where I Go When I Drink
114 bpm • C Maj • 03:30 • -10.58db
38% Popularity • 60% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Old Dominion
Stars in the City
114 bpm • G# Maj • 03:19 • -5.39db
49% Popularity • 66% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Easton Corbin
Somebody's Gotta Be Country
114 bpm • G# Maj • 03:02 • -2.81db
49% Popularity • 73% Danceability • 86% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
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Brandon Lay
Break Down On Me
114 bpm • D# Maj • 02:54 • -8.62db
39% Popularity • 68% Danceability • 53% Energy • 30% Liveness
0% Instrumentalness • 47% Positiveness
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Ryan Kinder
Still Believe in Crazy Love
106 bpm • G# Maj • 03:56 • -6.6db
35% Popularity • 57% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Kenny Chesney
Song for the Saints
106 bpm • C Maj • 03:38 • -9.47db
40% Popularity • 82% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Josh Gallagher
How Bout You
106 bpm • D Maj • 03:23 • -7.67db
19% Popularity • 59% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Jon Wolfe
Any Night in Texas
115 bpm • F Maj • 03:55 • -5db
34% Popularity • 64% Danceability • 77% Energy • 28% Liveness
0% Instrumentalness • 64% Positiveness
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Logan Mize
Bands Make Her Dance
105 bpm • B Maj • 03:43 • -5.71db
27% Popularity • 56% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 28% Positiveness
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Chris Janson
Done
105 bpm • A Maj • 03:40 • -3.38db
55% Popularity • 56% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Kane Brown
My Where I Come From
105 bpm • G# Maj • 03:02 • -5.73db
39% Popularity • 57% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Jake Owen
After Midnight
105 bpm • B Maj • 03:56 • -7db
25% Popularity • 65% Danceability • 74% Energy • 29% Liveness
0% Instrumentalness • 55% Positiveness
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Brett Young
Used To Missin’ You
105 bpm • F# Maj • 03:50 • -6.27db
38% Popularity • 68% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Florida Georgia Line
Confession - Acoustic
105 bpm • C# Maj • 03:04 • -6.88db
23% Popularity • 62% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Gary Allan
Waste Of A Whiskey Drink
105 bpm • A Maj • 03:24 • -6db
42% Popularity • 66% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Muscadine Bloodline
Boys
104 bpm • C Maj • 03:13 • -5.58db
40% Popularity • 62% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 44% Positiveness
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Walker McGuire
18 Forever
117 bpm • E Maj • 03:21 • -3.89db
23% Popularity • 62% Danceability • 91% Energy • 35% Liveness
0% Instrumentalness • 45% Positiveness
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Jake Owen
Don't Think I Can't Love You
116 bpm • A# Maj • 03:05 • -5.42db
41% Popularity • 44% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 20% Positiveness
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Dallas Smith
Sky Stays This Blue
117 bpm • D Maj • 02:52 • -4db
34% Popularity • 59% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Chad Brownlee
Back In The Game
117 bpm • B Maj • 03:03 • -4.46db
21% Popularity • 66% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Easton Corbin
Dance Real Slow
103 bpm • D# Maj • 03:43 • -5db
41% Popularity • 61% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Tyler Farr
Love by the Moon
118 bpm • A Maj • 02:41 • -3db
31% Popularity • 70% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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James Barker Band
It's Working
118 bpm • G Maj • 03:13 • -5db
40% Popularity • 67% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Brooks & Dunn
Lost and Found - with Tyler Booth
118 bpm • E Maj • 03:55 • -5.17db
39% Popularity • 62% Danceability • 84% Energy • 29% Liveness
0% Instrumentalness • 68% Positiveness
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Jameson Rodgers
Rehab
102 bpm • C# Maj • 02:50 • -5.09db
34% Popularity • 55% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Eli Young Band
Old Songs
118 bpm • G Maj • 03:39 • -6db
16% Popularity • 29% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
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Old Dominion
Nowhere Fast
102 bpm • G Maj • 03:08 • -7.31db
53% Popularity • 79% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Randy Houser
Evangeline
119 bpm • E Maj • 03:54 • -7.53db
25% Popularity • 61% Danceability • 45% Energy • 11% Liveness
1% Instrumentalness • 35% Positiveness
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Kip Moore
Good Thing
119 bpm • E Maj • 02:50 • -5.42db
34% Popularity • 81% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
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Mike Ryan
Sad Song
120 bpm • D Maj • 03:16 • -8db
30% Popularity • 67% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Scotty McCreery
Boys from Back Home
102 bpm • E Maj • 04:05 • -5.87db
32% Popularity • 57% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Brantley Gilbert
Fire & Brimstone
120 bpm • G# Maj • 05:22 • -6.15db
37% Popularity • 35% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Jessie James Decker
Almost Over You
101 bpm • G Maj • 03:31 • -3db
38% Popularity • 56% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Justin Moore
On The Rocks
101 bpm • F# Maj • 03:30 • -5.78db
35% Popularity • 52% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Kip Moore
Love You To The Moon
101 bpm • G Maj • 03:43 • -6db
39% Popularity • 74% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Jake Owen
The One That Got Away
120 bpm • C Maj • 03:14 • -3.29db
53% Popularity • 58% Danceability • 86% Energy • 25% Liveness
0% Instrumentalness • 54% Positiveness
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Florida Georgia Line
Talk You Out Of It - Acoustic
120 bpm • E Maj • 03:11 • -6.27db
35% Popularity • 69% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
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LANCO
Born to Love You - RISE Recording
120 bpm • G Maj • 03:31 • -7.89db
35% Popularity • 57% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Eli Young Band
Never Land
120 bpm • C Maj • 03:23 • -5db
34% Popularity • 56% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Granger Smith
That’s Why I Love Dirt Roads
120 bpm • F Maj • 03:39 • -5.74db
46% Popularity • 55% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Old Dominion
Hear You Now
120 bpm • G Maj • 04:21 • -5.91db
34% Popularity • 60% Danceability • 88% Energy • 19% Liveness
0% Instrumentalness • 55% Positiveness
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Kip Moore
It Ain't California
120 bpm • A# Maj • 04:13 • -5.05db
38% Popularity • 69% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Austin Burke
One Summer
120 bpm • G Maj • 03:50 • -4.43db
29% Popularity • 62% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 37% Positiveness
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Muscadine Bloodline
Movin' On
120 bpm • B Maj • 03:42 • -4.53db
41% Popularity • 58% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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Eli Young Band
Once
120 bpm • B min • 02:46 • -6.04db
17% Popularity • 61% Danceability • 79% Energy • 23% Liveness
0% Instrumentalness • 44% Positiveness
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Craig Campbell
I Bought It
121 bpm • D Maj • 02:44 • -6.22db
36% Popularity • 66% Danceability • 70% Energy • 34% Liveness
0% Instrumentalness • 42% Positiveness
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Granger Smith
Country Things
100 bpm • G Maj • 03:37 • -6.98db
37% Popularity • 59% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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Tim Hicks
What a Song Should Do
100 bpm • C Maj • 03:57 • -4.09db
37% Popularity • 54% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Logan Mize
I Ain't Gotta Grow Up
100 bpm • F# Maj • 02:55 • -4.23db
29% Popularity • 74% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 72% Positiveness
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Jake Owen
Subliminal Love
100 bpm • F Maj • 03:19 • -6.04db
15% Popularity • 64% Danceability • 61% Energy • 27% Liveness
0% Instrumentalness • 64% Positiveness
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Old Dominion
Midnight Mess Around
100 bpm • D# Maj • 03:55 • -5.79db
48% Popularity • 68% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Billy Currington
Bring It On Over
100 bpm • C Maj • 03:02 • -4.58db
46% Popularity • 70% Danceability • 76% Energy • 19% Liveness
0% Instrumentalness • 82% Positiveness
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Austin Burke
Slower
100 bpm • D Maj • 03:04 • -7.14db
27% Popularity • 70% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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LOCASH
It’s Only Midnight
100 bpm • A Maj • 02:54 • -4.83db
43% Popularity • 59% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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Florida Georgia Line
Dirt - Acoustic
122 bpm • D Maj • 03:44 • -5.02db
25% Popularity • 66% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Jake Owen
American Love
100 bpm • G Maj • 03:15 • -5.97db
30% Popularity • 57% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Scotty McCreery
In Between
122 bpm • B Maj • 03:41 • -5.4db
53% Popularity • 59% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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HIXTAPE
Redneck Tendencies (HARDY Trace Adkins, ...
122 bpm • E Maj • 02:52 • -5db
53% Popularity • 64% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Luke Bryan
Drinking Again
122 bpm • E Maj • 03:45 • -3.03db
38% Popularity • 68% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
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Randy Houser
What Leaving Looks Like
123 bpm • G Maj • 04:00 • -7.2db
19% Popularity • 63% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Filmore
Slower
99 bpm • B Maj • 02:52 • -4.54db
37% Popularity • 69% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
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Eric Church
Hell On The Heart
123 bpm • C Maj • 02:44 • -3.88db
58% Popularity • 64% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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Scotty McCreery
In Between - Acoustic
122 bpm • B Maj • 03:36 • -6.39db
25% Popularity • 70% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Devin Dawson
Asking For A Friend
123 bpm • E Maj • 03:59 • -8db
46% Popularity • 71% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Robert Counts
Backseat Driver
98 bpm • C# Maj • 04:22 • -6.73db
38% Popularity • 63% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Waterloo Revival
Like I Miss You
98 bpm • E Maj • 02:45 • -7db
22% Popularity • 66% Danceability • 61% Energy • 20% Liveness
0% Instrumentalness • 73% Positiveness
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Michael Ray
Drink One for Me
98 bpm • D# Maj • 03:28 • -6.13db
22% Popularity • 48% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Jordan Rager
Small Town Talkin'
98 bpm • G Maj • 02:51 • -3db
28% Popularity • 57% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 44% Positiveness
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Eli Young Band
Love Ain't
98 bpm • B Maj • 03:07 • -4.67db
64% Popularity • 60% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Ross Ellis
Ghosts
98 bpm • E Maj • 04:03 • -8.09db
32% Popularity • 61% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Kane Brown
Cold Spot
124 bpm • C Maj • 03:37 • -6.84db
32% Popularity • 66% Danceability • 48% Energy • 24% Liveness
0% Instrumentalness • 20% Positiveness
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Chad Brownlee
Money On You
124 bpm • G Maj • 03:17 • -5.34db
38% Popularity • 57% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Matthew McSwain
Still Fallin' for You
124 bpm • D# Maj • 02:48 • -8.69db
14% Popularity • 71% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
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High Valley
Single Man
124 bpm • C Maj • 03:26 • -4.63db
44% Popularity • 59% Danceability • 97% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Logan Mize
Thinking About You
124 bpm • C Maj • 03:27 • -6.65db
35% Popularity • 67% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Carly Pearce
Finish Your Sentences
124 bpm • D Maj • 02:49 • -4.7db
43% Popularity • 57% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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In It