Songs like In Jail by Justin Haigh
Based on a tempo of (+/- 10%) and a similar genre
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Austin Wahlert
All Night Cowgirls
110 bpm • G Maj • 02:31 • -6.85db
20% Popularity • 63% Danceability • 87% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
20% Popularity • 63% Danceability • 87% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
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Tim Culpepper
Sad Ole Country Song
110 bpm • E Maj • 03:38 • -5.46db
9% Popularity • 66% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
9% Popularity • 66% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
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Doug Supernaw
The Company I Keep
110 bpm • D# Maj • 03:10 • -9.48db
28% Popularity • 66% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
28% Popularity • 66% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Justin Haigh
In Jail
110 bpm • G Maj • 04:30 • -5.18db
12% Popularity • 65% Danceability • 61% Energy • 24% Liveness
0% Instrumentalness • 43% Positiveness
12% Popularity • 65% Danceability • 61% Energy • 24% Liveness
0% Instrumentalness • 43% Positiveness
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Hayden Haddock
She Don't Know It Yet
110 bpm • F Maj • 03:26 • -6.97db
18% Popularity • 66% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
18% Popularity • 66% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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DERYL DODD
That's How I Got To Memphis
110 bpm • F# Maj • 03:14 • -6.28db
28% Popularity • 70% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
28% Popularity • 70% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Kevin Moon
Straight Tequila Night
109 bpm • A# Maj • 02:46 • -5.95db
11% Popularity • 66% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
11% Popularity • 66% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
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Royal Wade Kimes
A Dyin' Breed
111 bpm • D# Maj • 03:12 • -9.77db
8% Popularity • 61% Danceability • 39% Energy • 13% Liveness
2% Instrumentalness • 49% Positiveness
8% Popularity • 61% Danceability • 39% Energy • 13% Liveness
2% Instrumentalness • 49% Positiveness
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Toby Keith
Just Another Sundown
109 bpm • D Maj • 02:47 • -11.41db
28% Popularity • 67% Danceability • 30% Energy • 13% Liveness
1% Instrumentalness • 31% Positiveness
28% Popularity • 67% Danceability • 30% Energy • 13% Liveness
1% Instrumentalness • 31% Positiveness
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Cameran Nelson
Shotgun
111 bpm • G Maj • 02:44 • -4.66db
15% Popularity • 59% Danceability • 92% Energy • 44% Liveness
0% Instrumentalness • 55% Positiveness
15% Popularity • 59% Danceability • 92% Energy • 44% Liveness
0% Instrumentalness • 55% Positiveness
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Brenn Hill
Meet Me In McCall
111 bpm • G Maj • 04:43 • -4.91db
9% Popularity • 57% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
9% Popularity • 57% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
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Tim Culpepper
When Misery Finds Company
109 bpm • F Maj • 03:42 • -4.97db
14% Popularity • 61% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
14% Popularity • 61% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
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Wade Hayes
She's Actin' Single (I'm Drinkin' Double...
109 bpm • F Maj • 03:34 • -9db
25% Popularity • 71% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
25% Popularity • 71% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Gethen Jenkins
Strength of a Woman
111 bpm • D Maj • 04:56 • -6.01db
11% Popularity • 32% Danceability • 54% Energy • 12% Liveness
5% Instrumentalness • 28% Positiveness
11% Popularity • 32% Danceability • 54% Energy • 12% Liveness
5% Instrumentalness • 28% Positiveness
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Brooks & Dunn
Johnny Cash Junkie (Buck Owens Freak)
112 bpm • F Maj • 02:58 • -4.74db
32% Popularity • 65% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
32% Popularity • 65% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
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Justin McBride
Everybody Loves a Cowboy
108 bpm • B Maj • 03:27 • -5.48db
23% Popularity • 70% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 65% Positiveness
23% Popularity • 70% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 65% Positiveness
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Jody Booth
I Feel a Jones Coming On
112 bpm • A Maj • 04:01 • -3.34db
14% Popularity • 63% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
14% Popularity • 63% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Colby Yates
Same Ol' Bull
112 bpm • C Maj • 03:12 • -7.79db
22% Popularity • 70% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
22% Popularity • 70% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
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Justin Haigh
People Like Me
112 bpm • F Maj • 03:41 • -4.41db
10% Popularity • 66% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
10% Popularity • 66% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Brenn Hill
Ridin' Them Colts
112 bpm • E Maj • 03:58 • -7.22db
18% Popularity • 63% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
18% Popularity • 63% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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George Dearborne
By George
113 bpm • F Maj • 03:47 • -6.21db
14% Popularity • 60% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 64% Positiveness
14% Popularity • 60% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 64% Positiveness
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Tim Culpepper
You Can't Say That Again
108 bpm • A Maj • 04:30 • -4.69db
7% Popularity • 61% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
7% Popularity • 61% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Matt Caldwell
What Cowboys Do
113 bpm • C min • 03:06 • -7.21db
11% Popularity • 66% Danceability • 74% Energy • 67% Liveness
0% Instrumentalness • 91% Positiveness
11% Popularity • 66% Danceability • 74% Energy • 67% Liveness
0% Instrumentalness • 91% Positiveness
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Toby Keith
Truck Drivin' Man - Live
107 bpm • G Maj • 04:04 • -5.44db
29% Popularity • 59% Danceability • 92% Energy • 72% Liveness
0% Instrumentalness • 68% Positiveness
29% Popularity • 59% Danceability • 92% Energy • 72% Liveness
0% Instrumentalness • 68% Positiveness
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Justin Haigh
He Calls Strangers Daddy
108 bpm • A Maj • 03:59 • -4.7db
1% Popularity • 59% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
1% Popularity • 59% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Dillon Carmichael
Hard on a Hangover
114 bpm • A Maj • 03:47 • -8.51db
21% Popularity • 53% Danceability • 72% Energy • 23% Liveness
2% Instrumentalness • 53% Positiveness
21% Popularity • 53% Danceability • 72% Energy • 23% Liveness
2% Instrumentalness • 53% Positiveness
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Brenn Hill
Hell On Yer Women
112 bpm • B Maj • 03:13 • -7.3db
29% Popularity • 70% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
29% Popularity • 70% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Jon Wolfe
It All Happened in a Honky Tonk
114 bpm • F# Maj • 03:46 • -4.64db
24% Popularity • 64% Danceability • 84% Energy • 37% Liveness
0% Instrumentalness • 70% Positiveness
24% Popularity • 64% Danceability • 84% Energy • 37% Liveness
0% Instrumentalness • 70% Positiveness
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Mark McKinney
Drink Too Much
114 bpm • E Maj • 04:44 • -5db
21% Popularity • 62% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
21% Popularity • 62% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
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Shane Owens
Hard Luck Girl
114 bpm • D Maj • 03:33 • -4.05db
9% Popularity • 68% Danceability • 71% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
9% Popularity • 68% Danceability • 71% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
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JB and the Moonshine Band
Beer For Breakfast
114 bpm • E Maj • 02:16 • -5.28db
33% Popularity • 68% Danceability • 95% Energy • 17% Liveness
0% Instrumentalness • 95% Positiveness
33% Popularity • 68% Danceability • 95% Energy • 17% Liveness
0% Instrumentalness • 95% Positiveness
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Jamie Richards
The Man in the Neon Moon
106 bpm • A min • 03:45 • -7db
25% Popularity • 62% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
25% Popularity • 62% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Toby Keith
She Ain't Hooked On Me No More
106 bpm • E Maj • 03:36 • -5.44db
35% Popularity • 68% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 51% Positiveness
35% Popularity • 68% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 51% Positiveness
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Daryle Singletary
Old Violin
106 bpm • A Maj • 03:29 • -9.15db
35% Popularity • 62% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
35% Popularity • 62% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
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Tim Culpepper
She Only Loves Me
106 bpm • C Maj • 04:05 • -5.36db
9% Popularity • 64% Danceability • 80% Energy • 29% Liveness
0% Instrumentalness • 51% Positiveness
9% Popularity • 64% Danceability • 80% Energy • 29% Liveness
0% Instrumentalness • 51% Positiveness
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Hank Williams, Jr.
All The Roads
106 bpm • B Maj • 03:08 • -6.35db
11% Popularity • 73% Danceability • 83% Energy • 23% Liveness
0% Instrumentalness • 82% Positiveness
11% Popularity • 73% Danceability • 83% Energy • 23% Liveness
0% Instrumentalness • 82% Positiveness
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Ken Mellons
Institute of Honky Tonks
115 bpm • F Maj • 03:02 • -7.92db
8% Popularity • 69% Danceability • 58% Energy • 34% Liveness
0% Instrumentalness • 79% Positiveness
8% Popularity • 69% Danceability • 58% Energy • 34% Liveness
0% Instrumentalness • 79% Positiveness
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John Slaughter
Stay for a While
115 bpm • F# Maj • 03:44 • -6.22db
16% Popularity • 65% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
16% Popularity • 65% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
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DERYL DODD
Friends Don't Drive Friends...
105 bpm • F Maj • 03:03 • -6.86db
13% Popularity • 64% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 59% Positiveness
13% Popularity • 64% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 59% Positiveness
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Will Banister
Turned Her on To Country
115 bpm • E Maj • 03:08 • -5.99db
19% Popularity • 61% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
19% Popularity • 61% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Tim Culpepper
Under the Influence
115 bpm • B Maj • 03:48 • -4.99db
12% Popularity • 69% Danceability • 74% Energy • 25% Liveness
0% Instrumentalness • 68% Positiveness
12% Popularity • 69% Danceability • 74% Energy • 25% Liveness
0% Instrumentalness • 68% Positiveness
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Justin Haigh
Melvin's Song - He'll Ride High Again
105 bpm • D Maj • 04:06 • -5.95db
0% Popularity • 60% Danceability • 74% Energy • 21% Liveness
0% Instrumentalness • 72% Positiveness
0% Popularity • 60% Danceability • 74% Energy • 21% Liveness
0% Instrumentalness • 72% Positiveness
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Ned LeDoux
Dance with Your Spurs On
105 bpm • G Maj • 02:47 • -5.53db
24% Popularity • 61% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 81% Positiveness
24% Popularity • 61% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 81% Positiveness
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Max Stalling
Long Way to Get
105 bpm • A Maj • 02:56 • -7.44db
20% Popularity • 66% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
20% Popularity • 66% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Toby Keith
Haggard, Hank & Her
105 bpm • D Maj • 03:20 • -7.08db
29% Popularity • 60% Danceability • 59% Energy • 27% Liveness
0% Instrumentalness • 40% Positiveness
29% Popularity • 60% Danceability • 59% Energy • 27% Liveness
0% Instrumentalness • 40% Positiveness
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Ronnie Dunn
Grown Damn Man
116 bpm • G# Maj • 03:55 • -5.47db
20% Popularity • 64% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
20% Popularity • 64% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
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Tim Culpepper
Drove Her Away
115 bpm • C Maj • 04:05 • -5.86db
13% Popularity • 66% Danceability • 78% Energy • 36% Liveness
0% Instrumentalness • 50% Positiveness
13% Popularity • 66% Danceability • 78% Energy • 36% Liveness
0% Instrumentalness • 50% Positiveness
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Justin McBride
Beer Drinkin' Songs
116 bpm • D# Maj • 03:42 • -4.48db
22% Popularity • 60% Danceability • 76% Energy • 35% Liveness
0% Instrumentalness • 75% Positiveness
22% Popularity • 60% Danceability • 76% Energy • 35% Liveness
0% Instrumentalness • 75% Positiveness
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Curtis Grimes
Drunk for That
116 bpm • A Maj • 03:32 • -4.02db
11% Popularity • 68% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 94% Positiveness
11% Popularity • 68% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 94% Positiveness
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Billy Yates
Better Every Beer
116 bpm • E Maj • 03:13 • -5.77db
14% Popularity • 67% Danceability • 91% Energy • 20% Liveness
0% Instrumentalness • 93% Positiveness
14% Popularity • 67% Danceability • 91% Energy • 20% Liveness
0% Instrumentalness • 93% Positiveness
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Brad Paisley
Flowers
104 bpm • G Maj • 03:49 • -7.3db
24% Popularity • 56% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
24% Popularity • 56% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Josh Grider
Summer and Sixteen
116 bpm • D# Maj • 03:36 • -5.03db
15% Popularity • 62% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 66% Positiveness
15% Popularity • 62% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 66% Positiveness
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Brenn Hill
Pickup Truck Café
104 bpm • E Maj • 03:42 • -5.97db
9% Popularity • 65% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
9% Popularity • 65% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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Justin McBride
Hair of the Dog
116 bpm • G Maj • 02:04 • -4.01db
30% Popularity • 65% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 83% Positiveness
30% Popularity • 65% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 83% Positiveness
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Kevin Moon
Roll Tide Roll
116 bpm • A# Maj • 02:51 • -12.35db
12% Popularity • 76% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
12% Popularity • 76% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Ned LeDoux
Johnson County War
104 bpm • A min • 04:43 • -6.99db
22% Popularity • 65% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
22% Popularity • 65% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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DERYL DODD
One Ride In Vegas
104 bpm • A# Maj • 04:10 • -7.21db
10% Popularity • 57% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
10% Popularity • 57% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
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Rhett Akins
That Ain't My Truck - Back Porch Acousti...
117 bpm • G Maj • 03:57 • -8.42db
24% Popularity • 72% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 46% Positiveness
24% Popularity • 72% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 46% Positiveness
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Shenandoah
Any Ole Stretch Of Blacktop
117 bpm • D# Maj • 03:47 • -11.41db
26% Popularity • 68% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
26% Popularity • 68% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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John Slaughter
Memories for Burnin'
117 bpm • B Maj • 03:37 • -6.16db
13% Popularity • 56% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
13% Popularity • 56% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Kevin Moon
'Til a Tear Become a Rose
104 bpm • F Maj • 03:31 • -8.03db
10% Popularity • 69% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
10% Popularity • 69% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
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John Michael Montgomery
Four Wheel Drive
103 bpm • A Maj • 02:36 • -7.57db
22% Popularity • 68% Danceability • 81% Energy • 23% Liveness
0% Instrumentalness • 75% Positiveness
22% Popularity • 68% Danceability • 81% Energy • 23% Liveness
0% Instrumentalness • 75% Positiveness
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Roger Creager
I Love You When I'm Drunk
117 bpm • G Maj • 03:28 • -4.9db
17% Popularity • 64% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
17% Popularity • 64% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Daryle Singletary
I'm Living up to Her Low Expectations
118 bpm • F Maj • 03:09 • -7.77db
25% Popularity • 68% Danceability • 69% Energy • 23% Liveness
0% Instrumentalness • 82% Positiveness
25% Popularity • 68% Danceability • 69% Energy • 23% Liveness
0% Instrumentalness • 82% Positiveness
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Randy Rogers
Hangin' out in Bars
118 bpm • E Maj • 04:10 • -4.26db
26% Popularity • 61% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 57% Positiveness
26% Popularity • 61% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 57% Positiveness
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Jamie Richards
Any Way You Want Me To
118 bpm • D Maj • 04:00 • -8.02db
15% Popularity • 62% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 37% Positiveness
15% Popularity • 62% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 37% Positiveness
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Chris Petersen
Cowboy Coming Home
118 bpm • C# Maj • 03:51 • -5.66db
27% Popularity • 65% Danceability • 77% Energy • 27% Liveness
0% Instrumentalness • 64% Positiveness
27% Popularity • 65% Danceability • 77% Energy • 27% Liveness
0% Instrumentalness • 64% Positiveness
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Weldon Henson
Hey, Bottle of Whiskey
118 bpm • A Maj • 02:48 • -8.96db
20% Popularity • 66% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
20% Popularity • 66% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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John Slaughter
Don't Drink My Whiskey
102 bpm • E Maj • 03:24 • -5db
13% Popularity • 56% Danceability • 85% Energy • 36% Liveness
0% Instrumentalness • 71% Positiveness
13% Popularity • 56% Danceability • 85% Energy • 36% Liveness
0% Instrumentalness • 71% Positiveness
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Daryle Singletary
What Am I Doing There
118 bpm • C# Maj • 03:49 • -9.92db
21% Popularity • 59% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
21% Popularity • 59% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Curtis Grimes
Put My Money on That
102 bpm • C min • 03:05 • -5db
32% Popularity • 66% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
32% Popularity • 66% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Eric Lee Beddingfield
The Gospel According to Jones
118 bpm • D Maj • 04:30 • -6.38db
18% Popularity • 49% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
18% Popularity • 49% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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Jackson Taylor & the Sinners
Make Up and Faded Blue Jeans
102 bpm • E Maj • 04:54 • -6.59db
19% Popularity • 71% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
19% Popularity • 71% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
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Jarrod Birmingham
Best I Can
102 bpm • E Maj • 04:21 • -6.87db
14% Popularity • 64% Danceability • 64% Energy • 9% Liveness
1% Instrumentalness • 78% Positiveness
14% Popularity • 64% Danceability • 64% Energy • 9% Liveness
1% Instrumentalness • 78% Positiveness
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Dustin Sonnier
She Can't Break It to My Heart
102 bpm • C Maj • 03:26 • -7.92db
11% Popularity • 64% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
11% Popularity • 64% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Daryle Singletary
We're Not Going to Hell for Having a Hel...
102 bpm • E Maj • 04:08 • -7db
11% Popularity • 53% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
11% Popularity • 53% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Randy Travis
Set 'Em Up Joe
119 bpm • C Maj • 02:31 • -8.97db
26% Popularity • 72% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
26% Popularity • 72% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Justin Haigh
Goodtimes
119 bpm • G Maj • 03:46 • -5.38db
1% Popularity • 61% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
1% Popularity • 61% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Michael Peterson
Laughin' All the Way to the Bank
102 bpm • C Maj • 03:01 • -6.78db
16% Popularity • 66% Danceability • 78% Energy • 24% Liveness
0% Instrumentalness • 79% Positiveness
16% Popularity • 66% Danceability • 78% Energy • 24% Liveness
0% Instrumentalness • 79% Positiveness
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Jarrod Birmingham
December Gone
119 bpm • G Maj • 04:00 • -6.64db
13% Popularity • 61% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 54% Positiveness
13% Popularity • 61% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 54% Positiveness
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Mickey Lamantia
First Last One
119 bpm • E Maj • 03:05 • -3.26db
31% Popularity • 72% Danceability • 89% Energy • 37% Liveness
0% Instrumentalness • 68% Positiveness
31% Popularity • 72% Danceability • 89% Energy • 37% Liveness
0% Instrumentalness • 68% Positiveness
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Shane Owens
Country Boy Can
119 bpm • G Maj • 03:05 • -7.4db
9% Popularity • 68% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
9% Popularity • 68% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
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Kevin Moon
The Storms of Life
119 bpm • D Maj • 02:46 • -7.29db
11% Popularity • 70% Danceability • 51% Energy • 8% Liveness
1% Instrumentalness • 68% Positiveness
11% Popularity • 70% Danceability • 51% Energy • 8% Liveness
1% Instrumentalness • 68% Positiveness
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David Adam Byrnes
Tequila Salt and Time
119 bpm • A# Maj • 03:36 • -5.54db
27% Popularity • 68% Danceability • 90% Energy • 33% Liveness
0% Instrumentalness • 84% Positiveness
27% Popularity • 68% Danceability • 90% Energy • 33% Liveness
0% Instrumentalness • 84% Positiveness
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Jackson Taylor & the Sinners
The Mirror
120 bpm • G Maj • 03:58 • -4.64db
16% Popularity • 62% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
16% Popularity • 62% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Toby Keith
Cold Beer Country
120 bpm • G Maj • 03:15 • -4.93db
25% Popularity • 65% Danceability • 74% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
25% Popularity • 65% Danceability • 74% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
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Justin Haigh
Rewind Time
120 bpm • G Maj • 03:25 • -4.63db
1% Popularity • 58% Danceability • 93% Energy • 14% Liveness
71% Instrumentalness • 84% Positiveness
1% Popularity • 58% Danceability • 93% Energy • 14% Liveness
71% Instrumentalness • 84% Positiveness
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Easton Corbin
Someday When I'm Old
120 bpm • D# Maj • 03:22 • -9.91db
26% Popularity • 67% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
26% Popularity • 67% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Craig Gerdes
Haggard Fan
101 bpm • D Maj • 03:44 • -7.14db
16% Popularity • 64% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 65% Positiveness
16% Popularity • 64% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 65% Positiveness
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Gethen Jenkins
Western Gold
101 bpm • D Maj • 04:02 • -5.16db
16% Popularity • 48% Danceability • 74% Energy • 6% Liveness
3% Instrumentalness • 32% Positiveness
16% Popularity • 48% Danceability • 74% Energy • 6% Liveness
3% Instrumentalness • 32% Positiveness
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Paul Bogart
Cowboy Ride
120 bpm • D Maj • 05:14 • -9.54db
10% Popularity • 45% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
10% Popularity • 45% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Daryle Singletary
Dim Lights, Thick Smoke (And Loud, Loud ...
120 bpm • E Maj • 03:58 • -7.99db
26% Popularity • 70% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
26% Popularity • 70% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Justin Haigh
Jack Daniels On Ice
120 bpm • C Maj • 02:36 • -4.65db
13% Popularity • 69% Danceability • 73% Energy • 31% Liveness
0% Instrumentalness • 49% Positiveness
13% Popularity • 69% Danceability • 73% Energy • 31% Liveness
0% Instrumentalness • 49% Positiveness
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Dillon Carmichael
Old Songs Like That
120 bpm • D Maj • 03:31 • -13db
34% Popularity • 57% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 22% Positiveness
34% Popularity • 57% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 22% Positiveness
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Josh Ward
Home Away From Home
120 bpm • F Maj • 02:56 • -5db
32% Popularity • 61% Danceability • 88% Energy • 24% Liveness
0% Instrumentalness • 51% Positiveness
32% Popularity • 61% Danceability • 88% Energy • 24% Liveness
0% Instrumentalness • 51% Positiveness
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Jon Wolfe
That Girl in Texas
120 bpm • C Maj • 04:07 • -3.92db
40% Popularity • 71% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
40% Popularity • 71% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Kevin Fowler
Hell Yeah, I Like Beer
120 bpm • A Maj • 03:27 • -3db
35% Popularity • 63% Danceability • 86% Energy • 26% Liveness
0% Instrumentalness • 81% Positiveness
35% Popularity • 63% Danceability • 86% Energy • 26% Liveness
0% Instrumentalness • 81% Positiveness
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Aaron Tippin
On This Side of Life
120 bpm • D Maj • 03:50 • -5.14db
23% Popularity • 68% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
23% Popularity • 68% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
