Songs like In monte Oliveti, IGM 4 by Giovanni Battista Martini
Based on a tempo of (+/- 10%) and a similar genre
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The Russian State Symphony Cappella
Amen, Alleluia
133 bpm • F Maj • 01:05 • -19.65db
32% Popularity • 21% Danceability • 28% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
32% Popularity • 21% Danceability • 28% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
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Ola Gjeilo
Evening Prayer
133 bpm • A Maj • 05:54 • -28.41db
23% Popularity • 16% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
23% Popularity • 16% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Thomas Morley
The Third Dirge Anthem: I Heard a Voice ...
133 bpm • G# min • 01:56 • -27.88db
35% Popularity • 16% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Pavel Chesnokov
Spaseniye sodelal yesi posrede zemli (Sa...
133 bpm • D Maj • 03:35 • -27db
32% Popularity • 16% Danceability • 2% Energy • 6% Liveness
61% Instrumentalness • 4% Positiveness
32% Popularity • 16% Danceability • 2% Energy • 6% Liveness
61% Instrumentalness • 4% Positiveness
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Giovanni Battista Martini
In monte Oliveti, IGM 4
133 bpm • G min • 01:34 • -27.54db
48% Popularity • 23% Danceability • 3% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
48% Popularity • 23% Danceability • 3% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
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Carl Orff
Mater et filia
133 bpm • F Maj • 01:06 • -25.63db
2% Popularity • 22% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
2% Popularity • 22% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
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Stephen Paulus
The Road Home
133 bpm • F Maj • 03:56 • -28.22db
43% Popularity • 20% Danceability • 5% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
43% Popularity • 20% Danceability • 5% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
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Manuel Machado
Dos estrellas le seguen. Romance – à ...
133 bpm • E min • 03:56 • -24db
17% Popularity • 23% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
17% Popularity • 23% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Henryk Górecki
Miserere, Op. 44: 8. Domine Deus noster ...
133 bpm • C Maj • 01:20 • -45.99db
32% Popularity • 16% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
32% Popularity • 16% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
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Ola Gjeilo
The Spheres
133 bpm • C# min • 04:51 • -35db
27% Popularity • 16% Danceability • 2% Energy • 6% Liveness
53% Instrumentalness • 3% Positiveness
27% Popularity • 16% Danceability • 2% Energy • 6% Liveness
53% Instrumentalness • 3% Positiveness
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Alessandro Constantini
Confitemini Domino, IAC 1
133 bpm • A min • 01:34 • -23.32db
23% Popularity • 26% Danceability • 9% Energy • 15% Liveness
86% Instrumentalness • 8% Positiveness
23% Popularity • 26% Danceability • 9% Energy • 15% Liveness
86% Instrumentalness • 8% Positiveness
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Karl Jenkins
Adiemus - Songs Of Sanctuary: Cantate Do...
133 bpm • A Maj • 02:40 • -19db
28% Popularity • 38% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
28% Popularity • 38% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Petrovics Emil
Hervadáskor
133 bpm • A min • 04:57 • -27.24db
0% Popularity • 19% Danceability • 5% Energy • 26% Liveness
3% Instrumentalness • 3% Positiveness
0% Popularity • 19% Danceability • 5% Energy • 26% Liveness
3% Instrumentalness • 3% Positiveness
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Philippe Rogier
Laboravi in gemitu meo
134 bpm • G Maj • 06:35 • -25.83db
27% Popularity • 17% Danceability • 9% Energy • 7% Liveness
10% Instrumentalness • 4% Positiveness
27% Popularity • 17% Danceability • 9% Energy • 7% Liveness
10% Instrumentalness • 4% Positiveness
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Sándor Szokolay
Ave Maria
132 bpm • G Maj • 03:16 • -24.31db
0% Popularity • 21% Danceability • 7% Energy • 6% Liveness
49% Instrumentalness • 3% Positiveness
0% Popularity • 21% Danceability • 7% Energy • 6% Liveness
49% Instrumentalness • 3% Positiveness
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The Russian State Symphony Cappella
Fervent Supplication
134 bpm • C Maj • 03:49 • -17.31db
23% Popularity • 16% Danceability • 23% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
23% Popularity • 16% Danceability • 23% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Jacobus Gallus
O sacrum convivium
133 bpm • C min • 02:43 • -22.67db
21% Popularity • 23% Danceability • 11% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
21% Popularity • 23% Danceability • 11% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Giovanni Battista Martini
Motet: I. Introduzione. Andante posato
132 bpm • C# Maj • 02:42 • -29.77db
1% Popularity • 33% Danceability • 6% Energy • 9% Liveness
2% Instrumentalness • 39% Positiveness
1% Popularity • 33% Danceability • 6% Energy • 9% Liveness
2% Instrumentalness • 39% Positiveness
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"Drevnerussky Rospev" Male Choir
Joy Of The Celestial Forces
134 bpm • G min • 01:22 • -32db
32% Popularity • 16% Danceability • 1% Energy • 10% Liveness
69% Instrumentalness • 4% Positiveness
32% Popularity • 16% Danceability • 1% Energy • 10% Liveness
69% Instrumentalness • 4% Positiveness
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Sjaella
Christ fuhr gen Himmel
134 bpm • E min • 02:17 • -24.65db
31% Popularity • 26% Danceability • 7% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
31% Popularity • 26% Danceability • 7% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
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Lajos Bárdos
Ave Maria
134 bpm • A Maj • 02:21 • -25.32db
1% Popularity • 19% Danceability • 4% Energy • 7% Liveness
16% Instrumentalness • 3% Positiveness
1% Popularity • 19% Danceability • 4% Energy • 7% Liveness
16% Instrumentalness • 3% Positiveness
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Dominican House of Studies
The Right Hand of the Lord
132 bpm • D# min • 01:00 • -19.51db
36% Popularity • 18% Danceability • 28% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
36% Popularity • 18% Danceability • 28% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
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György Orbán
O Maria
132 bpm • A min • 02:52 • -23.45db
0% Popularity • 22% Danceability • 5% Energy • 7% Liveness
60% Instrumentalness • 4% Positiveness
0% Popularity • 22% Danceability • 5% Energy • 7% Liveness
60% Instrumentalness • 4% Positiveness
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Choeur des Bénédictins de l'Abbaye Sainte-Anne de Kergonan
Messe de la toussaint : Introit gaudeamu...
134 bpm • F Maj • 02:46 • -31.08db
39% Popularity • 21% Danceability • 2% Energy • 12% Liveness
32% Instrumentalness • 5% Positiveness
39% Popularity • 21% Danceability • 2% Energy • 12% Liveness
32% Instrumentalness • 5% Positiveness
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Chamber Choir Versija
O Weisheit
131 bpm • A Maj • 02:17 • -19.36db
21% Popularity • 22% Danceability • 16% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
21% Popularity • 22% Danceability • 16% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
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Jacobus Gallus
Repleti sunt
134 bpm • F min • 01:58 • -20.77db
33% Popularity • 20% Danceability • 13% Energy • 7% Liveness
64% Instrumentalness • 9% Positiveness
33% Popularity • 20% Danceability • 13% Energy • 7% Liveness
64% Instrumentalness • 9% Positiveness
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Men's Choir of the Valaam ...
The Day Has Passed
135 bpm • G# min • 01:07 • -25db
29% Popularity • 16% Danceability • 15% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
29% Popularity • 16% Danceability • 15% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
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Probandi Benedittini Di San Giovanni In Parma
Sanctus Benedictus
135 bpm • F Maj • 01:31 • -20db
44% Popularity • 17% Danceability • 15% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
44% Popularity • 17% Danceability • 15% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
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The Benedictine Abbey of Saint Benôit-Du-Lac, Dom André Saint-Cyr
Memorare
131 bpm • F Maj • 02:00 • -28db
42% Popularity • 20% Danceability • 5% Energy • 10% Liveness
32% Instrumentalness • 6% Positiveness
42% Popularity • 20% Danceability • 5% Energy • 10% Liveness
32% Instrumentalness • 6% Positiveness
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Miklós Kocsár
Awaiting the Snow
135 bpm • A Maj • 03:18 • -21.12db
0% Popularity • 20% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
0% Popularity • 20% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
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Schola gregoriana mediolanensis
Missa cum jubilo - Kyrie
135 bpm • E min • 02:23 • -23.8db
28% Popularity • 18% Danceability • 9% Energy • 11% Liveness
80% Instrumentalness • 7% Positiveness
28% Popularity • 18% Danceability • 9% Energy • 11% Liveness
80% Instrumentalness • 7% Positiveness
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György Orbán
Ave Maria
135 bpm • G Maj • 01:41 • -23.22db
0% Popularity • 26% Danceability • 10% Energy • 8% Liveness
98% Instrumentalness • 13% Positiveness
0% Popularity • 26% Danceability • 10% Energy • 8% Liveness
98% Instrumentalness • 13% Positiveness
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St. Petersburg Optina Pustyn Male Choir
Steppe, Endless Steppe
131 bpm • A# Maj • 02:48 • -21.5db
25% Popularity • 18% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
25% Popularity • 18% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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James MacMillan
O Radiant Dawn
135 bpm • C min • 04:54 • -24.84db
23% Popularity • 18% Danceability • 7% Energy • 11% Liveness
28% Instrumentalness • 3% Positiveness
23% Popularity • 18% Danceability • 7% Energy • 11% Liveness
28% Instrumentalness • 3% Positiveness
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Pavel Chesnokov
Russian Orthodox Service, Op. 40: No. 2....
135 bpm • D# min • 03:40 • -20.83db
9% Popularity • 16% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 16% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Miklós Kocsár
Salve Regina - Live
131 bpm • F# Maj • 04:05 • -17.76db
1% Popularity • 26% Danceability • 69% Energy • 88% Liveness
78% Instrumentalness • 14% Positiveness
1% Popularity • 26% Danceability • 69% Energy • 88% Liveness
78% Instrumentalness • 14% Positiveness
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The Tallis Scholars
Allegri: Miserere - 01. Miserere Mei, De...
135 bpm • A# Maj • 01:12 • -27db
42% Popularity • 19% Danceability • 10% Energy • 16% Liveness
39% Instrumentalness • 3% Positiveness
42% Popularity • 19% Danceability • 10% Energy • 16% Liveness
39% Instrumentalness • 3% Positiveness
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James Whitbourn
Son of God Mass: Sanctus and Benedictus
131 bpm • F Maj • 03:00 • -21.5db
27% Popularity • 19% Danceability • 12% Energy • 6% Liveness
90% Instrumentalness • 4% Positiveness
27% Popularity • 19% Danceability • 12% Energy • 6% Liveness
90% Instrumentalness • 4% Positiveness
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Wierni
Credo In Unum Deum
131 bpm • D# Maj • 04:51 • -18.15db
30% Popularity • 25% Danceability • 20% Energy • 10% Liveness
9% Instrumentalness • 11% Positiveness
30% Popularity • 25% Danceability • 20% Energy • 10% Liveness
9% Instrumentalness • 11% Positiveness
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György Orbán
Daemon irrepit callidus
136 bpm • G min • 01:32 • -26.67db
4% Popularity • 33% Danceability • 1% Energy • 44% Liveness
20% Instrumentalness • 14% Positiveness
4% Popularity • 33% Danceability • 1% Energy • 44% Liveness
20% Instrumentalness • 14% Positiveness
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Pavel Chesnokov
Let My Prayer Arise
131 bpm • B min • 05:59 • -24.36db
35% Popularity • 18% Danceability • 10% Energy • 14% Liveness
29% Instrumentalness • 4% Positiveness
35% Popularity • 18% Danceability • 10% Energy • 14% Liveness
29% Instrumentalness • 4% Positiveness
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Sexteto Cantábile
O Bone Jesu (Fernando Moruja)
136 bpm • D# Maj • 00:54 • -20db
45% Popularity • 22% Danceability • 16% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
45% Popularity • 22% Danceability • 16% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
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Jacobus Gallus
Domine ad adjuvandum
136 bpm • D# Maj • 02:24 • -19db
30% Popularity • 23% Danceability • 14% Energy • 12% Liveness
70% Instrumentalness • 9% Positiveness
30% Popularity • 23% Danceability • 14% Energy • 12% Liveness
70% Instrumentalness • 9% Positiveness
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Lege Artis Chamber Choir
We Praise Thee, O God No. 2 in F Major
136 bpm • F# Maj • 01:14 • -36.33db
39% Popularity • 16% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
39% Popularity • 16% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Pro Musica
Nearer, My God To Thee
136 bpm • G Maj • 02:58 • -19.61db
4% Popularity • 15% Danceability • 18% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
4% Popularity • 15% Danceability • 18% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Probandi Benedittini Di San Giovanni In Parma
Ite, Missa Est
130 bpm • G Maj • 00:44 • -22.47db
43% Popularity • 24% Danceability • 20% Energy • 13% Liveness
95% Instrumentalness • 6% Positiveness
43% Popularity • 24% Danceability • 20% Energy • 13% Liveness
95% Instrumentalness • 6% Positiveness
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Jordi Savall
Mariam matrem Virginem
130 bpm • F Maj • 08:09 • -17.67db
20% Popularity • 24% Danceability • 18% Energy • 12% Liveness
2% Instrumentalness • 16% Positiveness
20% Popularity • 24% Danceability • 18% Energy • 12% Liveness
2% Instrumentalness • 16% Positiveness
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St. Petersburg Optina Pustyn Male Choir
Song of Cherubs: Izhe Kheruvimi (Cherubi...
130 bpm • A Maj • 04:43 • -20db
22% Popularity • 16% Danceability • 15% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
22% Popularity • 16% Danceability • 15% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
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Men's Choir of the Valaam Singing Culture Institute
Let My Prayer Be Set Forth in Thy Sight
136 bpm • A# min • 07:31 • -25.34db
24% Popularity • 16% Danceability • 7% Energy • 9% Liveness
3% Instrumentalness • 3% Positiveness
24% Popularity • 16% Danceability • 7% Energy • 9% Liveness
3% Instrumentalness • 3% Positiveness
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Nova Schola Gregoriana
Missa orbis factor - Agnus Dei
136 bpm • D# Maj • 01:20 • -21.64db
42% Popularity • 25% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
42% Popularity • 25% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Alexander Gretchaninov
Passion Week, Op. 58: I. Behold, the Bri...
130 bpm • C# min • 05:52 • -28db
13% Popularity • 16% Danceability • 9% Energy • 10% Liveness
80% Instrumentalness • 3% Positiveness
13% Popularity • 16% Danceability • 9% Energy • 10% Liveness
80% Instrumentalness • 3% Positiveness
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USSR Ministry of Culture Chamber Choir
Amen, And with thy spirit
136 bpm • C Maj • 01:16 • -28db
31% Popularity • 22% Danceability • 6% Energy • 18% Liveness
58% Instrumentalness • 3% Positiveness
31% Popularity • 22% Danceability • 6% Energy • 18% Liveness
58% Instrumentalness • 3% Positiveness
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Lajos Huszár
Ave Maria
130 bpm • F min • 03:40 • -27.69db
0% Popularity • 17% Danceability • 2% Energy • 9% Liveness
5% Instrumentalness • 3% Positiveness
0% Popularity • 17% Danceability • 2% Energy • 9% Liveness
5% Instrumentalness • 3% Positiveness
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The Male Choir of Valaam Singing Culture Institute
Nowadays Forces Heavenly
137 bpm • F min • 03:25 • -23db
20% Popularity • 16% Danceability • 15% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
20% Popularity • 16% Danceability • 15% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
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Ola Gjeilo
Ave Generosa
130 bpm • F min • 04:55 • -27.96db
18% Popularity • 17% Danceability • 8% Energy • 16% Liveness
70% Instrumentalness • 4% Positiveness
18% Popularity • 17% Danceability • 8% Energy • 16% Liveness
70% Instrumentalness • 4% Positiveness
► Preview
Henryk Górecki
Miserere, Op. 44: 11. Miserere nobis - L...
129 bpm • A min • 02:50 • -44db
29% Popularity • 16% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
29% Popularity • 16% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
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The Rose Ensemble
O Gloriosissimi Lux
129 bpm • C min • 06:09 • -26db
14% Popularity • 24% Danceability • 3% Energy • 7% Liveness
10% Instrumentalness • 4% Positiveness
14% Popularity • 24% Danceability • 3% Energy • 7% Liveness
10% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Tallis: Sancte Deus - 4. Quia Per Crucem...
137 bpm • A min • 01:26 • -23.78db
38% Popularity • 17% Danceability • 11% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
38% Popularity • 17% Danceability • 11% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
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Johannes Brahms
Ave Maria in F Major, Op. 12
129 bpm • F Maj • 03:59 • -23.32db
1% Popularity • 16% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
1% Popularity • 16% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
► Preview
Giovanni Pierluigi da Palestrina
Jesu! Rex admirabilis, IGP 27
129 bpm • D min • 01:45 • -25db
21% Popularity • 25% Danceability • 4% Energy • 6% Liveness
80% Instrumentalness • 5% Positiveness
21% Popularity • 25% Danceability • 4% Energy • 6% Liveness
80% Instrumentalness • 5% Positiveness
► Preview
Ola Gjeilo
Sacred Heart (Ubi Caritas III)
129 bpm • G# Maj • 05:09 • -26.68db
17% Popularity • 17% Danceability • 9% Energy • 17% Liveness
79% Instrumentalness • 4% Positiveness
17% Popularity • 17% Danceability • 9% Energy • 17% Liveness
79% Instrumentalness • 4% Positiveness
► Preview
Miklós Kocsár
Salve Regina
137 bpm • G Maj • 03:22 • -24.11db
2% Popularity • 17% Danceability • 4% Energy • 4% Liveness
26% Instrumentalness • 3% Positiveness
2% Popularity • 17% Danceability • 4% Energy • 4% Liveness
26% Instrumentalness • 3% Positiveness
► Preview
Healey Willan
Rise up, my love, my fair one, Op. 314
137 bpm • C# Maj • 02:22 • -37db
29% Popularity • 15% Danceability • 1% Energy • 7% Liveness
47% Instrumentalness • 3% Positiveness
29% Popularity • 15% Danceability • 1% Energy • 7% Liveness
47% Instrumentalness • 3% Positiveness
► Preview
Pavel Chesnokov
Salvation Is Created, Op. 25 No. 5
129 bpm • D Maj • 04:17 • -29.94db
34% Popularity • 16% Danceability • 2% Energy • 7% Liveness
51% Instrumentalness • 3% Positiveness
34% Popularity • 16% Danceability • 2% Energy • 7% Liveness
51% Instrumentalness • 3% Positiveness
► Preview
The Tallis Scholars
Tallis: Spem in Alium - 1. Spem in Alium
138 bpm • D Maj • 05:04 • -20db
34% Popularity • 15% Danceability • 14% Energy • 24% Liveness
0% Instrumentalness • 3% Positiveness
34% Popularity • 15% Danceability • 14% Energy • 24% Liveness
0% Instrumentalness • 3% Positiveness
► Preview
Benedict Sheehan
Liturgy of St. John Chrysostom: No. 4, O...
138 bpm • F min • 02:53 • -24db
18% Popularity • 17% Danceability • 11% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
18% Popularity • 17% Danceability • 11% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
► Preview
Giovanni Battista Martini
Missa pro defunctis: X. Libera me
138 bpm • B min • 03:28 • -17.68db
0% Popularity • 17% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
0% Popularity • 17% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Karl Jenkins
Stabat mater: Ave verum corpus
128 bpm • B Maj • 04:23 • -23db
22% Popularity • 18% Danceability • 10% Energy • 27% Liveness
53% Instrumentalness • 4% Positiveness
22% Popularity • 18% Danceability • 10% Energy • 27% Liveness
53% Instrumentalness • 4% Positiveness
► Preview
James Whitbourn
Son of God Mass: Gloria
138 bpm • D Maj • 03:45 • -20db
17% Popularity • 16% Danceability • 11% Energy • 15% Liveness
56% Instrumentalness • 4% Positiveness
17% Popularity • 16% Danceability • 11% Energy • 15% Liveness
56% Instrumentalness • 4% Positiveness
► Preview
Nova Schola Gregoriana
Missa cunctipotens genitor Deus - Agnus ...
138 bpm • G Maj • 01:16 • -22db
42% Popularity • 23% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
42% Popularity • 23% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Léonin
Viderunt omnes No. 1: ...Dominus...
128 bpm • C# Maj • 01:34 • -19.79db
28% Popularity • 23% Danceability • 18% Energy • 25% Liveness
0% Instrumentalness • 4% Positiveness
28% Popularity • 23% Danceability • 18% Energy • 25% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
128 bpm • F# Maj • 01:42 • -24.88db
29% Popularity • 20% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
29% Popularity • 20% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
► Preview
Giovanni Battista Martini
Missa pro defunctis: VIII. Agnus Dei
138 bpm • G# min • 01:51 • -19.76db
0% Popularity • 16% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
0% Popularity • 16% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
St. Petersburg Optina Pustyn Male Choir
The Waves are Sleepy
138 bpm • G# Maj • 01:26 • -22db
32% Popularity • 23% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
32% Popularity • 23% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Cherubika
Sophronievskaia Cherubic Hymn, Russian C...
128 bpm • D min • 05:22 • -18db
21% Popularity • 22% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
21% Popularity • 22% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Schola Antiqua
Veni creator Spiritus - New Version
138 bpm • F Maj • 03:17 • -20db
29% Popularity • 23% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
29% Popularity • 23% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Hagins
A muzsika dÃcsérete
138 bpm • F Maj • 01:05 • -19.4db
0% Popularity • 30% Danceability • 11% Energy • 13% Liveness
4% Instrumentalness • 17% Positiveness
0% Popularity • 30% Danceability • 11% Energy • 13% Liveness
4% Instrumentalness • 17% Positiveness
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James Whitbourn
Eternal Rest
127 bpm • G Maj • 03:47 • -23db
27% Popularity • 18% Danceability • 13% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
27% Popularity • 18% Danceability • 13% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Hans Leo Hassler
Cantate Domino canticum novum
128 bpm • D Maj • 01:39 • -19.4db
28% Popularity • 25% Danceability • 11% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
28% Popularity • 25% Danceability • 11% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
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Anton Bruckner
Kronstorfer Messe in D Minor, WAB 146: I...
127 bpm • F Maj • 01:35 • -29.29db
34% Popularity • 17% Danceability • 2% Energy • 10% Liveness
22% Instrumentalness • 4% Positiveness
34% Popularity • 17% Danceability • 2% Energy • 10% Liveness
22% Instrumentalness • 4% Positiveness
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Sjaella
Ave Maria
127 bpm • A# min • 02:40 • -25db
30% Popularity • 24% Danceability • 6% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
30% Popularity • 24% Danceability • 6% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
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Dominican House of Studies
In omnem terram (Chant)
127 bpm • F# Maj • 01:04 • -21.58db
37% Popularity • 26% Danceability • 20% Energy • 10% Liveness
73% Instrumentalness • 18% Positiveness
37% Popularity • 26% Danceability • 20% Energy • 10% Liveness
73% Instrumentalness • 18% Positiveness
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Ola Gjeilo
Ave Generosa
139 bpm • G min • 04:32 • -19.72db
30% Popularity • 17% Danceability • 17% Energy • 14% Liveness
3% Instrumentalness • 4% Positiveness
30% Popularity • 17% Danceability • 17% Energy • 14% Liveness
3% Instrumentalness • 4% Positiveness
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USSR Ministry of Culture Chamber Choir
Our Father
127 bpm • E Maj • 03:32 • -29.91db
12% Popularity • 17% Danceability • 2% Energy • 9% Liveness
62% Instrumentalness • 3% Positiveness
12% Popularity • 17% Danceability • 2% Energy • 9% Liveness
62% Instrumentalness • 3% Positiveness
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Théodore Dubois
Adoramus te Christe
127 bpm • C Maj • 02:11 • -30db
40% Popularity • 20% Danceability • 2% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
40% Popularity • 20% Danceability • 2% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Anton Bruckner
Os justi, WAB 30
127 bpm • C Maj • 04:41 • -27.01db
14% Popularity • 17% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
14% Popularity • 17% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
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The Tallis Scholars
Tallis: Spem in Alium - 3. Respice
140 bpm • B min • 00:59 • -22db
40% Popularity • 14% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
40% Popularity • 14% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Giacomo Carissimi
Jephte: Plorate, filii Israel
127 bpm • F# Maj • 05:00 • -24db
27% Popularity • 21% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
27% Popularity • 21% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Giovanni Battista Martini
Giambattista Martini: Sonata in Do maggi...
127 bpm • C Maj • 01:52 • -20.28db
0% Popularity • 50% Danceability • 26% Energy • 18% Liveness
89% Instrumentalness • 97% Positiveness
0% Popularity • 50% Danceability • 26% Energy • 18% Liveness
89% Instrumentalness • 97% Positiveness
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Jakob van Berchem
O Jesu Christe
127 bpm • D Maj • 03:16 • -28db
8% Popularity • 17% Danceability • 4% Energy • 11% Liveness
24% Instrumentalness • 3% Positiveness
8% Popularity • 17% Danceability • 4% Energy • 11% Liveness
24% Instrumentalness • 3% Positiveness
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USSR Ministry of Culture Chamber Choir
We sing Thee
140 bpm • D# min • 04:08 • -27.16db
11% Popularity • 14% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
11% Popularity • 14% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
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Harry Hagan OSB
Pange Lingua Gloriosi, Sing of Glory
127 bpm • C Maj • 02:53 • -25.68db
43% Popularity • 22% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
43% Popularity • 22% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
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Herbert Howells
Requiem: Requiem aeternam I
126 bpm • E min • 03:47 • -35db
20% Popularity • 17% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
20% Popularity • 17% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Rebecca Clarke
Ave Maria
140 bpm • A min • 02:28 • -24.77db
13% Popularity • 23% Danceability • 6% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
13% Popularity • 23% Danceability • 6% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
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Siegfried Strohbach
Freuen sollen sich die Himmel, ISS 36: N...
126 bpm • D min • 03:56 • -28.48db
1% Popularity • 17% Danceability • 4% Energy • 6% Liveness
76% Instrumentalness • 3% Positiveness
1% Popularity • 17% Danceability • 4% Energy • 6% Liveness
76% Instrumentalness • 3% Positiveness
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Kammerkoor Head Ööd Vend
Õhtul
141 bpm • D# Maj • 03:41 • -27db
33% Popularity • 14% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
33% Popularity • 14% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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USSR Ministry of Culture Chamber Choir
Hymn of the Cherubim (Excerpt)
126 bpm • D# min • 07:41 • -22.31db
40% Popularity • 17% Danceability • 11% Energy • 12% Liveness
97% Instrumentalness • 3% Positiveness
40% Popularity • 17% Danceability • 11% Energy • 12% Liveness
97% Instrumentalness • 3% Positiveness
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József Karai
Ave Maris stella
140 bpm • D# Maj • 04:38 • -27.14db
1% Popularity • 18% Danceability • 3% Energy • 6% Liveness
2% Instrumentalness • 3% Positiveness
1% Popularity • 18% Danceability • 3% Energy • 6% Liveness
2% Instrumentalness • 3% Positiveness