Songs like In My Life by Wallis Bird
Based on a tempo of (+/- 10%) and a similar genre
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Lisa Mitchell
California
77 bpm • F# Maj • 02:47 • -11.97db
36% Popularity • 53% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
36% Popularity • 53% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Erato
The Boxer
77 bpm • F Maj • 02:31 • -11.46db
43% Popularity • 62% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
43% Popularity • 62% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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John Adams
I'm Like A Bird
77 bpm • B Maj • 03:40 • -10.87db
39% Popularity • 50% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 27% Positiveness
39% Popularity • 50% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 27% Positiveness
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Various Artists
Watching the Wheels
77 bpm • E Maj • 03:32 • -8.67db
15% Popularity • 69% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
15% Popularity • 69% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Wallis Bird
You Are Mine
77 bpm • F# Maj • 04:19 • -19.71db
8% Popularity • 40% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
8% Popularity • 40% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Silje Nergaard
Love of My Life - Acoustic Version
77 bpm • D# Maj • 04:05 • -13.48db
24% Popularity • 41% Danceability • 23% Energy • 21% Liveness
0% Instrumentalness • 21% Positiveness
24% Popularity • 41% Danceability • 23% Energy • 21% Liveness
0% Instrumentalness • 21% Positiveness
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SOHN
Still Crazy After All These Years - Jim ...
77 bpm • D Maj • 02:54 • -8.14db
22% Popularity • 34% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
22% Popularity • 34% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Lily Allen
Somewhere Only We know - Live from Spoti...
77 bpm • A# Maj • 03:47 • -8.65db
49% Popularity • 35% Danceability • 33% Energy • 74% Liveness
0% Instrumentalness • 16% Positiveness
49% Popularity • 35% Danceability • 33% Energy • 74% Liveness
0% Instrumentalness • 16% Positiveness
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Ana Egge
We Are One
78 bpm • D Maj • 04:08 • -14.05db
18% Popularity • 30% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
18% Popularity • 30% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Ainslie Wills
Don't Dream It's Over
77 bpm • C min • 03:52 • -14.26db
43% Popularity • 44% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
43% Popularity • 44% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Wallis Bird
In My Life
77 bpm • A Maj • 02:40 • -12.78db
43% Popularity • 45% Danceability • 12% Energy • 21% Liveness
0% Instrumentalness • 24% Positiveness
43% Popularity • 45% Danceability • 12% Energy • 21% Liveness
0% Instrumentalness • 24% Positiveness
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Kenny Foster
Country Roads
78 bpm • D Maj • 03:13 • -13.97db
30% Popularity • 44% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
30% Popularity • 44% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Ed Sheeran
Candle In The Wind - 2018 Version
76 bpm • E Maj • 03:18 • -10.48db
58% Popularity • 55% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
58% Popularity • 55% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Saint Sister
Eternal Flame
78 bpm • D# Maj • 02:42 • -9.1db
40% Popularity • 59% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
40% Popularity • 59% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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John Smith
Burden of the Road
76 bpm • C# Maj • 03:16 • -10.93db
31% Popularity • 66% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
31% Popularity • 66% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Tom Odell
True Colours
76 bpm • A# Maj • 02:23 • -12.1db
63% Popularity • 52% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
63% Popularity • 52% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Wallis Bird
But I'm Still Here, I'm Still Here - Aco...
78 bpm • F# min • 03:06 • -17.33db
3% Popularity • 46% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
3% Popularity • 46% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Arlo Parks
Creep
76 bpm • C Maj • 04:37 • -15.22db
49% Popularity • 58% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
49% Popularity • 58% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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The Staves
I'm on Fire
76 bpm • D Maj • 03:12 • -15.17db
56% Popularity • 30% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
56% Popularity • 30% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Rhiannon Giddens
Just the Two of Us
76 bpm • A min • 05:06 • -6.6db
38% Popularity • 67% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
38% Popularity • 67% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Luke Sital-Singh
Both Sides Now
78 bpm • E Maj • 04:17 • -10.92db
34% Popularity • 37% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
34% Popularity • 37% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Hannah Miller
Let Me Be Your Sunshine
79 bpm • G Maj • 02:55 • -9.45db
15% Popularity • 65% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
15% Popularity • 65% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Lydia Luce
Love You True
79 bpm • D Maj • 03:53 • -11db
36% Popularity • 47% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
36% Popularity • 47% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Paolo Nutini
Last Request - Acoustic Studio Version r...
75 bpm • D min • 03:27 • -9.41db
36% Popularity • 60% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
36% Popularity • 60% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Wallis Bird
Ghosts Of Memories
75 bpm • B min • 03:45 • -10.68db
3% Popularity • 50% Danceability • 35% Energy • 9% Liveness
5% Instrumentalness • 45% Positiveness
3% Popularity • 50% Danceability • 35% Energy • 9% Liveness
5% Instrumentalness • 45% Positiveness
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Passenger
Hotel California (Cover)
75 bpm • D# min • 04:44 • -8.57db
49% Popularity • 62% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
49% Popularity • 62% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Anna Elizabeth Laube
XO
79 bpm • A# Maj • 03:55 • -13.95db
46% Popularity • 46% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
46% Popularity • 46% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Anna Nalick
As Time Goes By
79 bpm • G Maj • 03:16 • -20.64db
5% Popularity • 54% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
5% Popularity • 54% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Suzana Maximiliano
Lightning Crashes
80 bpm • B Maj • 04:41 • -9.91db
23% Popularity • 34% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
23% Popularity • 34% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Roses & Frey
Help!
74 bpm • C Maj • 03:56 • -14.47db
38% Popularity • 48% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
38% Popularity • 48% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Lisa Bresnan
Sunday Bloody Sunday
80 bpm • G min • 04:31 • -19.43db
22% Popularity • 40% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
22% Popularity • 40% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Regina Spektor
No Surprises
74 bpm • C Maj • 03:51 • -15.09db
33% Popularity • 39% Danceability • 11% Energy • 15% Liveness
6% Instrumentalness • 34% Positiveness
33% Popularity • 39% Danceability • 11% Energy • 15% Liveness
6% Instrumentalness • 34% Positiveness
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Rachael Yamagata
1963 (Acoustic)
80 bpm • B min • 04:33 • -7.96db
9% Popularity • 61% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
9% Popularity • 61% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Aaron Espe
Suddenly I See
80 bpm • C Maj • 03:23 • -13db
37% Popularity • 64% Danceability • 39% Energy • 11% Liveness
5% Instrumentalness • 50% Positiveness
37% Popularity • 64% Danceability • 39% Energy • 11% Liveness
5% Instrumentalness • 50% Positiveness
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Emma Bunton
Come Away with Me
80 bpm • C Maj • 02:48 • -11.84db
32% Popularity • 46% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
32% Popularity • 46% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Kathleen Edwards
It Must Have Been Love
74 bpm • G Maj • 04:07 • -14.27db
40% Popularity • 26% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
40% Popularity • 26% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Catherine Tunks
Little Church up on the Hill
80 bpm • B Maj • 04:41 • -8.67db
10% Popularity • 35% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
10% Popularity • 35% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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Wallis Bird
Home
81 bpm • F min • 02:44 • -18.41db
7% Popularity • 71% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 10% Positiveness
7% Popularity • 71% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 10% Positiveness
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Kelly McFarling
Records
81 bpm • A# Maj • 03:49 • -14.03db
45% Popularity • 70% Danceability • 14% Energy • 11% Liveness
3% Instrumentalness • 56% Positiveness
45% Popularity • 70% Danceability • 14% Energy • 11% Liveness
3% Instrumentalness • 56% Positiveness
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Eddie Berman
Dancing in the Dark
73 bpm • D Maj • 03:59 • -14.08db
55% Popularity • 46% Danceability • 15% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
55% Popularity • 46% Danceability • 15% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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Gabriel Kahane
Little Love
81 bpm • G Maj • 03:12 • -17.16db
39% Popularity • 40% Danceability • 5% Energy • 9% Liveness
1% Instrumentalness • 27% Positiveness
39% Popularity • 40% Danceability • 5% Energy • 9% Liveness
1% Instrumentalness • 27% Positiveness
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Kishi Bashi
The Only Living Boy in New York - Record...
73 bpm • A# Maj • 04:00 • -13db
30% Popularity • 60% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
30% Popularity • 60% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Anna Nalick
Breathe (2 AM) - Acoustic Version
82 bpm • A Maj • 04:16 • -8.7db
41% Popularity • 45% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
41% Popularity • 45% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Wallis Bird
Fantasy
81 bpm • G Maj • 02:39 • -7.26db
4% Popularity • 76% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
4% Popularity • 76% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Cloudsmiff
All the Small Things - Acoustic
72 bpm • A Maj • 01:57 • -9.33db
43% Popularity • 66% Danceability • 34% Energy • 24% Liveness
0% Instrumentalness • 44% Positiveness
43% Popularity • 66% Danceability • 34% Energy • 24% Liveness
0% Instrumentalness • 44% Positiveness
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Jillian Edwards
God Only Knows
82 bpm • G# min • 03:18 • -11.13db
21% Popularity • 30% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
21% Popularity • 30% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Aaron Krause
Every Breath You Take
82 bpm • F# min • 03:43 • -11.59db
57% Popularity • 33% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
57% Popularity • 33% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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The Only Streetlamp
Shelter - Acoustic Version
82 bpm • B Maj • 02:52 • -7.36db
7% Popularity • 64% Danceability • 26% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
7% Popularity • 64% Danceability • 26% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
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Ray LaMontagne
Such A Simple Thing - Recorded at Sound ...
72 bpm • A# Maj • 05:07 • -10.73db
49% Popularity • 55% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
49% Popularity • 55% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Wallis Bird
Feathered Pocket
82 bpm • D# Maj • 03:47 • -14.59db
5% Popularity • 65% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
5% Popularity • 65% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Glen Hansard
Cry Me a River
82 bpm • G# min • 04:12 • -9.97db
32% Popularity • 58% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
32% Popularity • 58% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Mountain Man
Take Me Home, Country Roads
82 bpm • B Maj • 03:32 • -13.03db
40% Popularity • 29% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
40% Popularity • 29% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Zak Manley
Kiss Me
82 bpm • A Maj • 02:43 • -12.25db
51% Popularity • 66% Danceability • 18% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
51% Popularity • 66% Danceability • 18% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
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Ciaran Lavery
When I Come Around
72 bpm • G Maj • 03:06 • -10.06db
13% Popularity • 55% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
13% Popularity • 55% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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My Bubba
Sexual Healing
83 bpm • F Maj • 02:54 • -11.51db
29% Popularity • 65% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
29% Popularity • 65% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Maroon 5
Sunday Morning - Acoustic
83 bpm • G Maj • 04:14 • -8.61db
62% Popularity • 55% Danceability • 67% Energy • 70% Liveness
0% Instrumentalness • 76% Positiveness
62% Popularity • 55% Danceability • 67% Energy • 70% Liveness
0% Instrumentalness • 76% Positiveness
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Leah Blevins
Heart of Gold (615 Sessions)
83 bpm • F min • 01:45 • -13.32db
32% Popularity • 71% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
32% Popularity • 71% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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John Smith
Star-Crossed Lovers
83 bpm • G Maj • 04:06 • -17.73db
32% Popularity • 60% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
32% Popularity • 60% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Katie Melua
Bridge Over Troubled Water
83 bpm • F# Maj • 03:13 • -13db
38% Popularity • 40% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
38% Popularity • 40% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Joy Williams
Sweet Love of Mine (Acoustic)
83 bpm • B Maj • 02:55 • -12.18db
45% Popularity • 56% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
45% Popularity • 56% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Passenger
Heart of Gold (Cover)
83 bpm • A# Maj • 02:46 • -10.99db
49% Popularity • 69% Danceability • 48% Energy • 12% Liveness
10% Instrumentalness • 44% Positiveness
49% Popularity • 69% Danceability • 48% Energy • 12% Liveness
10% Instrumentalness • 44% Positiveness
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Sarah Blackwood
All I Have to Do Is Dream
84 bpm • E min • 02:09 • -14.01db
10% Popularity • 46% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
10% Popularity • 46% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Wallis Bird
Pass The Darkness
70 bpm • C# Maj • 03:42 • -11db
6% Popularity • 27% Danceability • 28% Energy • 9% Liveness
91% Instrumentalness • 8% Positiveness
6% Popularity • 27% Danceability • 28% Energy • 9% Liveness
91% Instrumentalness • 8% Positiveness
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Sleepy Folk
Aquarius
85 bpm • D min • 03:09 • -10.73db
9% Popularity • 57% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
9% Popularity • 57% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Lowland Hum
Don't Give Up
85 bpm • D# Maj • 05:07 • -12.98db
23% Popularity • 65% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
23% Popularity • 65% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Lindi Ortega
To Love Somebody
86 bpm • B Maj • 03:24 • -6.71db
14% Popularity • 58% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
14% Popularity • 58% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Passenger
Ain't No Sunshine (Cover)
70 bpm • B min • 03:50 • -11.12db
38% Popularity • 50% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
38% Popularity • 50% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Twin Bandit
Stolen Dance
86 bpm • C Maj • 03:55 • -10.16db
54% Popularity • 71% Danceability • 33% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
54% Popularity • 71% Danceability • 33% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
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Wallis Bird
The Deep Reveal
86 bpm • D Maj • 03:53 • -13.64db
3% Popularity • 42% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
3% Popularity • 42% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Elsmore Carey
Come on Love
86 bpm • D Maj • 04:32 • -15.99db
31% Popularity • 49% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
31% Popularity • 49% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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JP Cooper
Passport Home - Guitar Acoustic
86 bpm • G Maj • 02:58 • -7.07db
42% Popularity • 66% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
42% Popularity • 66% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
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Haley Reinhart
It Ain't Over 'Till It's Over
69 bpm • F# Maj • 04:09 • -7.71db
39% Popularity • 62% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
39% Popularity • 62% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Sorcha Richardson
Latch
86 bpm • C Maj • 03:29 • -11.51db
37% Popularity • 42% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
37% Popularity • 42% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Eddie Berman
Like a Rolling Stone
87 bpm • D Maj • 06:35 • -12.88db
36% Popularity • 42% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
36% Popularity • 42% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Wallis Bird
The Power of a Word
86 bpm • C Maj • 02:34 • -9.49db
7% Popularity • 61% Danceability • 41% Energy • 26% Liveness
0% Instrumentalness • 38% Positiveness
7% Popularity • 61% Danceability • 41% Energy • 26% Liveness
0% Instrumentalness • 38% Positiveness
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Molly Parden
Why Worry
87 bpm • A# Maj • 03:42 • -14.71db
17% Popularity • 56% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
17% Popularity • 56% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Striking Matches
Change The World - Acoustic
87 bpm • A Maj • 04:57 • -10db
27% Popularity • 64% Danceability • 26% Energy • 27% Liveness
0% Instrumentalness • 29% Positiveness
27% Popularity • 64% Danceability • 26% Energy • 27% Liveness
0% Instrumentalness • 29% Positiveness
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Niall Horan
Slow Hands - Acoustic
87 bpm • A min • 02:40 • -8db
56% Popularity • 82% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
56% Popularity • 82% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Freedom Fry
Linger
88 bpm • F Maj • 03:21 • -12db
56% Popularity • 57% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
56% Popularity • 57% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Madison Cunningham
In My Life
87 bpm • G# Maj • 02:56 • -12.39db
51% Popularity • 61% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
51% Popularity • 61% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
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Joy Williams
Ordinary World
67 bpm • E min • 05:14 • -11.42db
52% Popularity • 52% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
52% Popularity • 52% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Dervish
The West Coast of Clare
89 bpm • D min • 05:26 • -14.99db
41% Popularity • 24% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
41% Popularity • 24% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Lauren Ray
Babylon
89 bpm • D Maj • 04:29 • -10.43db
22% Popularity • 44% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
22% Popularity • 44% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Wallis Bird
DreamWriting
90 bpm • C# min • 03:52 • -10db
5% Popularity • 50% Danceability • 40% Energy • 9% Liveness
12% Instrumentalness • 29% Positiveness
5% Popularity • 50% Danceability • 40% Energy • 9% Liveness
12% Instrumentalness • 29% Positiveness
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Caroline Spence
All the Beds I've Made (Acoustic)
90 bpm • D Maj • 03:33 • -7.79db
33% Popularity • 31% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
33% Popularity • 31% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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The Civil Wars
Billie Jean
90 bpm • A min • 04:19 • -8.52db
55% Popularity • 53% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
55% Popularity • 53% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Eddie Berman
Ruby
89 bpm • C Maj • 04:43 • -15.52db
13% Popularity • 45% Danceability • 19% Energy • 12% Liveness
12% Instrumentalness • 24% Positiveness
13% Popularity • 45% Danceability • 19% Energy • 12% Liveness
12% Instrumentalness • 24% Positiveness
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Ysabelle Cuevas
Closer
90 bpm • G# Maj • 02:58 • -10.25db
24% Popularity • 53% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
24% Popularity • 53% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Alex Cornell
Sex On Fire
90 bpm • G Maj • 03:05 • -11.22db
49% Popularity • 48% Danceability • 41% Energy • 12% Liveness
11% Instrumentalness • 6% Positiveness
49% Popularity • 48% Danceability • 41% Energy • 12% Liveness
11% Instrumentalness • 6% Positiveness
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Wallis Bird
Life Is Long
90 bpm • G# Maj • 02:59 • -8.93db
5% Popularity • 62% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
5% Popularity • 62% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Passenger
Vincent (Cover)
90 bpm • E Maj • 03:59 • -17.8db
33% Popularity • 55% Danceability • 5% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
33% Popularity • 55% Danceability • 5% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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Megan Davies
Love Yourself, Out of the Woods, Roses -...
91 bpm • B Maj • 03:57 • -13.31db
44% Popularity • 59% Danceability • 18% Energy • 39% Liveness
0% Instrumentalness • 36% Positiveness
44% Popularity • 59% Danceability • 18% Energy • 39% Liveness
0% Instrumentalness • 36% Positiveness
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Eddie Berman
Clandestino
90 bpm • D min • 02:11 • -14.34db
31% Popularity • 65% Danceability • 20% Energy • 12% Liveness
2% Instrumentalness • 48% Positiveness
31% Popularity • 65% Danceability • 20% Energy • 12% Liveness
2% Instrumentalness • 48% Positiveness
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Molly Parden
Love
91 bpm • D Maj • 02:06 • -16.75db
20% Popularity • 40% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
20% Popularity • 40% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Erato
Annabelle - Soundtrack to the Novel by L...
91 bpm • F# min • 03:22 • -12.58db
17% Popularity • 60% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
17% Popularity • 60% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Spritely
New York, New York
91 bpm • C Maj • 02:27 • -12.7db
27% Popularity • 41% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
27% Popularity • 41% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Passenger
Girl from the North Country (Cover)
90 bpm • G Maj • 03:33 • -14db
45% Popularity • 59% Danceability • 32% Energy • 9% Liveness
4% Instrumentalness • 13% Positiveness
45% Popularity • 59% Danceability • 32% Energy • 9% Liveness
4% Instrumentalness • 13% Positiveness
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Corinne Bailey Rae
Jersey Girl
92 bpm • G Maj • 05:33 • -9.66db
25% Popularity • 48% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
25% Popularity • 48% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
