Songs like In The Country by Jon Randall
Based on a tempo of (+/- 10%) and a similar genre
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Jon Randall
In The Country
113 bpm • D Maj • 04:05 • -10.75db
1% Popularity • 69% Danceability • 42% Energy • 10% Liveness
2% Instrumentalness • 41% Positiveness
1% Popularity • 69% Danceability • 42% Energy • 10% Liveness
2% Instrumentalness • 41% Positiveness
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Jesse Daniel
Lookin' Back
113 bpm • G# Maj • 03:21 • -7.4db
24% Popularity • 56% Danceability • 59% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
24% Popularity • 56% Danceability • 59% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
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Midland
Worn Out Boots
113 bpm • D Maj • 03:01 • -7.04db
31% Popularity • 55% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
31% Popularity • 55% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
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Emily Scott Robinson
Traveling Mercies
113 bpm • A# Maj • 03:29 • -7.26db
20% Popularity • 43% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
20% Popularity • 43% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Erick Willis
Broke Down Dreams
113 bpm • A Maj • 04:59 • -12.21db
15% Popularity • 51% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
15% Popularity • 51% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Eric Church
Rock & Roll Found Me
113 bpm • D Maj • 04:09 • -9.92db
43% Popularity • 87% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
43% Popularity • 87% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Courtney Patton
So This Is Life
113 bpm • C Maj • 04:56 • -9.86db
12% Popularity • 53% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
12% Popularity • 53% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Triston Marez
Where the Neon Lies
113 bpm • G Maj • 04:02 • -6.09db
33% Popularity • 56% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
33% Popularity • 56% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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Morgan Wade
Left Me Behind (OurVinyl Sessions)
113 bpm • F# Maj • 04:05 • -11.15db
42% Popularity • 65% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
42% Popularity • 65% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Sturgill Simpson
I Wonder
114 bpm • A Maj • 03:14 • -9.1db
43% Popularity • 69% Danceability • 27% Energy • 9% Liveness
1% Instrumentalness • 30% Positiveness
43% Popularity • 69% Danceability • 27% Energy • 9% Liveness
1% Instrumentalness • 30% Positiveness
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Corb Lund
This Is My Prairie
112 bpm • D Maj • 04:04 • -9.66db
21% Popularity • 66% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
21% Popularity • 66% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Dean Dillon
She Let Herself Go
114 bpm • D# Maj • 03:24 • -8.63db
16% Popularity • 68% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 40% Positiveness
16% Popularity • 68% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 40% Positiveness
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Chris Stapleton
Worry B Gone
114 bpm • D Maj • 03:15 • -6.08db
49% Popularity • 56% Danceability • 87% Energy • 10% Liveness
2% Instrumentalness • 83% Positiveness
49% Popularity • 56% Danceability • 87% Energy • 10% Liveness
2% Instrumentalness • 83% Positiveness
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Kolton Moore & the Clever Few
Kyle's Song
114 bpm • G# Maj • 04:51 • -13.28db
24% Popularity • 54% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
24% Popularity • 54% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Jon Randall
Ranchero
114 bpm • A# Maj • 01:48 • -15.89db
2% Popularity • 31% Danceability • 34% Energy • 22% Liveness
88% Instrumentalness • 73% Positiveness
2% Popularity • 31% Danceability • 34% Energy • 22% Liveness
88% Instrumentalness • 73% Positiveness
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Drake White
Waitin’ On The Whiskey To Work
114 bpm • E Maj • 03:59 • -13.11db
34% Popularity • 70% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
34% Popularity • 70% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Cody Jinks
Birds - Unplugged
112 bpm • B Maj • 04:11 • -8.24db
23% Popularity • 64% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
23% Popularity • 64% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Kylie Frey
Girls Just Wanna Have Fun
114 bpm • E Maj • 03:14 • -6.53db
16% Popularity • 60% Danceability • 60% Energy • 36% Liveness
0% Instrumentalness • 67% Positiveness
16% Popularity • 60% Danceability • 60% Energy • 36% Liveness
0% Instrumentalness • 67% Positiveness
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Eric Church
Russian Roulette
112 bpm • C# Maj • 03:57 • -7.54db
43% Popularity • 71% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
43% Popularity • 71% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Josh Abbott Band
The Highway Kind
112 bpm • G Maj • 03:59 • -4.33db
48% Popularity • 58% Danceability • 77% Energy • 24% Liveness
0% Instrumentalness • 59% Positiveness
48% Popularity • 58% Danceability • 77% Energy • 24% Liveness
0% Instrumentalness • 59% Positiveness
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Graycie York
Texas Rain
112 bpm • C Maj • 03:38 • -8.23db
37% Popularity • 54% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
37% Popularity • 54% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Sunny Sweeney
I Feel Like Hank Williams Tonight
112 bpm • C Maj • 03:48 • -9.12db
29% Popularity • 57% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 57% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Hayes Carll
Help Me Remember
112 bpm • D Maj • 04:55 • -10.12db
19% Popularity • 37% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
19% Popularity • 37% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Sturgill Simpson
Water in a Well
111 bpm • E Maj • 03:46 • -9.45db
36% Popularity • 66% Danceability • 37% Energy • 12% Liveness
13% Instrumentalness • 23% Positiveness
36% Popularity • 66% Danceability • 37% Energy • 12% Liveness
13% Instrumentalness • 23% Positiveness
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Midland
Texas Is The Last Stop
115 bpm • F Maj • 03:00 • -5.82db
37% Popularity • 72% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
37% Popularity • 72% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
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Cody Canada & The Departed
If You Want It That Much
115 bpm • E Maj • 03:34 • -7.48db
26% Popularity • 62% Danceability • 77% Energy • 31% Liveness
0% Instrumentalness • 58% Positiveness
26% Popularity • 62% Danceability • 77% Energy • 31% Liveness
0% Instrumentalness • 58% Positiveness
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Courtney Patton
What I Didn't Say
115 bpm • D Maj • 03:34 • -7.17db
16% Popularity • 60% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
16% Popularity • 60% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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The Wilder Blue
Evergreen
111 bpm • G Maj • 03:55 • -9.58db
31% Popularity • 62% Danceability • 72% Energy • 30% Liveness
2% Instrumentalness • 62% Positiveness
31% Popularity • 62% Danceability • 72% Energy • 30% Liveness
2% Instrumentalness • 62% Positiveness
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Pony Bradshaw
Sawtoothed Jericho
111 bpm • F# Maj • 04:59 • -11.62db
44% Popularity • 67% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
44% Popularity • 67% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Brothers Osborne
Loving Me Back
111 bpm • C# Maj • 04:19 • -8.52db
35% Popularity • 45% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
35% Popularity • 45% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Tessy Lou Williams
Somebody's Drinking About You
111 bpm • E Maj • 03:12 • -5.05db
11% Popularity • 60% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
11% Popularity • 60% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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John Baumann
Texas Dead
111 bpm • C Maj • 03:10 • -5db
22% Popularity • 62% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
22% Popularity • 62% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Mo Pitney
Mattress On The Floor
115 bpm • E Maj • 03:52 • -8.75db
13% Popularity • 53% Danceability • 42% Energy • 19% Liveness
1% Instrumentalness • 34% Positiveness
13% Popularity • 53% Danceability • 42% Energy • 19% Liveness
1% Instrumentalness • 34% Positiveness
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Ryan Bingham
Don't Wait For Me
116 bpm • G Maj • 04:55 • -10.95db
36% Popularity • 66% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
36% Popularity • 66% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Randy Rogers Band
Missing You Is More Than I Can Do
116 bpm • A Maj • 03:53 • -6.17db
31% Popularity • 64% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
31% Popularity • 64% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Silverada
Smooth Shot of Whiskey
110 bpm • G Maj • 03:00 • -8.01db
37% Popularity • 65% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
37% Popularity • 65% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
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Jonathan Terrell
Cowboy Band
110 bpm • D Maj • 05:02 • -4.86db
13% Popularity • 40% Danceability • 52% Energy • 37% Liveness
0% Instrumentalness • 34% Positiveness
13% Popularity • 40% Danceability • 52% Energy • 37% Liveness
0% Instrumentalness • 34% Positiveness
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Elizabeth Cook
Two Chords and a Lie
110 bpm • A Maj • 04:03 • -6.07db
8% Popularity • 27% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
8% Popularity • 27% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
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Midland
Sunrise Tells The Story - Acoustic
110 bpm • C Maj • 03:25 • -7.24db
31% Popularity • 64% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
31% Popularity • 64% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Eric Church
Through My Ray-Bans
110 bpm • F Maj • 04:33 • -11.39db
44% Popularity • 74% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
44% Popularity • 74% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Ray Scott
Slow Dance
110 bpm • F# Maj • 03:33 • -7.95db
14% Popularity • 74% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 58% Positiveness
14% Popularity • 74% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 58% Positiveness
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Ashland Craft
Leavin' You Again
110 bpm • A Maj • 03:22 • -5.23db
20% Popularity • 59% Danceability • 77% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
20% Popularity • 59% Danceability • 77% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
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Brit Taylor
Waking up Ain't Easy
110 bpm • A Maj • 03:23 • -8.26db
11% Popularity • 55% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
11% Popularity • 55% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Graycie York
Without Me
116 bpm • G# Maj • 04:33 • -6.57db
22% Popularity • 58% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
22% Popularity • 58% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Midland
Sunrise Tells The Story
110 bpm • C Maj • 03:27 • -8db
51% Popularity • 55% Danceability • 55% Energy • 36% Liveness
0% Instrumentalness • 49% Positiveness
51% Popularity • 55% Danceability • 55% Energy • 36% Liveness
0% Instrumentalness • 49% Positiveness
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Eric Church
Look Good And You Know It
110 bpm • A Maj • 03:10 • -6.53db
38% Popularity • 72% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 87% Positiveness
38% Popularity • 72% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 87% Positiveness
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Ryan Bingham
Lover Girl
109 bpm • G Maj • 06:25 • -7.11db
37% Popularity • 61% Danceability • 65% Energy • 31% Liveness
0% Instrumentalness • 37% Positiveness
37% Popularity • 61% Danceability • 65% Energy • 31% Liveness
0% Instrumentalness • 37% Positiveness
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Flatland Cavalry
No Shade of Green
109 bpm • F# Maj • 03:01 • -9.36db
52% Popularity • 61% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
52% Popularity • 61% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Arlo McKinley
Die Midwestern
109 bpm • A Maj • 04:09 • -6db
38% Popularity • 48% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 55% Positiveness
38% Popularity • 48% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 55% Positiveness
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Victoria Bailey
Honky Tonk Woman
109 bpm • D Maj • 04:27 • -8.94db
8% Popularity • 61% Danceability • 38% Energy • 30% Liveness
0% Instrumentalness • 61% Positiveness
8% Popularity • 61% Danceability • 38% Energy • 30% Liveness
0% Instrumentalness • 61% Positiveness
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Kree Harrison
That's How Hearts Get Broken
109 bpm • D Maj • 03:41 • -5.98db
21% Popularity • 71% Danceability • 51% Energy • 36% Liveness
0% Instrumentalness • 67% Positiveness
21% Popularity • 71% Danceability • 51% Energy • 36% Liveness
0% Instrumentalness • 67% Positiveness
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Kendell Marvel
Let It Go
109 bpm • D Maj • 02:51 • -7.77db
17% Popularity • 56% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
17% Popularity • 56% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Ashland Craft
Highway Like Me
118 bpm • E Maj • 04:30 • -5.7db
25% Popularity • 28% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
25% Popularity • 28% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Tyler Childers
Yes I Guess They Oughta Name a Drink Aft...
118 bpm • B Maj • 02:51 • -7.59db
51% Popularity • 66% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
51% Popularity • 66% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Bart Crow
If I Go I'm Going
118 bpm • D# Maj • 04:32 • -6.32db
24% Popularity • 59% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
24% Popularity • 59% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Eric Church
Holdin' My Own
118 bpm • G# Maj • 03:55 • -11.94db
46% Popularity • 93% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
46% Popularity • 93% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Alan Jackson
Write It In Red
118 bpm • D Maj • 04:15 • -13.77db
34% Popularity • 68% Danceability • 40% Energy • 30% Liveness
0% Instrumentalness • 45% Positiveness
34% Popularity • 68% Danceability • 40% Energy • 30% Liveness
0% Instrumentalness • 45% Positiveness
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Midland
The Last Resort
108 bpm • C Maj • 03:56 • -5.58db
42% Popularity • 55% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
42% Popularity • 55% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
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Adam Hood
Easy Way
108 bpm • C Maj • 03:59 • -4.13db
17% Popularity • 75% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
17% Popularity • 75% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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Phil Hamilton
Brazos Wind
108 bpm • D Maj • 04:37 • -12.56db
37% Popularity • 65% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
37% Popularity • 65% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Kaitlin Butts
White River
108 bpm • G Maj • 03:33 • -7.64db
48% Popularity • 52% Danceability • 80% Energy • 23% Liveness
0% Instrumentalness • 37% Positiveness
48% Popularity • 52% Danceability • 80% Energy • 23% Liveness
0% Instrumentalness • 37% Positiveness
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The Wilder Blue
Palomino Gold
108 bpm • C# Maj • 04:33 • -9.68db
52% Popularity • 60% Danceability • 54% Energy • 12% Liveness
1% Instrumentalness • 36% Positiveness
52% Popularity • 60% Danceability • 54% Energy • 12% Liveness
1% Instrumentalness • 36% Positiveness
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Silverada
Steak Night at the Prairie Rose
119 bpm • D Maj • 04:26 • -7.95db
25% Popularity • 58% Danceability • 59% Energy • 29% Liveness
0% Instrumentalness • 60% Positiveness
25% Popularity • 58% Danceability • 59% Energy • 29% Liveness
0% Instrumentalness • 60% Positiveness
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Jon Randall
One More Teardrop
108 bpm • B Maj • 03:20 • -11.1db
3% Popularity • 60% Danceability • 35% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
3% Popularity • 60% Danceability • 35% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
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Jack Ingram
Two-Step Down to Texas
119 bpm • D Maj • 02:31 • -10.67db
28% Popularity • 66% Danceability • 40% Energy • 25% Liveness
0% Instrumentalness • 83% Positiveness
28% Popularity • 66% Danceability • 40% Energy • 25% Liveness
0% Instrumentalness • 83% Positiveness
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Summer Dean
You're Lucky She's Lonely
119 bpm • E Maj • 03:26 • -10.66db
53% Popularity • 56% Danceability • 33% Energy • 38% Liveness
0% Instrumentalness • 36% Positiveness
53% Popularity • 56% Danceability • 33% Energy • 38% Liveness
0% Instrumentalness • 36% Positiveness
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Charlie Marie
Soul Train
107 bpm • A# Maj • 03:56 • -5.23db
12% Popularity • 61% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
12% Popularity • 61% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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The Steeldrivers
When A Heart Breaks
107 bpm • B min • 03:52 • -7.16db
27% Popularity • 56% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
27% Popularity • 56% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Cody Jinks
Dirt - Unplugged
107 bpm • G# Maj • 03:44 • -8.15db
25% Popularity • 59% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
25% Popularity • 59% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
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Jason Boland & The Stragglers
Here for You
107 bpm • A Maj • 04:51 • -10.36db
14% Popularity • 53% Danceability • 39% Energy • 11% Liveness
4% Instrumentalness • 20% Positiveness
14% Popularity • 53% Danceability • 39% Energy • 11% Liveness
4% Instrumentalness • 20% Positiveness
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Thomas Csorba
Goodbye to Goodbye
120 bpm • F# Maj • 03:46 • -7.43db
19% Popularity • 51% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
19% Popularity • 51% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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William Beckmann
30 Miles
120 bpm • D Maj • 03:20 • -11.08db
31% Popularity • 66% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
31% Popularity • 66% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Miranda Lambert
They've Closed Down the Honky Tonks
120 bpm • E Maj • 03:46 • -13.3db
26% Popularity • 57% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
26% Popularity • 57% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Brent Cobb
When It's My Time
120 bpm • G Maj • 04:33 • -10.08db
21% Popularity • 61% Danceability • 31% Energy • 29% Liveness
0% Instrumentalness • 39% Positiveness
21% Popularity • 61% Danceability • 31% Energy • 29% Liveness
0% Instrumentalness • 39% Positiveness
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Cody Jinks
I Don't Trust My Memories Anymore
119 bpm • E Maj • 03:41 • -9.98db
33% Popularity • 56% Danceability • 40% Energy • 13% Liveness
10% Instrumentalness • 32% Positiveness
33% Popularity • 56% Danceability • 40% Energy • 13% Liveness
10% Instrumentalness • 32% Positiveness
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Texas Hill
Darkest Sky
120 bpm • E Maj • 03:02 • -8.95db
21% Popularity • 75% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
21% Popularity • 75% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Cody Johnson
Sad Songs and Waltzes
106 bpm • B Maj • 03:32 • -8.48db
41% Popularity • 60% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
41% Popularity • 60% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Midland
Adios Cowboy
106 bpm • G Maj • 03:38 • -5.75db
46% Popularity • 56% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
46% Popularity • 56% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
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Jack Ingram
Tequila Does
121 bpm • C Maj • 04:00 • -11.83db
29% Popularity • 50% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
29% Popularity • 50% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Zac Wilkerson
Lonely Together Tonight
121 bpm • A# min • 04:04 • -9.56db
24% Popularity • 82% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
24% Popularity • 82% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Charlie Marie
El Paso
121 bpm • A Maj • 03:19 • -6.24db
16% Popularity • 70% Danceability • 53% Energy • 33% Liveness
0% Instrumentalness • 58% Positiveness
16% Popularity • 70% Danceability • 53% Energy • 33% Liveness
0% Instrumentalness • 58% Positiveness
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Summer Dean
Unladylike
121 bpm • G Maj • 03:20 • -12.36db
26% Popularity • 53% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
26% Popularity • 53% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Chris Stapleton
When I'm With You
121 bpm • G Maj • 03:43 • -10.46db
52% Popularity • 51% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
52% Popularity • 51% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Tyler Childers
House Fire
122 bpm • F Maj • 03:34 • -10db
43% Popularity • 45% Danceability • 50% Energy • 26% Liveness
2% Instrumentalness • 74% Positiveness
43% Popularity • 45% Danceability • 50% Energy • 26% Liveness
2% Instrumentalness • 74% Positiveness
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Pistol Annies
Tulsa Time
105 bpm • A Maj • 03:22 • -7.1db
37% Popularity • 78% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 94% Positiveness
37% Popularity • 78% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 94% Positiveness
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Eric Church
Bright Side Girl
122 bpm • F Maj • 03:02 • -11.68db
33% Popularity • 62% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
33% Popularity • 62% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Jason Boland & The Stragglers
Restless Spirits
122 bpm • G Maj • 03:32 • -9.98db
14% Popularity • 60% Danceability • 47% Energy • 15% Liveness
1% Instrumentalness • 40% Positiveness
14% Popularity • 60% Danceability • 47% Energy • 15% Liveness
1% Instrumentalness • 40% Positiveness
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Summer Dean
Bad Romantic
105 bpm • A Maj • 03:38 • -8.81db
29% Popularity • 68% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
29% Popularity • 68% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Arlo McKinley
Suicidal Saturday Night (OurVinyl Sessio...
105 bpm • F Maj • 04:10 • -11.57db
21% Popularity • 60% Danceability • 24% Energy • 25% Liveness
0% Instrumentalness • 29% Positiveness
21% Popularity • 60% Danceability • 24% Energy • 25% Liveness
0% Instrumentalness • 29% Positiveness
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Jesse Daniel
Clayton Was a Cowboy
122 bpm • C# Maj • 03:31 • -8.59db
36% Popularity • 68% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
36% Popularity • 68% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Charlie Robison
Loving County
105 bpm • C# Maj • 06:28 • -12db
37% Popularity • 53% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
37% Popularity • 53% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Bruce Robison
Angry All The Time
122 bpm • F# Maj • 04:43 • -11.99db
24% Popularity • 63% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
24% Popularity • 63% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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William Beckmann
In The Dark
122 bpm • F Maj • 03:52 • -11.22db
31% Popularity • 70% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
31% Popularity • 70% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Jon Randall
Lonely For Awhile
122 bpm • E Maj • 04:46 • -12.05db
1% Popularity • 68% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
1% Popularity • 68% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Jamie Lin Wilson
Yours and Mine
122 bpm • C Maj • 03:44 • -11.08db
12% Popularity • 66% Danceability • 51% Energy • 29% Liveness
0% Instrumentalness • 76% Positiveness
12% Popularity • 66% Danceability • 51% Energy • 29% Liveness
0% Instrumentalness • 76% Positiveness
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Aaron Watson
Country Radio
104 bpm • G Maj • 04:39 • -7.67db
34% Popularity • 56% Danceability • 64% Energy • 86% Liveness
13% Instrumentalness • 37% Positiveness
34% Popularity • 56% Danceability • 64% Energy • 86% Liveness
13% Instrumentalness • 37% Positiveness
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The Steeldrivers
Lonely And Being Alone
104 bpm • G Maj • 03:04 • -9.09db
30% Popularity • 61% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
30% Popularity • 61% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Charlie Shafter
Leave Her Wild
104 bpm • E Maj • 03:55 • -6.28db
14% Popularity • 56% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
14% Popularity • 56% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
