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In the Hills
Songs like
In the Hills
by
David Binney
Based on a tempo of (+/- 10%) and a similar genre
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Tigran Hamasyan
All the Things You Are
64 bpm • A Maj • 05:44 • -16.09db
21% Popularity • 34% Danceability • 8% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Sonny Greenwich Jr
I Get By
61 bpm • F min • 03:37 • -8.81db
13% Popularity • 35% Danceability • 74% Energy • 42% Liveness
32% Instrumentalness • 49% Positiveness
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Will Vinson
Gocta
65 bpm • A# Maj • 09:01 • -10.25db
8% Popularity • 24% Danceability • 65% Energy • 10% Liveness
69% Instrumentalness • 19% Positiveness
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Rotem Sivan
Sun & Stars
66 bpm • G# Maj • 01:02 • -18.16db
26% Popularity • 47% Danceability • 21% Energy • 10% Liveness
58% Instrumentalness • 33% Positiveness
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David Binney
Remembrance
66 bpm • C min • 05:00 • -24.92db
1% Popularity • 42% Danceability • 1% Energy • 9% Liveness
66% Instrumentalness • 24% Positiveness
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Lofitones
Happy Wife Happy Life
54 bpm • A Maj • 02:24 • -8.08db
8% Popularity • 21% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 28% Positiveness
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Magic trio
Jazzvals
67 bpm • F min • 03:36 • -16.6db
22% Popularity • 35% Danceability • 33% Energy • 11% Liveness
96% Instrumentalness • 29% Positiveness
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Joe Lovano
Le petit opportun
66 bpm • C# Maj • 03:44 • -21.47db
9% Popularity • 27% Danceability • 3% Energy • 10% Liveness
29% Instrumentalness • 8% Positiveness
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Ben Wendel
Burning Bright
67 bpm • D Maj • 06:08 • -11db
14% Popularity • 27% Danceability • 64% Energy • 13% Liveness
32% Instrumentalness • 41% Positiveness
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Enrique Heredia
Double Exposure
68 bpm • F min • 07:24 • -14.45db
7% Popularity • 40% Danceability • 43% Energy • 32% Liveness
0% Instrumentalness • 35% Positiveness
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David Binney
Sadness
55 bpm • G min • 01:23 • -15.86db
1% Popularity • 40% Danceability • 2% Energy • 25% Liveness
13% Instrumentalness • 65% Positiveness
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Larry Goldings
Chinwag
68 bpm • C# Maj • 02:04 • -14.35db
13% Popularity • 33% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Noam Wiesenberg
One Step At A Time
70 bpm • F# min • 06:42 • -17.04db
7% Popularity • 36% Danceability • 19% Energy • 25% Liveness
88% Instrumentalness • 8% Positiveness
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Lullabies Series
Nocturne X
69 bpm • D# Maj • 01:06 • -32.92db
18% Popularity • 49% Danceability • 0% Energy • 11% Liveness
76% Instrumentalness • 36% Positiveness
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Jon Balke
the suspension
70 bpm • C min • 02:16 • -22db
32% Popularity • 37% Danceability • 13% Energy • 10% Liveness
87% Instrumentalness • 25% Positiveness
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Melissa Aldana
The Solitary Seeker
71 bpm • C# Maj • 06:08 • -15.05db
37% Popularity • 43% Danceability • 31% Energy • 14% Liveness
80% Instrumentalness • 36% Positiveness
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Elektrik Jazz Mantra
The Silent Song
71 bpm • B min • 03:30 • -18.66db
8% Popularity • 6% Danceability • 13% Energy • 9% Liveness
93% Instrumentalness • 3% Positiveness
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Grégory Privat
Lotbò-a
71 bpm • C# Maj • 06:48 • -12.24db
17% Popularity • 38% Danceability • 27% Energy • 11% Liveness
9% Instrumentalness • 8% Positiveness
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Hekura
Vane
73 bpm • D# Maj • 02:21 • -16.36db
13% Popularity • 37% Danceability • 14% Energy • 11% Liveness
94% Instrumentalness • 11% Positiveness
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Ben Wendel
In Anima
72 bpm • D Maj • 08:02 • -12.38db
9% Popularity • 14% Danceability • 23% Energy • 11% Liveness
86% Instrumentalness • 6% Positiveness
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Theo Bleckmann
Alate
73 bpm • D Maj • 01:07 • -26.63db
23% Popularity • 36% Danceability • 19% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
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Kaja Draksler
Helix GA
73 bpm • C Maj • 02:18 • -14.04db
10% Popularity • 47% Danceability • 51% Energy • 14% Liveness
82% Instrumentalness • 66% Positiveness
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Adrian Knight
Golden Boy
73 bpm • F Maj • 09:29 • -15.68db
10% Popularity • 21% Danceability • 1% Energy • 9% Liveness
39% Instrumentalness • 12% Positiveness
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Ben Monder
Dreamsville
73 bpm • F Maj • 06:30 • -24.66db
9% Popularity • 38% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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East Axis
I Like It Very Much
74 bpm • B min • 08:33 • -14.38db
13% Popularity • 50% Danceability • 46% Energy • 9% Liveness
17% Instrumentalness • 49% Positiveness
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David Friedman
Surge Of Silence, Pt.1
74 bpm • D min • 03:52 • -23.2db
7% Popularity • 42% Danceability • 4% Energy • 21% Liveness
53% Instrumentalness • 8% Positiveness
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Ayumi Tanaka Trio
Subaqueous Silence
74 bpm • G# min • 09:25 • -25db
4% Popularity • 26% Danceability • 6% Energy • 9% Liveness
65% Instrumentalness • 4% Positiveness
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James Francies
Transfiguration
74 bpm • C Maj • 04:00 • -9.35db
12% Popularity • 22% Danceability • 55% Energy • 13% Liveness
93% Instrumentalness • 15% Positiveness
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Steve Swallow
Some Echoes
74 bpm • D Maj • 05:35 • -16.75db
13% Popularity • 37% Danceability • 23% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
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Igor Caiazza
Madama Butterfly - Un bel Dì Vedremo
75 bpm • D min • 04:53 • -15.62db
7% Popularity • 17% Danceability • 11% Energy • 23% Liveness
80% Instrumentalness • 6% Positiveness
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Tomasz DÄ…browski
Bonzer
74 bpm • A min • 05:38 • -13.51db
35% Popularity • 28% Danceability • 56% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Jeremy Rose
The Illusion of Perfection
75 bpm • G# Maj • 03:47 • -18.56db
9% Popularity • 31% Danceability • 21% Energy • 13% Liveness
82% Instrumentalness • 4% Positiveness
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Rui Hallvares Andrade Paes
Gå hemåt
76 bpm • G# min • 05:22 • -18.43db
13% Popularity • 35% Danceability • 21% Energy • 16% Liveness
39% Instrumentalness • 20% Positiveness
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David Binney Quartet
Group
76 bpm • F# min • 01:26 • -14.49db
3% Popularity • 61% Danceability • 11% Energy • 13% Liveness
72% Instrumentalness • 32% Positiveness
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Jacob Anderskov
Jeg ved en lærkerede
76 bpm • D Maj • 02:48 • -13.77db
9% Popularity • 44% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Thomas Carbou
Mademoiselle Elle
76 bpm • B min • 04:21 • -11.03db
2% Popularity • 60% Danceability • 45% Energy • 11% Liveness
15% Instrumentalness • 36% Positiveness
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Ben Wendel
Speak Joy
76 bpm • G Maj • 07:45 • -11.75db
11% Popularity • 34% Danceability • 28% Energy • 12% Liveness
87% Instrumentalness • 34% Positiveness
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GOkU
Freedom Intro
76 bpm • A min • 03:19 • -14.11db
16% Popularity • 23% Danceability • 30% Energy • 32% Liveness
89% Instrumentalness • 14% Positiveness
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Wayne Escoffery
Road From Eilat
76 bpm • B min • 01:04 • -15.01db
12% Popularity • 40% Danceability • 19% Energy • 11% Liveness
88% Instrumentalness • 15% Positiveness
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Oded Tzur
Invocation
77 bpm • C min • 01:52 • -17.2db
27% Popularity • 18% Danceability • 17% Energy • 10% Liveness
76% Instrumentalness • 16% Positiveness
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Adam Ratner
Alpenglow
76 bpm • C# min • 06:57 • -9.69db
6% Popularity • 28% Danceability • 69% Energy • 11% Liveness
88% Instrumentalness • 58% Positiveness
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David Binney Quartet
Dave
77 bpm • G# Maj • 02:34 • -14.53db
0% Popularity • 44% Danceability • 6% Energy • 25% Liveness
0% Instrumentalness • 52% Positiveness
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Lorenzo Cimino
Three for Freedom
78 bpm • C Maj • 03:59 • -23.16db
14% Popularity • 22% Danceability • 5% Energy • 7% Liveness
83% Instrumentalness • 5% Positiveness
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Tom Ollendorff
Passing Ships
77 bpm • G Maj • 05:31 • -14.09db
11% Popularity • 32% Danceability • 30% Energy • 8% Liveness
79% Instrumentalness • 33% Positiveness
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Lage Lund
Erato
78 bpm • G# Maj • 03:58 • -15.54db
21% Popularity • 39% Danceability • 30% Energy • 12% Liveness
8% Instrumentalness • 37% Positiveness
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Giuseppe Millaci
Sunset In Galway Bay
78 bpm • G Maj • 02:28 • -27.68db
22% Popularity • 18% Danceability • 7% Energy • 33% Liveness
51% Instrumentalness • 4% Positiveness
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Mad Ship
Big Time
79 bpm • C# Maj • 07:08 • -7.82db
11% Popularity • 29% Danceability • 54% Energy • 12% Liveness
93% Instrumentalness • 7% Positiveness
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David Binney
Barefooted Town
79 bpm • F min • 07:42 • -13.12db
1% Popularity • 44% Danceability • 32% Energy • 10% Liveness
82% Instrumentalness • 24% Positiveness
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Will Vinson
Chorale
79 bpm • C Maj • 04:38 • -10.09db
14% Popularity • 38% Danceability • 41% Energy • 25% Liveness
81% Instrumentalness • 7% Positiveness
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Douglas Brown
Big Bang - Journey to the Outer Galaxies
79 bpm • A Maj • 04:35 • -10.57db
10% Popularity • 40% Danceability • 56% Energy • 11% Liveness
96% Instrumentalness • 35% Positiveness
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Adam Ratner
Light Waves
80 bpm • C# Maj • 02:57 • -10.33db
3% Popularity • 24% Danceability • 53% Energy • 13% Liveness
8% Instrumentalness • 26% Positiveness
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Thomas Carbou
Tribal Quest
80 bpm • C Maj • 05:52 • -8.73db
1% Popularity • 46% Danceability • 66% Energy • 9% Liveness
25% Instrumentalness • 64% Positiveness
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Eric Harland
Treachery
80 bpm • C# min • 01:21 • -12.98db
19% Popularity • 40% Danceability • 56% Energy • 37% Liveness
21% Instrumentalness • 20% Positiveness
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Mark Guiliana
practicing silence
80 bpm • A Maj • 01:40 • -22.31db
26% Popularity • 53% Danceability • 5% Energy • 9% Liveness
96% Instrumentalness • 26% Positiveness
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David Binney
The Echo Of Your Name
80 bpm • D Maj • 03:31 • -12.24db
0% Popularity • 8% Danceability • 21% Energy • 20% Liveness
88% Instrumentalness • 11% Positiveness
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Leszek Możdżer
Villstad
80 bpm • C# Maj • 08:36 • -15.1db
10% Popularity • 56% Danceability • 47% Energy • 13% Liveness
90% Instrumentalness • 64% Positiveness
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Cuatro Manos
Wrzosowy Atrament
81 bpm • A min • 05:17 • -13.55db
8% Popularity • 39% Danceability • 36% Energy • 9% Liveness
81% Instrumentalness • 27% Positiveness
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Makiko Hirabayashi
Meaningful Encounter
81 bpm • F Maj • 01:50 • -30.33db
15% Popularity • 30% Danceability • 3% Energy • 10% Liveness
85% Instrumentalness • 5% Positiveness
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Brian Blade & The Fellowship Band
Friends Call Her Dot
81 bpm • D min • 04:04 • -22.9db
35% Popularity • 50% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 17% Positiveness
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Joe Lovano
Garden of Expression
81 bpm • B min • 07:28 • -18.79db
7% Popularity • 35% Danceability • 20% Energy • 9% Liveness
41% Instrumentalness • 9% Positiveness
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David Binney
New York Nature
81 bpm • G# Maj • 08:32 • -11.01db
1% Popularity • 48% Danceability • 35% Energy • 7% Liveness
10% Instrumentalness • 33% Positiveness
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Gerald Clayton
Water's Edge
81 bpm • E min • 06:39 • -17db
17% Popularity • 19% Danceability • 15% Energy • 11% Liveness
75% Instrumentalness • 5% Positiveness
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Peter Nylander Quartet
Eyes Open
81 bpm • G min • 03:05 • -10.17db
12% Popularity • 27% Danceability • 20% Energy • 11% Liveness
38% Instrumentalness • 5% Positiveness
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Kiara Brittanni
On My Way
82 bpm • C min • 03:07 • -16.87db
10% Popularity • 28% Danceability • 17% Energy • 9% Liveness
91% Instrumentalness • 8% Positiveness
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Paul Motian
Osmosis Part III
82 bpm • F min • 05:55 • -18.83db
15% Popularity • 29% Danceability • 8% Energy • 9% Liveness
83% Instrumentalness • 8% Positiveness
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Janek Gwizdala
Northern Line
82 bpm • D Maj • 03:14 • -15.84db
11% Popularity • 47% Danceability • 34% Energy • 11% Liveness
82% Instrumentalness • 16% Positiveness
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David Binney
Useful Illusion
82 bpm • D Maj • 02:55 • -20.87db
0% Popularity • 20% Danceability • 5% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
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Mikkel Ploug
Stockholm Night Lights
82 bpm • C# Maj • 05:21 • -13db
10% Popularity • 36% Danceability • 20% Energy • 12% Liveness
68% Instrumentalness • 7% Positiveness
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Charles Lloyd
The Water Is Rising
82 bpm • C# Maj • 05:08 • -13.45db
34% Popularity • 29% Danceability • 31% Energy • 13% Liveness
3% Instrumentalness • 16% Positiveness
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Will Régnier
Smoke and Mirrors
82 bpm • A Maj • 06:47 • -16.76db
8% Popularity • 34% Danceability • 26% Energy • 12% Liveness
69% Instrumentalness • 12% Positiveness
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Linda May Han Oh
Speech Impediment
83 bpm • D Maj • 06:57 • -10.11db
15% Popularity • 41% Danceability • 41% Energy • 11% Liveness
58% Instrumentalness • 18% Positiveness
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Thomas Carbou
Carpates - Intro
83 bpm • C min • 01:19 • -18.39db
1% Popularity • 40% Danceability • 14% Energy • 14% Liveness
7% Instrumentalness • 20% Positiveness
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Joel Harrison
Blue Eyes Cryin' in the Rain
83 bpm • D Maj • 03:18 • -17.14db
1% Popularity • 40% Danceability • 16% Energy • 12% Liveness
80% Instrumentalness • 14% Positiveness
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Fergus McCreadie
The Stones of Brodgar
83 bpm • D Maj • 05:30 • -18.5db
15% Popularity • 29% Danceability • 22% Energy • 9% Liveness
88% Instrumentalness • 10% Positiveness
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Charles Lloyd
Defiant, Reprise; Homeward Dove
82 bpm • F min • 04:20 • -20.24db
23% Popularity • 50% Danceability • 16% Energy • 9% Liveness
77% Instrumentalness • 21% Positiveness
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David Binney
Mi Querencia
83 bpm • A min • 09:47 • -13.62db
1% Popularity • 32% Danceability • 34% Energy • 11% Liveness
5% Instrumentalness • 36% Positiveness
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Ben Wendel
Throughout
83 bpm • A Maj • 06:48 • -11db
11% Popularity • 18% Danceability • 26% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Hvalfugl
Mønstre I Verden
83 bpm • D Maj • 04:43 • -16.19db
15% Popularity • 44% Danceability • 26% Energy • 20% Liveness
89% Instrumentalness • 9% Positiveness
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Will Vinson
Northbound
83 bpm • C Maj • 06:48 • -11.14db
16% Popularity • 63% Danceability • 45% Energy • 12% Liveness
63% Instrumentalness • 34% Positiveness
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aesthetrix
heart throb major
83 bpm • D# Maj • 01:20 • -13.54db
20% Popularity • 44% Danceability • 26% Energy • 10% Liveness
88% Instrumentalness • 25% Positiveness
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Taylor Eigsti
201918
83 bpm • G Maj • 04:23 • -14.66db
19% Popularity • 50% Danceability • 37% Energy • 9% Liveness
94% Instrumentalness • 29% Positiveness
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Scott DuBois
Mid-October Migration
84 bpm • B min • 05:54 • -8.33db
10% Popularity • 31% Danceability • 54% Energy • 10% Liveness
85% Instrumentalness • 34% Positiveness
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Jacob Young
I Told You In October
84 bpm • E min • 04:20 • -21.71db
12% Popularity • 49% Danceability • 25% Energy • 9% Liveness
88% Instrumentalness • 48% Positiveness
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Mark Guiliana Jazz Quartet
2014
84 bpm • D Maj • 03:12 • -18.86db
37% Popularity • 55% Danceability • 9% Energy • 10% Liveness
79% Instrumentalness • 12% Positiveness
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Petter Bergander Trio
Get Out Of Here
84 bpm • A# min • 04:11 • -16.13db
8% Popularity • 42% Danceability • 43% Energy • 10% Liveness
89% Instrumentalness • 69% Positiveness
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Will Vinson
Navanad
84 bpm • C Maj • 07:02 • -13.75db
15% Popularity • 49% Danceability • 29% Energy • 11% Liveness
51% Instrumentalness • 21% Positiveness
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Jakob Bro
Dear Old South
84 bpm • F Maj • 01:31 • -21.89db
20% Popularity • 38% Danceability • 2% Energy • 11% Liveness
62% Instrumentalness • 10% Positiveness
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SFJAZZ Collective
October In San Francisco
84 bpm • D min • 05:17 • -10.63db
9% Popularity • 28% Danceability • 41% Energy • 8% Liveness
7% Instrumentalness • 8% Positiveness
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David Binney
Fanfare for Basu
84 bpm • D Maj • 02:24 • -11.18db
1% Popularity • 34% Danceability • 31% Energy • 18% Liveness
11% Instrumentalness • 35% Positiveness
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Cassie Kinoshi
Grind
85 bpm • C Maj • 02:54 • -21.63db
14% Popularity • 61% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
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MaNiDa
Lonely Place
85 bpm • F min • 04:09 • -13.43db
12% Popularity • 50% Danceability • 32% Energy • 31% Liveness
0% Instrumentalness • 31% Positiveness
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Tigran Hamasyan
Rising Lights
85 bpm • F Maj • 04:18 • -10.2db
14% Popularity • 28% Danceability • 52% Energy • 11% Liveness
80% Instrumentalness • 28% Positiveness
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Jakob Bro
Gefion
85 bpm • D Maj • 10:33 • -21.99db
12% Popularity • 26% Danceability • 16% Energy • 6% Liveness
80% Instrumentalness • 6% Positiveness
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Sasha Berliner
NW
85 bpm • G# Maj • 06:57 • -10.75db
7% Popularity • 32% Danceability • 49% Energy • 11% Liveness
91% Instrumentalness • 15% Positiveness
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Doctor 3
Perché no
85 bpm • E Maj • 03:32 • -30.88db
22% Popularity • 43% Danceability • 13% Energy • 31% Liveness
75% Instrumentalness • 23% Positiveness
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Larry Goldings
Sweet and Lovely
86 bpm • F Maj • 03:00 • -12.93db
11% Popularity • 26% Danceability • 15% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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AGE
Valse Bancale
85 bpm • C# min • 04:39 • -14.1db
9% Popularity • 50% Danceability • 19% Energy • 12% Liveness
21% Instrumentalness • 19% Positiveness
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Johnathan Blake
In The Beginning Was The Drum
86 bpm • F# Maj • 00:59 • -23.23db
32% Popularity • 39% Danceability • 26% Energy • 11% Liveness
92% Instrumentalness • 74% Positiveness
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As Is
Save Your Love for Me
86 bpm • F# min • 04:57 • -10.25db
4% Popularity • 57% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Alina Bzhezhinska
Blue Nile
86 bpm • A min • 05:40 • -9.84db
8% Popularity • 22% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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In the Hills