Songs like In the Middle by Joshua James
Based on a tempo of (+/- 10%) and a similar genre
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The Pines
Hanging From the Earth
93 bpm • C# Maj • 05:34 • -11.69db
14% Popularity • 47% Danceability • 62% Energy • 18% Liveness
14% Instrumentalness • 38% Positiveness
14% Popularity • 47% Danceability • 62% Energy • 18% Liveness
14% Instrumentalness • 38% Positiveness
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Joshua James
In the Middle
93 bpm • F# Maj • 03:08 • -14.27db
15% Popularity • 70% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
15% Popularity • 70% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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The Civil Wars
My Father's Father
93 bpm • E Maj • 03:20 • -14.64db
17% Popularity • 52% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
17% Popularity • 52% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Sera Cahoone
Deer Creek Canyon
93 bpm • A# Maj • 03:18 • -12db
31% Popularity • 64% Danceability • 45% Energy • 15% Liveness
5% Instrumentalness • 33% Positiveness
31% Popularity • 64% Danceability • 45% Energy • 15% Liveness
5% Instrumentalness • 33% Positiveness
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Griffin House
The Guy That Says Goodbye To You Is Out ...
93 bpm • D Maj • 03:16 • -13.24db
39% Popularity • 62% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
39% Popularity • 62% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Rose Cousins
All The Stars
92 bpm • D Maj • 03:23 • -9.33db
8% Popularity • 42% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 39% Positiveness
8% Popularity • 42% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 39% Positiveness
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The Pines
If By Morning
93 bpm • C Maj • 03:57 • -10.54db
9% Popularity • 58% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
9% Popularity • 58% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Joshua James
Farmer from the West (Bonus Track)
93 bpm • F# min • 03:58 • -12.1db
8% Popularity • 46% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
8% Popularity • 46% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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John Smith
Perfect Storm
92 bpm • D Maj • 03:06 • -13db
26% Popularity • 54% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
26% Popularity • 54% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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The Lone Bellow
Telluride
94 bpm • E Maj • 04:17 • -13db
18% Popularity • 44% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
18% Popularity • 44% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Griffin House
The Guy That Says Goodbye to You Is Out ...
94 bpm • E min • 03:16 • -11.45db
42% Popularity • 61% Danceability • 43% Energy • 24% Liveness
0% Instrumentalness • 28% Positiveness
42% Popularity • 61% Danceability • 43% Energy • 24% Liveness
0% Instrumentalness • 28% Positiveness
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Ivan & Alyosha
Don't Wanna Die Anymore
92 bpm • F min • 03:41 • -8.43db
14% Popularity • 46% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
14% Popularity • 46% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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Matt the Electrician
Accidental Thief
92 bpm • A Maj • 03:41 • -11db
11% Popularity • 50% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
11% Popularity • 50% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Joshua James
Water Run (Bonus Track)
93 bpm • E Maj • 02:57 • -17.54db
4% Popularity • 46% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
4% Popularity • 46% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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John Smith
Freezing Winds Of Change
95 bpm • F Maj • 03:27 • -11.53db
25% Popularity • 45% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
25% Popularity • 45% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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The Lone Bellow
You Can Be All Kinds of Emotional
94 bpm • G Maj • 03:20 • -11.31db
25% Popularity • 46% Danceability • 40% Energy • 25% Liveness
0% Instrumentalness • 16% Positiveness
25% Popularity • 46% Danceability • 40% Energy • 25% Liveness
0% Instrumentalness • 16% Positiveness
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Farewell Milwaukee
Coming 'Round to Get You
95 bpm • F Maj • 03:15 • -12.16db
20% Popularity • 57% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
20% Popularity • 57% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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The New Basement Tapes
Florida Key
91 bpm • C Maj • 03:19 • -11.5db
36% Popularity • 57% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
36% Popularity • 57% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Jay Nash
Over You
91 bpm • D# Maj • 04:18 • -11.44db
19% Popularity • 59% Danceability • 38% Energy • 11% Liveness
1% Instrumentalness • 44% Positiveness
19% Popularity • 59% Danceability • 38% Energy • 11% Liveness
1% Instrumentalness • 44% Positiveness
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Dan Wilson
Free Life
95 bpm • E Maj • 04:54 • -6.77db
24% Popularity • 60% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
24% Popularity • 60% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Donovan Woods
Put On, Cologne
96 bpm • C# Maj • 02:47 • -11db
39% Popularity • 55% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
39% Popularity • 55% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Joe Pug
Hymn #76
96 bpm • C# min • 03:37 • -11.04db
25% Popularity • 65% Danceability • 35% Energy • 11% Liveness
1% Instrumentalness • 48% Positiveness
25% Popularity • 65% Danceability • 35% Energy • 11% Liveness
1% Instrumentalness • 48% Positiveness
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Farewell Milwaukee
The Night Is Falling For You
91 bpm • F# Maj • 04:09 • -10.25db
11% Popularity • 44% Danceability • 51% Energy • 12% Liveness
1% Instrumentalness • 24% Positiveness
11% Popularity • 44% Danceability • 51% Energy • 12% Liveness
1% Instrumentalness • 24% Positiveness
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Joshua James
Annabelle
90 bpm • A Maj • 02:52 • -6.08db
9% Popularity • 45% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
9% Popularity • 45% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
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Parlours
I Dream of Chicago
96 bpm • G Maj • 02:59 • -7.76db
17% Popularity • 43% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
17% Popularity • 43% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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The Barr Brothers
Old Mythologies
90 bpm • A# Maj • 03:34 • -11.6db
22% Popularity • 62% Danceability • 53% Energy • 10% Liveness
25% Instrumentalness • 88% Positiveness
22% Popularity • 62% Danceability • 53% Energy • 10% Liveness
25% Instrumentalness • 88% Positiveness
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Griffin House
Missed My Chance
96 bpm • C# Maj • 05:13 • -17.73db
15% Popularity • 60% Danceability • 8% Energy • 39% Liveness
0% Instrumentalness • 12% Positiveness
15% Popularity • 60% Danceability • 8% Energy • 39% Liveness
0% Instrumentalness • 12% Positiveness
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Patrick Park
Nothing's Lost
97 bpm • G# min • 04:29 • -8.15db
14% Popularity • 51% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 23% Positiveness
14% Popularity • 51% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 23% Positiveness
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Saturday Sun
Seagull
89 bpm • D Maj • 03:56 • -11db
32% Popularity • 42% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
32% Popularity • 42% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Joshua James
Black July
90 bpm • G min • 03:56 • -7.1db
11% Popularity • 50% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
11% Popularity • 50% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
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The Pines
All the While
97 bpm • D Maj • 03:50 • -11.33db
16% Popularity • 50% Danceability • 40% Energy • 22% Liveness
7% Instrumentalness • 31% Positiveness
16% Popularity • 50% Danceability • 40% Energy • 22% Liveness
7% Instrumentalness • 31% Positiveness
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The Barr Brothers
Burn Card
97 bpm • C Maj • 04:05 • -15.64db
29% Popularity • 52% Danceability • 56% Energy • 10% Liveness
43% Instrumentalness • 61% Positiveness
29% Popularity • 52% Danceability • 56% Energy • 10% Liveness
43% Instrumentalness • 61% Positiveness
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Greg Holden
The American Dream
89 bpm • A min • 04:23 • -9.43db
18% Popularity • 40% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
18% Popularity • 40% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Jeffrey Foucault
One For Sorrow
89 bpm • B Maj • 03:52 • -8.97db
30% Popularity • 53% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
30% Popularity • 53% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Gregory Alan Isakov
Raising Cain
98 bpm • D Maj • 04:38 • -11.26db
37% Popularity • 50% Danceability • 44% Energy • 22% Liveness
3% Instrumentalness • 29% Positiveness
37% Popularity • 50% Danceability • 44% Energy • 22% Liveness
3% Instrumentalness • 29% Positiveness
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Joshua James
Ribbon Bows (Bonus Track)
97 bpm • A Maj • 03:23 • -17.74db
4% Popularity • 53% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
4% Popularity • 53% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Jon and Roy
Come Again
98 bpm • C# Maj • 03:25 • -7.99db
19% Popularity • 60% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
19% Popularity • 60% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Matt Phillips
Bluegrass
98 bpm • G min • 05:18 • -10.83db
21% Popularity • 53% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
21% Popularity • 53% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Iron & Wine
Belated Promise Ring
88 bpm • D Maj • 03:45 • -11.04db
34% Popularity • 56% Danceability • 51% Energy • 18% Liveness
8% Instrumentalness • 87% Positiveness
34% Popularity • 56% Danceability • 51% Energy • 18% Liveness
8% Instrumentalness • 87% Positiveness
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Dean Fields
Half Hearted Apology
88 bpm • C min • 03:20 • -12db
10% Popularity • 59% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
10% Popularity • 59% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Matthew Ryan
Jane I Still Feel the Same
88 bpm • D Maj • 03:39 • -15.19db
24% Popularity • 40% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
24% Popularity • 40% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Joshua James
No Milk Today - from Sons of Anarchy
97 bpm • A Maj • 04:23 • -8db
29% Popularity • 52% Danceability • 54% Energy • 9% Liveness
7% Instrumentalness • 26% Positiveness
29% Popularity • 52% Danceability • 54% Energy • 9% Liveness
7% Instrumentalness • 26% Positiveness
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Trent Dabbs
Me & God
99 bpm • F Maj • 03:24 • -17.82db
32% Popularity • 51% Danceability • 23% Energy • 11% Liveness
5% Instrumentalness • 25% Positiveness
32% Popularity • 51% Danceability • 23% Energy • 11% Liveness
5% Instrumentalness • 25% Positiveness
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Andrew Duhon
The Moorings
88 bpm • D# Maj • 03:26 • -7.14db
39% Popularity • 49% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
39% Popularity • 49% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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A.A. Bondy
Witness Blues
87 bpm • G Maj • 03:12 • -11.68db
16% Popularity • 40% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
16% Popularity • 40% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Jeff Black
Easy On Me
87 bpm • D Maj • 02:59 • -9.46db
20% Popularity • 64% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
20% Popularity • 64% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Gareth Dunlop
How Far This Road Goes
88 bpm • D Maj • 03:42 • -11.83db
30% Popularity • 65% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
30% Popularity • 65% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Joshua James
Crooked Arrow
89 bpm • A Maj • 03:42 • -9.33db
8% Popularity • 54% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
8% Popularity • 54% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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J. Tillman
If You've Gotta Go, Go Now - Bonus Track
87 bpm • G Maj • 03:45 • -10.31db
33% Popularity • 55% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
33% Popularity • 55% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Ray LaMontagne
Burn
100 bpm • C Maj • 02:51 • -15db
43% Popularity • 52% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
43% Popularity • 52% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Audra Mae
The River
100 bpm • F# Maj • 04:02 • -10.05db
21% Popularity • 62% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
21% Popularity • 62% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Little Chief
North Carolina
87 bpm • D Maj • 03:40 • -12.69db
22% Popularity • 52% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
22% Popularity • 52% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Griffin House
Only If You Need Me
86 bpm • B Maj • 02:39 • -10.18db
26% Popularity • 60% Danceability • 49% Energy • 14% Liveness
2% Instrumentalness • 18% Positiveness
26% Popularity • 60% Danceability • 49% Energy • 14% Liveness
2% Instrumentalness • 18% Positiveness
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Joshua James
Tell My Pa
100 bpm • B Maj • 03:17 • -13.07db
9% Popularity • 56% Danceability • 26% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
9% Popularity • 56% Danceability • 26% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
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Trent Dabbs
Nobody's Stranger Anymore
86 bpm • D# Maj • 03:28 • -13.52db
29% Popularity • 45% Danceability • 27% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
29% Popularity • 45% Danceability • 27% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
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Blind Pilot
Keep You Right
100 bpm • C# Maj • 03:35 • -7.58db
41% Popularity • 54% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
41% Popularity • 54% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
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Jakob Dylan
Everybody's Hurting
101 bpm • C# min • 03:40 • -12.66db
23% Popularity • 56% Danceability • 35% Energy • 12% Liveness
5% Instrumentalness • 31% Positiveness
23% Popularity • 56% Danceability • 35% Energy • 12% Liveness
5% Instrumentalness • 31% Positiveness
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Matthew And The Atlas
Veins of your History
101 bpm • C Maj • 03:16 • -15.29db
17% Popularity • 50% Danceability • 21% Energy • 14% Liveness
3% Instrumentalness • 29% Positiveness
17% Popularity • 50% Danceability • 21% Energy • 14% Liveness
3% Instrumentalness • 29% Positiveness
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The Head And The Heart
These Days are Numbered
101 bpm • C Maj • 04:14 • -10db
27% Popularity • 42% Danceability • 20% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
27% Popularity • 42% Danceability • 20% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Joe Pug
Those Thankless Years
86 bpm • E Maj • 03:05 • -11.08db
15% Popularity • 54% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
15% Popularity • 54% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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The Dirty Guv'nahs
The Benediction
86 bpm • B Maj • 03:04 • -9.21db
23% Popularity • 56% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
23% Popularity • 56% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Joshua James
Weeds
86 bpm • G# Maj • 02:27 • -16.2db
21% Popularity • 60% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
21% Popularity • 60% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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The Swell Season
Feeling The Pull
101 bpm • C Maj • 02:20 • -4.56db
6% Popularity • 26% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
6% Popularity • 26% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
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Luke Rathborne
Little Moment
85 bpm • E Maj • 03:10 • -13.19db
22% Popularity • 29% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
22% Popularity • 29% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
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Blind Pilot
The Colored Night
102 bpm • G Maj • 03:55 • -7.82db
41% Popularity • 66% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
41% Popularity • 66% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Down Like Silver
Have I Loved
85 bpm • D Maj • 03:16 • -16.74db
37% Popularity • 54% Danceability • 30% Energy • 7% Liveness
23% Instrumentalness • 27% Positiveness
37% Popularity • 54% Danceability • 30% Energy • 7% Liveness
23% Instrumentalness • 27% Positiveness
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Mick Flannery
Up On That Hill
102 bpm • D Maj • 03:15 • -10.49db
12% Popularity • 54% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
12% Popularity • 54% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Joshua James
Today
85 bpm • A# min • 04:02 • -8.59db
13% Popularity • 52% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
13% Popularity • 52% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Great Peacock
Take Me to the Mountain
102 bpm • A# Maj • 03:59 • -9db
12% Popularity • 67% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
12% Popularity • 67% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Farewell Milwaukee
Always Be Your Man
84 bpm • E Maj • 03:57 • -7.49db
17% Popularity • 44% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
17% Popularity • 44% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Stu Larsen
This Train
102 bpm • G Maj • 04:59 • -9.25db
18% Popularity • 39% Danceability • 34% Energy • 23% Liveness
9% Instrumentalness • 35% Positiveness
18% Popularity • 39% Danceability • 34% Energy • 23% Liveness
9% Instrumentalness • 35% Positiveness
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Glen Hansard
Step Out Of The Shadows
84 bpm • D# min • 02:14 • -13.98db
4% Popularity • 60% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
4% Popularity • 60% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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The Sea The Sea
Restless Heart
103 bpm • F Maj • 03:23 • -12.94db
12% Popularity • 42% Danceability • 25% Energy • 75% Liveness
0% Instrumentalness • 26% Positiveness
12% Popularity • 42% Danceability • 25% Energy • 75% Liveness
0% Instrumentalness • 26% Positiveness
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Joshua James
Queen of the City
102 bpm • A min • 03:19 • -5.18db
24% Popularity • 64% Danceability • 65% Energy • 11% Liveness
1% Instrumentalness • 60% Positiveness
24% Popularity • 64% Danceability • 65% Energy • 11% Liveness
1% Instrumentalness • 60% Positiveness
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Luke Sital-Singh
American Girl
103 bpm • C Maj • 02:55 • -9.97db
27% Popularity • 64% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
27% Popularity • 64% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Jeffrey Foucault
Hurricane Lamp
84 bpm • F Maj • 02:58 • -15.64db
26% Popularity • 44% Danceability • 29% Energy • 10% Liveness
7% Instrumentalness • 25% Positiveness
26% Popularity • 44% Danceability • 29% Energy • 10% Liveness
7% Instrumentalness • 25% Positiveness
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Stu Larsen
San Francisco
84 bpm • D Maj • 04:06 • -11db
40% Popularity • 50% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
40% Popularity • 50% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Shane Alexander
Spaces in Between
84 bpm • A Maj • 03:54 • -8.18db
10% Popularity • 48% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
10% Popularity • 48% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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the everybodyfields
Wasted Time
103 bpm • B Maj • 04:09 • -8.8db
9% Popularity • 37% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
9% Popularity • 37% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Matthew And The Atlas
Kingdom Of Your Own
103 bpm • A Maj • 03:59 • -10.96db
13% Popularity • 32% Danceability • 36% Energy • 14% Liveness
12% Instrumentalness • 13% Positiveness
13% Popularity • 32% Danceability • 36% Energy • 14% Liveness
12% Instrumentalness • 13% Positiveness
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Glen Hansard
Rare Bird
84 bpm • B Maj • 03:37 • -26.01db
20% Popularity • 43% Danceability • 0% Energy • 11% Liveness
2% Instrumentalness • 22% Positiveness
20% Popularity • 43% Danceability • 0% Energy • 11% Liveness
2% Instrumentalness • 22% Positiveness
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Chris and Thomas
Time to Find Out
104 bpm • E min • 03:38 • -14.06db
22% Popularity • 49% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 32% Positiveness
22% Popularity • 49% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 32% Positiveness
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Sean Rowe
Old Shoes
83 bpm • C Maj • 05:10 • -7.55db
18% Popularity • 41% Danceability • 44% Energy • 9% Liveness
14% Instrumentalness • 35% Positiveness
18% Popularity • 41% Danceability • 44% Energy • 9% Liveness
14% Instrumentalness • 35% Positiveness
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Nathan Reich
Sweet Isolation
83 bpm • C# Maj • 03:15 • -14.17db
19% Popularity • 52% Danceability • 14% Energy • 9% Liveness
2% Instrumentalness • 33% Positiveness
19% Popularity • 52% Danceability • 14% Energy • 9% Liveness
2% Instrumentalness • 33% Positiveness
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John Smith
To Have So Many
83 bpm • D Maj • 05:46 • -13.3db
10% Popularity • 41% Danceability • 29% Energy • 14% Liveness
2% Instrumentalness • 46% Positiveness
10% Popularity • 41% Danceability • 29% Energy • 14% Liveness
2% Instrumentalness • 46% Positiveness
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The Lone Bellow
Teach Me to Know
83 bpm • G Maj • 03:28 • -8db
25% Popularity • 59% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
25% Popularity • 59% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Charlie Mars
Nothing but the Rain
83 bpm • F# Maj • 04:04 • -13.39db
25% Popularity • 43% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
25% Popularity • 43% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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The Head And The Heart
Another Story - Spotify Session
83 bpm • F Maj • 05:10 • -8.27db
17% Popularity • 26% Danceability • 47% Energy • 84% Liveness
0% Instrumentalness • 6% Positiveness
17% Popularity • 26% Danceability • 47% Energy • 84% Liveness
0% Instrumentalness • 6% Positiveness
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Greg Holden
The Next Life
104 bpm • C Maj • 03:45 • -6.88db
11% Popularity • 58% Danceability • 57% Energy • 26% Liveness
0% Instrumentalness • 65% Positiveness
11% Popularity • 58% Danceability • 57% Energy • 26% Liveness
0% Instrumentalness • 65% Positiveness
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Ben Sollee
Flyrock Blues
83 bpm • A Maj • 03:28 • -21.52db
10% Popularity • 60% Danceability • 12% Energy • 15% Liveness
14% Instrumentalness • 49% Positiveness
10% Popularity • 60% Danceability • 12% Energy • 15% Liveness
14% Instrumentalness • 49% Positiveness
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Blind Pilot
The Bitter End
104 bpm • C Maj • 03:22 • -9db
39% Popularity • 53% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
39% Popularity • 53% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Patrick Park
Thunderbolt
104 bpm • D# Maj • 02:56 • -9.52db
8% Popularity • 55% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
8% Popularity • 55% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Mumford & Sons
Timshel
83 bpm • F Maj • 02:53 • -9.72db
43% Popularity • 47% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
43% Popularity • 47% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Donovan Woods
Jail
104 bpm • G min • 01:27 • -14.78db
11% Popularity • 46% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
11% Popularity • 46% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Darden Smith
Perfect Moment
83 bpm • F# Maj • 04:28 • -12.42db
22% Popularity • 64% Danceability • 35% Energy • 11% Liveness
1% Instrumentalness • 60% Positiveness
22% Popularity • 64% Danceability • 35% Energy • 11% Liveness
1% Instrumentalness • 60% Positiveness
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A.A. Bondy
World Without End
82 bpm • D Maj • 02:31 • -15.57db
25% Popularity • 44% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
25% Popularity • 44% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Falls
Hey
105 bpm • A# min • 03:01 • -5.43db
21% Popularity • 58% Danceability • 70% Energy • 27% Liveness
0% Instrumentalness • 56% Positiveness
21% Popularity • 58% Danceability • 70% Energy • 27% Liveness
0% Instrumentalness • 56% Positiveness
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Ray LaMontagne
Narrow Escape
105 bpm • G Maj • 04:39 • -16.88db
32% Popularity • 67% Danceability • 19% Energy • 34% Liveness
0% Instrumentalness • 30% Positiveness
32% Popularity • 67% Danceability • 19% Energy • 34% Liveness
0% Instrumentalness • 30% Positiveness
