Songs like Inner Being by Joey DeFrancesco
Based on a tempo of (+/- 10%) and a similar genre
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Jimmy Heath
Big P
94 bpm • D min • 03:56 • -16.29db
28% Popularity • 50% Danceability • 28% Energy • 10% Liveness
11% Instrumentalness • 52% Positiveness
28% Popularity • 50% Danceability • 28% Energy • 10% Liveness
11% Instrumentalness • 52% Positiveness
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Jim Tomlinson
Blues Corners
94 bpm • F min • 04:56 • -15.2db
17% Popularity • 62% Danceability • 23% Energy • 14% Liveness
71% Instrumentalness • 52% Positiveness
17% Popularity • 62% Danceability • 23% Energy • 14% Liveness
71% Instrumentalness • 52% Positiveness
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Billy Taylor Trio
Bit Of Bedlam
94 bpm • A# min • 05:12 • -15.96db
13% Popularity • 68% Danceability • 41% Energy • 10% Liveness
92% Instrumentalness • 72% Positiveness
13% Popularity • 68% Danceability • 41% Energy • 10% Liveness
92% Instrumentalness • 72% Positiveness
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Dave Holland Sextet
Pass It On
94 bpm • F min • 07:56 • -12.67db
9% Popularity • 60% Danceability • 46% Energy • 11% Liveness
90% Instrumentalness • 74% Positiveness
9% Popularity • 60% Danceability • 46% Energy • 11% Liveness
90% Instrumentalness • 74% Positiveness
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Kenny Garrett
Wayne's Thang
94 bpm • A Maj • 06:50 • -10db
23% Popularity • 53% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
23% Popularity • 53% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Danilo Perez
Overjoyed
93 bpm • E Maj • 04:52 • -15db
23% Popularity • 53% Danceability • 38% Energy • 9% Liveness
93% Instrumentalness • 59% Positiveness
23% Popularity • 53% Danceability • 38% Energy • 9% Liveness
93% Instrumentalness • 59% Positiveness
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Marc Hemmeler
Marada Blues
93 bpm • C min • 04:49 • -19.1db
29% Popularity • 56% Danceability • 17% Energy • 21% Liveness
88% Instrumentalness • 58% Positiveness
29% Popularity • 56% Danceability • 17% Energy • 21% Liveness
88% Instrumentalness • 58% Positiveness
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Big John Patton
Bermuda Clay House
95 bpm • G min • 05:57 • -12.35db
15% Popularity • 70% Danceability • 35% Energy • 10% Liveness
4% Instrumentalness • 73% Positiveness
15% Popularity • 70% Danceability • 35% Energy • 10% Liveness
4% Instrumentalness • 73% Positiveness
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Fred Nardin Trio
Memory of T.
95 bpm • C# Maj • 06:12 • -12.66db
14% Popularity • 51% Danceability • 41% Energy • 9% Liveness
89% Instrumentalness • 41% Positiveness
14% Popularity • 51% Danceability • 41% Energy • 9% Liveness
89% Instrumentalness • 41% Positiveness
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Fred Jackson
Preach Brother
93 bpm • D min • 05:45 • -11.17db
19% Popularity • 50% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
19% Popularity • 50% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Kenny Garrett
Lonnie's Lament
95 bpm • C min • 05:24 • -15db
17% Popularity • 27% Danceability • 40% Energy • 17% Liveness
9% Instrumentalness • 51% Positiveness
17% Popularity • 27% Danceability • 40% Energy • 17% Liveness
9% Instrumentalness • 51% Positiveness
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Joey DeFrancesco
So Near, So Far
93 bpm • B min • 05:38 • -10.99db
4% Popularity • 45% Danceability • 65% Energy • 7% Liveness
30% Instrumentalness • 62% Positiveness
4% Popularity • 45% Danceability • 65% Energy • 7% Liveness
30% Instrumentalness • 62% Positiveness
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Erik Söderlind
New Room
93 bpm • C Maj • 05:20 • -13.85db
15% Popularity • 64% Danceability • 53% Energy • 11% Liveness
92% Instrumentalness • 62% Positiveness
15% Popularity • 64% Danceability • 53% Energy • 11% Liveness
92% Instrumentalness • 62% Positiveness
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Snorre Kirk
18th & Vine
95 bpm • A# Maj • 02:36 • -11.57db
19% Popularity • 72% Danceability • 37% Energy • 11% Liveness
2% Instrumentalness • 88% Positiveness
19% Popularity • 72% Danceability • 37% Energy • 11% Liveness
2% Instrumentalness • 88% Positiveness
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Kenny Barron & Dave Holland
The Oracle
93 bpm • G min • 06:15 • -24db
21% Popularity • 56% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 38% Positiveness
21% Popularity • 56% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 38% Positiveness
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Branford Marsalis Quartet
The Ruby and The Pearl
95 bpm • G min • 08:55 • -15.55db
30% Popularity • 63% Danceability • 24% Energy • 14% Liveness
90% Instrumentalness • 29% Positiveness
30% Popularity • 63% Danceability • 24% Energy • 14% Liveness
90% Instrumentalness • 29% Positiveness
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Bobby Timmons Trio
From The Bottom
93 bpm • C# Maj • 04:59 • -13.54db
28% Popularity • 56% Danceability • 60% Energy • 35% Liveness
56% Instrumentalness • 79% Positiveness
28% Popularity • 56% Danceability • 60% Energy • 35% Liveness
56% Instrumentalness • 79% Positiveness
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The Gene Harris Quartet
The Trouble With Hello Is Goodbye
95 bpm • G min • 05:23 • -26.32db
13% Popularity • 51% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 10% Positiveness
13% Popularity • 51% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 10% Positiveness
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Van Morrison
Miss Otis Regrets
95 bpm • F min • 05:15 • -12.29db
23% Popularity • 44% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 27% Positiveness
23% Popularity • 44% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 27% Positiveness
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Blue Mitchell
The Thing To Do - Remastered 2004/Rudy V...
93 bpm • G min • 07:05 • -10.77db
16% Popularity • 60% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
16% Popularity • 60% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Kenny Garrett
Dear Lord
96 bpm • D Maj • 05:54 • -20.22db
13% Popularity • 37% Danceability • 13% Energy • 12% Liveness
40% Instrumentalness • 22% Positiveness
13% Popularity • 37% Danceability • 13% Energy • 12% Liveness
40% Instrumentalness • 22% Positiveness
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Melody Gardot
The King Of 52nd Street (Chan's Declarat...
92 bpm • C Maj • 03:40 • -11.34db
18% Popularity • 68% Danceability • 33% Energy • 16% Liveness
10% Instrumentalness • 43% Positiveness
18% Popularity • 68% Danceability • 33% Energy • 16% Liveness
10% Instrumentalness • 43% Positiveness
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Emily Remler
Sweet Georgie Fame
92 bpm • F min • 05:35 • -21.79db
16% Popularity • 37% Danceability • 20% Energy • 22% Liveness
2% Instrumentalness • 33% Positiveness
16% Popularity • 37% Danceability • 20% Energy • 22% Liveness
2% Instrumentalness • 33% Positiveness
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Sonny Clark
Dancing In The Dark
96 bpm • D# Maj • 03:29 • -14db
39% Popularity • 58% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
39% Popularity • 58% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Oliver Nelson
The Critic's Choice
96 bpm • F min • 02:19 • -9.65db
35% Popularity • 58% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
35% Popularity • 58% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Ike Quebec
Easy, Don't Hurt - Rudy Van Gelder Editi...
92 bpm • C min • 06:03 • -11.16db
14% Popularity • 56% Danceability • 21% Energy • 11% Liveness
4% Instrumentalness • 36% Positiveness
14% Popularity • 56% Danceability • 21% Energy • 11% Liveness
4% Instrumentalness • 36% Positiveness
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Brad Mehldau Trio
I Concentrate on You
92 bpm • F min • 07:20 • -14db
26% Popularity • 49% Danceability • 30% Energy • 10% Liveness
91% Instrumentalness • 29% Positiveness
26% Popularity • 49% Danceability • 30% Energy • 10% Liveness
91% Instrumentalness • 29% Positiveness
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Lee Konitz
Kary's Trance
92 bpm • G min • 04:58 • -12.92db
8% Popularity • 55% Danceability • 37% Energy • 26% Liveness
14% Instrumentalness • 50% Positiveness
8% Popularity • 55% Danceability • 37% Energy • 26% Liveness
14% Instrumentalness • 50% Positiveness
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Joey DeFrancesco
Never Can Say Goodbye
96 bpm • F min • 05:52 • -9.37db
13% Popularity • 51% Danceability • 71% Energy • 4% Liveness
81% Instrumentalness • 90% Positiveness
13% Popularity • 51% Danceability • 71% Energy • 4% Liveness
81% Instrumentalness • 90% Positiveness
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Jack Jones
If You Go Away
92 bpm • F Maj • 05:55 • -10.86db
3% Popularity • 31% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
3% Popularity • 31% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Charles Lloyd
The Water Is Wide
96 bpm • F Maj • 05:00 • -16.06db
29% Popularity • 46% Danceability • 18% Energy • 10% Liveness
39% Instrumentalness • 35% Positiveness
29% Popularity • 46% Danceability • 18% Energy • 10% Liveness
39% Instrumentalness • 35% Positiveness
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Harold Vick
Steppin' Out
92 bpm • G# Maj • 05:51 • -10.97db
8% Popularity • 62% Danceability • 44% Energy • 11% Liveness
5% Instrumentalness • 60% Positiveness
8% Popularity • 62% Danceability • 44% Energy • 11% Liveness
5% Instrumentalness • 60% Positiveness
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Don Pullen
Jana's Delight
96 bpm • C# Maj • 05:58 • -22db
11% Popularity • 65% Danceability • 32% Energy • 11% Liveness
24% Instrumentalness • 58% Positiveness
11% Popularity • 65% Danceability • 32% Energy • 11% Liveness
24% Instrumentalness • 58% Positiveness
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Lee Konitz
Thingin
92 bpm • G# Maj • 06:25 • -13.48db
16% Popularity • 52% Danceability • 33% Energy • 7% Liveness
32% Instrumentalness • 49% Positiveness
16% Popularity • 52% Danceability • 33% Energy • 7% Liveness
32% Instrumentalness • 49% Positiveness
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Joey DeFrancesco
Peace Bridge
92 bpm • D# Maj • 05:13 • -18.09db
2% Popularity • 32% Danceability • 11% Energy • 24% Liveness
80% Instrumentalness • 6% Positiveness
2% Popularity • 32% Danceability • 11% Energy • 24% Liveness
80% Instrumentalness • 6% Positiveness
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John McLaughlin
Encuentros - Instrumental
96 bpm • E min • 07:32 • -13.03db
12% Popularity • 47% Danceability • 48% Energy • 15% Liveness
5% Instrumentalness • 40% Positiveness
12% Popularity • 47% Danceability • 48% Energy • 15% Liveness
5% Instrumentalness • 40% Positiveness
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Nate Najar
What Would Ola Mae Do?
96 bpm • G Maj • 03:53 • -12db
16% Popularity • 78% Danceability • 32% Energy • 11% Liveness
70% Instrumentalness • 51% Positiveness
16% Popularity • 78% Danceability • 32% Energy • 11% Liveness
70% Instrumentalness • 51% Positiveness
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Christian McBride Trio
Cherokee
92 bpm • C# Maj • 05:39 • -20.52db
18% Popularity • 59% Danceability • 20% Energy • 10% Liveness
90% Instrumentalness • 56% Positiveness
18% Popularity • 59% Danceability • 20% Energy • 10% Liveness
90% Instrumentalness • 56% Positiveness
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Blue Mitchell
When I Fall In Love
96 bpm • F Maj • 05:40 • -21db
26% Popularity • 41% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 22% Positiveness
26% Popularity • 41% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 22% Positiveness
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George Cables
Catalonian Nights
97 bpm • F# Maj • 07:11 • -16.78db
13% Popularity • 43% Danceability • 33% Energy • 9% Liveness
88% Instrumentalness • 45% Positiveness
13% Popularity • 43% Danceability • 33% Energy • 9% Liveness
88% Instrumentalness • 45% Positiveness
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Joey DeFrancesco
One Hundred Ways
96 bpm • A# min • 09:09 • -8.34db
18% Popularity • 57% Danceability • 58% Energy • 7% Liveness
34% Instrumentalness • 73% Positiveness
18% Popularity • 57% Danceability • 58% Energy • 7% Liveness
34% Instrumentalness • 73% Positiveness
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Charles Lloyd
What's Going On
97 bpm • E Maj • 05:07 • -17db
16% Popularity • 45% Danceability • 29% Energy • 11% Liveness
88% Instrumentalness • 63% Positiveness
16% Popularity • 45% Danceability • 29% Energy • 11% Liveness
88% Instrumentalness • 63% Positiveness
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The George Benson Quartet
Ain't That Peculiar
91 bpm • E Maj • 02:55 • -13.82db
13% Popularity • 61% Danceability • 47% Energy • 10% Liveness
8% Instrumentalness • 79% Positiveness
13% Popularity • 61% Danceability • 47% Energy • 10% Liveness
8% Instrumentalness • 79% Positiveness
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Richard "Groove" Holmes
The Things We Did Last Summer
97 bpm • F min • 06:03 • -17.99db
14% Popularity • 51% Danceability • 12% Energy • 11% Liveness
79% Instrumentalness • 15% Positiveness
14% Popularity • 51% Danceability • 12% Energy • 11% Liveness
79% Instrumentalness • 15% Positiveness
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Bill Charlap
Rockin' Chair
91 bpm • F min • 07:19 • -11db
15% Popularity • 63% Danceability • 32% Energy • 12% Liveness
11% Instrumentalness • 21% Positiveness
15% Popularity • 63% Danceability • 32% Energy • 12% Liveness
11% Instrumentalness • 21% Positiveness
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Kyle Eastwood
Soulful Times
91 bpm • G min • 03:51 • -9.33db
13% Popularity • 66% Danceability • 49% Energy • 6% Liveness
84% Instrumentalness • 54% Positiveness
13% Popularity • 66% Danceability • 49% Energy • 6% Liveness
84% Instrumentalness • 54% Positiveness
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Ike Quebec
Blues For Charlie - Remastered 2007/Rudy...
97 bpm • C Maj • 06:48 • -8.12db
21% Popularity • 70% Danceability • 37% Energy • 11% Liveness
10% Instrumentalness • 34% Positiveness
21% Popularity • 70% Danceability • 37% Energy • 11% Liveness
10% Instrumentalness • 34% Positiveness
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Summer Camargo
80 Tears of Joy
98 bpm • G Maj • 06:33 • -10.73db
15% Popularity • 56% Danceability • 39% Energy • 11% Liveness
88% Instrumentalness • 38% Positiveness
15% Popularity • 56% Danceability • 39% Energy • 11% Liveness
88% Instrumentalness • 38% Positiveness
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Les McCann
Goin' Out Of My Head
98 bpm • C Maj • 02:57 • -15.13db
8% Popularity • 50% Danceability • 30% Energy • 77% Liveness
57% Instrumentalness • 36% Positiveness
8% Popularity • 50% Danceability • 30% Energy • 77% Liveness
57% Instrumentalness • 36% Positiveness
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Jimmy Bruno
Stars Fell On Alabama
90 bpm • A min • 03:27 • -23.69db
3% Popularity • 57% Danceability • 2% Energy • 10% Liveness
60% Instrumentalness • 30% Positiveness
3% Popularity • 57% Danceability • 2% Energy • 10% Liveness
60% Instrumentalness • 30% Positiveness
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Ray Bryant
Bryant's Folly
98 bpm • C Maj • 04:48 • -13.45db
20% Popularity • 52% Danceability • 41% Energy • 22% Liveness
90% Instrumentalness • 61% Positiveness
20% Popularity • 52% Danceability • 41% Energy • 22% Liveness
90% Instrumentalness • 61% Positiveness
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Chico Hamilton
Larry Of Arabia
90 bpm • F min • 05:08 • -12.55db
16% Popularity • 52% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
16% Popularity • 52% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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Dominick Farinacci
Soldier's Things
90 bpm • D min • 05:36 • -19db
11% Popularity • 43% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 10% Positiveness
11% Popularity • 43% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 10% Positiveness
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Joey DeFrancesco
The Street of Dreams
90 bpm • F# Maj • 03:53 • -16.9db
2% Popularity • 53% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
2% Popularity • 53% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Jack Jones
This Is All I Ask
90 bpm • C Maj • 04:20 • -9.97db
2% Popularity • 38% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
2% Popularity • 38% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Kenny Garrett
Happy People
99 bpm • D Maj • 05:12 • -8db
29% Popularity • 65% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 83% Positiveness
29% Popularity • 65% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 83% Positiveness
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Steve Gadd
Way Back Home
89 bpm • F Maj • 07:36 • -8.88db
9% Popularity • 74% Danceability • 66% Energy • 66% Liveness
72% Instrumentalness • 52% Positiveness
9% Popularity • 74% Danceability • 66% Energy • 66% Liveness
72% Instrumentalness • 52% Positiveness
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Danilo Perez
Hot Bean Strut
99 bpm • D Maj • 05:13 • -13.61db
10% Popularity • 55% Danceability • 72% Energy • 10% Liveness
90% Instrumentalness • 19% Positiveness
10% Popularity • 55% Danceability • 72% Energy • 10% Liveness
90% Instrumentalness • 19% Positiveness
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Kenny Barron Trio
Beautiful Love
99 bpm • G min • 06:57 • -9.39db
23% Popularity • 57% Danceability • 55% Energy • 17% Liveness
8% Instrumentalness • 50% Positiveness
23% Popularity • 57% Danceability • 55% Energy • 17% Liveness
8% Instrumentalness • 50% Positiveness
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Brad Mehldau Trio
Jam
100 bpm • A Maj • 05:26 • -13.52db
20% Popularity • 54% Danceability • 59% Energy • 10% Liveness
88% Instrumentalness • 65% Positiveness
20% Popularity • 54% Danceability • 59% Energy • 10% Liveness
88% Instrumentalness • 65% Positiveness
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Bob Brookmeyer
The Wrinkle
99 bpm • A min • 05:18 • -12.05db
11% Popularity • 50% Danceability • 31% Energy • 14% Liveness
1% Instrumentalness • 51% Positiveness
11% Popularity • 50% Danceability • 31% Energy • 14% Liveness
1% Instrumentalness • 51% Positiveness
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Arnett Cobb
Blues Around Dusk
100 bpm • G Maj • 08:18 • -19.5db
20% Popularity • 73% Danceability • 12% Energy • 18% Liveness
66% Instrumentalness • 51% Positiveness
20% Popularity • 73% Danceability • 12% Energy • 18% Liveness
66% Instrumentalness • 51% Positiveness
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Van Morrison
Sticks and Stones
88 bpm • A# Maj • 02:46 • -8.2db
14% Popularity • 70% Danceability • 72% Energy • 25% Liveness
0% Instrumentalness • 69% Positiveness
14% Popularity • 70% Danceability • 72% Energy • 25% Liveness
0% Instrumentalness • 69% Positiveness
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John McLaughlin
Tones For Elvin Jones - Instrumental
88 bpm • G# Maj • 06:33 • -15.95db
13% Popularity • 28% Danceability • 41% Energy • 11% Liveness
1% Instrumentalness • 48% Positiveness
13% Popularity • 28% Danceability • 41% Energy • 11% Liveness
1% Instrumentalness • 48% Positiveness
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Kenny Barron Trio
Cook's Bay
100 bpm • G Maj • 06:00 • -12.87db
32% Popularity • 41% Danceability • 46% Energy • 11% Liveness
68% Instrumentalness • 62% Positiveness
32% Popularity • 41% Danceability • 46% Energy • 11% Liveness
68% Instrumentalness • 62% Positiveness
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Bob Berg
Oleo
88 bpm • G# Maj • 05:38 • -10.93db
5% Popularity • 48% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
5% Popularity • 48% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Joey DeFrancesco
This Time Around
101 bpm • C# Maj • 07:09 • -9.59db
8% Popularity • 54% Danceability • 65% Energy • 7% Liveness
46% Instrumentalness • 71% Positiveness
8% Popularity • 54% Danceability • 65% Energy • 7% Liveness
46% Instrumentalness • 71% Positiveness
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Red Garland
Hey Now
88 bpm • F Maj • 03:40 • -11.64db
43% Popularity • 62% Danceability • 41% Energy • 12% Liveness
39% Instrumentalness • 74% Positiveness
43% Popularity • 62% Danceability • 41% Energy • 12% Liveness
39% Instrumentalness • 74% Positiveness
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J.J. Johnson
Blue Monk
101 bpm • G Maj • 04:28 • -16db
18% Popularity • 55% Danceability • 19% Energy • 9% Liveness
75% Instrumentalness • 16% Positiveness
18% Popularity • 55% Danceability • 19% Energy • 9% Liveness
75% Instrumentalness • 16% Positiveness
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Leo Parker
Blue Leo - Remastered
101 bpm • F min • 05:06 • -12.55db
13% Popularity • 56% Danceability • 22% Energy • 7% Liveness
79% Instrumentalness • 32% Positiveness
13% Popularity • 56% Danceability • 22% Energy • 7% Liveness
79% Instrumentalness • 32% Positiveness
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Freddy Cole
This Is The Life
88 bpm • G Maj • 03:19 • -12db
14% Popularity • 47% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
14% Popularity • 47% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Bob Berg
Freedom Jazz Dance
101 bpm • G# Maj • 08:15 • -13.39db
2% Popularity • 55% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
2% Popularity • 55% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Joey DeFrancesco
I'm Confessin'
101 bpm • A# min • 05:32 • -15.46db
2% Popularity • 77% Danceability • 35% Energy • 11% Liveness
10% Instrumentalness • 84% Positiveness
2% Popularity • 77% Danceability • 35% Energy • 11% Liveness
10% Instrumentalness • 84% Positiveness
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Kevin Mahogany
Fix It in the Mix
101 bpm • C min • 05:17 • -16db
21% Popularity • 71% Danceability • 30% Energy • 9% Liveness
3% Instrumentalness • 51% Positiveness
21% Popularity • 71% Danceability • 30% Energy • 9% Liveness
3% Instrumentalness • 51% Positiveness
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Cassandra Wilson
Sky And Sea (Blue In Green)
101 bpm • A min • 05:24 • -16.02db
29% Popularity • 51% Danceability • 27% Energy • 11% Liveness
13% Instrumentalness • 20% Positiveness
29% Popularity • 51% Danceability • 27% Energy • 11% Liveness
13% Instrumentalness • 20% Positiveness
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Gerald Clayton
Boogablues
101 bpm • A# min • 06:05 • -18db
8% Popularity • 58% Danceability • 26% Energy • 11% Liveness
74% Instrumentalness • 44% Positiveness
8% Popularity • 58% Danceability • 26% Energy • 11% Liveness
74% Instrumentalness • 44% Positiveness
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Jack Jones
Is That All There Is
101 bpm • C min • 05:03 • -12.04db
1% Popularity • 45% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
1% Popularity • 45% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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Joshua Redman Elastic Band
Greasy G
87 bpm • F Maj • 04:34 • -7db
30% Popularity • 69% Danceability • 60% Energy • 6% Liveness
73% Instrumentalness • 66% Positiveness
30% Popularity • 69% Danceability • 60% Energy • 6% Liveness
73% Instrumentalness • 66% Positiveness
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Joey DeFrancesco
Lift Every Voice and Sing
101 bpm • F Maj • 05:02 • -8.14db
6% Popularity • 41% Danceability • 52% Energy • 13% Liveness
85% Instrumentalness • 20% Positiveness
6% Popularity • 41% Danceability • 52% Energy • 13% Liveness
85% Instrumentalness • 20% Positiveness
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Harold Vick
Our Miss Brooks
102 bpm • C Maj • 07:29 • -12db
13% Popularity • 48% Danceability • 32% Energy • 13% Liveness
6% Instrumentalness • 30% Positiveness
13% Popularity • 48% Danceability • 32% Energy • 13% Liveness
6% Instrumentalness • 30% Positiveness
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Hank Mobley
Soul Station - Remastered 1999/Rudy Van ...
102 bpm • G# Maj • 09:07 • -9.3db
37% Popularity • 74% Danceability • 37% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
37% Popularity • 74% Danceability • 37% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
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George Benson with Count Basie Orchestra
Ready Now That You Are
102 bpm • C Maj • 05:50 • -12.29db
12% Popularity • 53% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
12% Popularity • 53% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
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Steve Gadd Band
Where's Earth?
102 bpm • D Maj • 04:14 • -12.8db
23% Popularity • 82% Danceability • 45% Energy • 8% Liveness
74% Instrumentalness • 79% Positiveness
23% Popularity • 82% Danceability • 45% Energy • 8% Liveness
74% Instrumentalness • 79% Positiveness
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Duke Pearson
Big Bertha
102 bpm • F# Maj • 05:57 • -8.44db
12% Popularity • 56% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
12% Popularity • 56% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Joey DeFrancesco
Monk's Dream
87 bpm • D Maj • 06:01 • -15.28db
3% Popularity • 39% Danceability • 50% Energy • 11% Liveness
18% Instrumentalness • 55% Positiveness
3% Popularity • 39% Danceability • 50% Energy • 11% Liveness
18% Instrumentalness • 55% Positiveness
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James Moody
Slow Hot Wind
86 bpm • A# min • 05:44 • -14.42db
11% Popularity • 69% Danceability • 26% Energy • 10% Liveness
71% Instrumentalness • 44% Positiveness
11% Popularity • 69% Danceability • 26% Energy • 10% Liveness
71% Instrumentalness • 44% Positiveness
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Chris Potter
The Source
102 bpm • F# min • 06:37 • -11.94db
25% Popularity • 64% Danceability • 49% Energy • 9% Liveness
12% Instrumentalness • 57% Positiveness
25% Popularity • 64% Danceability • 49% Energy • 9% Liveness
12% Instrumentalness • 57% Positiveness
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Tony Monaco
Mozzarella
102 bpm • A# min • 06:52 • -9.48db
14% Popularity • 61% Danceability • 66% Energy • 9% Liveness
68% Instrumentalness • 89% Positiveness
14% Popularity • 61% Danceability • 66% Energy • 9% Liveness
68% Instrumentalness • 89% Positiveness
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Bob Mintzer Big Band
Get Up
103 bpm • A# min • 05:30 • -12db
14% Popularity • 75% Danceability • 65% Energy • 73% Liveness
32% Instrumentalness • 62% Positiveness
14% Popularity • 75% Danceability • 65% Energy • 73% Liveness
32% Instrumentalness • 62% Positiveness
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Big John Patton
Latona
103 bpm • E Maj • 07:23 • -9db
17% Popularity • 43% Danceability • 76% Energy • 12% Liveness
2% Instrumentalness • 67% Positiveness
17% Popularity • 43% Danceability • 76% Energy • 12% Liveness
2% Instrumentalness • 67% Positiveness
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Joey DeFrancesco
What's New
102 bpm • C Maj • 05:27 • -21.53db
4% Popularity • 38% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
4% Popularity • 38% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
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Rahsaan Roland Kirk
A Sack Full Of Soul
86 bpm • F min • 04:40 • -12.88db
27% Popularity • 60% Danceability • 43% Energy • 11% Liveness
24% Instrumentalness • 74% Positiveness
27% Popularity • 60% Danceability • 43% Energy • 11% Liveness
24% Instrumentalness • 74% Positiveness
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Laurent De Wilde
Misterioso
103 bpm • A# min • 04:27 • -22.85db
29% Popularity • 72% Danceability • 19% Energy • 7% Liveness
81% Instrumentalness • 53% Positiveness
29% Popularity • 72% Danceability • 19% Energy • 7% Liveness
81% Instrumentalness • 53% Positiveness
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Les McCann
This Here
103 bpm • C Maj • 03:05 • -16.49db
13% Popularity • 44% Danceability • 35% Energy • 12% Liveness
87% Instrumentalness • 62% Positiveness
13% Popularity • 44% Danceability • 35% Energy • 12% Liveness
87% Instrumentalness • 62% Positiveness
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Jimmy Bruno
There Is No Greater Love
85 bpm • G# Maj • 06:13 • -20.57db
3% Popularity • 46% Danceability • 21% Energy • 6% Liveness
42% Instrumentalness • 42% Positiveness
3% Popularity • 46% Danceability • 21% Energy • 6% Liveness
42% Instrumentalness • 42% Positiveness
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Big John Patton
The Shadow Of Your Smile
103 bpm • B min • 06:55 • -14db
13% Popularity • 66% Danceability • 29% Energy • 11% Liveness
49% Instrumentalness • 30% Positiveness
13% Popularity • 66% Danceability • 29% Energy • 11% Liveness
49% Instrumentalness • 30% Positiveness
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Barney Kessel
This Guy's In Love With You
85 bpm • G# Maj • 05:16 • -20.06db
9% Popularity • 45% Danceability • 18% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
9% Popularity • 45% Danceability • 18% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
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Joey DeFrancesco
In Times of Reflection
86 bpm • A# Maj • 07:29 • -12.96db
7% Popularity • 41% Danceability • 34% Energy • 16% Liveness
32% Instrumentalness • 21% Positiveness
7% Popularity • 41% Danceability • 34% Energy • 16% Liveness
32% Instrumentalness • 21% Positiveness
