Songs like Innocent Again by Mile Twelve
Based on a tempo of (+/- 10%) and a similar genre
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Mile Twelve
Innocent Again
174 bpm • B Maj • 02:55 • -7.53db
9% Popularity • 46% Danceability • 75% Energy • 32% Liveness
0% Instrumentalness • 95% Positiveness
9% Popularity • 46% Danceability • 75% Energy • 32% Liveness
0% Instrumentalness • 95% Positiveness
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Fireside Collective
Winding Road
174 bpm • G Maj • 03:27 • -7.11db
10% Popularity • 56% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
10% Popularity • 56% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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The Del McCoury Band
Loggin' Man
175 bpm • A Maj • 01:59 • -6.98db
30% Popularity • 50% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 92% Positiveness
30% Popularity • 50% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 92% Positiveness
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Songs From The Road Band
Hillbilly Wedding Day
175 bpm • A# Maj • 02:55 • -7.12db
11% Popularity • 51% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
11% Popularity • 51% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Wood & Wire
Summertime Rolls
173 bpm • A Maj • 01:54 • -10.2db
34% Popularity • 33% Danceability • 71% Energy • 24% Liveness
98% Instrumentalness • 94% Positiveness
34% Popularity • 33% Danceability • 71% Energy • 24% Liveness
98% Instrumentalness • 94% Positiveness
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Sister Sadie
Unholy Water
176 bpm • C Maj • 03:24 • -7.04db
19% Popularity • 46% Danceability • 57% Energy • 32% Liveness
4% Instrumentalness • 61% Positiveness
19% Popularity • 46% Danceability • 57% Energy • 32% Liveness
4% Instrumentalness • 61% Positiveness
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Mile Twelve
Cold Wind
174 bpm • E min • 02:35 • -8.13db
14% Popularity • 31% Danceability • 71% Energy • 32% Liveness
1% Instrumentalness • 67% Positiveness
14% Popularity • 31% Danceability • 71% Energy • 32% Liveness
1% Instrumentalness • 67% Positiveness
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The Wooks
Flyin' High
176 bpm • A Maj • 03:36 • -7.28db
18% Popularity • 37% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
18% Popularity • 37% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
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Drew Emmitt
Meet Me in the Morning
172 bpm • G Maj • 06:43 • -9.62db
14% Popularity • 68% Danceability • 54% Energy • 13% Liveness
3% Instrumentalness • 89% Positiveness
14% Popularity • 68% Danceability • 54% Energy • 13% Liveness
3% Instrumentalness • 89% Positiveness
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Trampled by Turtles
Nowhere to Hide
177 bpm • A# Maj • 03:04 • -10.23db
36% Popularity • 52% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
36% Popularity • 52% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Seth Mulder & Midnight Run
In Dreams I Go Back
176 bpm • D# Maj • 03:35 • -7.99db
19% Popularity • 62% Danceability • 48% Energy • 14% Liveness
1% Instrumentalness • 74% Positiveness
19% Popularity • 62% Danceability • 48% Energy • 14% Liveness
1% Instrumentalness • 74% Positiveness
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NewTown
Hard Times
177 bpm • G Maj • 02:29 • -6.9db
11% Popularity • 40% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
11% Popularity • 40% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Mile Twelve
Jericho
173 bpm • G Maj • 04:18 • -11.47db
18% Popularity • 36% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
18% Popularity • 36% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Adam Steffey
Let Me Fall
171 bpm • A Maj • 01:53 • -6.58db
20% Popularity • 42% Danceability • 81% Energy • 18% Liveness
4% Instrumentalness • 96% Positiveness
20% Popularity • 42% Danceability • 81% Energy • 18% Liveness
4% Instrumentalness • 96% Positiveness
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The Tillers
Willy Dear
177 bpm • G Maj • 04:57 • -8.41db
14% Popularity • 43% Danceability • 49% Energy • 30% Liveness
0% Instrumentalness • 69% Positiveness
14% Popularity • 43% Danceability • 49% Energy • 30% Liveness
0% Instrumentalness • 69% Positiveness
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The Lonely Heartstring Band
The Look In My Eye
170 bpm • F Maj • 04:18 • -9.03db
16% Popularity • 65% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
16% Popularity • 65% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Reeltime Travellers
Little Bird of Heaven
178 bpm • C Maj • 03:06 • -14.02db
32% Popularity • 52% Danceability • 27% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
32% Popularity • 52% Danceability • 27% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
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Town Mountain
I'm On Fire
170 bpm • F Maj • 03:33 • -12.29db
53% Popularity • 47% Danceability • 39% Energy • 10% Liveness
4% Instrumentalness • 41% Positiveness
53% Popularity • 47% Danceability • 39% Energy • 10% Liveness
4% Instrumentalness • 41% Positiveness
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Mile Twelve
Complicated Man
177 bpm • A Maj • 03:59 • -12.11db
0% Popularity • 38% Danceability • 37% Energy • 12% Liveness
1% Instrumentalness • 55% Positiveness
0% Popularity • 38% Danceability • 37% Energy • 12% Liveness
1% Instrumentalness • 55% Positiveness
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Kristin Scott Benson
Great Waterton
170 bpm • C Maj • 02:33 • -7db
23% Popularity • 40% Danceability • 81% Energy • 18% Liveness
92% Instrumentalness • 94% Positiveness
23% Popularity • 40% Danceability • 81% Energy • 18% Liveness
92% Instrumentalness • 94% Positiveness
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The Wooks
New Peace of Mind
179 bpm • D Maj • 03:18 • -8.27db
11% Popularity • 46% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
11% Popularity • 46% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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Special Consensus
Way Down the River Road
169 bpm • F# Maj • 02:44 • -8db
18% Popularity • 60% Danceability • 83% Energy • 7% Liveness
1% Instrumentalness • 93% Positiveness
18% Popularity • 60% Danceability • 83% Energy • 7% Liveness
1% Instrumentalness • 93% Positiveness
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Front Country
The Boys of Summer
180 bpm • F Maj • 05:10 • -9.12db
40% Popularity • 57% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
40% Popularity • 57% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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Marija Droze
You've Got Time
168 bpm • A# min • 03:01 • -7.58db
22% Popularity • 63% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
22% Popularity • 63% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
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Mile Twelve
In the Shade
170 bpm • G min • 04:07 • -10.05db
1% Popularity • 46% Danceability • 38% Energy • 19% Liveness
1% Instrumentalness • 62% Positiveness
1% Popularity • 46% Danceability • 38% Energy • 19% Liveness
1% Instrumentalness • 62% Positiveness
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Old Salt Union
Madam Plum
180 bpm • F min • 04:03 • -6.39db
21% Popularity • 48% Danceability • 64% Energy • 34% Liveness
0% Instrumentalness • 81% Positiveness
21% Popularity • 48% Danceability • 64% Energy • 34% Liveness
0% Instrumentalness • 81% Positiveness
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The Lonely Heartstring Band
The Other Side
167 bpm • D Maj • 04:25 • -8.2db
12% Popularity • 54% Danceability • 66% Energy • 16% Liveness
4% Instrumentalness • 75% Positiveness
12% Popularity • 54% Danceability • 66% Energy • 16% Liveness
4% Instrumentalness • 75% Positiveness
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The Del McCoury Band
High on the Mountain
181 bpm • C Maj • 03:05 • -11.32db
39% Popularity • 49% Danceability • 46% Energy • 22% Liveness
0% Instrumentalness • 81% Positiveness
39% Popularity • 49% Danceability • 46% Energy • 22% Liveness
0% Instrumentalness • 81% Positiveness
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Missy Raines
Fast Moving Train
167 bpm • A# Maj • 03:15 • -6.45db
21% Popularity • 52% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
21% Popularity • 52% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
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Town Mountain
Southern Crescent
167 bpm • A Maj • 03:31 • -6.52db
17% Popularity • 49% Danceability • 62% Energy • 29% Liveness
0% Instrumentalness • 55% Positiveness
17% Popularity • 49% Danceability • 62% Energy • 29% Liveness
0% Instrumentalness • 55% Positiveness
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Mile Twelve
Ace of Hearts
170 bpm • C Maj • 03:26 • -9.34db
6% Popularity • 50% Danceability • 55% Energy • 49% Liveness
0% Instrumentalness • 85% Positiveness
6% Popularity • 50% Danceability • 55% Energy • 49% Liveness
0% Instrumentalness • 85% Positiveness
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Caitlin Canty
Odds of Getting Even
167 bpm • F# Maj • 03:15 • -10.13db
32% Popularity • 38% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
32% Popularity • 38% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Front Country
Lonesome Town
165 bpm • C Maj • 03:10 • -5.43db
11% Popularity • 55% Danceability • 80% Energy • 36% Liveness
0% Instrumentalness • 84% Positiveness
11% Popularity • 55% Danceability • 80% Energy • 36% Liveness
0% Instrumentalness • 84% Positiveness
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The Rice Brothers
Walk On Boy
166 bpm • B min • 03:14 • -12.14db
27% Popularity • 49% Danceability • 43% Energy • 23% Liveness
1% Instrumentalness • 76% Positiveness
27% Popularity • 49% Danceability • 43% Energy • 23% Liveness
1% Instrumentalness • 76% Positiveness
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Wood & Wire
John
184 bpm • F Maj • 02:55 • -10db
32% Popularity • 39% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
32% Popularity • 39% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
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Appalachian Road Show
Hard Times in the Mines
164 bpm • B Maj • 02:42 • -7db
19% Popularity • 47% Danceability • 76% Energy • 16% Liveness
1% Instrumentalness • 90% Positiveness
19% Popularity • 47% Danceability • 76% Energy • 16% Liveness
1% Instrumentalness • 90% Positiveness
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Mile Twelve
Whiskey Trail
168 bpm • E min • 02:41 • -9.16db
11% Popularity • 54% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
11% Popularity • 54% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Damn Tall Buildings
Green Grass and Wine
165 bpm • G Maj • 02:17 • -3.82db
18% Popularity • 42% Danceability • 93% Energy • 20% Liveness
18% Instrumentalness • 90% Positiveness
18% Popularity • 42% Danceability • 93% Energy • 20% Liveness
18% Instrumentalness • 90% Positiveness
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The Po' Ramblin' Boys
Ice on the Timber
185 bpm • A min • 04:22 • -7.94db
17% Popularity • 39% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
17% Popularity • 39% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Lonesome Ace Stringband
Fox Hunt
164 bpm • B Maj • 03:36 • -12.11db
15% Popularity • 49% Danceability • 21% Energy • 28% Liveness
0% Instrumentalness • 36% Positiveness
15% Popularity • 49% Danceability • 21% Energy • 28% Liveness
0% Instrumentalness • 36% Positiveness
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Henhouse Prowlers
My Little Flower
163 bpm • B Maj • 02:35 • -8.3db
14% Popularity • 49% Danceability • 67% Energy • 19% Liveness
36% Instrumentalness • 96% Positiveness
14% Popularity • 49% Danceability • 67% Energy • 19% Liveness
36% Instrumentalness • 96% Positiveness
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The Lil Smokies
Shadow
162 bpm • A Maj • 04:17 • -10.42db
21% Popularity • 37% Danceability • 44% Energy • 45% Liveness
0% Instrumentalness • 44% Positiveness
21% Popularity • 37% Danceability • 44% Energy • 45% Liveness
0% Instrumentalness • 44% Positiveness
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Mile Twelve
Hopkinsville
167 bpm • E Maj • 03:51 • -9.97db
3% Popularity • 48% Danceability • 53% Energy • 39% Liveness
0% Instrumentalness • 92% Positiveness
3% Popularity • 48% Danceability • 53% Energy • 39% Liveness
0% Instrumentalness • 92% Positiveness
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Chris Thile
Wayside (Back In Time)
162 bpm • G Maj • 02:45 • -9.99db
34% Popularity • 42% Danceability • 66% Energy • 21% Liveness
32% Instrumentalness • 82% Positiveness
34% Popularity • 42% Danceability • 66% Energy • 21% Liveness
32% Instrumentalness • 82% Positiveness
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Songs From The Road Band
Traveling Show
188 bpm • F Maj • 03:45 • -7.44db
27% Popularity • 47% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
27% Popularity • 47% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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AJ Lee & Blue Summit
Faithful
161 bpm • A Maj • 02:47 • -8.42db
19% Popularity • 56% Danceability • 71% Energy • 33% Liveness
0% Instrumentalness • 88% Positiveness
19% Popularity • 56% Danceability • 71% Energy • 33% Liveness
0% Instrumentalness • 88% Positiveness
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Fireside Collective
By the Look of It
160 bpm • D Maj • 03:26 • -9.54db
33% Popularity • 72% Danceability • 32% Energy • 14% Liveness
1% Instrumentalness • 43% Positiveness
33% Popularity • 72% Danceability • 32% Energy • 14% Liveness
1% Instrumentalness • 43% Positiveness
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The Wooks
Let It Ride
160 bpm • D min • 04:01 • -9.93db
32% Popularity • 63% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
32% Popularity • 63% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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Mile Twelve
Ain't Coming Back
162 bpm • A Maj • 03:41 • -9.34db
1% Popularity • 54% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
1% Popularity • 54% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Twisted Pine
When I Called Your Name
160 bpm • C Maj • 04:12 • -7.81db
29% Popularity • 53% Danceability • 51% Energy • 15% Liveness
1% Instrumentalness • 24% Positiveness
29% Popularity • 53% Danceability • 51% Energy • 15% Liveness
1% Instrumentalness • 24% Positiveness
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Songs From The Road Band
Silk and Lace
160 bpm • G Maj • 03:51 • -8db
16% Popularity • 50% Danceability • 48% Energy • 24% Liveness
0% Instrumentalness • 72% Positiveness
16% Popularity • 50% Danceability • 48% Energy • 24% Liveness
0% Instrumentalness • 72% Positiveness
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Green Mountain Grass
The Banker
158 bpm • D min • 03:26 • -10.46db
17% Popularity • 57% Danceability • 61% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
17% Popularity • 57% Danceability • 61% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
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Wood & Wire
Coal Mining One
159 bpm • G# Maj • 03:26 • -7.38db
30% Popularity • 54% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
30% Popularity • 54% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Mipso
Down in the Water
158 bpm • E Maj • 02:47 • -10.53db
39% Popularity • 64% Danceability • 22% Energy • 54% Liveness
0% Instrumentalness • 65% Positiveness
39% Popularity • 64% Danceability • 22% Energy • 54% Liveness
0% Instrumentalness • 65% Positiveness
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The Del McCoury Band
All Aboard
158 bpm • E min • 03:58 • -10db
32% Popularity • 45% Danceability • 57% Energy • 35% Liveness
0% Instrumentalness • 49% Positiveness
32% Popularity • 45% Danceability • 57% Energy • 35% Liveness
0% Instrumentalness • 49% Positiveness
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The Slocan Ramblers
I Don't Know
157 bpm • D min • 04:07 • -8.58db
15% Popularity • 66% Danceability • 65% Energy • 11% Liveness
4% Instrumentalness • 59% Positiveness
15% Popularity • 66% Danceability • 65% Energy • 11% Liveness
4% Instrumentalness • 59% Positiveness
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Songs From The Road Band
Lesson I Can't Unlearn
190 bpm • B Maj • 02:49 • -8.96db
10% Popularity • 46% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
10% Popularity • 46% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
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Chicken Wire Empire
Disarm
157 bpm • G Maj • 03:42 • -10.09db
24% Popularity • 44% Danceability • 61% Energy • 41% Liveness
0% Instrumentalness • 42% Positiveness
24% Popularity • 44% Danceability • 61% Energy • 41% Liveness
0% Instrumentalness • 42% Positiveness
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Mile Twelve
Where We Started
157 bpm • A Maj • 03:38 • -8.76db
8% Popularity • 51% Danceability • 48% Energy • 29% Liveness
0% Instrumentalness • 63% Positiveness
8% Popularity • 51% Danceability • 48% Energy • 29% Liveness
0% Instrumentalness • 63% Positiveness
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Hot Rize
Blue Is Fallin'
157 bpm • A# Maj • 04:05 • -7.21db
21% Popularity • 62% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
21% Popularity • 62% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Gibson Brothers
Homemade Wine
193 bpm • F# min • 03:11 • -7.62db
33% Popularity • 56% Danceability • 64% Energy • 24% Liveness
0% Instrumentalness • 75% Positiveness
33% Popularity • 56% Danceability • 64% Energy • 24% Liveness
0% Instrumentalness • 75% Positiveness
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The Slocan Ramblers
You Said Goodbye
156 bpm • D# Maj • 02:37 • -7.87db
10% Popularity • 43% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
10% Popularity • 43% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Kristin Scott Benson
When Fall Comes to New England
194 bpm • A Maj • 03:27 • -7.64db
16% Popularity • 36% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
16% Popularity • 36% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Wood Belly
Jamestown
156 bpm • D min • 04:27 • -10.38db
11% Popularity • 58% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
11% Popularity • 58% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Stillhouse Junkies
Colorado Bound
156 bpm • D Maj • 03:48 • -10.07db
23% Popularity • 57% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
23% Popularity • 57% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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East Nash Grass
Magic City Grey
156 bpm • G Maj • 02:52 • -14.34db
16% Popularity • 58% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
16% Popularity • 58% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Fireside Collective
Don’t Stop Lovin’ Me
156 bpm • B min • 03:19 • -6.46db
18% Popularity • 71% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
18% Popularity • 71% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Mile Twelve
Red Grapes on the Vine
156 bpm • F Maj • 03:58 • -12.1db
2% Popularity • 51% Danceability • 38% Energy • 25% Liveness
0% Instrumentalness • 70% Positiveness
2% Popularity • 51% Danceability • 38% Energy • 25% Liveness
0% Instrumentalness • 70% Positiveness
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Shadowgrass
On and On
156 bpm • A Maj • 02:44 • -8.99db
25% Popularity • 46% Danceability • 80% Energy • 17% Liveness
4% Instrumentalness • 88% Positiveness
25% Popularity • 46% Danceability • 80% Energy • 17% Liveness
4% Instrumentalness • 88% Positiveness
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Town Mountain
Leavin' Montana
155 bpm • A Maj • 03:03 • -7.16db
24% Popularity • 61% Danceability • 71% Energy • 32% Liveness
2% Instrumentalness • 92% Positiveness
24% Popularity • 61% Danceability • 71% Energy • 32% Liveness
2% Instrumentalness • 92% Positiveness
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Arkansauce
My Home in Arkansas
154 bpm • G Maj • 04:11 • -9.12db
23% Popularity • 45% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
23% Popularity • 45% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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East Nash Grass
Railroadin' & Gamblin'
154 bpm • D Maj • 02:53 • -8.87db
26% Popularity • 40% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
26% Popularity • 40% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
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Caribou Mountain Collective
Ramblin Woman
154 bpm • G Maj • 02:38 • -8.31db
13% Popularity • 56% Danceability • 66% Energy • 24% Liveness
1% Instrumentalness • 80% Positiveness
13% Popularity • 56% Danceability • 66% Energy • 24% Liveness
1% Instrumentalness • 80% Positiveness
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The Po' Ramblin' Boys
Hickory, Walnut & Pine
198 bpm • A Maj • 03:23 • -5.82db
29% Popularity • 44% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 61% Positiveness
29% Popularity • 44% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 61% Positiveness
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Justin Moses
Taxland
153 bpm • A min • 03:25 • -11.19db
21% Popularity • 56% Danceability • 59% Energy • 17% Liveness
89% Instrumentalness • 89% Positiveness
21% Popularity • 56% Danceability • 59% Energy • 17% Liveness
89% Instrumentalness • 89% Positiveness
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Mile Twelve
Onwards
153 bpm • B Maj • 03:37 • -8.66db
14% Popularity • 55% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
14% Popularity • 55% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
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Special Consensus
She Took the Tennessee River
153 bpm • A Maj • 03:24 • -6.86db
24% Popularity • 56% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
24% Popularity • 56% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
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The Lonely Heartstring Band
The Road’s Salvation
153 bpm • G Maj • 03:55 • -8.63db
14% Popularity • 51% Danceability • 58% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
14% Popularity • 51% Danceability • 58% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
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Wood & Wire
Torture of Love
198 bpm • C Maj • 02:46 • -5.81db
24% Popularity • 44% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
24% Popularity • 44% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
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East Nash Grass
Time at Hand
152 bpm • G Maj • 03:00 • -8.02db
12% Popularity • 46% Danceability • 70% Energy • 26% Liveness
0% Instrumentalness • 81% Positiveness
12% Popularity • 46% Danceability • 70% Energy • 26% Liveness
0% Instrumentalness • 81% Positiveness
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Theo & Brenna
Be My Baby
152 bpm • E Maj • 02:37 • -5.04db
14% Popularity • 50% Danceability • 70% Energy • 31% Liveness
0% Instrumentalness • 67% Positiveness
14% Popularity • 50% Danceability • 70% Energy • 31% Liveness
0% Instrumentalness • 67% Positiveness
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Sister Sadie
Losing You Blues
200 bpm • D Maj • 02:48 • -5.12db
19% Popularity • 51% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
19% Popularity • 51% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Hackensaw Boys
Don't Bet Against Me
151 bpm • G Maj • 03:23 • -7.87db
32% Popularity • 53% Danceability • 65% Energy • 36% Liveness
0% Instrumentalness • 87% Positiveness
32% Popularity • 53% Danceability • 65% Energy • 36% Liveness
0% Instrumentalness • 87% Positiveness
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Stillhouse Junkies
Whiskey Prison
150 bpm • D min • 04:30 • -9.28db
9% Popularity • 46% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
9% Popularity • 46% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
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Mile Twelve
Rocky Island
151 bpm • D Maj • 03:44 • -10.22db
5% Popularity • 51% Danceability • 51% Energy • 7% Liveness
23% Instrumentalness • 61% Positiveness
5% Popularity • 51% Danceability • 51% Energy • 7% Liveness
23% Instrumentalness • 61% Positiveness
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The Lonely Heartstring Band
Rambling, Gambling Willie
150 bpm • E Maj • 03:27 • -8.35db
19% Popularity • 62% Danceability • 66% Energy • 36% Liveness
0% Instrumentalness • 85% Positiveness
19% Popularity • 62% Danceability • 66% Energy • 36% Liveness
0% Instrumentalness • 85% Positiveness
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The Po' Ramblin' Boys
Next Train South
150 bpm • F# Maj • 02:34 • -5.08db
37% Popularity • 56% Danceability • 84% Energy • 37% Liveness
0% Instrumentalness • 85% Positiveness
37% Popularity • 56% Danceability • 84% Energy • 37% Liveness
0% Instrumentalness • 85% Positiveness
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Kitchen Dwellers
Mountain
150 bpm • C Maj • 04:57 • -11.3db
37% Popularity • 58% Danceability • 63% Energy • 28% Liveness
12% Instrumentalness • 66% Positiveness
37% Popularity • 58% Danceability • 63% Energy • 28% Liveness
12% Instrumentalness • 66% Positiveness
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Old Salt Union
God You Don't Need
150 bpm • C# min • 04:30 • -8.59db
12% Popularity • 47% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
12% Popularity • 47% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
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Addie Levy
Blue Mountain
150 bpm • A# Maj • 04:36 • -7.94db
19% Popularity • 55% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 77% Positiveness
19% Popularity • 55% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 77% Positiveness
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AJ Lee & Blue Summit
Magdalene
202 bpm • G Maj • 03:10 • -10.57db
14% Popularity • 42% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
14% Popularity • 42% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Riverbend
You'd Better Get Right
150 bpm • C Maj • 02:01 • -6.68db
18% Popularity • 65% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
18% Popularity • 65% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
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Sad Daddy
Charlie Pickle
203 bpm • C Maj • 04:16 • -8.26db
23% Popularity • 50% Danceability • 58% Energy • 19% Liveness
1% Instrumentalness • 94% Positiveness
23% Popularity • 50% Danceability • 58% Energy • 19% Liveness
1% Instrumentalness • 94% Positiveness
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Marija Droze
Broken Glass
149 bpm • D Maj • 03:59 • -7.75db
22% Popularity • 55% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 82% Positiveness
22% Popularity • 55% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 82% Positiveness
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Mile Twelve
Heartbroken
204 bpm • G Maj • 02:38 • -9.88db
1% Popularity • 49% Danceability • 41% Energy • 34% Liveness
0% Instrumentalness • 60% Positiveness
1% Popularity • 49% Danceability • 41% Energy • 34% Liveness
0% Instrumentalness • 60% Positiveness