Songs like Intro, Theme and Variations: Rossini/Hermann by Robert Spring
Based on a tempo of (+/- 10%) and a similar genre
► Preview
Carl Maria von Weber
Concertino for Horn and Orchestra, Op. 4...
138 bpm • E Maj • 01:53 • -26.63db
7% Popularity • 15% Danceability • 0% Energy • 9% Liveness
95% Instrumentalness • 6% Positiveness
7% Popularity • 15% Danceability • 0% Energy • 9% Liveness
95% Instrumentalness • 6% Positiveness
► Preview
Arnold Rosner
Variations on a Theme by Frank Martin, O...
138 bpm • A min • 02:16 • -23.84db
11% Popularity • 19% Danceability • 4% Energy • 17% Liveness
79% Instrumentalness • 4% Positiveness
11% Popularity • 19% Danceability • 4% Energy • 17% Liveness
79% Instrumentalness • 4% Positiveness
► Preview
Francis Poulenc
Trois mouvements perpétuels, FP 14b: I....
138 bpm • A# Maj • 01:29 • -25.68db
18% Popularity • 41% Danceability • 2% Energy • 10% Liveness
89% Instrumentalness • 40% Positiveness
18% Popularity • 41% Danceability • 2% Energy • 10% Liveness
89% Instrumentalness • 40% Positiveness
► Preview
Robert Spring
Intro, Theme and Variations: Rossini/Her...
138 bpm • A# Maj • 10:45 • -22.43db
0% Popularity • 36% Danceability • 4% Energy • 10% Liveness
22% Instrumentalness • 16% Positiveness
0% Popularity • 36% Danceability • 4% Energy • 10% Liveness
22% Instrumentalness • 16% Positiveness
► Preview
Ernest Bloch
From Jewish Life, B. 54: III. No. 3 Jewi...
137 bpm • F Maj • 02:16 • -20.64db
9% Popularity • 30% Danceability • 1% Energy • 8% Liveness
49% Instrumentalness • 11% Positiveness
9% Popularity • 30% Danceability • 1% Energy • 8% Liveness
49% Instrumentalness • 11% Positiveness
► Preview
Bernhard Henrik Crusell
Introduction et air suédois, Op. 12: In...
137 bpm • D# min • 01:04 • -25.02db
17% Popularity • 33% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 35% Positiveness
17% Popularity • 33% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 35% Positiveness
► Preview
Alexandre Tansman
Sonatine pour basson et piano: I. Allegr...
139 bpm • C Maj • 02:12 • -23db
10% Popularity • 26% Danceability • 10% Energy • 9% Liveness
97% Instrumentalness • 6% Positiveness
10% Popularity • 26% Danceability • 10% Energy • 9% Liveness
97% Instrumentalness • 6% Positiveness
► Preview
Charles Camilleri
Malta Suite for Clarinet and Piano: III....
139 bpm • A min • 01:55 • -19.44db
9% Popularity • 49% Danceability • 24% Energy • 12% Liveness
95% Instrumentalness • 54% Positiveness
9% Popularity • 49% Danceability • 24% Energy • 12% Liveness
95% Instrumentalness • 54% Positiveness
► Preview
Sergei Rachmaninoff
Woodland Suite: III. Moon-Fairy (Arr. Of...
139 bpm • A Maj • 02:08 • -34.07db
11% Popularity • 15% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
11% Popularity • 15% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
► Preview
Fernande Decruck
Saxophone Sonata in C-Sharp Major: IV. N...
137 bpm • G# Maj • 04:57 • -19.07db
8% Popularity • 30% Danceability • 7% Energy • 4% Liveness
56% Instrumentalness • 4% Positiveness
8% Popularity • 30% Danceability • 7% Energy • 4% Liveness
56% Instrumentalness • 4% Positiveness
► Preview
Christian Lindberg
Burning Chaos
137 bpm • F# Maj • 02:22 • -16.87db
13% Popularity • 35% Danceability • 63% Energy • 62% Liveness
81% Instrumentalness • 36% Positiveness
13% Popularity • 35% Danceability • 63% Energy • 62% Liveness
81% Instrumentalness • 36% Positiveness
► Preview
Robert Schumann
Träumerei, Op. 15 No. 7
139 bpm • F Maj • 02:15 • -29db
17% Popularity • 18% Danceability • 0% Energy • 9% Liveness
60% Instrumentalness • 17% Positiveness
17% Popularity • 18% Danceability • 0% Energy • 9% Liveness
60% Instrumentalness • 17% Positiveness
► Preview
Joseph Canteloube
Rustiques: Pastorale
139 bpm • C Maj • 05:36 • -13.05db
0% Popularity • 37% Danceability • 22% Energy • 17% Liveness
84% Instrumentalness • 16% Positiveness
0% Popularity • 37% Danceability • 22% Energy • 17% Liveness
84% Instrumentalness • 16% Positiveness
► Preview
ariana greny
Ramadan Is Here
139 bpm • C Maj • 01:00 • -22.37db
19% Popularity • 19% Danceability • 8% Energy • 9% Liveness
89% Instrumentalness • 23% Positiveness
19% Popularity • 19% Danceability • 8% Energy • 9% Liveness
89% Instrumentalness • 23% Positiveness
► Preview
Georg Philipp Telemann
Bassoon Sonata in F Minor, TWV 41:f1: II...
139 bpm • F min • 03:57 • -19.23db
0% Popularity • 40% Danceability • 15% Energy • 7% Liveness
19% Instrumentalness • 73% Positiveness
0% Popularity • 40% Danceability • 15% Energy • 7% Liveness
19% Instrumentalness • 73% Positiveness
► Preview
Katahj Copley
Serenade for Wind Nonet: II. Moderato
137 bpm • A# Maj • 02:30 • -16.42db
8% Popularity • 30% Danceability • 14% Energy • 13% Liveness
92% Instrumentalness • 20% Positiveness
8% Popularity • 30% Danceability • 14% Energy • 13% Liveness
92% Instrumentalness • 20% Positiveness
► Preview
Johan Halvorsen
Norske eventyrbilleder (Scenes from Norw...
136 bpm • C Maj • 01:27 • -31.23db
15% Popularity • 38% Danceability • 5% Energy • 12% Liveness
94% Instrumentalness • 13% Positiveness
15% Popularity • 38% Danceability • 5% Energy • 12% Liveness
94% Instrumentalness • 13% Positiveness
► Preview
Dmitri Shostakovich
Spanish Songs, Op. 100 (Arr. for Cello &...
136 bpm • D# Maj • 02:15 • -26.51db
15% Popularity • 19% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 12% Positiveness
15% Popularity • 19% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 12% Positiveness
► Preview
Arnold Rosner
Variations on a Theme by Frank Martin, O...
136 bpm • A Maj • 01:57 • -32.98db
12% Popularity • 15% Danceability • 2% Energy • 15% Liveness
90% Instrumentalness • 3% Positiveness
12% Popularity • 15% Danceability • 2% Energy • 15% Liveness
90% Instrumentalness • 3% Positiveness
► Preview
J.B. Smith
Corker
140 bpm • G Maj • 06:17 • -23.08db
0% Popularity • 61% Danceability • 12% Energy • 10% Liveness
24% Instrumentalness • 6% Positiveness
0% Popularity • 61% Danceability • 12% Energy • 10% Liveness
24% Instrumentalness • 6% Positiveness
► Preview
Dick Walter
Mini Sleeping Beauty
136 bpm • D# Maj • 01:02 • -24.05db
13% Popularity • 19% Danceability • 7% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
13% Popularity • 19% Danceability • 7% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
► Preview
![Ă“lafur LiljurĂłs: [Crotchet = c. 96] cover art](https://i.scdn.co/image/ab67616d00001e0233c5d178cecc0ab03656565b)
JĂłrunn ViĂ°ar
Ă“lafur LiljurĂłs: [Crotchet = c. 96]
136 bpm • C Maj • 01:19 • -24.57db
8% Popularity • 18% Danceability • 3% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
8% Popularity • 18% Danceability • 3% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
► Preview
Karsten Masch
Opus No. 5 Karsten Masch - Tubae Spei - ...
140 bpm • C# min • 03:12 • -16.48db
23% Popularity • 37% Danceability • 24% Energy • 12% Liveness
85% Instrumentalness • 14% Positiveness
23% Popularity • 37% Danceability • 24% Energy • 12% Liveness
85% Instrumentalness • 14% Positiveness
► Preview
Paul Creston
Saxophone Sonata, Op. 19: III. With gaie...
140 bpm • D Maj • 04:17 • -16db
11% Popularity • 48% Danceability • 19% Energy • 9% Liveness
95% Instrumentalness • 75% Positiveness
11% Popularity • 48% Danceability • 19% Energy • 9% Liveness
95% Instrumentalness • 75% Positiveness
► Preview
Mieczysław Weinberg
Trumpet Concerto in B-Flat Major, Op. 94...
136 bpm • F# Maj • 01:17 • -26.13db
19% Popularity • 18% Danceability • 4% Energy • 18% Liveness
77% Instrumentalness • 4% Positiveness
19% Popularity • 18% Danceability • 4% Energy • 18% Liveness
77% Instrumentalness • 4% Positiveness
► Preview
Robert Spring
"X" Quarter = 56
135 bpm • G min • 07:03 • -13.28db
0% Popularity • 25% Danceability • 29% Energy • 10% Liveness
17% Instrumentalness • 4% Positiveness
0% Popularity • 25% Danceability • 29% Energy • 10% Liveness
17% Instrumentalness • 4% Positiveness
► Preview
Timothy Higgins
Higgins: Sonata for Alto Trombone I:I
136 bpm • A# Maj • 00:59 • -31.56db
25% Popularity • 26% Danceability • 0% Energy • 9% Liveness
11% Instrumentalness • 80% Positiveness
25% Popularity • 26% Danceability • 0% Energy • 9% Liveness
11% Instrumentalness • 80% Positiveness
► Preview
Milo Paulus
Proving the Existence of Folkloric Creat...
135 bpm • A min • 03:17 • -21.72db
10% Popularity • 38% Danceability • 13% Energy • 9% Liveness
45% Instrumentalness • 10% Positiveness
10% Popularity • 38% Danceability • 13% Energy • 9% Liveness
45% Instrumentalness • 10% Positiveness
► Preview
Christian Lindberg
Requerdos De Girona 1. ”Locura En Cada...
141 bpm • D Maj • 01:07 • -17.78db
16% Popularity • 41% Danceability • 13% Energy • 15% Liveness
94% Instrumentalness • 12% Positiveness
16% Popularity • 41% Danceability • 13% Energy • 15% Liveness
94% Instrumentalness • 12% Positiveness
► Preview
Robert Parsons
A Songe Called Trumpetts
142 bpm • F# Maj • 01:39 • -39.92db
10% Popularity • 39% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 69% Positiveness
10% Popularity • 39% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 69% Positiveness
► Preview
Erwin Schulhoff
Divertissement: Florida
135 bpm • C Maj • 02:00 • -14.61db
0% Popularity • 65% Danceability • 12% Energy • 14% Liveness
90% Instrumentalness • 63% Positiveness
0% Popularity • 65% Danceability • 12% Energy • 14% Liveness
90% Instrumentalness • 63% Positiveness
► Preview
Robert Spring
Carnival of Venice: Jeanjean/Fournier
141 bpm • F Maj • 07:15 • -22.25db
1% Popularity • 36% Danceability • 3% Energy • 9% Liveness
38% Instrumentalness • 8% Positiveness
1% Popularity • 36% Danceability • 3% Energy • 9% Liveness
38% Instrumentalness • 8% Positiveness
► Preview
Anonymous
The Future of Fire (arr. for wind ensemb...
134 bpm • F Maj • 05:51 • -18.11db
0% Popularity • 30% Danceability • 30% Energy • 66% Liveness
35% Instrumentalness • 12% Positiveness
0% Popularity • 30% Danceability • 30% Energy • 66% Liveness
35% Instrumentalness • 12% Positiveness
► Preview
Kurt Weill
Excerpts from Dreigroschenoper: Zuhälte...
134 bpm • E min • 01:04 • -21.6db
18% Popularity • 36% Danceability • 8% Energy • 14% Liveness
5% Instrumentalness • 49% Positiveness
18% Popularity • 36% Danceability • 8% Energy • 14% Liveness
5% Instrumentalness • 49% Positiveness
► Preview
Zhou Tian
Sinfonia: II. Transit
134 bpm • A# Maj • 04:13 • -17.32db
7% Popularity • 52% Danceability • 34% Energy • 13% Liveness
79% Instrumentalness • 26% Positiveness
7% Popularity • 52% Danceability • 34% Energy • 13% Liveness
79% Instrumentalness • 26% Positiveness
► Preview
Camille Saint-Saëns
Parysatis, R. 312: Introduction. Air de ...
142 bpm • F Maj • 02:42 • -20.36db
9% Popularity • 38% Danceability • 9% Energy • 18% Liveness
95% Instrumentalness • 7% Positiveness
9% Popularity • 38% Danceability • 9% Energy • 18% Liveness
95% Instrumentalness • 7% Positiveness
► Preview
Erwin Schulhoff
Divertissement: Romanzero
142 bpm • C Maj • 02:00 • -15db
0% Popularity • 42% Danceability • 6% Energy • 8% Liveness
77% Instrumentalness • 22% Positiveness
0% Popularity • 42% Danceability • 6% Energy • 8% Liveness
77% Instrumentalness • 22% Positiveness
► Preview
Johannes Brahms
Hungarian Dance No. 1
143 bpm • G min • 03:05 • -17.35db
15% Popularity • 40% Danceability • 16% Energy • 12% Liveness
89% Instrumentalness • 26% Positiveness
15% Popularity • 40% Danceability • 16% Energy • 12% Liveness
89% Instrumentalness • 26% Positiveness
► Preview
Robert Spring
Sub(T)Rains O' Strata's Fears
141 bpm • A min • 09:54 • -16.54db
0% Popularity • 56% Danceability • 5% Energy • 13% Liveness
44% Instrumentalness • 16% Positiveness
0% Popularity • 56% Danceability • 5% Energy • 13% Liveness
44% Instrumentalness • 16% Positiveness
► Preview
Claude Debussy
Préludes, Book 1, L. 117: No. 11, La da...
143 bpm • F min • 03:04 • -27.62db
11% Popularity • 29% Danceability • 1% Energy • 13% Liveness
86% Instrumentalness • 4% Positiveness
11% Popularity • 29% Danceability • 1% Energy • 13% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Willson Osborne
Rhapsody for Clarinet
143 bpm • C# Maj • 05:28 • -24.91db
14% Popularity • 22% Danceability • 1% Energy • 10% Liveness
12% Instrumentalness • 27% Positiveness
14% Popularity • 22% Danceability • 1% Energy • 10% Liveness
12% Instrumentalness • 27% Positiveness
► Preview
Pierre Max Dubois
Sonatine Tango for Bassoon and Piano: I....
133 bpm • A min • 01:08 • -22.11db
8% Popularity • 50% Danceability • 10% Energy • 14% Liveness
84% Instrumentalness • 45% Positiveness
8% Popularity • 50% Danceability • 10% Energy • 14% Liveness
84% Instrumentalness • 45% Positiveness
► Preview
Charles Griffes
Poem for Flute and Orchestra
134 bpm • A Maj • 08:47 • -21.84db
8% Popularity • 26% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 9% Positiveness
8% Popularity • 26% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 9% Positiveness
► Preview
Christian Lindberg
Final Ride
133 bpm • A# Maj • 01:47 • -17.08db
12% Popularity • 32% Danceability • 82% Energy • 66% Liveness
82% Instrumentalness • 7% Positiveness
12% Popularity • 32% Danceability • 82% Energy • 66% Liveness
82% Instrumentalness • 7% Positiveness
► Preview
Robert Spring
Kreisler: Rigaudon
141 bpm • A min • 02:20 • -15.55db
0% Popularity • 38% Danceability • 24% Energy • 11% Liveness
83% Instrumentalness • 88% Positiveness
0% Popularity • 38% Danceability • 24% Energy • 11% Liveness
83% Instrumentalness • 88% Positiveness
► Preview
Antonio Vivaldi
The New Four Seasons - Winter: III. Slip...
133 bpm • F min • 03:37 • -18.57db
10% Popularity • 41% Danceability • 16% Energy • 18% Liveness
16% Instrumentalness • 14% Positiveness
10% Popularity • 41% Danceability • 16% Energy • 18% Liveness
16% Instrumentalness • 14% Positiveness
► Preview
Tom Davoren
Rondo Olympia
133 bpm • C Maj • 01:26 • -24.1db
15% Popularity • 61% Danceability • 12% Energy • 9% Liveness
94% Instrumentalness • 84% Positiveness
15% Popularity • 61% Danceability • 12% Energy • 9% Liveness
94% Instrumentalness • 84% Positiveness
► Preview
Heitor Villa-Lobos
Fantasia for Cello & Orchestra, W454: II...
133 bpm • D# Maj • 07:00 • -26.09db
9% Popularity • 26% Danceability • 10% Energy • 12% Liveness
85% Instrumentalness • 23% Positiveness
9% Popularity • 26% Danceability • 10% Energy • 12% Liveness
85% Instrumentalness • 23% Positiveness
► Preview
J.B. Smith
Going Home: III. Moderato
143 bpm • A# min • 01:32 • -18.81db
0% Popularity • 31% Danceability • 9% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
0% Popularity • 31% Danceability • 9% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
► Preview
Paul Chihara
Concerto-Fantasy: II. Interlude
133 bpm • C# Maj • 03:47 • -25.08db
11% Popularity • 22% Danceability • 7% Energy • 60% Liveness
86% Instrumentalness • 5% Positiveness
11% Popularity • 22% Danceability • 7% Energy • 60% Liveness
86% Instrumentalness • 5% Positiveness
► Preview
Robert Spring
Allegro
133 bpm • C Maj • 05:45 • -20.45db
0% Popularity • 52% Danceability • 10% Energy • 35% Liveness
50% Instrumentalness • 23% Positiveness
0% Popularity • 52% Danceability • 10% Energy • 35% Liveness
50% Instrumentalness • 23% Positiveness
► Preview
Jean Sibelius
Lemminkäinen, Op. 22: IV. Lemminkäinen...
144 bpm • C min • 06:36 • -24.5db
9% Popularity • 29% Danceability • 20% Energy • 7% Liveness
86% Instrumentalness • 12% Positiveness
9% Popularity • 29% Danceability • 20% Energy • 7% Liveness
86% Instrumentalness • 12% Positiveness
► Preview
Mieczysław Weinberg
Trumpet Concerto in B-Flat Major, Op. 94...
144 bpm • F Maj • 01:01 • -14.16db
17% Popularity • 54% Danceability • 35% Energy • 46% Liveness
90% Instrumentalness • 62% Positiveness
17% Popularity • 54% Danceability • 35% Energy • 46% Liveness
90% Instrumentalness • 62% Positiveness
► Preview
Darius Milhaud
Scaramouche, Op. 165d: I. Vif
132 bpm • C Maj • 02:59 • -17.21db
10% Popularity • 46% Danceability • 25% Energy • 18% Liveness
70% Instrumentalness • 36% Positiveness
10% Popularity • 46% Danceability • 25% Energy • 18% Liveness
70% Instrumentalness • 36% Positiveness
► Preview
J.B. Smith
In Light of Three: II.
144 bpm • A# min • 03:32 • -14.27db
0% Popularity • 78% Danceability • 33% Energy • 6% Liveness
24% Instrumentalness • 50% Positiveness
0% Popularity • 78% Danceability • 33% Energy • 6% Liveness
24% Instrumentalness • 50% Positiveness
► Preview
Soeui Lee
Three Bagatelles: No. 2, Divertimenti in...
132 bpm • A# min • 03:57 • -18.35db
21% Popularity • 27% Danceability • 8% Energy • 13% Liveness
91% Instrumentalness • 10% Positiveness
21% Popularity • 27% Danceability • 8% Energy • 13% Liveness
91% Instrumentalness • 10% Positiveness
► Preview
Robert Spring
Of Shadow and Fire
133 bpm • A# min • 06:34 • -12.21db
0% Popularity • 48% Danceability • 19% Energy • 14% Liveness
73% Instrumentalness • 22% Positiveness
0% Popularity • 48% Danceability • 19% Energy • 14% Liveness
73% Instrumentalness • 22% Positiveness
► Preview
Aurelio Scotto
Orchestral Sketch n.°2
132 bpm • A min • 01:27 • -20.56db
18% Popularity • 46% Danceability • 17% Energy • 20% Liveness
86% Instrumentalness • 25% Positiveness
18% Popularity • 46% Danceability • 17% Energy • 20% Liveness
86% Instrumentalness • 25% Positiveness
► Preview
Joel Love
Solace (A Lyric Concerto): I. Joy
132 bpm • D# Maj • 03:08 • -14.95db
8% Popularity • 24% Danceability • 22% Energy • 24% Liveness
89% Instrumentalness • 23% Positiveness
8% Popularity • 24% Danceability • 22% Energy • 24% Liveness
89% Instrumentalness • 23% Positiveness
► Preview
Eric Ewazen
Sonata for Trumpet and Piano: 1. Lento: ...
132 bpm • B Maj • 08:45 • -19.27db
9% Popularity • 30% Danceability • 12% Energy • 20% Liveness
84% Instrumentalness • 6% Positiveness
9% Popularity • 30% Danceability • 12% Energy • 20% Liveness
84% Instrumentalness • 6% Positiveness
► Preview
Aigars Raumanis
The Closed Courtyard
144 bpm • C min • 09:18 • -21.57db
13% Popularity • 44% Danceability • 14% Energy • 14% Liveness
60% Instrumentalness • 7% Positiveness
13% Popularity • 44% Danceability • 14% Energy • 14% Liveness
60% Instrumentalness • 7% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Tchaikovsky: Suite from Pique Dame (Arr....
132 bpm • A Maj • 01:22 • -17.27db
10% Popularity • 60% Danceability • 29% Energy • 9% Liveness
93% Instrumentalness • 52% Positiveness
10% Popularity • 60% Danceability • 29% Energy • 9% Liveness
93% Instrumentalness • 52% Positiveness
► Preview
Robert Spring
Freebirds
144 bpm • G# Maj • 12:55 • -10.36db
0% Popularity • 31% Danceability • 42% Energy • 51% Liveness
89% Instrumentalness • 13% Positiveness
0% Popularity • 31% Danceability • 42% Energy • 51% Liveness
89% Instrumentalness • 13% Positiveness
► Preview
Roberto Molinelli
4 Pictures from New York (Version for Sa...
145 bpm • A min • 04:57 • -15.46db
10% Popularity • 33% Danceability • 20% Energy • 22% Liveness
76% Instrumentalness • 19% Positiveness
10% Popularity • 33% Danceability • 20% Energy • 22% Liveness
76% Instrumentalness • 19% Positiveness
► Preview
Carl Maria von Weber
Clarinet Quintet in B-Flat Major, Op. 34...
131 bpm • F Maj • 10:31 • -13.01db
9% Popularity • 35% Danceability • 20% Energy • 17% Liveness
86% Instrumentalness • 25% Positiveness
9% Popularity • 35% Danceability • 20% Energy • 17% Liveness
86% Instrumentalness • 25% Positiveness
► Preview
Aivars Kalējs
French Quadrilogy: No. 1, The Girl on a ...
131 bpm • D min • 02:39 • -23.34db
20% Popularity • 28% Danceability • 9% Energy • 9% Liveness
21% Instrumentalness • 12% Positiveness
20% Popularity • 28% Danceability • 9% Energy • 9% Liveness
21% Instrumentalness • 12% Positiveness
► Preview
Igor Stravinsky
Petrushka, K12 (1947 Version): Ia. The S...
131 bpm • A# Maj • 07:36 • -18.03db
20% Popularity • 40% Danceability • 25% Energy • 20% Liveness
65% Instrumentalness • 5% Positiveness
20% Popularity • 40% Danceability • 25% Energy • 20% Liveness
65% Instrumentalness • 5% Positiveness
► Preview
Bill Douglas
Suite Cantando: IV. Cantabile
146 bpm • C# Maj • 03:57 • -21.78db
0% Popularity • 21% Danceability • 4% Energy • 10% Liveness
95% Instrumentalness • 13% Positiveness
0% Popularity • 21% Danceability • 4% Energy • 10% Liveness
95% Instrumentalness • 13% Positiveness
► Preview
Robert Spring
"X" To The Pines...To The Pines
132 bpm • F# Maj • 05:45 • -11.28db
0% Popularity • 20% Danceability • 22% Energy • 13% Liveness
74% Instrumentalness • 7% Positiveness
0% Popularity • 20% Danceability • 22% Energy • 13% Liveness
74% Instrumentalness • 7% Positiveness
► Preview
J.B. Smith
In Light of Three: I.
130 bpm • B min • 03:16 • -19.18db
0% Popularity • 34% Danceability • 2% Energy • 7% Liveness
54% Instrumentalness • 4% Positiveness
0% Popularity • 34% Danceability • 2% Energy • 7% Liveness
54% Instrumentalness • 4% Positiveness
► Preview
Richard Strauss
Horn Concerto No. 1 in E-Flat Major, Op....
130 bpm • D# Maj • 05:18 • -23.29db
9% Popularity • 30% Danceability • 5% Energy • 12% Liveness
73% Instrumentalness • 30% Positiveness
9% Popularity • 30% Danceability • 5% Energy • 12% Liveness
73% Instrumentalness • 30% Positiveness
► Preview
Lili Boulanger
Deux Morceaux (arr. for brass ensemble b...
130 bpm • D# Maj • 02:55 • -26.77db
21% Popularity • 18% Danceability • 3% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
21% Popularity • 18% Danceability • 3% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Jean-Jacques Charles
Les points cardinaux: II.
130 bpm • A min • 01:11 • -18.23db
9% Popularity • 41% Danceability • 13% Energy • 11% Liveness
86% Instrumentalness • 11% Positiveness
9% Popularity • 41% Danceability • 13% Energy • 11% Liveness
86% Instrumentalness • 11% Positiveness
► Preview
Dani Howard
Arches
147 bpm • E Maj • 09:15 • -21.78db
10% Popularity • 16% Danceability • 11% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
10% Popularity • 16% Danceability • 11% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Robert Spring
Duo Sonata: III. Scherzo
130 bpm • C Maj • 01:22 • -19.61db
0% Popularity • 63% Danceability • 6% Energy • 14% Liveness
91% Instrumentalness • 84% Positiveness
0% Popularity • 63% Danceability • 6% Energy • 14% Liveness
91% Instrumentalness • 84% Positiveness
► Preview
Bill Douglas
Suite Cantando: II. Canzona
130 bpm • G min • 04:33 • -23.61db
0% Popularity • 26% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 37% Positiveness
0% Popularity • 26% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 37% Positiveness
► Preview
Joseph Canteloube
Rustiques: RĂŞverie
147 bpm • A# Maj • 06:11 • -16.51db
0% Popularity • 15% Danceability • 14% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
0% Popularity • 15% Danceability • 14% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Richard Strauss
Strauss, R: Der BĂĽrger als Edelmann Sui...
130 bpm • C Maj • 04:03 • -26.25db
13% Popularity • 38% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 19% Positiveness
13% Popularity • 38% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 19% Positiveness
► Preview
Igor Stravinsky
Suite No.1, K. 045: II. Napolitana. Dott...
129 bpm • E min • 01:21 • -19.38db
8% Popularity • 44% Danceability • 15% Energy • 13% Liveness
96% Instrumentalness • 41% Positiveness
8% Popularity • 44% Danceability • 15% Energy • 13% Liveness
96% Instrumentalness • 41% Positiveness
► Preview
Frank Martin
Martin: Ballade II
129 bpm • G# min • 00:59 • -34.84db
7% Popularity • 17% Danceability • 0% Energy • 10% Liveness
95% Instrumentalness • 15% Positiveness
7% Popularity • 17% Danceability • 0% Energy • 10% Liveness
95% Instrumentalness • 15% Positiveness
► Preview
Ralph Vaughan Williams
Suite de Ballet: Passepied
148 bpm • C min • 01:58 • -21db
9% Popularity • 46% Danceability • 17% Energy • 12% Liveness
89% Instrumentalness • 60% Positiveness
9% Popularity • 46% Danceability • 17% Energy • 12% Liveness
89% Instrumentalness • 60% Positiveness
► Preview
Eugène Bozza
Andante et scherzo: II. Scherzo
148 bpm • F Maj • 03:11 • -16db
9% Popularity • 54% Danceability • 27% Energy • 8% Liveness
88% Instrumentalness • 52% Positiveness
9% Popularity • 54% Danceability • 27% Energy • 8% Liveness
88% Instrumentalness • 52% Positiveness
► Preview
Colin Brumby
Danza
129 bpm • F Maj • 01:56 • -20.93db
9% Popularity • 28% Danceability • 4% Energy • 27% Liveness
74% Instrumentalness • 26% Positiveness
9% Popularity • 28% Danceability • 4% Energy • 27% Liveness
74% Instrumentalness • 26% Positiveness
► Preview
J.B. Smith
Points In the Sky
129 bpm • C# Maj • 12:17 • -25.28db
0% Popularity • 31% Danceability • 10% Energy • 9% Liveness
65% Instrumentalness • 3% Positiveness
0% Popularity • 31% Danceability • 10% Energy • 9% Liveness
65% Instrumentalness • 3% Positiveness
► Preview
Robert Spring
Voices Rising
148 bpm • C min • 07:58 • -19.21db
0% Popularity • 41% Danceability • 10% Energy • 14% Liveness
80% Instrumentalness • 11% Positiveness
0% Popularity • 41% Danceability • 10% Energy • 14% Liveness
80% Instrumentalness • 11% Positiveness
► Preview
Christian Lindberg
Tromsö 2018 I
128 bpm • C Maj • 01:11 • -11db
16% Popularity • 54% Danceability • 41% Energy • 61% Liveness
80% Instrumentalness • 52% Positiveness
16% Popularity • 54% Danceability • 41% Energy • 61% Liveness
80% Instrumentalness • 52% Positiveness
► Preview
Alexandre Tansman
Sonatine pour basson et piano: III. Sche...
149 bpm • A min • 02:27 • -23.33db
12% Popularity • 47% Danceability • 25% Energy • 9% Liveness
93% Instrumentalness • 58% Positiveness
12% Popularity • 47% Danceability • 25% Energy • 9% Liveness
93% Instrumentalness • 58% Positiveness
► Preview
Jean Françaix
Clarinet Concerto: I. Allegro
128 bpm • A Maj • 07:33 • -19db
12% Popularity • 38% Danceability • 19% Energy • 9% Liveness
85% Instrumentalness • 22% Positiveness
12% Popularity • 38% Danceability • 19% Energy • 9% Liveness
85% Instrumentalness • 22% Positiveness
► Preview
Sanseti Sabaru
Mystic Raga Serenity
149 bpm • G min • 02:22 • -34.22db
10% Popularity • 13% Danceability • 2% Energy • 5% Liveness
94% Instrumentalness • 5% Positiveness
10% Popularity • 13% Danceability • 2% Energy • 5% Liveness
94% Instrumentalness • 5% Positiveness
► Preview
J.B. Smith
Sonata for Clarinet and Percussion: III....
149 bpm • G# min • 04:21 • -24.08db
0% Popularity • 29% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
0% Popularity • 29% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
► Preview
Ferdinand David
Trombone Concertino in E-flat Major, Op....
127 bpm • D# Maj • 01:00 • -14.56db
16% Popularity • 32% Danceability • 32% Energy • 15% Liveness
92% Instrumentalness • 33% Positiveness
16% Popularity • 32% Danceability • 32% Energy • 15% Liveness
92% Instrumentalness • 33% Positiveness
► Preview
Igor Stravinsky
Suite No. 1 for Chamber Orchestra: II. N...
127 bpm • E min • 01:17 • -20.05db
8% Popularity • 50% Danceability • 11% Energy • 9% Liveness
90% Instrumentalness • 53% Positiveness
8% Popularity • 50% Danceability • 11% Energy • 9% Liveness
90% Instrumentalness • 53% Positiveness
► Preview
Anonymous
Lisbon "Dublin Bay"
127 bpm • D# Maj • 01:19 • -19.08db
20% Popularity • 38% Danceability • 12% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
20% Popularity • 38% Danceability • 12% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
► Preview
Juan Pablo Fernández Ramos
Las tres culturas: 3. Los pasos de Jehov...
127 bpm • D min • 04:08 • -33.21db
13% Popularity • 21% Danceability • 1% Energy • 8% Liveness
58% Instrumentalness • 7% Positiveness
13% Popularity • 21% Danceability • 1% Energy • 8% Liveness
58% Instrumentalness • 7% Positiveness
► Preview
Franz Schubert
Introduction & Variations on "Trockne Bl...
150 bpm • B min • 01:57 • -17.99db
15% Popularity • 28% Danceability • 13% Energy • 40% Liveness
87% Instrumentalness • 30% Positiveness
15% Popularity • 28% Danceability • 13% Energy • 40% Liveness
87% Instrumentalness • 30% Positiveness
► Preview
Darius Milhaud
Scaramouche, Op. 165c: I. Vif
127 bpm • C Maj • 03:05 • -18db
9% Popularity • 47% Danceability • 23% Energy • 21% Liveness
86% Instrumentalness • 55% Positiveness
9% Popularity • 47% Danceability • 23% Energy • 21% Liveness
86% Instrumentalness • 55% Positiveness
► Preview
Ferdinand David
Trombone Concertino in E-flat Major, Op....
127 bpm • D# Maj • 01:05 • -14.02db
14% Popularity • 26% Danceability • 36% Energy • 17% Liveness
97% Instrumentalness • 38% Positiveness
14% Popularity • 26% Danceability • 36% Energy • 17% Liveness
97% Instrumentalness • 38% Positiveness
► Preview
Joseph Moog
Promenade "Walking the Dog" - Version fo...
127 bpm • C Maj • 03:16 • -19.76db
22% Popularity • 46% Danceability • 5% Energy • 7% Liveness
78% Instrumentalness • 19% Positiveness
22% Popularity • 46% Danceability • 5% Energy • 7% Liveness
78% Instrumentalness • 19% Positiveness
