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Invitation
Songs like
Invitation
by
Tom Harrell
Based on a tempo of (+/- 10%) and a similar genre
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Woody Shaw
Organ Grinder
111 bpm • D# Maj • 05:31 • -14.52db
23% Popularity • 43% Danceability • 42% Energy • 17% Liveness
1% Instrumentalness • 43% Positiveness
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Tom Harrell
View
111 bpm • F min • 05:47 • -11.02db
3% Popularity • 51% Danceability • 58% Energy • 12% Liveness
91% Instrumentalness • 57% Positiveness
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McCoy Tyner
Autumn Leaves
111 bpm • G min • 06:10 • -17.77db
33% Popularity • 60% Danceability • 25% Energy • 6% Liveness
43% Instrumentalness • 67% Positiveness
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Melissa Aldana
My Ship
112 bpm • C Maj • 03:04 • -22.72db
35% Popularity • 60% Danceability • 2% Energy • 12% Liveness
89% Instrumentalness • 23% Positiveness
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Sam Rivers
Kinda Dukish
111 bpm • A# min • 05:26 • -13.15db
18% Popularity • 45% Danceability • 50% Energy • 11% Liveness
90% Instrumentalness • 60% Positiveness
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Paolo Fresu Quintet
Peace
112 bpm • C min • 01:41 • -16.5db
43% Popularity • 50% Danceability • 1% Energy • 13% Liveness
91% Instrumentalness • 14% Positiveness
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Sullivan Fortner
Beans And Cornbread
110 bpm • F# min • 03:47 • -13.97db
8% Popularity • 57% Danceability • 32% Energy • 11% Liveness
81% Instrumentalness • 51% Positiveness
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Roy Hargrove Quintet
Pinocchio
112 bpm • E min • 04:53 • -14.47db
10% Popularity • 48% Danceability • 34% Energy • 26% Liveness
36% Instrumentalness • 39% Positiveness
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Milt Jackson
S.K.J.
112 bpm • C# Maj • 05:17 • -21db
33% Popularity • 70% Danceability • 15% Energy • 12% Liveness
33% Instrumentalness • 43% Positiveness
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Aldo Romano
Dear Old Stockholm
112 bpm • A min • 04:51 • -11.02db
22% Popularity • 44% Danceability • 54% Energy • 11% Liveness
18% Instrumentalness • 51% Positiveness
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Tom Harrell
Little Girl
112 bpm • A# Maj • 07:04 • -23.93db
6% Popularity • 50% Danceability • 9% Energy • 9% Liveness
88% Instrumentalness • 23% Positiveness
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Kenny Wheeler
Part 6 - Consolation
112 bpm • F# min • 09:17 • -19db
16% Popularity • 34% Danceability • 9% Energy • 4% Liveness
20% Instrumentalness • 12% Positiveness
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Branford Marsalis Quartet
In The Crease
110 bpm • F min • 06:46 • -10.08db
11% Popularity • 52% Danceability • 67% Energy • 30% Liveness
90% Instrumentalness • 65% Positiveness
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Mal Waldron Trio
Boo
110 bpm • C min • 03:26 • -17.79db
10% Popularity • 46% Danceability • 30% Energy • 28% Liveness
0% Instrumentalness • 36% Positiveness
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Claudio Riggio
Tom, feliz feliz !
110 bpm • F Maj • 01:16 • -20.28db
4% Popularity • 42% Danceability • 10% Energy • 15% Liveness
44% Instrumentalness • 4% Positiveness
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Roy Hargrove Quintet
Caryisms
109 bpm • F# Maj • 07:02 • -14.3db
13% Popularity • 58% Danceability • 37% Energy • 15% Liveness
70% Instrumentalness • 52% Positiveness
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Tom Harrell
Remembering Mingus at Music Inn
109 bpm • D Maj • 04:43 • -11.02db
16% Popularity • 53% Danceability • 48% Energy • 13% Liveness
89% Instrumentalness • 48% Positiveness
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Triosence
Quiet Sense
113 bpm • C# Maj • 04:43 • -15.71db
31% Popularity • 49% Danceability • 35% Energy • 14% Liveness
94% Instrumentalness • 28% Positiveness
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Charles Lloyd Quartet
Caroline, No
109 bpm • C# Maj • 04:02 • -10.95db
25% Popularity • 48% Danceability • 42% Energy • 8% Liveness
12% Instrumentalness • 34% Positiveness
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Barry Harris Trio
Ornithology
113 bpm • D Maj • 03:31 • -12db
32% Popularity • 62% Danceability • 46% Energy • 13% Liveness
82% Instrumentalness • 56% Positiveness
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Joshua Redman Quartet
Past in the Present
113 bpm • E min • 04:53 • -14.89db
15% Popularity • 37% Danceability • 39% Energy • 11% Liveness
87% Instrumentalness • 19% Positiveness
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Snorre Kirk
Art Nouveau
113 bpm • C# Maj • 04:51 • -13.9db
10% Popularity • 69% Danceability • 27% Energy • 5% Liveness
75% Instrumentalness • 44% Positiveness
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Tom Harrell
Right as Rain
109 bpm • G Maj • 03:20 • -14.63db
9% Popularity • 34% Danceability • 10% Energy • 33% Liveness
33% Instrumentalness • 8% Positiveness
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Marcus Strickland
She's Alive
113 bpm • A min • 04:20 • -11.47db
15% Popularity • 59% Danceability • 22% Energy • 16% Liveness
26% Instrumentalness • 17% Positiveness
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Connie Han
Ereshkigal of the Underworld
109 bpm • C Maj • 03:01 • -15.03db
20% Popularity • 37% Danceability • 48% Energy • 16% Liveness
93% Instrumentalness • 58% Positiveness
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Eyolf Dale
How could it be?
109 bpm • C Maj • 05:39 • -19.86db
6% Popularity • 40% Danceability • 24% Energy • 12% Liveness
91% Instrumentalness • 14% Positiveness
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Dave Stryker
River Man
113 bpm • G# Maj • 08:58 • -18.18db
12% Popularity • 32% Danceability • 20% Energy • 89% Liveness
61% Instrumentalness • 17% Positiveness
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Bob Berg
You And The Night And The Music
113 bpm • C Maj • 06:08 • -14.37db
15% Popularity • 40% Danceability • 62% Energy • 6% Liveness
5% Instrumentalness • 50% Positiveness
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Tom Harrell
Improv
109 bpm • B min • 04:29 • -11.63db
6% Popularity • 58% Danceability • 36% Energy • 11% Liveness
96% Instrumentalness • 54% Positiveness
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Barry Harris Trio
Bluesy
108 bpm • G min • 04:31 • -13db
27% Popularity • 56% Danceability • 26% Energy • 7% Liveness
88% Instrumentalness • 46% Positiveness
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Marcin Wasilewski
Free-Bop
114 bpm • C# Maj • 04:29 • -17.46db
9% Popularity • 44% Danceability • 32% Energy • 10% Liveness
89% Instrumentalness • 52% Positiveness
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Kait Dunton
Epilogue
108 bpm • F min • 02:37 • -21.73db
26% Popularity • 55% Danceability • 12% Energy • 12% Liveness
82% Instrumentalness • 27% Positiveness
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Connie Han
Captain’s Song
108 bpm • G# min • 05:22 • -15.77db
42% Popularity • 50% Danceability • 21% Energy • 9% Liveness
84% Instrumentalness • 12% Positiveness
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Tony Williams
Geo Rose
114 bpm • C Maj • 07:26 • -12.51db
29% Popularity • 65% Danceability • 68% Energy • 16% Liveness
25% Instrumentalness • 75% Positiveness
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Tom Harrell
Evoorg
113 bpm • C min • 04:59 • -9.56db
11% Popularity • 52% Danceability • 54% Energy • 13% Liveness
94% Instrumentalness • 62% Positiveness
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Eric Reed
Martha's Prize
108 bpm • F min • 07:49 • -11.96db
8% Popularity • 50% Danceability • 46% Energy • 10% Liveness
21% Instrumentalness • 50% Positiveness
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Ambrose Akinmusire
Roy
108 bpm • A# Maj • 02:40 • -20.63db
43% Popularity • 40% Danceability • 1% Energy • 11% Liveness
48% Instrumentalness • 28% Positiveness
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Joshua Redman Quartet
DGAF
114 bpm • C Maj • 04:48 • -8.96db
13% Popularity • 57% Danceability • 53% Energy • 14% Liveness
92% Instrumentalness • 68% Positiveness
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Trio X of Sweden
Roslagsvår (Swedish Polka)
108 bpm • C Maj • 05:03 • -14.25db
11% Popularity • 55% Danceability • 45% Energy • 11% Liveness
83% Instrumentalness • 52% Positiveness
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Melissa Aldana
Unconscious Whispers
114 bpm • A Maj • 06:49 • -15.27db
37% Popularity • 48% Danceability • 30% Energy • 11% Liveness
90% Instrumentalness • 26% Positiveness
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Tom Harrell
I nodi e il pettine
108 bpm • D min • 05:49 • -13db
31% Popularity • 60% Danceability • 39% Energy • 8% Liveness
92% Instrumentalness • 31% Positiveness
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Grooveto
Night
108 bpm • A# Maj • 01:29 • -19.13db
19% Popularity • 63% Danceability • 36% Energy • 9% Liveness
94% Instrumentalness • 90% Positiveness
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Paolo Fresu Quintet
Blue in Green
115 bpm • D min • 05:44 • -14.09db
14% Popularity • 46% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Dimitri Howald ILJA
The Rush
107 bpm • B min • 04:46 • -11db
8% Popularity • 43% Danceability • 53% Energy • 11% Liveness
92% Instrumentalness • 53% Positiveness
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Red Garland Trio
Summertime
115 bpm • C min • 04:43 • -18.54db
32% Popularity • 51% Danceability • 10% Energy • 13% Liveness
64% Instrumentalness • 9% Positiveness
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Roy Hargrove Quintet
Mental Phrasing
115 bpm • C# Maj • 06:25 • -14.45db
14% Popularity • 55% Danceability • 46% Energy • 33% Liveness
3% Instrumentalness • 65% Positiveness
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Tom Harrell
The Sun, the Moon and You
114 bpm • B min • 06:07 • -16.27db
8% Popularity • 55% Danceability • 32% Energy • 17% Liveness
91% Instrumentalness • 29% Positiveness
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Jim Snidero
Waves of Calm
115 bpm • F min • 03:29 • -16.26db
11% Popularity • 56% Danceability • 9% Energy • 9% Liveness
86% Instrumentalness • 15% Positiveness
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Harold Vick
Mozamba
115 bpm • G# min • 06:12 • -13.61db
0% Popularity • 32% Danceability • 64% Energy • 37% Liveness
92% Instrumentalness • 55% Positiveness
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Wallace Roney
Don't Stop Me Now
115 bpm • C min • 07:05 • -10.48db
35% Popularity • 46% Danceability • 46% Energy • 9% Liveness
1% Instrumentalness • 38% Positiveness
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Jeff Hamilton
Catch Me If You Can
115 bpm • G Maj • 05:39 • -18db
13% Popularity • 50% Danceability • 26% Energy • 7% Liveness
93% Instrumentalness • 68% Positiveness
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Hank Mobley
The Good Life - Remastered 2000/Rudy Van...
115 bpm • G# Maj • 05:08 • -15db
37% Popularity • 48% Danceability • 9% Energy • 11% Liveness
25% Instrumentalness • 24% Positiveness
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Tom Harrell
Archaeopteryx
115 bpm • G# Maj • 05:24 • -11.58db
5% Popularity • 58% Danceability • 32% Energy • 32% Liveness
87% Instrumentalness • 41% Positiveness
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Blue Mitchell
I Wish I Knew
107 bpm • G Maj • 04:26 • -14.98db
35% Popularity • 55% Danceability • 29% Energy • 18% Liveness
14% Instrumentalness • 60% Positiveness
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Miles Davis
Basin Street Blues
107 bpm • E min • 10:27 • -15.39db
31% Popularity • 52% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Antongiulio Foti
Hold Fast
107 bpm • C# Maj • 06:09 • -10.86db
11% Popularity • 47% Danceability • 59% Energy • 11% Liveness
88% Instrumentalness • 74% Positiveness
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Avishai Cohen
Life And Death
107 bpm • A min • 09:18 • -22db
40% Popularity • 37% Danceability • 7% Energy • 29% Liveness
11% Instrumentalness • 13% Positiveness
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Mark Turner
Skylark
115 bpm • C min • 05:55 • -19.34db
30% Popularity • 48% Danceability • 8% Energy • 11% Liveness
25% Instrumentalness • 20% Positiveness
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Philip Catherine Trio
Two Faced Lover
107 bpm • C Maj • 04:39 • -21.07db
1% Popularity • 55% Danceability • 15% Energy • 10% Liveness
94% Instrumentalness • 46% Positiveness
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Julia Hülsmann Quartet
Made Of Wood
116 bpm • A# Maj • 06:12 • -16.24db
12% Popularity • 48% Danceability • 18% Energy • 9% Liveness
82% Instrumentalness • 28% Positiveness
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Eric Legnini Trio
I Can't Get Started
116 bpm • C Maj • 05:08 • -18.49db
25% Popularity • 53% Danceability • 17% Energy • 12% Liveness
58% Instrumentalness • 20% Positiveness
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Marc Copland
When I Fall in Love
116 bpm • G min • 07:27 • -29.4db
35% Popularity • 44% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
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Leon Parker
Duet
116 bpm • B min • 06:39 • -22.08db
1% Popularity • 57% Danceability • 14% Energy • 4% Liveness
70% Instrumentalness • 50% Positiveness
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Joel Ross
Gato's Gift
116 bpm • G Maj • 06:08 • -11db
21% Popularity • 45% Danceability • 37% Energy • 8% Liveness
89% Instrumentalness • 23% Positiveness
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Tom Harrell
Hope St.
106 bpm • A# min • 07:53 • -14.01db
3% Popularity • 49% Danceability • 49% Energy • 11% Liveness
64% Instrumentalness • 62% Positiveness
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Christian Pabst
Balbec
106 bpm • A min • 05:45 • -16.21db
2% Popularity • 48% Danceability • 36% Energy • 12% Liveness
86% Instrumentalness • 31% Positiveness
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Furio Di Castri
Blind Streets
116 bpm • F Maj • 04:41 • -21.38db
30% Popularity • 59% Danceability • 2% Energy • 8% Liveness
4% Instrumentalness • 15% Positiveness
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Dave Holland Quintet
For All You Are
116 bpm • A# Maj • 08:19 • -24db
10% Popularity • 37% Danceability • 8% Energy • 12% Liveness
79% Instrumentalness • 10% Positiveness
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Helge Lien Trio
Gamut Warning Revisited
106 bpm • F min • 05:30 • -14.32db
14% Popularity • 49% Danceability • 56% Energy • 11% Liveness
90% Instrumentalness • 59% Positiveness
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Cedar Walton
Fantasy In D - Ugetsu
116 bpm • E min • 08:45 • -21.8db
18% Popularity • 38% Danceability • 34% Energy • 9% Liveness
82% Instrumentalness • 34% Positiveness
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Tom Harrell
Fountain
116 bpm • F Maj • 06:03 • -16.43db
11% Popularity • 64% Danceability • 31% Energy • 10% Liveness
86% Instrumentalness • 34% Positiveness
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Erik Söderlind
Tfk
106 bpm • E min • 04:26 • -13.55db
20% Popularity • 57% Danceability • 42% Energy • 11% Liveness
91% Instrumentalness • 61% Positiveness
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Melissa Aldana
Cone of Silence
106 bpm • B min • 05:17 • -15.95db
20% Popularity • 48% Danceability • 16% Energy • 14% Liveness
49% Instrumentalness • 12% Positiveness
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Søren Bebe Trio
Waltz for Steve
106 bpm • E min • 03:51 • -15.19db
22% Popularity • 33% Danceability • 37% Energy • 10% Liveness
92% Instrumentalness • 12% Positiveness
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Wynton Kelly
On Green Dolphin Street
106 bpm • C min • 04:44 • -17db
40% Popularity • 59% Danceability • 28% Energy • 9% Liveness
90% Instrumentalness • 55% Positiveness
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Cedar Walton
Without A Song
106 bpm • G# Maj • 04:00 • -21.2db
43% Popularity • 45% Danceability • 14% Energy • 16% Liveness
92% Instrumentalness • 42% Positiveness
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Jimmy Heath
Ballad From Upper Neighbors Suite
106 bpm • F Maj • 04:16 • -9.15db
12% Popularity • 48% Danceability • 35% Energy • 16% Liveness
83% Instrumentalness • 11% Positiveness
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Tom Harrell
Travelin'
116 bpm • C Maj • 07:08 • -11.05db
4% Popularity • 56% Danceability • 47% Energy • 12% Liveness
93% Instrumentalness • 36% Positiveness
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David Kikoski
Cardboard
117 bpm • C Maj • 06:22 • -15.48db
13% Popularity • 42% Danceability • 37% Energy • 14% Liveness
90% Instrumentalness • 61% Positiveness
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Fulsome X
Second Heaven
117 bpm • G Maj • 07:22 • -18.04db
8% Popularity • 61% Danceability • 4% Energy • 70% Liveness
73% Instrumentalness • 22% Positiveness
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Grace Kelly
Ballad for MC
117 bpm • B Maj • 03:02 • -14.81db
26% Popularity • 38% Danceability • 6% Energy • 11% Liveness
53% Instrumentalness • 19% Positiveness
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Woody Shaw
There Will Never Be Another You
106 bpm • C min • 06:59 • -14.48db
28% Popularity • 51% Danceability • 42% Energy • 18% Liveness
40% Instrumentalness • 60% Positiveness
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Blue Mitchell
I'll Close My Eyes
105 bpm • F Maj • 05:53 • -13.08db
41% Popularity • 51% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Horace Parlan Quintet
Oh So Blue - Remastered
105 bpm • A# min • 07:38 • -12.91db
11% Popularity • 56% Danceability • 15% Energy • 21% Liveness
6% Instrumentalness • 36% Positiveness
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Tommy Flanagan
Naima
117 bpm • A# min • 05:02 • -28.28db
29% Popularity • 44% Danceability • 4% Energy • 11% Liveness
69% Instrumentalness • 13% Positiveness
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Tristan Mélia Trio
P.P.P.
105 bpm • F Maj • 02:55 • -18.24db
12% Popularity • 42% Danceability • 27% Energy • 29% Liveness
83% Instrumentalness • 21% Positiveness
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Trio X of Sweden
Sound the Trumpet, Beat the Drum - Welco...
105 bpm • C Maj • 06:23 • -15.05db
23% Popularity • 52% Danceability • 40% Energy • 10% Liveness
93% Instrumentalness • 59% Positiveness
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The Cannonball Adderley Quintet
Jeannine - Remastered
105 bpm • F# Maj • 07:18 • -12.95db
25% Popularity • 54% Danceability • 39% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
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Joshua Redman Quartet
Chill
118 bpm • G# Maj • 07:43 • -18db
25% Popularity • 69% Danceability • 19% Energy • 12% Liveness
31% Instrumentalness • 21% Positiveness
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Roy Hargrove Quintet
When We Were One
105 bpm • F min • 05:54 • -21.52db
16% Popularity • 48% Danceability • 7% Energy • 11% Liveness
67% Instrumentalness • 14% Positiveness
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Gary Smulyan
Sunny
105 bpm • G# Maj • 09:00 • -12.18db
14% Popularity • 46% Danceability • 55% Energy • 4% Liveness
28% Instrumentalness • 75% Positiveness
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Dave Holland Quartet
Processional
104 bpm • C# Maj • 07:16 • -18.16db
13% Popularity • 65% Danceability • 20% Energy • 8% Liveness
86% Instrumentalness • 45% Positiveness
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Gathering in Jazz
Gathering
118 bpm • C# Maj • 03:44 • -11.92db
16% Popularity • 56% Danceability • 31% Energy • 14% Liveness
63% Instrumentalness • 31% Positiveness
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Tom Harrell
It Always Is
118 bpm • C# Maj • 08:18 • -15.07db
3% Popularity • 54% Danceability • 42% Energy • 14% Liveness
18% Instrumentalness • 68% Positiveness
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Triosence
Leave Me Here
104 bpm • A# min • 04:03 • -16.88db
37% Popularity • 46% Danceability • 26% Energy • 11% Liveness
48% Instrumentalness • 18% Positiveness
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Baptiste Herbin
Vista Chinesa
118 bpm • F min • 07:03 • -6.14db
15% Popularity • 47% Danceability • 74% Energy • 22% Liveness
82% Instrumentalness • 36% Positiveness
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Fred Nardin Trio
Colours
104 bpm • A# min • 04:05 • -9.89db
33% Popularity • 49% Danceability • 57% Energy • 12% Liveness
86% Instrumentalness • 59% Positiveness
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Seamus Blake
Guardians of the Heart Machine
104 bpm • A# min • 08:17 • -8.8db
9% Popularity • 44% Danceability • 58% Energy • 9% Liveness
55% Instrumentalness • 24% Positiveness
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Filip Ekestubbe Trio
On a Clear Day
104 bpm • G Maj • 06:00 • -11.91db
35% Popularity • 62% Danceability • 40% Energy • 15% Liveness
87% Instrumentalness • 54% Positiveness
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Snorre Kirk
Blues Arabesque
118 bpm • C# Maj • 04:40 • -17.56db
38% Popularity • 73% Danceability • 23% Energy • 23% Liveness
65% Instrumentalness • 64% Positiveness
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Invitation