Songs like Ip Man Opening - From IP MAN Soundtrack by Kenji Kawai
Based on a tempo of (+/- 10%) and a similar genre
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Nicolas Errera
Encouragements
88 bpm • C min • 02:03 • -18.72db
17% Popularity • 77% Danceability • 22% Energy • 9% Liveness
86% Instrumentalness • 94% Positiveness
17% Popularity • 77% Danceability • 22% Energy • 9% Liveness
86% Instrumentalness • 94% Positiveness
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Kenji Kawai
Restart
88 bpm • C Maj • 03:16 • -10.55db
13% Popularity • 46% Danceability • 74% Energy • 24% Liveness
77% Instrumentalness • 36% Positiveness
13% Popularity • 46% Danceability • 74% Energy • 24% Liveness
77% Instrumentalness • 36% Positiveness
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Christopher Drake
Injustice: Gods Among Us
88 bpm • C# Maj • 03:06 • -12.86db
33% Popularity • 38% Danceability • 37% Energy • 16% Liveness
93% Instrumentalness • 11% Positiveness
33% Popularity • 38% Danceability • 37% Energy • 16% Liveness
93% Instrumentalness • 11% Positiveness
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Shigeaki Saegusa
N GUNDAM
88 bpm • C min • 04:31 • -10db
26% Popularity • 23% Danceability • 52% Energy • 12% Liveness
81% Instrumentalness • 15% Positiveness
26% Popularity • 23% Danceability • 52% Energy • 12% Liveness
81% Instrumentalness • 15% Positiveness
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Edgar Hopp
Break the Barrier
89 bpm • A# min • 03:00 • -9.66db
14% Popularity • 30% Danceability • 57% Energy • 30% Liveness
94% Instrumentalness • 30% Positiveness
14% Popularity • 30% Danceability • 57% Energy • 30% Liveness
94% Instrumentalness • 30% Positiveness
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Daniel Pemberton
The Legend of Excalibur
89 bpm • G Maj • 02:43 • -15.03db
38% Popularity • 18% Danceability • 28% Energy • 14% Liveness
61% Instrumentalness • 3% Positiveness
38% Popularity • 18% Danceability • 28% Energy • 14% Liveness
61% Instrumentalness • 3% Positiveness
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David Chappell
Miracle of Living
87 bpm • G Maj • 03:04 • -9.09db
14% Popularity • 10% Danceability • 30% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
14% Popularity • 10% Danceability • 30% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
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Kenji Kawai
Ip Man Opening
88 bpm • F min • 02:40 • -17.69db
18% Popularity • 13% Danceability • 46% Energy • 14% Liveness
87% Instrumentalness • 26% Positiveness
18% Popularity • 13% Danceability • 46% Energy • 14% Liveness
87% Instrumentalness • 26% Positiveness
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Mark Mothersbaugh
Meatier Shower
89 bpm • G Maj • 03:10 • -10.7db
20% Popularity • 26% Danceability • 36% Energy • 11% Liveness
10% Instrumentalness • 7% Positiveness
20% Popularity • 26% Danceability • 36% Energy • 11% Liveness
10% Instrumentalness • 7% Positiveness
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Adriel Fair
Quest for Gold
87 bpm • C# min • 01:50 • -12.38db
20% Popularity • 67% Danceability • 50% Energy • 14% Liveness
84% Instrumentalness • 27% Positiveness
20% Popularity • 67% Danceability • 50% Energy • 14% Liveness
84% Instrumentalness • 27% Positiveness
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David Russo
Gordon's Theme
89 bpm • C Maj • 02:07 • -18.8db
17% Popularity • 16% Danceability • 15% Energy • 10% Liveness
86% Instrumentalness • 5% Positiveness
17% Popularity • 16% Danceability • 15% Energy • 10% Liveness
86% Instrumentalness • 5% Positiveness
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Edgar Hopp
The Triumph
87 bpm • E min • 02:29 • -8.1db
29% Popularity • 50% Danceability • 77% Energy • 8% Liveness
98% Instrumentalness • 12% Positiveness
29% Popularity • 50% Danceability • 77% Energy • 8% Liveness
98% Instrumentalness • 12% Positiveness
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Bonnie Grace
The Battle With Torches
89 bpm • B min • 01:53 • -9.06db
13% Popularity • 53% Danceability • 82% Energy • 14% Liveness
68% Instrumentalness • 19% Positiveness
13% Popularity • 53% Danceability • 82% Energy • 14% Liveness
68% Instrumentalness • 19% Positiveness
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Joel P West
Xu Shang-Chi
87 bpm • A min • 02:55 • -8.47db
40% Popularity • 37% Danceability • 75% Energy • 7% Liveness
95% Instrumentalness • 57% Positiveness
40% Popularity • 37% Danceability • 75% Energy • 7% Liveness
95% Instrumentalness • 57% Positiveness
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Hans Zimmer
The Beauty In What Is
87 bpm • A min • 03:48 • -10.05db
26% Popularity • 9% Danceability • 56% Energy • 13% Liveness
97% Instrumentalness • 4% Positiveness
26% Popularity • 9% Danceability • 56% Energy • 13% Liveness
97% Instrumentalness • 4% Positiveness
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Dominic Lewis
Machtwechsel
89 bpm • G# Maj • 04:14 • -15.86db
14% Popularity • 11% Danceability • 16% Energy • 7% Liveness
88% Instrumentalness • 6% Positiveness
14% Popularity • 11% Danceability • 16% Energy • 7% Liveness
88% Instrumentalness • 6% Positiveness
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Henry Jackman
Taking a Stand
90 bpm • D min • 02:07 • -13.23db
46% Popularity • 40% Danceability • 46% Energy • 8% Liveness
93% Instrumentalness • 25% Positiveness
46% Popularity • 40% Danceability • 46% Energy • 8% Liveness
93% Instrumentalness • 25% Positiveness
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Edgar Hopp
Arrival
89 bpm • C min • 04:15 • -11.35db
34% Popularity • 15% Danceability • 51% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
34% Popularity • 15% Danceability • 51% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
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Kenji Kawai
Tensed
86 bpm • C# min • 00:52 • -21.6db
9% Popularity • 62% Danceability • 31% Energy • 12% Liveness
88% Instrumentalness • 25% Positiveness
9% Popularity • 62% Danceability • 31% Energy • 12% Liveness
88% Instrumentalness • 25% Positiveness
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Joel P West
The Light and the Dark
89 bpm • D min • 01:46 • -11.54db
32% Popularity • 21% Danceability • 59% Energy • 13% Liveness
90% Instrumentalness • 17% Positiveness
32% Popularity • 21% Danceability • 59% Energy • 13% Liveness
90% Instrumentalness • 17% Positiveness
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Gargantuan Music
Fearless
86 bpm • A# min • 03:02 • -9db
29% Popularity • 30% Danceability • 71% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
29% Popularity • 30% Danceability • 71% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Armin Haas
The Tyrant, The Pawn (Dong Zhou)
90 bpm • G Maj • 02:25 • -14.72db
21% Popularity • 44% Danceability • 70% Energy • 9% Liveness
5% Instrumentalness • 21% Positiveness
21% Popularity • 44% Danceability • 70% Energy • 9% Liveness
5% Instrumentalness • 21% Positiveness
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Keko
The Jedi Steps with Alternate Ending
90 bpm • G min • 02:48 • -18.69db
12% Popularity • 11% Danceability • 10% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
12% Popularity • 11% Danceability • 10% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
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LM
Star Wars: The Force Theme - Epic Traile...
90 bpm • B min • 02:20 • -10.29db
15% Popularity • 16% Danceability • 58% Energy • 10% Liveness
96% Instrumentalness • 13% Positiveness
15% Popularity • 16% Danceability • 58% Energy • 10% Liveness
96% Instrumentalness • 13% Positiveness
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Michael Giacchino
Medal of Honor: Above and Beyond (Main T...
86 bpm • F Maj • 04:22 • -13.35db
13% Popularity • 9% Danceability • 31% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
13% Popularity • 9% Danceability • 31% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Liquid Cinema
The Unseen
90 bpm • D Maj • 03:08 • -10.87db
17% Popularity • 40% Danceability • 62% Energy • 12% Liveness
85% Instrumentalness • 6% Positiveness
17% Popularity • 40% Danceability • 62% Energy • 12% Liveness
85% Instrumentalness • 6% Positiveness
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Naoki Sato
上海から来た男
90 bpm • D Maj • 06:12 • -15db
17% Popularity • 14% Danceability • 32% Energy • 14% Liveness
83% Instrumentalness • 4% Positiveness
17% Popularity • 14% Danceability • 32% Energy • 14% Liveness
83% Instrumentalness • 4% Positiveness
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Bonnie Grace
Heroes Will Fall
90 bpm • D min • 02:24 • -11.19db
28% Popularity • 34% Danceability • 41% Energy • 17% Liveness
97% Instrumentalness • 9% Positiveness
28% Popularity • 34% Danceability • 41% Energy • 17% Liveness
97% Instrumentalness • 9% Positiveness
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Max Aruj
The Ice Road
90 bpm • D min • 03:27 • -15.6db
9% Popularity • 41% Danceability • 37% Energy • 9% Liveness
90% Instrumentalness • 8% Positiveness
9% Popularity • 41% Danceability • 37% Energy • 9% Liveness
90% Instrumentalness • 8% Positiveness
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Brand X Music
Helmet To Helmet
90 bpm • A min • 02:42 • -8.07db
16% Popularity • 53% Danceability • 94% Energy • 36% Liveness
98% Instrumentalness • 26% Positiveness
16% Popularity • 53% Danceability • 94% Energy • 36% Liveness
98% Instrumentalness • 26% Positiveness
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Brandon Campbell
The Black
90 bpm • C min • 00:54 • -13db
26% Popularity • 65% Danceability • 57% Energy • 16% Liveness
97% Instrumentalness • 5% Positiveness
26% Popularity • 65% Danceability • 57% Energy • 16% Liveness
97% Instrumentalness • 5% Positiveness
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Hiroyuki Sawano
Mobile Suit
90 bpm • E min • 02:46 • -11.36db
35% Popularity • 51% Danceability • 81% Energy • 59% Liveness
40% Instrumentalness • 56% Positiveness
35% Popularity • 51% Danceability • 81% Energy • 59% Liveness
40% Instrumentalness • 56% Positiveness
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Krutikov Music
Eternals Theme - Epic Orchestral Version
90 bpm • C min • 03:06 • -12.23db
12% Popularity • 42% Danceability • 75% Energy • 10% Liveness
84% Instrumentalness • 12% Positiveness
12% Popularity • 42% Danceability • 75% Energy • 10% Liveness
84% Instrumentalness • 12% Positiveness
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Steve Jablonsky
Forest Battle
90 bpm • G min • 02:04 • -12.84db
39% Popularity • 34% Danceability • 58% Energy • 8% Liveness
84% Instrumentalness • 22% Positiveness
39% Popularity • 34% Danceability • 58% Energy • 8% Liveness
84% Instrumentalness • 22% Positiveness
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Rupert Gregson-Williams
The Black Manta
90 bpm • A# min • 02:49 • -19db
32% Popularity • 53% Danceability • 28% Energy • 13% Liveness
77% Instrumentalness • 4% Positiveness
32% Popularity • 53% Danceability • 28% Energy • 13% Liveness
77% Instrumentalness • 4% Positiveness
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Benjamin Wallfisch
Strength of Destiny
90 bpm • G Maj • 02:40 • -10.96db
17% Popularity • 37% Danceability • 51% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
17% Popularity • 37% Danceability • 51% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
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Twelve Titans Music
Celestial Motion
90 bpm • G# min • 04:43 • -11.57db
21% Popularity • 12% Danceability • 59% Energy • 14% Liveness
95% Instrumentalness • 15% Positiveness
21% Popularity • 12% Danceability • 59% Energy • 14% Liveness
95% Instrumentalness • 15% Positiveness
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Kenji Kawai
Lost
90 bpm • C min • 00:48 • -18.53db
18% Popularity • 16% Danceability • 26% Energy • 9% Liveness
81% Instrumentalness • 7% Positiveness
18% Popularity • 16% Danceability • 26% Energy • 9% Liveness
81% Instrumentalness • 7% Positiveness
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Matthew Margeson
Knights of the Roundtable
91 bpm • E min • 03:49 • -15.09db
17% Popularity • 13% Danceability • 24% Energy • 26% Liveness
85% Instrumentalness • 3% Positiveness
17% Popularity • 13% Danceability • 24% Energy • 26% Liveness
85% Instrumentalness • 3% Positiveness
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The Marcus Hedges Trend Orchestra
Game of Thrones Title Theme
85 bpm • C min • 03:12 • -11.91db
12% Popularity • 25% Danceability • 43% Energy • 45% Liveness
89% Instrumentalness • 18% Positiveness
12% Popularity • 25% Danceability • 43% Energy • 45% Liveness
89% Instrumentalness • 18% Positiveness
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Rupert Gregson-Williams
He Commands The Sea
85 bpm • C Maj • 03:34 • -10db
29% Popularity • 12% Danceability • 51% Energy • 13% Liveness
78% Instrumentalness • 10% Positiveness
29% Popularity • 12% Danceability • 51% Energy • 13% Liveness
78% Instrumentalness • 10% Positiveness
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Kevin MacLeod
Strength of the Titans
85 bpm • A# Maj • 01:01 • -8.47db
14% Popularity • 46% Danceability • 89% Energy • 29% Liveness
32% Instrumentalness • 27% Positiveness
14% Popularity • 46% Danceability • 89% Energy • 29% Liveness
32% Instrumentalness • 27% Positiveness
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Henry Jackman
To Become a Kingsman
91 bpm • F min • 04:18 • -20.46db
34% Popularity • 11% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
34% Popularity • 11% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Kenji Kawai
葉問
85 bpm • C# min • 01:39 • -17.6db
29% Popularity • 18% Danceability • 48% Energy • 5% Liveness
93% Instrumentalness • 4% Positiveness
29% Popularity • 18% Danceability • 48% Energy • 5% Liveness
93% Instrumentalness • 4% Positiveness
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Luis Humanoide
Trust Only in the Force
91 bpm • G Maj • 01:15 • -15.82db
40% Popularity • 21% Danceability • 43% Energy • 12% Liveness
89% Instrumentalness • 20% Positiveness
40% Popularity • 21% Danceability • 43% Energy • 12% Liveness
89% Instrumentalness • 20% Positiveness
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RageSound
Vortex
85 bpm • B min • 02:50 • -11.86db
21% Popularity • 14% Danceability • 66% Energy • 12% Liveness
93% Instrumentalness • 13% Positiveness
21% Popularity • 14% Danceability • 66% Energy • 12% Liveness
93% Instrumentalness • 13% Positiveness
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Jeff van Dyck
Shogun II: Total War
92 bpm • A min • 03:05 • -11db
29% Popularity • 33% Danceability • 61% Energy • 16% Liveness
86% Instrumentalness • 15% Positiveness
29% Popularity • 33% Danceability • 61% Energy • 16% Liveness
86% Instrumentalness • 15% Positiveness
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Shigeru Umebayashi
Fearless Men / Theme of Yuanjia and Moon
84 bpm • A min • 04:26 • -16.98db
15% Popularity • 11% Danceability • 25% Energy • 23% Liveness
82% Instrumentalness • 4% Positiveness
15% Popularity • 11% Danceability • 25% Energy • 23% Liveness
82% Instrumentalness • 4% Positiveness
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Thomas Wander
Bombing Six
92 bpm • C min • 03:38 • -16.22db
21% Popularity • 28% Danceability • 45% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
21% Popularity • 28% Danceability • 45% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Javier Navarrete
Wrath Of The Titans
92 bpm • A# Maj • 02:15 • -14db
18% Popularity • 36% Danceability • 50% Energy • 6% Liveness
89% Instrumentalness • 14% Positiveness
18% Popularity • 36% Danceability • 50% Energy • 6% Liveness
89% Instrumentalness • 14% Positiveness
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Luis Humanoide
Welcome Back Spartan
91 bpm • G# Maj • 02:44 • -14.88db
22% Popularity • 14% Danceability • 34% Energy • 15% Liveness
92% Instrumentalness • 4% Positiveness
22% Popularity • 14% Danceability • 34% Energy • 15% Liveness
92% Instrumentalness • 4% Positiveness
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AShamaluevMusic
Epic Battle Trailer
92 bpm • E min • 03:46 • -9.93db
29% Popularity • 52% Danceability • 55% Energy • 11% Liveness
80% Instrumentalness • 16% Positiveness
29% Popularity • 52% Danceability • 55% Energy • 11% Liveness
80% Instrumentalness • 16% Positiveness
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Daniel Ciurlizza
Rising Spirit
92 bpm • B min • 03:11 • -10.16db
17% Popularity • 35% Danceability • 66% Energy • 9% Liveness
94% Instrumentalness • 9% Positiveness
17% Popularity • 35% Danceability • 66% Energy • 9% Liveness
94% Instrumentalness • 9% Positiveness
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Kenji Kawai
黯然 (Instrumental)
92 bpm • A min • 02:13 • -19.21db
11% Popularity • 25% Danceability • 7% Energy • 14% Liveness
85% Instrumentalness • 11% Positiveness
11% Popularity • 25% Danceability • 7% Energy • 14% Liveness
85% Instrumentalness • 11% Positiveness
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Michael Giacchino
Let Us Drink Milk
84 bpm • D# Maj • 04:31 • -10.32db
17% Popularity • 15% Danceability • 37% Energy • 18% Liveness
91% Instrumentalness • 4% Positiveness
17% Popularity • 15% Danceability • 37% Energy • 18% Liveness
91% Instrumentalness • 4% Positiveness
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2Hooks
Indiana Jones and the Dial of Destiny - ...
92 bpm • F Maj • 01:57 • -12.03db
10% Popularity • 19% Danceability • 43% Energy • 11% Liveness
75% Instrumentalness • 9% Positiveness
10% Popularity • 19% Danceability • 43% Energy • 11% Liveness
75% Instrumentalness • 9% Positiveness
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Bonnie Grace
Treasure Hunter
92 bpm • B min • 02:18 • -10.52db
13% Popularity • 50% Danceability • 75% Energy • 36% Liveness
81% Instrumentalness • 37% Positiveness
13% Popularity • 50% Danceability • 75% Energy • 36% Liveness
81% Instrumentalness • 37% Positiveness
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Shigeru Umebayashi
Opening Title: Wu Shu Jing Shen
84 bpm • A min • 01:22 • -17.56db
23% Popularity • 18% Danceability • 15% Energy • 13% Liveness
62% Instrumentalness • 4% Positiveness
23% Popularity • 18% Danceability • 15% Energy • 13% Liveness
62% Instrumentalness • 4% Positiveness
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Danny Cocke
Rainbow Six Siege: Invitational Main The...
93 bpm • C# Maj • 04:32 • -11.97db
36% Popularity • 35% Danceability • 40% Energy • 10% Liveness
84% Instrumentalness • 6% Positiveness
36% Popularity • 35% Danceability • 40% Energy • 10% Liveness
84% Instrumentalness • 6% Positiveness
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James Horner
Tournament Time
93 bpm • D min • 05:09 • -24.52db
19% Popularity • 20% Danceability • 12% Energy • 15% Liveness
82% Instrumentalness • 3% Positiveness
19% Popularity • 20% Danceability • 12% Energy • 15% Liveness
82% Instrumentalness • 3% Positiveness
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Dragon Tamer
Our Last Hope
83 bpm • D min • 02:42 • -16.84db
18% Popularity • 22% Danceability • 20% Energy • 9% Liveness
63% Instrumentalness • 6% Positiveness
18% Popularity • 22% Danceability • 20% Energy • 9% Liveness
63% Instrumentalness • 6% Positiveness
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Henry Jackman
Unofficial Treaties
93 bpm • C min • 01:47 • -16.74db
20% Popularity • 36% Danceability • 29% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
20% Popularity • 36% Danceability • 29% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Bonnie Grace
In the Brume
92 bpm • F# min • 02:17 • -9.59db
14% Popularity • 55% Danceability • 75% Energy • 32% Liveness
84% Instrumentalness • 15% Positiveness
14% Popularity • 55% Danceability • 75% Energy • 32% Liveness
84% Instrumentalness • 15% Positiveness
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2Hooks
Star Wars: Jedi Themes
83 bpm • C Maj • 03:14 • -12.31db
12% Popularity • 8% Danceability • 34% Energy • 15% Liveness
65% Instrumentalness • 4% Positiveness
12% Popularity • 8% Danceability • 34% Energy • 15% Liveness
65% Instrumentalness • 4% Positiveness
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John Powell
Buck Takes the Lead
93 bpm • C Maj • 04:54 • -11.2db
18% Popularity • 28% Danceability • 55% Energy • 3% Liveness
94% Instrumentalness • 9% Positiveness
18% Popularity • 28% Danceability • 55% Energy • 3% Liveness
94% Instrumentalness • 9% Positiveness
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Hiroyuki Sawano
Mad-Nug
93 bpm • A min • 04:22 • -12db
29% Popularity • 42% Danceability • 67% Energy • 12% Liveness
89% Instrumentalness • 14% Positiveness
29% Popularity • 42% Danceability • 67% Energy • 12% Liveness
89% Instrumentalness • 14% Positiveness
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Bobby Cole
Epic Cinematic Movie Trailer Music
93 bpm • C min • 02:34 • -8.35db
6% Popularity • 31% Danceability • 57% Energy • 28% Liveness
65% Instrumentalness • 16% Positiveness
6% Popularity • 31% Danceability • 57% Energy • 28% Liveness
65% Instrumentalness • 16% Positiveness
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Kenji Kawai
エニグマバトル
83 bpm • G Maj • 04:49 • -10.33db
2% Popularity • 42% Danceability • 67% Energy • 30% Liveness
88% Instrumentalness • 14% Positiveness
2% Popularity • 42% Danceability • 67% Energy • 30% Liveness
88% Instrumentalness • 14% Positiveness
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Bonnie Grace
Towards Redemption
84 bpm • A# min • 02:06 • -9.94db
19% Popularity • 57% Danceability • 81% Energy • 10% Liveness
86% Instrumentalness • 20% Positiveness
19% Popularity • 57% Danceability • 81% Energy • 10% Liveness
86% Instrumentalness • 20% Positiveness
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Hans Zimmer
Terraforming
83 bpm • F Maj • 09:49 • -15.84db
40% Popularity • 13% Danceability • 32% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
40% Popularity • 13% Danceability • 32% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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John Ottman
You're X-Men / End Titles
83 bpm • C Maj • 04:09 • -14.23db
37% Popularity • 26% Danceability • 34% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
37% Popularity • 26% Danceability • 34% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Naoki Sato
義弟
93 bpm • G# Maj • 02:23 • -17.81db
15% Popularity • 11% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
15% Popularity • 11% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Jamie Salisbury aka Jonas West
Epic China (War Thunder Trailer)
83 bpm • E min • 02:48 • -12.28db
30% Popularity • 40% Danceability • 69% Energy • 11% Liveness
94% Instrumentalness • 51% Positiveness
30% Popularity • 40% Danceability • 69% Energy • 11% Liveness
94% Instrumentalness • 51% Positiveness
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Shigeru Umebayashi
Wu Shu Jing Shen
83 bpm • A min • 00:59 • -12.46db
17% Popularity • 16% Danceability • 28% Energy • 12% Liveness
51% Instrumentalness • 8% Positiveness
17% Popularity • 16% Danceability • 28% Energy • 12% Liveness
51% Instrumentalness • 8% Positiveness
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Bonnie Grace
Oceanic Adventure
94 bpm • C Maj • 02:04 • -11.17db
17% Popularity • 64% Danceability • 70% Energy • 7% Liveness
86% Instrumentalness • 56% Positiveness
17% Popularity • 64% Danceability • 70% Energy • 7% Liveness
86% Instrumentalness • 56% Positiveness
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Kenji Kawai
Final Mission - Quantum Burst
82 bpm • C Maj • 08:11 • -13.14db
30% Popularity • 45% Danceability • 58% Energy • 8% Liveness
93% Instrumentalness • 12% Positiveness
30% Popularity • 45% Danceability • 58% Energy • 8% Liveness
93% Instrumentalness • 12% Positiveness
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Edgar Hopp
A True Hero
94 bpm • E Maj • 03:59 • -9.89db
8% Popularity • 31% Danceability • 53% Energy • 27% Liveness
10% Instrumentalness • 23% Positiveness
8% Popularity • 31% Danceability • 53% Energy • 27% Liveness
10% Instrumentalness • 23% Positiveness
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Michael Giacchino
Space The Final Frontier / Main On Ends
82 bpm • A# Maj • 02:43 • -9.63db
14% Popularity • 27% Danceability • 50% Energy • 8% Liveness
75% Instrumentalness • 11% Positiveness
14% Popularity • 27% Danceability • 50% Energy • 8% Liveness
75% Instrumentalness • 11% Positiveness
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Danny Cannon
Gotham Main Title - Extended Version
94 bpm • F Maj • 01:07 • -13db
25% Popularity • 34% Danceability • 50% Energy • 14% Liveness
95% Instrumentalness • 30% Positiveness
25% Popularity • 34% Danceability • 50% Energy • 14% Liveness
95% Instrumentalness • 30% Positiveness
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Rupert Gregson-Williams
Mera Montage - Bonus Track
95 bpm • C min • 02:04 • -10.71db
17% Popularity • 19% Danceability • 49% Energy • 9% Liveness
79% Instrumentalness • 12% Positiveness
17% Popularity • 19% Danceability • 49% Energy • 9% Liveness
79% Instrumentalness • 12% Positiveness
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John Ottman
Suite from X2
82 bpm • A# Maj • 07:11 • -16db
30% Popularity • 8% Danceability • 19% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
30% Popularity • 8% Danceability • 19% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Emiliano Branda
Sinister Whispers
95 bpm • C min • 01:46 • -11.35db
13% Popularity • 35% Danceability • 23% Energy • 29% Liveness
96% Instrumentalness • 28% Positiveness
13% Popularity • 35% Danceability • 23% Energy • 29% Liveness
96% Instrumentalness • 28% Positiveness
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Jo Wandrini
Annihilation
82 bpm • D Maj • 03:07 • -15.46db
22% Popularity • 10% Danceability • 17% Energy • 21% Liveness
94% Instrumentalness • 4% Positiveness
22% Popularity • 10% Danceability • 17% Energy • 21% Liveness
94% Instrumentalness • 4% Positiveness
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Kamikaze Kitty
New Life
95 bpm • A Maj • 03:32 • -12.28db
17% Popularity • 39% Danceability • 64% Energy • 10% Liveness
96% Instrumentalness • 8% Positiveness
17% Popularity • 39% Danceability • 64% Energy • 10% Liveness
96% Instrumentalness • 8% Positiveness
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Naoki Sato
るろうに剣心 ~Main Title~ (reprise...
95 bpm • A# min • 05:04 • -11db
30% Popularity • 40% Danceability • 87% Energy • 6% Liveness
87% Instrumentalness • 4% Positiveness
30% Popularity • 40% Danceability • 87% Energy • 6% Liveness
87% Instrumentalness • 4% Positiveness
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X-Ray Dog
Valor Quest
95 bpm • D Maj • 01:49 • -9.53db
15% Popularity • 48% Danceability • 58% Energy • 29% Liveness
8% Instrumentalness • 24% Positiveness
15% Popularity • 48% Danceability • 58% Energy • 29% Liveness
8% Instrumentalness • 24% Positiveness
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Krutikov Music
Obi-Wan Kenobi Theme - Epic Version
81 bpm • C min • 02:23 • -11.11db
19% Popularity • 40% Danceability • 57% Energy • 10% Liveness
95% Instrumentalness • 7% Positiveness
19% Popularity • 40% Danceability • 57% Energy • 10% Liveness
95% Instrumentalness • 7% Positiveness
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Armin Haas
Fifteen Started, Eighty Returned (Cao Ca...
81 bpm • A min • 02:19 • -18.25db
19% Popularity • 24% Danceability • 44% Energy • 11% Liveness
67% Instrumentalness • 7% Positiveness
19% Popularity • 24% Danceability • 44% Energy • 11% Liveness
67% Instrumentalness • 7% Positiveness
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Emad Yaghoubi
Battleborne
95 bpm • G Maj • 02:11 • -8.1db
20% Popularity • 28% Danceability • 89% Energy • 7% Liveness
90% Instrumentalness • 13% Positiveness
20% Popularity • 28% Danceability • 89% Energy • 7% Liveness
90% Instrumentalness • 13% Positiveness
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Bonnie Grace
Maximilian
95 bpm • C Maj • 02:06 • -8.2db
18% Popularity • 60% Danceability • 82% Energy • 40% Liveness
89% Instrumentalness • 34% Positiveness
18% Popularity • 60% Danceability • 82% Energy • 40% Liveness
89% Instrumentalness • 34% Positiveness
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Nathan Whitehead
Days Gone
81 bpm • D min • 03:41 • -16.68db
43% Popularity • 9% Danceability • 26% Energy • 8% Liveness
84% Instrumentalness • 6% Positiveness
43% Popularity • 9% Danceability • 26% Energy • 8% Liveness
84% Instrumentalness • 6% Positiveness
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Don Davis
Why, Mr. Anderson?
81 bpm • A# min • 06:10 • -10.05db
19% Popularity • 8% Danceability • 27% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
19% Popularity • 8% Danceability • 27% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Joseph Loduca
Remembrance / Honor The Fallen
81 bpm • G Maj • 05:02 • -20.24db
10% Popularity • 12% Danceability • 22% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
10% Popularity • 12% Danceability • 22% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
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Jochen Flach
A Time for Sons (A World Betrayed)
81 bpm • A min • 01:38 • -18.42db
17% Popularity • 33% Danceability • 28% Energy • 14% Liveness
91% Instrumentalness • 24% Positiveness
17% Popularity • 33% Danceability • 28% Energy • 14% Liveness
91% Instrumentalness • 24% Positiveness
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Kenji Kawai
偽アンク
81 bpm • D min • 02:19 • -8.59db
1% Popularity • 28% Danceability • 41% Energy • 9% Liveness
88% Instrumentalness • 5% Positiveness
1% Popularity • 28% Danceability • 41% Energy • 9% Liveness
88% Instrumentalness • 5% Positiveness
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Whitesand
Glory
81 bpm • C# min • 03:13 • -14.33db
10% Popularity • 24% Danceability • 39% Energy • 10% Liveness
80% Instrumentalness • 4% Positiveness
10% Popularity • 24% Danceability • 39% Energy • 10% Liveness
80% Instrumentalness • 4% Positiveness
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Pascal Michael Stiefel
Skyrim Main Theme [Epic Orchestral Remi...
96 bpm • A Maj • 03:44 • -14db
33% Popularity • 36% Danceability • 62% Energy • 22% Liveness
84% Instrumentalness • 13% Positiveness
33% Popularity • 36% Danceability • 62% Energy • 22% Liveness
84% Instrumentalness • 13% Positiveness
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Samurai Jack
Her Spirit Lives On
81 bpm • D Maj • 00:58 • -14.71db
14% Popularity • 8% Danceability • 39% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
14% Popularity • 8% Danceability • 39% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
