Songs like Iposhesi Nikis by Petros Tabouris
Based on a tempo of (+/- 10%) and a similar genre
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Abdul Khalil Ensemble
Habib Elomr
117 bpm • B Maj • 09:11 • -11.55db
12% Popularity • 77% Danceability • 65% Energy • 8% Liveness
84% Instrumentalness • 85% Positiveness
12% Popularity • 77% Danceability • 65% Energy • 8% Liveness
84% Instrumentalness • 85% Positiveness
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Brandon Fiechter
Artemis
117 bpm • F min • 03:54 • -18.48db
12% Popularity • 76% Danceability • 30% Energy • 11% Liveness
85% Instrumentalness • 26% Positiveness
12% Popularity • 76% Danceability • 30% Energy • 11% Liveness
85% Instrumentalness • 26% Positiveness
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Haig Yazdjian
Rast Longa
117 bpm • G min • 02:22 • -17db
9% Popularity • 62% Danceability • 41% Energy • 9% Liveness
87% Instrumentalness • 93% Positiveness
9% Popularity • 62% Danceability • 41% Energy • 9% Liveness
87% Instrumentalness • 93% Positiveness
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Synaulia
Imperium
116 bpm • G Maj • 03:34 • -15.59db
12% Popularity • 60% Danceability • 9% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
12% Popularity • 60% Danceability • 9% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
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Szabó Sándor
Hullámzó idő
118 bpm • D Maj • 04:25 • -16.17db
7% Popularity • 63% Danceability • 18% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
7% Popularity • 63% Danceability • 18% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
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Petros Tabouris
On Spring - Greek Aeolian Mode
118 bpm • A min • 02:59 • -13.11db
17% Popularity • 84% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
17% Popularity • 84% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Alessandro Penna
0.3 Mithraeum
116 bpm • E min • 02:44 • -16.41db
22% Popularity • 69% Danceability • 15% Energy • 34% Liveness
96% Instrumentalness • 51% Positiveness
22% Popularity • 69% Danceability • 15% Energy • 34% Liveness
96% Instrumentalness • 51% Positiveness
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Simon Shaheen
Taqasim On Violin
116 bpm • G min • 01:35 • -18.16db
28% Popularity • 31% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
28% Popularity • 31% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
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Tito Rinesi
Balkan Migrations
116 bpm • A# Maj • 04:11 • -9.8db
13% Popularity • 62% Danceability • 30% Energy • 9% Liveness
32% Instrumentalness • 10% Positiveness
13% Popularity • 62% Danceability • 30% Energy • 9% Liveness
32% Instrumentalness • 10% Positiveness
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Yunus Emre
Pesrev: Pesrev (Yunus Emre (Ilahileri), ...
118 bpm • G Maj • 01:28 • -19db
20% Popularity • 66% Danceability • 29% Energy • 16% Liveness
98% Instrumentalness • 84% Positiveness
20% Popularity • 66% Danceability • 29% Energy • 16% Liveness
98% Instrumentalness • 84% Positiveness
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Ludi Scaenici
Ipsa Lyra
118 bpm • G Maj • 01:38 • -20.28db
21% Popularity • 62% Danceability • 11% Energy • 8% Liveness
97% Instrumentalness • 62% Positiveness
21% Popularity • 62% Danceability • 11% Energy • 8% Liveness
97% Instrumentalness • 62% Positiveness
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Renato Di Prinzio
Anonymus Bellermanni Exercere VI (Instru...
118 bpm • C Maj • 02:13 • -28.92db
17% Popularity • 74% Danceability • 7% Energy • 14% Liveness
60% Instrumentalness • 3% Positiveness
17% Popularity • 74% Danceability • 7% Energy • 14% Liveness
60% Instrumentalness • 3% Positiveness
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Thanasis Vasilas
Acropolis
118 bpm • E Maj • 01:55 • -13.03db
11% Popularity • 70% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
11% Popularity • 70% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Chattergee Shankar
Gamilia Patinada Mikras Asias
118 bpm • A Maj • 03:17 • -11.12db
3% Popularity • 41% Danceability • 84% Energy • 46% Liveness
93% Instrumentalness • 95% Positiveness
3% Popularity • 41% Danceability • 84% Energy • 46% Liveness
93% Instrumentalness • 95% Positiveness
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Daemonia Nymphe
Nymphs Of The Seagod Nereus
118 bpm • G Maj • 04:51 • -9.88db
18% Popularity • 60% Danceability • 41% Energy • 10% Liveness
29% Instrumentalness • 7% Positiveness
18% Popularity • 60% Danceability • 41% Energy • 10% Liveness
29% Instrumentalness • 7% Positiveness
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Vox Vulgaris
Eşek Bayramı
119 bpm • E Maj • 03:47 • -11.59db
18% Popularity • 58% Danceability • 64% Energy • 62% Liveness
96% Instrumentalness • 40% Positiveness
18% Popularity • 58% Danceability • 64% Energy • 62% Liveness
96% Instrumentalness • 40% Positiveness
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Piffaro
Im Maien
119 bpm • E min • 01:37 • -14db
20% Popularity • 51% Danceability • 40% Energy • 18% Liveness
2% Instrumentalness • 10% Positiveness
20% Popularity • 51% Danceability • 40% Energy • 18% Liveness
2% Instrumentalness • 10% Positiveness
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Jeffrey Goodman
Love Song of King Tutankhamun's Princess...
119 bpm • A min • 02:55 • -19.58db
2% Popularity • 25% Danceability • 29% Energy • 31% Liveness
1% Instrumentalness • 19% Positiveness
2% Popularity • 25% Danceability • 29% Energy • 31% Liveness
1% Instrumentalness • 19% Positiveness
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Constantinople
Kervan
115 bpm • D Maj • 07:27 • -8.37db
8% Popularity • 45% Danceability • 35% Energy • 14% Liveness
48% Instrumentalness • 18% Positiveness
8% Popularity • 45% Danceability • 35% Energy • 14% Liveness
48% Instrumentalness • 18% Positiveness
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Ludi Scaenici
Extasis
115 bpm • F Maj • 03:25 • -15.61db
11% Popularity • 35% Danceability • 19% Energy • 28% Liveness
0% Instrumentalness • 21% Positiveness
11% Popularity • 35% Danceability • 19% Energy • 28% Liveness
0% Instrumentalness • 21% Positiveness
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Invadable Harmony
The Persian Raider
119 bpm • C min • 02:09 • -17.67db
12% Popularity • 46% Danceability • 44% Energy • 10% Liveness
91% Instrumentalness • 14% Positiveness
12% Popularity • 46% Danceability • 44% Energy • 10% Liveness
91% Instrumentalness • 14% Positiveness
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Hossam Ramzy
Aazab
119 bpm • F# min • 04:35 • -20.63db
22% Popularity • 65% Danceability • 13% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
22% Popularity • 65% Danceability • 13% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
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Mary Ann Tedstone Glover
Bacchus
115 bpm • A min • 02:50 • -7.17db
20% Popularity • 64% Danceability • 72% Energy • 11% Liveness
98% Instrumentalness • 53% Positiveness
20% Popularity • 64% Danceability • 72% Energy • 11% Liveness
98% Instrumentalness • 53% Positiveness
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Petros Tabouris Ensemble
Etude in Dorios Harmonia, Minor System i...
115 bpm • A min • 03:20 • -19.63db
11% Popularity • 89% Danceability • 20% Energy • 10% Liveness
94% Instrumentalness • 87% Positiveness
11% Popularity • 89% Danceability • 20% Energy • 10% Liveness
94% Instrumentalness • 87% Positiveness
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Jeffrey Goodman
Nefertiti's Song of the White Goddess
119 bpm • G# min • 03:45 • -22.27db
9% Popularity • 41% Danceability • 11% Energy • 10% Liveness
55% Instrumentalness • 5% Positiveness
9% Popularity • 41% Danceability • 11% Energy • 10% Liveness
55% Instrumentalness • 5% Positiveness
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Joan Ambrosio Dalza
Piva
115 bpm • C Maj • 02:32 • -16db
15% Popularity • 59% Danceability • 25% Energy • 10% Liveness
92% Instrumentalness • 53% Positiveness
15% Popularity • 59% Danceability • 25% Energy • 10% Liveness
92% Instrumentalness • 53% Positiveness
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Turkish Fasil Ensemble
Segiah Peshref (Yusuf Pasha)
120 bpm • G# Maj • 03:52 • -19db
11% Popularity • 29% Danceability • 16% Energy • 9% Liveness
93% Instrumentalness • 35% Positiveness
11% Popularity • 29% Danceability • 16% Energy • 9% Liveness
93% Instrumentalness • 35% Positiveness
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Petros Tabouris
Homeric Hymn to Demeter - Ancient Manusc...
120 bpm • A min • 00:58 • -18db
9% Popularity • 48% Danceability • 9% Energy • 7% Liveness
2% Instrumentalness • 48% Positiveness
9% Popularity • 48% Danceability • 9% Energy • 7% Liveness
2% Instrumentalness • 48% Positiveness
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Synaulia
Fortuna
114 bpm • C Maj • 01:08 • -27.01db
10% Popularity • 57% Danceability • 10% Energy • 14% Liveness
67% Instrumentalness • 12% Positiveness
10% Popularity • 57% Danceability • 10% Energy • 14% Liveness
67% Instrumentalness • 12% Positiveness
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Capella de Ministrers
Calata a la spagnola
120 bpm • C Maj • 02:12 • -19.35db
8% Popularity • 52% Danceability • 14% Energy • 9% Liveness
87% Instrumentalness • 47% Positiveness
8% Popularity • 52% Danceability • 14% Energy • 9% Liveness
87% Instrumentalness • 47% Positiveness
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Jeffrey Goodman
Nefertiti's Song of the Magic Birds
120 bpm • A# min • 04:14 • -26.87db
11% Popularity • 54% Danceability • 4% Energy • 6% Liveness
93% Instrumentalness • 16% Positiveness
11% Popularity • 54% Danceability • 4% Energy • 6% Liveness
93% Instrumentalness • 16% Positiveness
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Andre Hajj Ensemble
Dafa
114 bpm • G Maj • 04:29 • -11.12db
15% Popularity • 61% Danceability • 25% Energy • 10% Liveness
87% Instrumentalness • 43% Positiveness
15% Popularity • 61% Danceability • 25% Energy • 10% Liveness
87% Instrumentalness • 43% Positiveness
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Guiraut Riquier
Au temps d'auost
114 bpm • G Maj • 01:00 • -17db
19% Popularity • 64% Danceability • 52% Energy • 10% Liveness
2% Instrumentalness • 28% Positiveness
19% Popularity • 64% Danceability • 52% Energy • 10% Liveness
2% Instrumentalness • 28% Positiveness
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Petros Tabouris
Ypofrygios Armonia (Chromatikon Genos)
120 bpm • G Maj • 03:06 • -13.65db
6% Popularity • 83% Danceability • 35% Energy • 7% Liveness
84% Instrumentalness • 80% Positiveness
6% Popularity • 83% Danceability • 35% Energy • 7% Liveness
84% Instrumentalness • 80% Positiveness
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Celestial Aeon Project
Aladdin Meets Jasmine
120 bpm • C Maj • 01:37 • -14.12db
16% Popularity • 60% Danceability • 18% Energy • 62% Liveness
86% Instrumentalness • 8% Positiveness
16% Popularity • 60% Danceability • 18% Energy • 62% Liveness
86% Instrumentalness • 8% Positiveness
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Muslim
Islamic Music
120 bpm • C Maj • 04:37 • -19.79db
10% Popularity • 42% Danceability • 27% Energy • 14% Liveness
39% Instrumentalness • 4% Positiveness
10% Popularity • 42% Danceability • 27% Energy • 14% Liveness
39% Instrumentalness • 4% Positiveness
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Jeffrey Goodman
Anthem to the Rising Moon
120 bpm • A min • 04:55 • -29.26db
19% Popularity • 51% Danceability • 6% Energy • 14% Liveness
96% Instrumentalness • 25% Positiveness
19% Popularity • 51% Danceability • 6% Energy • 14% Liveness
96% Instrumentalness • 25% Positiveness
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Gregorio Paniagua
Hymne au Soleil
114 bpm • G Maj • 01:57 • -18.3db
11% Popularity • 54% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 16% Positiveness
11% Popularity • 54% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 16% Positiveness
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Tyler Cunningham
Tankards and Thieves
120 bpm • A min • 02:26 • -13db
8% Popularity • 86% Danceability • 43% Energy • 8% Liveness
87% Instrumentalness • 32% Positiveness
8% Popularity • 86% Danceability • 43% Energy • 8% Liveness
87% Instrumentalness • 32% Positiveness
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Petros Tabouris
Study on Hypofrygian Harmonia, Chromatic...
120 bpm • G Maj • 03:06 • -14.67db
10% Popularity • 83% Danceability • 33% Energy • 7% Liveness
80% Instrumentalness • 79% Positiveness
10% Popularity • 83% Danceability • 33% Energy • 7% Liveness
80% Instrumentalness • 79% Positiveness
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Celestial Aeon Project
The Sultan's Palace
120 bpm • C Maj • 01:14 • -14.01db
18% Popularity • 65% Danceability • 38% Energy • 27% Liveness
82% Instrumentalness • 14% Positiveness
18% Popularity • 65% Danceability • 38% Energy • 27% Liveness
82% Instrumentalness • 14% Positiveness
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Ali Jihad Racy
The Triumph Of The Deceased
120 bpm • C min • 05:30 • -23db
11% Popularity • 41% Danceability • 6% Energy • 25% Liveness
76% Instrumentalness • 15% Positiveness
11% Popularity • 41% Danceability • 6% Energy • 25% Liveness
76% Instrumentalness • 15% Positiveness
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Jeffrey Goodman
Amun-Ra's Anthem to the Rising Sun
120 bpm • G Maj • 02:50 • -20db
12% Popularity • 48% Danceability • 19% Energy • 10% Liveness
95% Instrumentalness • 10% Positiveness
12% Popularity • 48% Danceability • 19% Energy • 10% Liveness
95% Instrumentalness • 10% Positiveness
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Daemonia Nymphe
Ida's Dactyls
120 bpm • D# Maj • 04:05 • -10db
16% Popularity • 72% Danceability • 27% Energy • 11% Liveness
11% Instrumentalness • 22% Positiveness
16% Popularity • 72% Danceability • 27% Energy • 11% Liveness
11% Instrumentalness • 22% Positiveness
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Joyosa
Ziryab
114 bpm • E min • 06:01 • -12.79db
18% Popularity • 76% Danceability • 53% Energy • 9% Liveness
92% Instrumentalness • 10% Positiveness
18% Popularity • 76% Danceability • 53% Energy • 9% Liveness
92% Instrumentalness • 10% Positiveness
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Petros Tabouris
Study on Hypodorian Harmonia, Diatonic G...
120 bpm • D min • 01:33 • -15.3db
8% Popularity • 80% Danceability • 33% Energy • 9% Liveness
85% Instrumentalness • 89% Positiveness
8% Popularity • 80% Danceability • 33% Energy • 9% Liveness
85% Instrumentalness • 89% Positiveness
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Celestial Aeon Project
The Wondrous Bazaar
120 bpm • F Maj • 01:45 • -14.93db
16% Popularity • 65% Danceability • 73% Energy • 12% Liveness
72% Instrumentalness • 31% Positiveness
16% Popularity • 65% Danceability • 73% Energy • 12% Liveness
72% Instrumentalness • 31% Positiveness
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Alphonse X le Sage
Madre de Deus
120 bpm • G Maj • 03:01 • -16.83db
13% Popularity • 30% Danceability • 22% Energy • 14% Liveness
46% Instrumentalness • 22% Positiveness
13% Popularity • 30% Danceability • 22% Energy • 14% Liveness
46% Instrumentalness • 22% Positiveness
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Jeffrey Goodman
Egyptian Goddess Tefnut's Magic Rain Spe...
120 bpm • C# Maj • 05:39 • -17.73db
4% Popularity • 42% Danceability • 34% Energy • 39% Liveness
79% Instrumentalness • 6% Positiveness
4% Popularity • 42% Danceability • 34% Energy • 39% Liveness
79% Instrumentalness • 6% Positiveness
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Bettina Joy De Guzman
Invocation to Aphrodite
120 bpm • A min • 02:58 • -28.32db
9% Popularity • 54% Danceability • 14% Energy • 9% Liveness
47% Instrumentalness • 76% Positiveness
9% Popularity • 54% Danceability • 14% Energy • 9% Liveness
47% Instrumentalness • 76% Positiveness
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Chris Palmer
Sufi Whirling (Dervish Dance)
114 bpm • G Maj • 03:35 • -8.73db
17% Popularity • 68% Danceability • 58% Energy • 7% Liveness
2% Instrumentalness • 91% Positiveness
17% Popularity • 68% Danceability • 58% Energy • 7% Liveness
2% Instrumentalness • 91% Positiveness
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Petros Tabouris
Study on Frygios Harmonia, Meizon System...
120 bpm • D min • 02:00 • -15db
14% Popularity • 80% Danceability • 33% Energy • 9% Liveness
85% Instrumentalness • 89% Positiveness
14% Popularity • 80% Danceability • 33% Energy • 9% Liveness
85% Instrumentalness • 89% Positiveness
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Celestial Aeon Project
Genie in a Bottle
120 bpm • A min • 01:47 • -19.08db
15% Popularity • 68% Danceability • 30% Energy • 11% Liveness
68% Instrumentalness • 16% Positiveness
15% Popularity • 68% Danceability • 30% Energy • 11% Liveness
68% Instrumentalness • 16% Positiveness
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Vaxevaneris Stylianos Hephaestion
The Promise of Zeus
120 bpm • D min • 03:44 • -8.34db
16% Popularity • 60% Danceability • 57% Energy • 12% Liveness
3% Instrumentalness • 34% Positiveness
16% Popularity • 60% Danceability • 57% Energy • 12% Liveness
3% Instrumentalness • 34% Positiveness
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Jeffrey Goodman
King Tut's Spirit Drum Song
120 bpm • G# min • 04:15 • -20.72db
11% Popularity • 67% Danceability • 56% Energy • 9% Liveness
71% Instrumentalness • 50% Positiveness
11% Popularity • 67% Danceability • 56% Energy • 9% Liveness
71% Instrumentalness • 50% Positiveness
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Alkemie
A Deer's End
114 bpm • C Maj • 01:43 • -22.25db
13% Popularity • 26% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 34% Positiveness
13% Popularity • 26% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 34% Positiveness
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Capella de Ministrers
Derdj Zidane
114 bpm • G Maj • 05:18 • -20db
11% Popularity • 41% Danceability • 18% Energy • 8% Liveness
13% Instrumentalness • 12% Positiveness
11% Popularity • 41% Danceability • 18% Energy • 8% Liveness
13% Instrumentalness • 12% Positiveness
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Petros Tabouris
Frygios Armonia (Systima Mizon / Diatoni...
120 bpm • D min • 01:59 • -14db
9% Popularity • 80% Danceability • 35% Energy • 8% Liveness
86% Instrumentalness • 90% Positiveness
9% Popularity • 80% Danceability • 35% Energy • 8% Liveness
86% Instrumentalness • 90% Positiveness
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Celestial Aeon Project
Desert Village
120 bpm • D Maj • 02:05 • -22.25db
21% Popularity • 44% Danceability • 15% Energy • 12% Liveness
90% Instrumentalness • 16% Positiveness
21% Popularity • 44% Danceability • 15% Energy • 12% Liveness
90% Instrumentalness • 16% Positiveness
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Michael Levy
"Salah" - Traditional Egyptian Folk Song
114 bpm • E min • 01:55 • -16.1db
21% Popularity • 49% Danceability • 26% Energy • 10% Liveness
92% Instrumentalness • 38% Positiveness
21% Popularity • 49% Danceability • 26% Energy • 10% Liveness
92% Instrumentalness • 38% Positiveness
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Mike Batt
Qualir At Night
120 bpm • C Maj • 01:47 • -13.9db
9% Popularity • 63% Danceability • 22% Energy • 50% Liveness
33% Instrumentalness • 48% Positiveness
9% Popularity • 63% Danceability • 22% Energy • 50% Liveness
33% Instrumentalness • 48% Positiveness
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Alkemie
The Second Body
120 bpm • D min • 01:07 • -13.02db
13% Popularity • 21% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
13% Popularity • 21% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Haig Yazdjian
Stin Poli Ston Mevla Hane
114 bpm • A# Maj • 03:21 • -17.85db
7% Popularity • 62% Danceability • 32% Energy • 12% Liveness
91% Instrumentalness • 57% Positiveness
7% Popularity • 62% Danceability • 32% Energy • 12% Liveness
91% Instrumentalness • 57% Positiveness
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Petros Tabouris
Armistice
120 bpm • D min • 02:56 • -15.3db
3% Popularity • 80% Danceability • 33% Energy • 8% Liveness
88% Instrumentalness • 88% Positiveness
3% Popularity • 80% Danceability • 33% Energy • 8% Liveness
88% Instrumentalness • 88% Positiveness
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Michael Atherton
Shen - Eternity
114 bpm • G Maj • 02:45 • -21.39db
9% Popularity • 32% Danceability • 3% Energy • 9% Liveness
14% Instrumentalness • 4% Positiveness
9% Popularity • 32% Danceability • 3% Energy • 9% Liveness
14% Instrumentalness • 4% Positiveness
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Ross Daly
Erotokritos
114 bpm • A Maj • 04:39 • -12.45db
17% Popularity • 24% Danceability • 33% Energy • 10% Liveness
97% Instrumentalness • 16% Positiveness
17% Popularity • 24% Danceability • 33% Energy • 10% Liveness
97% Instrumentalness • 16% Positiveness
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Anonyme
Propiñan De Melyor
114 bpm • G Maj • 01:10 • -19.08db
10% Popularity • 78% Danceability • 36% Energy • 18% Liveness
94% Instrumentalness • 96% Positiveness
10% Popularity • 78% Danceability • 36% Energy • 18% Liveness
94% Instrumentalness • 96% Positiveness
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Guiraut Riquier
La segonda retroencha
121 bpm • D min • 01:28 • -24db
22% Popularity • 57% Danceability • 18% Energy • 15% Liveness
4% Instrumentalness • 66% Positiveness
22% Popularity • 57% Danceability • 18% Energy • 15% Liveness
4% Instrumentalness • 66% Positiveness
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Brandon Fiechter
Istanbul
121 bpm • C min • 03:44 • -19.35db
23% Popularity • 60% Danceability • 34% Energy • 11% Liveness
86% Instrumentalness • 61% Positiveness
23% Popularity • 60% Danceability • 34% Energy • 11% Liveness
86% Instrumentalness • 61% Positiveness
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Petros Tabouris
Study on Frygian Harmonia, Diatonic Genu...
120 bpm • G min • 01:35 • -15.69db
12% Popularity • 86% Danceability • 33% Energy • 11% Liveness
80% Instrumentalness • 96% Positiveness
12% Popularity • 86% Danceability • 33% Energy • 11% Liveness
80% Instrumentalness • 96% Positiveness
► Preview
Michael Atherton
Atum - Creator Sun God
121 bpm • A# min • 03:19 • -30db
20% Popularity • 34% Danceability • 3% Energy • 11% Liveness
73% Instrumentalness • 6% Positiveness
20% Popularity • 34% Danceability • 3% Energy • 11% Liveness
73% Instrumentalness • 6% Positiveness
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Michael Levy
Epitaph of Seikilos (Complete Ancient Gr...
121 bpm • B min • 03:28 • -20db
22% Popularity • 57% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 13% Positiveness
22% Popularity • 57% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 13% Positiveness
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Andrei Krylov
Rosencrantz and Guildenstern Dance
113 bpm • E min • 02:29 • -15.17db
18% Popularity • 53% Danceability • 28% Energy • 11% Liveness
84% Instrumentalness • 29% Positiveness
18% Popularity • 53% Danceability • 28% Energy • 11% Liveness
84% Instrumentalness • 29% Positiveness
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The Wandering Bard
Beeyto foi o dia, CSM 411, Alfonso X el ...
122 bpm • G# min • 02:32 • -9.99db
9% Popularity • 49% Danceability • 42% Energy • 19% Liveness
79% Instrumentalness • 72% Positiveness
9% Popularity • 49% Danceability • 42% Energy • 19% Liveness
79% Instrumentalness • 72% Positiveness
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Daemonia Nymphe
Summoning Divine Selene
122 bpm • E Maj • 03:21 • -11.48db
29% Popularity • 73% Danceability • 33% Energy • 8% Liveness
74% Instrumentalness • 18% Positiveness
29% Popularity • 73% Danceability • 33% Energy • 8% Liveness
74% Instrumentalness • 18% Positiveness
► Preview
Petros Tabouris
Lydios Armonia (Systima Mizon / Diatonik...
120 bpm • G min • 01:35 • -15db
3% Popularity • 87% Danceability • 35% Energy • 12% Liveness
85% Instrumentalness • 96% Positiveness
3% Popularity • 87% Danceability • 35% Energy • 12% Liveness
85% Instrumentalness • 96% Positiveness
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Ahmed Mukhtar
Alleys of the Old City
112 bpm • G Maj • 05:55 • -19.06db
14% Popularity • 80% Danceability • 14% Energy • 11% Liveness
83% Instrumentalness • 45% Positiveness
14% Popularity • 80% Danceability • 14% Energy • 11% Liveness
83% Instrumentalness • 45% Positiveness
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Mittelalter Sound Orchester
Ma belle si ton âme
112 bpm • C min • 02:36 • -28.53db
5% Popularity • 32% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
5% Popularity • 32% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Ana Alcaide
Khun caravan
112 bpm • D Maj • 05:25 • -10.62db
22% Popularity • 55% Danceability • 35% Energy • 26% Liveness
94% Instrumentalness • 32% Positiveness
22% Popularity • 55% Danceability • 35% Energy • 26% Liveness
94% Instrumentalness • 32% Positiveness
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Anon
Lamento di Tristan - Istampitta and Rott...
122 bpm • D Maj • 02:22 • -30.7db
8% Popularity • 44% Danceability • 18% Energy • 28% Liveness
98% Instrumentalness • 88% Positiveness
8% Popularity • 44% Danceability • 18% Energy • 28% Liveness
98% Instrumentalness • 88% Positiveness
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Renato Di Prinzio
Dantza Samnita (Edición Deluxe)
112 bpm • D Maj • 01:58 • -13.23db
15% Popularity • 76% Danceability • 24% Energy • 10% Liveness
18% Instrumentalness • 13% Positiveness
15% Popularity • 76% Danceability • 24% Energy • 10% Liveness
18% Instrumentalness • 13% Positiveness
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Petros Tabouris
Kirki's Dance
112 bpm • C# Maj • 02:00 • -16.45db
13% Popularity • 78% Danceability • 38% Energy • 9% Liveness
90% Instrumentalness • 21% Positiveness
13% Popularity • 78% Danceability • 38% Energy • 9% Liveness
90% Instrumentalness • 21% Positiveness
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Eleni Karaindrou
Medea's Lament II
112 bpm • D Maj • 01:45 • -23.28db
16% Popularity • 29% Danceability • 9% Energy • 9% Liveness
12% Instrumentalness • 8% Positiveness
16% Popularity • 29% Danceability • 9% Energy • 9% Liveness
12% Instrumentalness • 8% Positiveness
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Capella de Ministrers
Shatakhi Dzernapar
112 bpm • B Maj • 06:15 • -24db
10% Popularity • 33% Danceability • 8% Energy • 35% Liveness
40% Instrumentalness • 4% Positiveness
10% Popularity • 33% Danceability • 8% Energy • 35% Liveness
40% Instrumentalness • 4% Positiveness
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Ludi Scaenici
Tibiae Sonant
112 bpm • A min • 02:40 • -13.97db
13% Popularity • 30% Danceability • 4% Energy • 7% Liveness
78% Instrumentalness • 48% Positiveness
13% Popularity • 30% Danceability • 4% Energy • 7% Liveness
78% Instrumentalness • 48% Positiveness
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Atmospherious
A Peaceful Day In Ancient Rome
122 bpm • C Maj • 11:20 • -30.86db
16% Popularity • 51% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 16% Positiveness
16% Popularity • 51% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 16% Positiveness
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Kapela Brodow
Dance Tune 1
123 bpm • G# min • 01:56 • -7.14db
12% Popularity • 58% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
12% Popularity • 58% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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Invadable Harmony
Kingdom of Sands
123 bpm • C Maj • 01:40 • -21.35db
23% Popularity • 46% Danceability • 42% Energy • 11% Liveness
89% Instrumentalness • 12% Positiveness
23% Popularity • 46% Danceability • 42% Energy • 11% Liveness
89% Instrumentalness • 12% Positiveness
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Rafael Krux
Ambient Arabian Oud
111 bpm • D Maj • 04:47 • -18.27db
9% Popularity • 51% Danceability • 9% Energy • 12% Liveness
94% Instrumentalness • 12% Positiveness
9% Popularity • 51% Danceability • 9% Energy • 12% Liveness
94% Instrumentalness • 12% Positiveness
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Professor Chill
Hymn to the Muse
123 bpm • D Maj • 09:13 • -18.4db
9% Popularity • 22% Danceability • 11% Energy • 11% Liveness
73% Instrumentalness • 3% Positiveness
9% Popularity • 22% Danceability • 11% Energy • 11% Liveness
73% Instrumentalness • 3% Positiveness
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Ali Jihad Racy
The Land Of The Blessed
111 bpm • G min • 06:55 • -17db
14% Popularity • 60% Danceability • 9% Energy • 10% Liveness
24% Instrumentalness • 36% Positiveness
14% Popularity • 60% Danceability • 9% Energy • 10% Liveness
24% Instrumentalness • 36% Positiveness
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Synaulia
Acutus
111 bpm • C Maj • 01:25 • -17.66db
12% Popularity • 73% Danceability • 57% Energy • 4% Liveness
74% Instrumentalness • 6% Positiveness
12% Popularity • 73% Danceability • 57% Energy • 4% Liveness
74% Instrumentalness • 6% Positiveness
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Daemonia Nymphe
Message Horn's Enchanting Echo
111 bpm • C min • 02:17 • -15db
31% Popularity • 22% Danceability • 11% Energy • 11% Liveness
27% Instrumentalness • 26% Positiveness
31% Popularity • 22% Danceability • 11% Energy • 11% Liveness
27% Instrumentalness • 26% Positiveness
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Vaxevaneris Stylianos Hephaestion
The Word of Ekatis
111 bpm • F min • 03:25 • -12.73db
12% Popularity • 36% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
12% Popularity • 36% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Haig Yazdjian
Nihavend Longa
111 bpm • G min • 03:01 • -17db
12% Popularity • 54% Danceability • 35% Energy • 12% Liveness
86% Instrumentalness • 94% Positiveness
12% Popularity • 54% Danceability • 35% Energy • 12% Liveness
86% Instrumentalness • 94% Positiveness
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SAVAE (San Antonio Vocal Arts Ensemble)
Rannanu
124 bpm • C min • 05:48 • -15.36db
13% Popularity • 35% Danceability • 13% Energy • 12% Liveness
25% Instrumentalness • 12% Positiveness
13% Popularity • 35% Danceability • 13% Energy • 12% Liveness
25% Instrumentalness • 12% Positiveness
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Bettina Joy De Guzman
Hymn to Aphrodite
111 bpm • G min • 02:12 • -27.58db
11% Popularity • 42% Danceability • 6% Energy • 8% Liveness
45% Instrumentalness • 39% Positiveness
11% Popularity • 42% Danceability • 6% Energy • 8% Liveness
45% Instrumentalness • 39% Positiveness
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Taiko Dreamers
Sakura
111 bpm • F# Maj • 01:25 • -18.12db
17% Popularity • 80% Danceability • 56% Energy • 10% Liveness
79% Instrumentalness • 44% Positiveness
17% Popularity • 80% Danceability • 56% Energy • 10% Liveness
79% Instrumentalness • 44% Positiveness
