Songs like Irish Blood, English Heart by Morrissey
Based on a tempo of (+/- 10%) and a similar genre
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A Flock Of Seagulls
Space Age Love Song
140 bpm • D Maj • 03:46 • -4.61db
58% Popularity • 45% Danceability • 74% Energy • 21% Liveness
11% Instrumentalness • 55% Positiveness
58% Popularity • 45% Danceability • 74% Energy • 21% Liveness
11% Instrumentalness • 55% Positiveness
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Morrissey
Irish Blood, English Heart
140 bpm • A min • 02:37 • -5.24db
51% Popularity • 57% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
51% Popularity • 57% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
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Gene
Haunted By You
140 bpm • G Maj • 03:41 • -6.4db
34% Popularity • 44% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
34% Popularity • 44% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
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Duran Duran
Ordinary World
140 bpm • C# min • 05:40 • -10.17db
74% Popularity • 47% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
74% Popularity • 47% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Siouxsie and the Banshees
The Passenger
140 bpm • D min • 05:09 • -4.54db
59% Popularity • 46% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
59% Popularity • 46% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Love and Rockets
All in My Mind
140 bpm • C Maj • 04:43 • -7db
34% Popularity • 44% Danceability • 80% Energy • 52% Liveness
0% Instrumentalness • 45% Positiveness
34% Popularity • 44% Danceability • 80% Energy • 52% Liveness
0% Instrumentalness • 45% Positiveness
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A Flock Of Seagulls
The More You Live, The More You Love
140 bpm • B min • 04:09 • -5.57db
48% Popularity • 61% Danceability • 84% Energy • 58% Liveness
0% Instrumentalness • 77% Positiveness
48% Popularity • 61% Danceability • 84% Energy • 58% Liveness
0% Instrumentalness • 77% Positiveness
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Nick Cave & The Bad Seeds
Nature Boy
140 bpm • G Maj • 04:54 • -4.61db
46% Popularity • 43% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
46% Popularity • 43% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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The Charlatans
Sproston Green
140 bpm • A Maj • 05:10 • -15.03db
35% Popularity • 42% Danceability • 64% Energy • 7% Liveness
56% Instrumentalness • 27% Positiveness
35% Popularity • 42% Danceability • 64% Energy • 7% Liveness
56% Instrumentalness • 27% Positiveness
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The Wedding Present
No
139 bpm • A Maj • 04:12 • -11.44db
22% Popularity • 34% Danceability • 82% Energy • 5% Liveness
47% Instrumentalness • 92% Positiveness
22% Popularity • 34% Danceability • 82% Energy • 5% Liveness
47% Instrumentalness • 92% Positiveness
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Morrissey
You're the One for Me, Fatty - 2014 Rema...
139 bpm • G Maj • 02:57 • -5.63db
38% Popularity • 53% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
38% Popularity • 53% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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The Cult
She Sells Sanctuary
139 bpm • D Maj • 04:12 • -8.68db
69% Popularity • 55% Danceability • 76% Energy • 13% Liveness
87% Instrumentalness • 42% Positiveness
69% Popularity • 55% Danceability • 76% Energy • 13% Liveness
87% Instrumentalness • 42% Positiveness
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The Jam
Start!
139 bpm • C Maj • 02:29 • -8.9db
50% Popularity • 63% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
50% Popularity • 63% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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Gene
Where Are They Now?
139 bpm • D min • 04:16 • -7.06db
27% Popularity • 36% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
27% Popularity • 36% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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The Sound
Counting the Days
141 bpm • A Maj • 03:36 • -8.08db
26% Popularity • 46% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
26% Popularity • 46% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
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The Jesus and Mary Chain
Head On
139 bpm • C Maj • 04:11 • -5db
46% Popularity • 56% Danceability • 87% Energy • 9% Liveness
24% Instrumentalness • 52% Positiveness
46% Popularity • 56% Danceability • 87% Energy • 9% Liveness
24% Instrumentalness • 52% Positiveness
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The Bluetones
Bluetonic
139 bpm • C Maj • 04:08 • -6.94db
38% Popularity • 28% Danceability • 90% Energy • 9% Liveness
31% Instrumentalness • 29% Positiveness
38% Popularity • 28% Danceability • 90% Energy • 9% Liveness
31% Instrumentalness • 29% Positiveness
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Sleeper
Statuesque
141 bpm • B Maj • 03:23 • -5.2db
25% Popularity • 44% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
25% Popularity • 44% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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XTC
Generals And Majors - 2001 Remaster
141 bpm • A# Maj • 04:04 • -7db
45% Popularity • 61% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
45% Popularity • 61% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
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The Tears
Autograph
138 bpm • D Maj • 03:31 • -5.52db
21% Popularity • 39% Danceability • 93% Energy • 31% Liveness
0% Instrumentalness • 79% Positiveness
21% Popularity • 39% Danceability • 93% Energy • 31% Liveness
0% Instrumentalness • 79% Positiveness
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Lloyd Cole and the Commotions
Lost Weekend
138 bpm • A Maj • 03:15 • -10.17db
51% Popularity • 59% Danceability • 73% Energy • 9% Liveness
2% Instrumentalness • 78% Positiveness
51% Popularity • 59% Danceability • 73% Energy • 9% Liveness
2% Instrumentalness • 78% Positiveness
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Interpol
PDA
138 bpm • F# min • 04:59 • -5.83db
56% Popularity • 24% Danceability • 91% Energy • 9% Liveness
88% Instrumentalness • 25% Positiveness
56% Popularity • 24% Danceability • 91% Energy • 9% Liveness
88% Instrumentalness • 25% Positiveness
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Morrissey
Tomorrow - 2014 Remaster
138 bpm • F# min • 04:17 • -5.71db
25% Popularity • 53% Danceability • 80% Energy • 7% Liveness
26% Instrumentalness • 60% Positiveness
25% Popularity • 53% Danceability • 80% Energy • 7% Liveness
26% Instrumentalness • 60% Positiveness
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Supergrass
Time
138 bpm • A Maj • 03:10 • -8.4db
32% Popularity • 59% Danceability • 55% Energy • 10% Liveness
52% Instrumentalness • 62% Positiveness
32% Popularity • 59% Danceability • 55% Energy • 10% Liveness
52% Instrumentalness • 62% Positiveness
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Elastica
Waking Up
138 bpm • A min • 03:15 • -4db
43% Popularity • 46% Danceability • 97% Energy • 6% Liveness
52% Instrumentalness • 56% Positiveness
43% Popularity • 46% Danceability • 97% Energy • 6% Liveness
52% Instrumentalness • 56% Positiveness
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Manic Street Preachers
Australia - 2016 Remastered Version
138 bpm • E Maj • 04:04 • -3.47db
38% Popularity • 38% Danceability • 94% Energy • 8% Liveness
1% Instrumentalness • 52% Positiveness
38% Popularity • 38% Danceability • 94% Energy • 8% Liveness
1% Instrumentalness • 52% Positiveness
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The Jam
That's Entertainment
142 bpm • C min • 03:32 • -11.52db
61% Popularity • 57% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
61% Popularity • 57% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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Interpol
Slow Hands
142 bpm • B min • 03:04 • -2.52db
60% Popularity • 24% Danceability • 97% Energy • 36% Liveness
44% Instrumentalness • 64% Positiveness
60% Popularity • 24% Danceability • 97% Energy • 36% Liveness
44% Instrumentalness • 64% Positiveness
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Ian Brown
Time Is My Everything
142 bpm • A Maj • 03:52 • -5.92db
34% Popularity • 55% Danceability • 72% Energy • 60% Liveness
0% Instrumentalness • 20% Positiveness
34% Popularity • 55% Danceability • 72% Energy • 60% Liveness
0% Instrumentalness • 20% Positiveness
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Morrissey
Suedehead - 2011 Remaster
142 bpm • D Maj • 03:55 • -4.5db
62% Popularity • 53% Danceability • 99% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
62% Popularity • 53% Danceability • 99% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
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Belle and Sebastian
The Boy With the Arab Strap
142 bpm • G Maj • 05:14 • -9.81db
59% Popularity • 58% Danceability • 83% Energy • 7% Liveness
1% Instrumentalness • 71% Positiveness
59% Popularity • 58% Danceability • 83% Energy • 7% Liveness
1% Instrumentalness • 71% Positiveness
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The Damned
Eloise
143 bpm • B Maj • 05:08 • -10.18db
40% Popularity • 27% Danceability • 67% Energy • 25% Liveness
0% Instrumentalness • 41% Positiveness
40% Popularity • 27% Danceability • 67% Energy • 25% Liveness
0% Instrumentalness • 41% Positiveness
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The Cure
Inbetween Days
143 bpm • A Maj • 02:57 • -6.32db
70% Popularity • 55% Danceability • 84% Energy • 17% Liveness
58% Instrumentalness • 74% Positiveness
70% Popularity • 55% Danceability • 84% Energy • 17% Liveness
58% Instrumentalness • 74% Positiveness
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The Lemonheads
If I Could Talk I'd Tell You
137 bpm • A Maj • 02:50 • -6db
43% Popularity • 50% Danceability • 91% Energy • 10% Liveness
4% Instrumentalness • 70% Positiveness
43% Popularity • 50% Danceability • 91% Energy • 10% Liveness
4% Instrumentalness • 70% Positiveness
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The Teardrop Explodes
Treason
143 bpm • D Maj • 02:57 • -7.27db
40% Popularity • 41% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
40% Popularity • 41% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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Morrissey
All You Need Is Me
143 bpm • C# Maj • 03:12 • -4.78db
38% Popularity • 53% Danceability • 95% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
38% Popularity • 53% Danceability • 95% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
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Orchestral Manoeuvres In The Dark
Enola Gay - Remastered 2003
143 bpm • D min • 03:33 • -7.06db
70% Popularity • 56% Danceability • 76% Energy • 8% Liveness
3% Instrumentalness • 93% Positiveness
70% Popularity • 56% Danceability • 76% Energy • 8% Liveness
3% Instrumentalness • 93% Positiveness
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Primal Scream
Velocity Girl - Alt. Mix
137 bpm • A# min • 01:21 • -7db
39% Popularity • 47% Danceability • 98% Energy • 9% Liveness
88% Instrumentalness • 70% Positiveness
39% Popularity • 47% Danceability • 98% Energy • 9% Liveness
88% Instrumentalness • 70% Positiveness
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The Smiths
There Is a Light That Never Goes Out - 2...
136 bpm • E Maj • 04:04 • -5.86db
82% Popularity • 52% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
82% Popularity • 52% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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The Stone Roses
Mersey Paradise - Remastered
136 bpm • G Maj • 02:46 • -3.18db
54% Popularity • 41% Danceability • 96% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
54% Popularity • 41% Danceability • 96% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
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The Smashing Pumpkins
Stand Inside Your Love
136 bpm • F# Maj • 04:14 • -7.42db
56% Popularity • 27% Danceability • 76% Energy • 34% Liveness
84% Instrumentalness • 38% Positiveness
56% Popularity • 27% Danceability • 76% Energy • 34% Liveness
84% Instrumentalness • 38% Positiveness
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Morrissey
We Hate It When Our Friends Become Succe...
143 bpm • F# Maj • 02:28 • -5.11db
41% Popularity • 54% Danceability • 91% Energy • 9% Liveness
1% Instrumentalness • 86% Positiveness
41% Popularity • 54% Danceability • 91% Energy • 9% Liveness
1% Instrumentalness • 86% Positiveness
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Pixies
Debaser
136 bpm • F min • 02:51 • -9.15db
62% Popularity • 49% Danceability • 91% Energy • 7% Liveness
71% Instrumentalness • 54% Positiveness
62% Popularity • 49% Danceability • 91% Energy • 7% Liveness
71% Instrumentalness • 54% Positiveness
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Peter Murphy
The Scarlet Thing in You
136 bpm • D Maj • 04:24 • -8.44db
27% Popularity • 53% Danceability • 81% Energy • 7% Liveness
1% Instrumentalness • 85% Positiveness
27% Popularity • 53% Danceability • 81% Energy • 7% Liveness
1% Instrumentalness • 85% Positiveness
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Ride
Twisterella - 2001 Remaster
135 bpm • E Maj • 03:41 • -4.33db
37% Popularity • 41% Danceability • 94% Energy • 14% Liveness
64% Instrumentalness • 74% Positiveness
37% Popularity • 41% Danceability • 94% Energy • 14% Liveness
64% Instrumentalness • 74% Positiveness
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The Stone Roses
She Bangs the Drums - Remastered
145 bpm • A Maj • 03:52 • -5db
62% Popularity • 34% Danceability • 98% Energy • 12% Liveness
1% Instrumentalness • 67% Positiveness
62% Popularity • 34% Danceability • 98% Energy • 12% Liveness
1% Instrumentalness • 67% Positiveness
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The Wild Swans
Bible Dreams
135 bpm • A Maj • 03:17 • -10.72db
25% Popularity • 47% Danceability • 82% Energy • 13% Liveness
13% Instrumentalness • 70% Positiveness
25% Popularity • 47% Danceability • 82% Energy • 13% Liveness
13% Instrumentalness • 70% Positiveness
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Morrissey
The National Front Disco - 2014 Remaster
144 bpm • B Maj • 04:23 • -4.4db
28% Popularity • 43% Danceability • 92% Energy • 91% Liveness
11% Instrumentalness • 47% Positiveness
28% Popularity • 43% Danceability • 92% Energy • 91% Liveness
11% Instrumentalness • 47% Positiveness
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The Sound
Total Recall
145 bpm • E Maj • 04:30 • -6.49db
31% Popularity • 39% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
31% Popularity • 39% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Peter Murphy
Marlene Dietrich's Favourite Poem
144 bpm • A min • 05:20 • -17.36db
31% Popularity • 46% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
31% Popularity • 46% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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The Smiths
I Started Something I Couldn't Finish - ...
135 bpm • F# min • 03:47 • -5.72db
53% Popularity • 58% Danceability • 85% Energy • 4% Liveness
1% Instrumentalness • 70% Positiveness
53% Popularity • 58% Danceability • 85% Energy • 4% Liveness
1% Instrumentalness • 70% Positiveness
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Billy Bragg
Sexuality
135 bpm • G Maj • 03:48 • -4db
37% Popularity • 59% Danceability • 93% Energy • 13% Liveness
9% Instrumentalness • 93% Positiveness
37% Popularity • 59% Danceability • 93% Energy • 13% Liveness
9% Instrumentalness • 93% Positiveness
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The Jesus and Mary Chain
Between Planets
145 bpm • G# Maj • 03:27 • -6.24db
32% Popularity • 46% Danceability • 85% Energy • 8% Liveness
69% Instrumentalness • 66% Positiveness
32% Popularity • 46% Danceability • 85% Energy • 8% Liveness
69% Instrumentalness • 66% Positiveness
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Morrissey
Hairdresser on Fire - 2010 Remaster
135 bpm • F Maj • 03:49 • -6.64db
36% Popularity • 65% Danceability • 86% Energy • 6% Liveness
4% Instrumentalness • 64% Positiveness
36% Popularity • 65% Danceability • 86% Energy • 6% Liveness
4% Instrumentalness • 64% Positiveness
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Sonic Youth
Sugar Kane
135 bpm • G Maj • 05:57 • -5.35db
49% Popularity • 34% Danceability • 91% Energy • 8% Liveness
71% Instrumentalness • 36% Positiveness
49% Popularity • 34% Danceability • 91% Energy • 8% Liveness
71% Instrumentalness • 36% Positiveness
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Peter Murphy
Seesaw Sway
135 bpm • B min • 04:15 • -5.72db
33% Popularity • 51% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
33% Popularity • 51% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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Soft Cell
Bedsitter
145 bpm • G Maj • 03:35 • -10.13db
40% Popularity • 64% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
40% Popularity • 64% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Mercury Rev
Goddess on a Hiway
145 bpm • A Maj • 03:45 • -5.89db
51% Popularity • 47% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
51% Popularity • 47% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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Oasis
Songbird
135 bpm • D Maj • 02:07 • -6.21db
58% Popularity • 49% Danceability • 57% Energy • 24% Liveness
0% Instrumentalness • 55% Positiveness
58% Popularity • 49% Danceability • 57% Energy • 24% Liveness
0% Instrumentalness • 55% Positiveness
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Pulp
Common People - Full Length Version
145 bpm • C Maj • 05:51 • -9.03db
69% Popularity • 31% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
69% Popularity • 31% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Primal Scream
Velocity Girl - Remastered
135 bpm • D Maj • 01:25 • -4.37db
31% Popularity • 40% Danceability • 98% Energy • 10% Liveness
9% Instrumentalness • 24% Positiveness
31% Popularity • 40% Danceability • 98% Energy • 10% Liveness
9% Instrumentalness • 24% Positiveness
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Peter Murphy
Cuts You Up - Edit
135 bpm • E min • 04:57 • -9db
30% Popularity • 65% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
30% Popularity • 65% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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The La's
I Can't Sleep
135 bpm • G# Maj • 02:37 • -10db
42% Popularity • 50% Danceability • 88% Energy • 37% Liveness
24% Instrumentalness • 93% Positiveness
42% Popularity • 50% Danceability • 88% Energy • 37% Liveness
24% Instrumentalness • 93% Positiveness
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The Smiths
Bigmouth Strikes Again - 2011 Remaster
135 bpm • C# min • 03:13 • -5.01db
74% Popularity • 40% Danceability • 90% Energy • 54% Liveness
0% Instrumentalness • 84% Positiveness
74% Popularity • 40% Danceability • 90% Energy • 54% Liveness
0% Instrumentalness • 84% Positiveness
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Morrissey
First of the Gang to Die
134 bpm • B Maj • 03:38 • -4.24db
60% Popularity • 53% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
60% Popularity • 53% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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Lloyd Cole and the Commotions
Jennifer She Said
134 bpm • A Maj • 03:01 • -9.65db
40% Popularity • 65% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
40% Popularity • 65% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
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The Mission
Like A Child Again
134 bpm • C Maj • 03:38 • -8.67db
36% Popularity • 51% Danceability • 87% Energy • 16% Liveness
1% Instrumentalness • 71% Positiveness
36% Popularity • 51% Danceability • 87% Energy • 16% Liveness
1% Instrumentalness • 71% Positiveness
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Peter Murphy
Cuts You Up
134 bpm • E min • 05:27 • -10.73db
55% Popularity • 63% Danceability • 81% Energy • 10% Liveness
1% Instrumentalness • 80% Positiveness
55% Popularity • 63% Danceability • 81% Energy • 10% Liveness
1% Instrumentalness • 80% Positiveness
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The Verve
History - Remastered 2016
134 bpm • D Maj • 05:26 • -7.99db
46% Popularity • 34% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
46% Popularity • 34% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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The Smiths
Stop Me If You Think You've Heard This O...
134 bpm • C min • 03:35 • -6.67db
57% Popularity • 57% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
57% Popularity • 57% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Longpigs
Lost Myself
146 bpm • A Maj • 05:04 • -7db
36% Popularity • 33% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
36% Popularity • 33% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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The Lightning Seeds
Lucky You
134 bpm • E min • 04:19 • -9.85db
36% Popularity • 57% Danceability • 86% Energy • 16% Liveness
1% Instrumentalness • 67% Positiveness
36% Popularity • 57% Danceability • 86% Energy • 16% Liveness
1% Instrumentalness • 67% Positiveness
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The La's
Son Of A Gun
146 bpm • A# min • 01:56 • -15.39db
47% Popularity • 66% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
47% Popularity • 66% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Aztec Camera
Somewhere in My Heart
134 bpm • C Maj • 04:01 • -9.53db
54% Popularity • 64% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
54% Popularity • 64% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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The Icicle Works
When It All Comes Down - '92 Version
134 bpm • B min • 05:46 • -11.27db
12% Popularity • 52% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
12% Popularity • 52% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Orchestral Manoeuvres In The Dark
She's Leaving - 2003 Digital Remaster
134 bpm • D Maj • 03:28 • -6.23db
42% Popularity • 62% Danceability • 67% Energy • 9% Liveness
47% Instrumentalness • 30% Positiveness
42% Popularity • 62% Danceability • 67% Energy • 9% Liveness
47% Instrumentalness • 30% Positiveness
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Siouxsie and the Banshees
Hong Kong Garden
147 bpm • C Maj • 02:55 • -8.96db
56% Popularity • 61% Danceability • 72% Energy • 17% Liveness
8% Instrumentalness • 71% Positiveness
56% Popularity • 61% Danceability • 72% Energy • 17% Liveness
8% Instrumentalness • 71% Positiveness
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Lloyd Cole and the Commotions
Rich - Remastered
147 bpm • F# Maj • 04:24 • -11db
30% Popularity • 57% Danceability • 72% Energy • 17% Liveness
33% Instrumentalness • 84% Positiveness
30% Popularity • 57% Danceability • 72% Energy • 17% Liveness
33% Instrumentalness • 84% Positiveness
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Gene
Fighting Fit
133 bpm • F# min • 03:54 • -5.04db
31% Popularity • 34% Danceability • 87% Energy • 33% Liveness
0% Instrumentalness • 49% Positiveness
31% Popularity • 34% Danceability • 87% Energy • 33% Liveness
0% Instrumentalness • 49% Positiveness
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Joy Division
Love Will Tear Us Apart - 2020 Remaster
147 bpm • D Maj • 03:28 • -7.46db
71% Popularity • 53% Danceability • 92% Energy • 13% Liveness
76% Instrumentalness • 90% Positiveness
71% Popularity • 53% Danceability • 92% Energy • 13% Liveness
76% Instrumentalness • 90% Positiveness
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Aztec Camera
The Crying Scene
133 bpm • C Maj • 03:34 • -9.77db
27% Popularity • 56% Danceability • 88% Energy • 29% Liveness
0% Instrumentalness • 76% Positiveness
27% Popularity • 56% Danceability • 88% Energy • 29% Liveness
0% Instrumentalness • 76% Positiveness
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Ultravox
Reap the Wild Wind - 2009 Remaster
133 bpm • C# Maj • 03:49 • -9db
51% Popularity • 56% Danceability • 73% Energy • 8% Liveness
74% Instrumentalness • 84% Positiveness
51% Popularity • 56% Danceability • 73% Energy • 8% Liveness
74% Instrumentalness • 84% Positiveness
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Pulp
Disco 2000
133 bpm • G min • 04:33 • -7.58db
64% Popularity • 56% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
64% Popularity • 56% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Nick Cave & The Bad Seeds
Straight to You
147 bpm • D# Maj • 04:34 • -7.25db
42% Popularity • 22% Danceability • 78% Energy • 21% Liveness
4% Instrumentalness • 41% Positiveness
42% Popularity • 22% Danceability • 78% Energy • 21% Liveness
4% Instrumentalness • 41% Positiveness
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Peter Murphy
All Night Long
133 bpm • G min • 05:44 • -13.48db
44% Popularity • 72% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
44% Popularity • 72% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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The Clash
Lost in the Supermarket - Remastered
148 bpm • E Maj • 03:46 • -11.24db
60% Popularity • 61% Danceability • 63% Energy • 12% Liveness
1% Instrumentalness • 84% Positiveness
60% Popularity • 61% Danceability • 63% Energy • 12% Liveness
1% Instrumentalness • 84% Positiveness
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The Waterboys
A Girl Called Johnny - 2002 Remaster
133 bpm • A min • 03:57 • -4db
44% Popularity • 56% Danceability • 95% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
44% Popularity • 56% Danceability • 95% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
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Pixies
Wave Of Mutilation
133 bpm • F Maj • 02:03 • -10.82db
61% Popularity • 59% Danceability • 81% Energy • 9% Liveness
47% Instrumentalness • 75% Positiveness
61% Popularity • 59% Danceability • 81% Energy • 9% Liveness
47% Instrumentalness • 75% Positiveness
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Drugstore
El President
148 bpm • G# Maj • 02:50 • -7.04db
34% Popularity • 38% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
34% Popularity • 38% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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The Magic Numbers
Forever Lost
148 bpm • E Maj • 04:17 • -5.09db
44% Popularity • 54% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
44% Popularity • 54% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Lloyd Cole and the Commotions
Why I Love Country Music - Remastered
133 bpm • D Maj • 03:00 • -11.32db
32% Popularity • 66% Danceability • 62% Energy • 13% Liveness
1% Instrumentalness • 46% Positiveness
32% Popularity • 66% Danceability • 62% Energy • 13% Liveness
1% Instrumentalness • 46% Positiveness
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The Fall
Victoria
148 bpm • G Maj • 02:45 • -9db
40% Popularity • 49% Danceability • 79% Energy • 18% Liveness
17% Instrumentalness • 90% Positiveness
40% Popularity • 49% Danceability • 79% Energy • 18% Liveness
17% Instrumentalness • 90% Positiveness
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The Ocean Blue
Ballerina Out of Control
132 bpm • G Maj • 03:54 • -12.56db
38% Popularity • 56% Danceability • 50% Energy • 8% Liveness
15% Instrumentalness • 65% Positiveness
38% Popularity • 56% Danceability • 50% Energy • 8% Liveness
15% Instrumentalness • 65% Positiveness
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The Smashing Pumpkins
Tonight, Tonight - Remastered 2012
148 bpm • F# Maj • 04:14 • -9.38db
67% Popularity • 28% Danceability • 67% Energy • 24% Liveness
75% Instrumentalness • 22% Positiveness
67% Popularity • 28% Danceability • 67% Energy • 24% Liveness
75% Instrumentalness • 22% Positiveness
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Richard Hawley
Tonight the Streets Are Ours
132 bpm • F Maj • 03:42 • -9.04db
46% Popularity • 53% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
46% Popularity • 53% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Morrissey
Piccadilly Palare - 2010 Remaster
132 bpm • F# min • 03:47 • -5.53db
36% Popularity • 63% Danceability • 85% Energy • 35% Liveness
0% Instrumentalness • 72% Positiveness
36% Popularity • 63% Danceability • 85% Energy • 35% Liveness
0% Instrumentalness • 72% Positiveness
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Supergrass
Pumping on Your Stereo
132 bpm • D Maj • 03:20 • -4.79db
48% Popularity • 44% Danceability • 90% Energy • 84% Liveness
9% Instrumentalness • 24% Positiveness
48% Popularity • 44% Danceability • 90% Energy • 84% Liveness
9% Instrumentalness • 24% Positiveness
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Pulp
Do You Remember The First Time?
132 bpm • G min • 04:22 • -5.69db
56% Popularity • 40% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
56% Popularity • 40% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
