Songs like It All Comes Down To You by Dan Tyminski
Based on a tempo of (+/- 10%) and a similar genre
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Josh Williams
Modern Day Man
96 bpm • A# Maj • 03:14 • -7.98db
19% Popularity • 62% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
19% Popularity • 62% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
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Dan Tyminski
It All Comes Down To You
96 bpm • F min • 02:40 • -8.24db
26% Popularity • 62% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
26% Popularity • 62% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
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Larry Sparks
Tennessee 1949
96 bpm • B Maj • 03:25 • -12.13db
26% Popularity • 72% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
26% Popularity • 72% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Mountain Heart
While The Getting's Good - Live
97 bpm • E min • 03:24 • -3.79db
8% Popularity • 62% Danceability • 90% Energy • 94% Liveness
0% Instrumentalness • 52% Positiveness
8% Popularity • 62% Danceability • 90% Energy • 94% Liveness
0% Instrumentalness • 52% Positiveness
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Molly Tuttle
San Francisco Blues
95 bpm • G Maj • 04:04 • -9.97db
22% Popularity • 61% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
22% Popularity • 61% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Gary Mule Deer
Big River
95 bpm • E Maj • 02:39 • -6.74db
1% Popularity • 54% Danceability • 84% Energy • 20% Liveness
45% Instrumentalness • 68% Positiveness
1% Popularity • 54% Danceability • 84% Energy • 20% Liveness
45% Instrumentalness • 68% Positiveness
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Jason Davis
Darby's Castle
97 bpm • B Maj • 03:52 • -6.62db
12% Popularity • 58% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
12% Popularity • 58% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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Flatt Lonesome
Highway Of Pain
97 bpm • C Maj • 04:15 • -5.65db
9% Popularity • 71% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 81% Positiveness
9% Popularity • 71% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 81% Positiveness
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The Po' Ramblin' Boys
Are You Homesick in Carolina
98 bpm • A Maj • 04:26 • -7.43db
24% Popularity • 58% Danceability • 58% Energy • 38% Liveness
0% Instrumentalness • 84% Positiveness
24% Popularity • 58% Danceability • 58% Energy • 38% Liveness
0% Instrumentalness • 84% Positiveness
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Dan Tyminski
Carry Me Across the Mountain
98 bpm • C Maj • 02:34 • -9db
36% Popularity • 65% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
36% Popularity • 65% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Breaking Grass
Shine
94 bpm • E min • 03:56 • -7.05db
11% Popularity • 55% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
11% Popularity • 55% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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BlueRidge
Gonna Travel On
98 bpm • B Maj • 02:48 • -8db
16% Popularity • 68% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
16% Popularity • 68% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Special Consensus
Where the Wild River Rolls
93 bpm • F# min • 03:13 • -7.56db
13% Popularity • 61% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
13% Popularity • 61% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Flatt Lonesome
I’d Miss You
99 bpm • E Maj • 03:18 • -6.06db
20% Popularity • 67% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
20% Popularity • 67% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Dwight McCall
West Virginia Ground
100 bpm • A# Maj • 03:08 • -5db
22% Popularity • 67% Danceability • 67% Energy • 25% Liveness
0% Instrumentalness • 91% Positiveness
22% Popularity • 67% Danceability • 67% Energy • 25% Liveness
0% Instrumentalness • 91% Positiveness
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Dan Tyminski
Ten Degrees and Getting Colder
98 bpm • F Maj • 02:23 • -7db
10% Popularity • 62% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
10% Popularity • 62% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
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Russell Moore & IIIrd Tyme Out
Little John, I Am
100 bpm • E Maj • 03:07 • -7db
23% Popularity • 64% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
23% Popularity • 64% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Unspoken Tradition
Land
100 bpm • C Maj • 03:40 • -7db
21% Popularity • 67% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
21% Popularity • 67% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Newfound Road
I Am The Man Thomas
100 bpm • D Maj • 03:00 • -5db
30% Popularity • 55% Danceability • 88% Energy • 31% Liveness
1% Instrumentalness • 90% Positiveness
30% Popularity • 55% Danceability • 88% Energy • 31% Liveness
1% Instrumentalness • 90% Positiveness
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Sierra Hull
Pretend
100 bpm • E Maj • 03:24 • -10.95db
6% Popularity • 67% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
6% Popularity • 67% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
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The Grascals
Life Finds A Way
100 bpm • A Maj • 02:26 • -9.84db
25% Popularity • 65% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
25% Popularity • 65% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Dan Tyminski
I Ain't Taking You Back No More
99 bpm • B Maj • 02:56 • -6.42db
17% Popularity • 63% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 63% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
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Flatt Lonesome
You'll Get No More Of Me
92 bpm • F# min • 03:33 • -5db
21% Popularity • 70% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
21% Popularity • 70% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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Blue Moon Rising
Barely Hangin' On
92 bpm • G Maj • 03:10 • -9.32db
31% Popularity • 62% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
31% Popularity • 62% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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The Boxcars
Born And Raised In Covington
101 bpm • D Maj • 03:13 • -9db
9% Popularity • 68% Danceability • 61% Energy • 12% Liveness
20% Instrumentalness • 84% Positiveness
9% Popularity • 68% Danceability • 61% Energy • 12% Liveness
20% Instrumentalness • 84% Positiveness
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Special Consensus
Big River
101 bpm • D# Maj • 03:21 • -8.3db
15% Popularity • 64% Danceability • 75% Energy • 12% Liveness
3% Instrumentalness • 92% Positiveness
15% Popularity • 64% Danceability • 75% Energy • 12% Liveness
3% Instrumentalness • 92% Positiveness
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Breaking Grass
Carry On Carolina
101 bpm • A Maj • 03:16 • -6.62db
9% Popularity • 70% Danceability • 68% Energy • 27% Liveness
0% Instrumentalness • 84% Positiveness
9% Popularity • 70% Danceability • 68% Energy • 27% Liveness
0% Instrumentalness • 84% Positiveness
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Dan Tyminski
Heads You Win Tails I Lose
93 bpm • A Maj • 03:41 • -8.05db
32% Popularity • 55% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
32% Popularity • 55% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
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Steve Martin
Yellow-Backed Fly
91 bpm • F Maj • 03:21 • -9.36db
28% Popularity • 72% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
28% Popularity • 72% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Dwight McCall
Poor Old Man
101 bpm • E Maj • 03:39 • -6db
10% Popularity • 61% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
10% Popularity • 61% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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The Boxcars
Marshallville
101 bpm • F# min • 02:30 • -10db
16% Popularity • 69% Danceability • 61% Energy • 9% Liveness
1% Instrumentalness • 92% Positiveness
16% Popularity • 69% Danceability • 61% Energy • 9% Liveness
1% Instrumentalness • 92% Positiveness
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Darin and Brooke Aldridge
Mountains In Mississippi
91 bpm • E Maj • 03:23 • -7.15db
20% Popularity • 59% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
20% Popularity • 59% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Becky Buller
Speakin’ to That Mountain
102 bpm • F Maj • 02:55 • -7.76db
25% Popularity • 67% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 75% Positiveness
25% Popularity • 67% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 75% Positiveness
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Dan Tyminski
I Wish I Didn't Like The Rain
100 bpm • F# Maj • 03:18 • -6.34db
14% Popularity • 65% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
14% Popularity • 65% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Volume Five
Dream Softly
102 bpm • A# Maj • 02:42 • -8.24db
15% Popularity • 63% Danceability • 58% Energy • 23% Liveness
0% Instrumentalness • 82% Positiveness
15% Popularity • 63% Danceability • 58% Energy • 23% Liveness
0% Instrumentalness • 82% Positiveness
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Town Mountain
Black-Eyed Susan
102 bpm • D Maj • 03:41 • -11.16db
29% Popularity • 37% Danceability • 44% Energy • 4% Liveness
18% Instrumentalness • 33% Positiveness
29% Popularity • 37% Danceability • 44% Energy • 4% Liveness
18% Instrumentalness • 33% Positiveness
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Blue Highway
Don't Weep For Me
103 bpm • A Maj • 03:27 • -5.44db
29% Popularity • 70% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
29% Popularity • 70% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
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Gary Mule Deer
Six Days on the Road
90 bpm • D Maj • 02:49 • -6.2db
5% Popularity • 60% Danceability • 84% Energy • 29% Liveness
0% Instrumentalness • 77% Positiveness
5% Popularity • 60% Danceability • 84% Energy • 29% Liveness
0% Instrumentalness • 77% Positiveness
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Special Consensus
If Only I Could Have Your Love
103 bpm • B Maj • 03:02 • -6.35db
14% Popularity • 72% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
14% Popularity • 72% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Dan Tyminski
Never Comin' Home
101 bpm • E min • 03:20 • -5.76db
32% Popularity • 57% Danceability • 80% Energy • 39% Liveness
0% Instrumentalness • 85% Positiveness
32% Popularity • 57% Danceability • 80% Energy • 39% Liveness
0% Instrumentalness • 85% Positiveness
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Volume Five
Losing My Religion
103 bpm • C Maj • 02:55 • -9db
15% Popularity • 61% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
15% Popularity • 61% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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The Nashville Bluegrass Band
Tear My Stillhouse Down
103 bpm • G Maj • 02:32 • -10.9db
35% Popularity • 69% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
35% Popularity • 69% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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New Grass Revival
Hold To A Dream
103 bpm • D Maj • 03:38 • -8.13db
17% Popularity • 65% Danceability • 73% Energy • 36% Liveness
0% Instrumentalness • 90% Positiveness
17% Popularity • 65% Danceability • 73% Energy • 36% Liveness
0% Instrumentalness • 90% Positiveness
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The Boxcars
Hurtin' Inside
103 bpm • E Maj • 04:00 • -9.31db
11% Popularity • 70% Danceability • 58% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
11% Popularity • 70% Danceability • 58% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
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Sierra Hull
Two Winding Rails
103 bpm • E Maj • 02:55 • -10.44db
6% Popularity • 66% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
6% Popularity • 66% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Dan Tyminski
Who Showed Who
101 bpm • D Maj • 03:22 • -7.2db
18% Popularity • 58% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
18% Popularity • 58% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Volume Five
The Lonesome Cry of the Whipporwill
103 bpm • C Maj • 03:10 • -8.45db
12% Popularity • 58% Danceability • 66% Energy • 18% Liveness
6% Instrumentalness • 74% Positiveness
12% Popularity • 58% Danceability • 66% Energy • 18% Liveness
6% Instrumentalness • 74% Positiveness
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Flatt Lonesome
It's Probably Just Her Memory Again
89 bpm • A# Maj • 03:37 • -4.54db
8% Popularity • 64% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
8% Popularity • 64% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Larry Cordle and Lonesome Standard Time
Murder On Music Row
104 bpm • A Maj • 04:19 • -11.67db
10% Popularity • 61% Danceability • 27% Energy • 72% Liveness
0% Instrumentalness • 54% Positiveness
10% Popularity • 61% Danceability • 27% Energy • 72% Liveness
0% Instrumentalness • 54% Positiveness
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Blue Highway
Still Climbing Mountains
104 bpm • G Maj • 03:41 • -7.01db
16% Popularity • 62% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
16% Popularity • 62% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Doyle Lawson & Quicksilver
Dixie Road
104 bpm • F Maj • 02:23 • -5.42db
29% Popularity • 74% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
29% Popularity • 74% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Dan Tyminski
Man of Constant Sorrow
90 bpm • F Maj • 04:07 • -8db
37% Popularity • 54% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 86% Positiveness
37% Popularity • 54% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 86% Positiveness
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The Grascals
American Pickers
104 bpm • C Maj • 02:05 • -4.73db
9% Popularity • 65% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
9% Popularity • 65% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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Special Consensus
Rounder's Spirit
104 bpm • A# min • 03:00 • -6.11db
27% Popularity • 64% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
27% Popularity • 64% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
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Blue Moon Rising
Blue Moon Rising
104 bpm • E min • 02:57 • -7.91db
17% Popularity • 61% Danceability • 69% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
17% Popularity • 61% Danceability • 69% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
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Ronnie Bowman
Truck Driver's Queen
105 bpm • F Maj • 02:16 • -8.24db
30% Popularity • 67% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
30% Popularity • 67% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Russell Moore & IIIrd Tyme Out
If Your Heart Should Ever Roll This Way ...
105 bpm • G Maj • 02:59 • -7.06db
14% Popularity • 71% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
14% Popularity • 71% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Dan Tyminski
Keep Your Eye On Kentucky
104 bpm • A Maj • 03:06 • -5.46db
24% Popularity • 59% Danceability • 79% Energy • 32% Liveness
0% Instrumentalness • 87% Positiveness
24% Popularity • 59% Danceability • 79% Energy • 32% Liveness
0% Instrumentalness • 87% Positiveness
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The Grascals
Indiana
104 bpm • F Maj • 03:05 • -5.91db
22% Popularity • 62% Danceability • 68% Energy • 25% Liveness
0% Instrumentalness • 63% Positiveness
22% Popularity • 62% Danceability • 68% Energy • 25% Liveness
0% Instrumentalness • 63% Positiveness
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Special Consensus
Sea Of Heartbreak
105 bpm • B Maj • 03:08 • -8.06db
27% Popularity • 59% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
27% Popularity • 59% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Junior Sisk
The Mountains Are Calling Me Home
105 bpm • G Maj • 03:07 • -5.19db
24% Popularity • 63% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
24% Popularity • 63% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
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Flatt Lonesome
Where Do You Go
105 bpm • A min • 03:51 • -8.07db
19% Popularity • 46% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
19% Popularity • 46% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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The Nashville Bluegrass Band
Backtrackin'
105 bpm • F Maj • 03:01 • -10.77db
18% Popularity • 68% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
18% Popularity • 68% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Dan Tyminski
Faith is a Mystery
88 bpm • F# Maj • 02:46 • -13.26db
14% Popularity • 62% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
14% Popularity • 62% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
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New Grass Revival
Callin' Baton Rouge
105 bpm • E Maj • 02:40 • -6.25db
41% Popularity • 65% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
41% Popularity • 65% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
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Blue Moon Rising
Stone Cold Lonliness
105 bpm • D# Maj • 03:34 • -7.97db
15% Popularity • 63% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
15% Popularity • 63% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Junior Sisk
Blue Side Of The Blue Ridge
105 bpm • C Maj • 02:52 • -8.37db
12% Popularity • 69% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
12% Popularity • 69% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Town Mountain
Ain't Gonna Worry Me
106 bpm • A# Maj • 03:29 • -7.1db
17% Popularity • 66% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
17% Popularity • 66% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Jimmy Gaudreau
On This Rainy Day
106 bpm • F Maj • 03:02 • -10.44db
4% Popularity • 60% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
4% Popularity • 60% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Dan Tyminski
Please Dear Mommy
106 bpm • D Maj • 05:07 • -12.56db
10% Popularity • 54% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
10% Popularity • 54% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Flatt Lonesome
Mixed Up Mess of a Heart
106 bpm • A# Maj • 02:46 • -7.18db
19% Popularity • 78% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
19% Popularity • 78% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
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Dale Ann Bradley
Run Rufus Run
106 bpm • B min • 03:28 • -6.76db
21% Popularity • 59% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
21% Popularity • 59% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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Breaking Grass
Digging Up Georgia
106 bpm • A min • 02:46 • -6.45db
14% Popularity • 69% Danceability • 47% Energy • 4% Liveness
0% Instrumentalness • 69% Positiveness
14% Popularity • 69% Danceability • 47% Energy • 4% Liveness
0% Instrumentalness • 69% Positiveness
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Randy Kohrs
I'm Torn
106 bpm • F min • 02:52 • -5.69db
11% Popularity • 62% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
11% Popularity • 62% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Jason Davis
Modern Day Jezebel
107 bpm • E min • 03:26 • -9.04db
9% Popularity • 63% Danceability • 67% Energy • 7% Liveness
41% Instrumentalness • 71% Positiveness
9% Popularity • 63% Danceability • 67% Energy • 7% Liveness
41% Instrumentalness • 71% Positiveness
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Dan Tyminski
Think About You Every Day
107 bpm • D Maj • 02:43 • -8.98db
15% Popularity • 56% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
15% Popularity • 56% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Hot Rize
Radio Boogie
107 bpm • C Maj • 02:44 • -15db
25% Popularity • 68% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
25% Popularity • 68% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Russell Moore & IIIrd Tyme Out
Sugarfoot Rag
107 bpm • E Maj • 03:19 • -9db
19% Popularity • 46% Danceability • 72% Energy • 31% Liveness
10% Instrumentalness • 52% Positiveness
19% Popularity • 46% Danceability • 72% Energy • 31% Liveness
10% Instrumentalness • 52% Positiveness
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Josh Williams
Girl From The Canyon
107 bpm • A# Maj • 02:24 • -8db
18% Popularity • 64% Danceability • 78% Energy • 27% Liveness
0% Instrumentalness • 84% Positiveness
18% Popularity • 64% Danceability • 78% Energy • 27% Liveness
0% Instrumentalness • 84% Positiveness
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Lonesome Standard Time
Lonesome Standard Time
107 bpm • G Maj • 02:45 • -12db
7% Popularity • 63% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
7% Popularity • 63% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Blue Highway
I'd Rather Be A Lonesome Pine
107 bpm • B min • 02:41 • -8.96db
23% Popularity • 74% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
23% Popularity • 74% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Dan Tyminski
Silence in the Brandy
107 bpm • F# min • 03:25 • -5.98db
22% Popularity • 60% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
22% Popularity • 60% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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Junior Sisk
Cold In Carolina
107 bpm • A Maj • 02:30 • -5.48db
19% Popularity • 62% Danceability • 78% Energy • 35% Liveness
0% Instrumentalness • 93% Positiveness
19% Popularity • 62% Danceability • 78% Energy • 35% Liveness
0% Instrumentalness • 93% Positiveness
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The Soggy Bottom Boys
I Am A Man Of Constant Sorrow - Radio Ed...
86 bpm • F Maj • 03:10 • -13.1db
63% Popularity • 56% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
63% Popularity • 56% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Larry Sparks
Love Of The Mountains
107 bpm • A# Maj • 02:58 • -7.46db
24% Popularity • 70% Danceability • 61% Energy • 28% Liveness
0% Instrumentalness • 71% Positiveness
24% Popularity • 70% Danceability • 61% Energy • 28% Liveness
0% Instrumentalness • 71% Positiveness
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Ronnie Bowman
Cold Virginia Night
108 bpm • A Maj • 02:32 • -12.55db
27% Popularity • 74% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
27% Popularity • 74% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
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The Earls Of Leicester
All I Want Is You
108 bpm • C Maj • 03:04 • -8.78db
13% Popularity • 60% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
13% Popularity • 60% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Dan Tyminski
Huckleberry
86 bpm • A# Maj • 04:04 • -7.48db
18% Popularity • 61% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
18% Popularity • 61% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Unspoken Tradition
Carolina Rain
108 bpm • A Maj • 03:39 • -8.39db
16% Popularity • 69% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
16% Popularity • 69% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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The Grascals
Sleepin' with the Reaper
108 bpm • A min • 03:07 • -5.17db
24% Popularity • 64% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
24% Popularity • 64% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
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Larry Sparks
The Old Coal Mine
108 bpm • D Maj • 03:05 • -6.96db
28% Popularity • 60% Danceability • 63% Energy • 33% Liveness
0% Instrumentalness • 68% Positiveness
28% Popularity • 60% Danceability • 63% Energy • 33% Liveness
0% Instrumentalness • 68% Positiveness
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Lou Reid
Blue Kentucky Wind
109 bpm • B Maj • 03:38 • -9.57db
11% Popularity • 67% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
11% Popularity • 67% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Claybank
Where's A Train When You Need One
109 bpm • A# Maj • 03:24 • -7.43db
15% Popularity • 65% Danceability • 66% Energy • 28% Liveness
0% Instrumentalness • 93% Positiveness
15% Popularity • 65% Danceability • 66% Energy • 28% Liveness
0% Instrumentalness • 93% Positiveness
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Dan Tyminski
God Fearing Heathen
108 bpm • E Maj • 02:49 • -10.54db
22% Popularity • 52% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
22% Popularity • 52% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Wildwood Valley Boys
North Of The Carolinas
109 bpm • E Maj • 03:07 • -6.81db
17% Popularity • 69% Danceability • 57% Energy • 33% Liveness
4% Instrumentalness • 64% Positiveness
17% Popularity • 69% Danceability • 57% Energy • 33% Liveness
4% Instrumentalness • 64% Positiveness
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Newfound Road
Try To Be
109 bpm • C Maj • 02:29 • -5.29db
32% Popularity • 60% Danceability • 86% Energy • 33% Liveness
1% Instrumentalness • 86% Positiveness
32% Popularity • 60% Danceability • 86% Energy • 33% Liveness
1% Instrumentalness • 86% Positiveness
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John Michael Montgomery
The Little Girl
84 bpm • C# Maj • 03:52 • -8.53db
46% Popularity • 66% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
46% Popularity • 66% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Flatt Lonesome
You're the One
84 bpm • B Maj • 03:56 • -9db
23% Popularity • 55% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
23% Popularity • 55% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness